Nude Moms
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Nude Moms
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Former Spice Girl and mom-of-three Mel B took to Instagram to share a pic of herself wearing a gold watch, a couple of bangle bracelets, and pretty much nothing else as she posed in front of a mirror with her arms crossed over her chest, in an effort to promote body positivity. “As a woman I embrace my flaws and I'm comfortable in my own skin,” she wrote in the caption. “Might as well I’m gonna be in it for the rest of my life. I’m the kinda girl that has absolutely no desire to fit in. Ladies we gotta love the skin we are in.”
YASSSS! Even though we have no idea what flaws the X Factor judge could possibly be referring to, we are totally feeling the girl power behind what could have been just another indulgent naked selfie. Zig-a-zag-amazing, Mel!
Black Chyna—who is engaged to Rob Kardarshian and expecting his baby any minute—is definitely keeping up with her fiancé’s sister Kim . The 28-year-old posed pregnant and completely au natural with her blooming tattooed belly on full display for the September 2016 issue of Paper magazine–the same publication that “broke the Internet” after featuring Kim’s bare, champagne-covered bottom on it’s cover. Chyna posted a stunning outtake from the shoot over on Instagram , along with the caption. “Blac Chyna, mogul, entrepreneur, a mother and a bad*ss bitch.” Modesty definitely does not run in this family—and why should it when you look this amazing?
It’s like rain on your wedding day…. or, you know, going skinny-dipping when you’re pregnant. While expecting her second child with husbandMario “Souleye” Treadway, singer-songwriter Alanis Morissette Instagrammed the most amazing picture of herself completely naked and submerged in water. Her hands are demurely covering her chest, but otherwise, the rocker’s stunning pregnant body is on full display as she serenely floats underwater like some kind of mermaid goddess. And she punctuated the picture with a pretty awesome quote from her 5-year-old son, Ever, too. “You have to be extra gentle around ladies because they are the most helpful people in the world ’cause they make persons.” #truth
Tess Holliday is anything but shy about showing off her famous figure. While expecting her second child, with fiancé Nick Holliday, the plus-size model stripped down for an awesome naked baby-bump selfie to hit back at all the critics who claimed they couldn’t tell she’s pregnant. “I will continue to live unapologetically, to thrive in this body, prove the naysayers wrong & laugh at the ignorance,” she captioned the stunning shot, adding the hashtags #babyhollidayontheway #37weeks #effyourbeautystandards #plussizepregnancy . Way to go, Tess! Haters gonna hate, so you just keep doing you.
The queen of the "belfie," Kim Kardashian has embraced her post-baby body by sharing it with her over 69 million Instagram followers. The mom of two (son Saint joined daughter North on Dec. 5) even captioned one recent nude black-and-white photo with the hashtag "#liberated."
In her first-ever Instagram post, Halle Berry shared a shot of her shirtless silhouette from behind while peering through a bamboo forest. "Today is a very exciting day for me... I'm looking forward to sharing our world through images that reflect my emotions and perceptions," wrote the Oscar winner (who's mom to daughter Nahla and son Maceo).
Like sister Kim, Kourtney Kardashian is a fan of the full-body black and white naked selfie. (And when you look like this, who can blame you?) More recently, the KUWTK star and mom of three Instagrammed a sunbathing photo of herself wearing a string bikini bottom and the caption "Sunday Funday."
There's no fear of a wardroble malfunction here. "@zac_posen ....I need something to wear for tonight's @projectrunway," mom of four Heidi Klum cheekily captioned a shot of the designer covering up her breasts while modeling only underwear.
Amber Rose is no stranger to sexy , and this Instagram photo of the mama of 3-year-old Sebastian proves it.
Despite looking absolutely gorgeous in a tastefully topless Instagram shot , Jenna Dewan Tatum managed to poke fun at herself: "I pretty much live my entire life with hair in my face," wrote the mom to daughter Everly (with husband Channing Tatum) about her blowing-in-the-wind tresses.
Check out the supermodel's Instagram feed and you'll see all sorts of images, from playful family candids and bikini shots to tasteful images like this one —paying homage to her day job.
"Cali and Dreams," captioned supermodel Alessandra Ambrosio (who's mom to daughter Anja and son Noah with businessman fiance Jamie Mazur) with an in-the-buff shot from a photo session in Malibu.
Our engineers are working quickly to resolve the issue.
Is nakedness invisibility’s opposite? Maybe not, but, if it’s unapologetically displayed, it can be a kind of antidote to erasure.
“Bebe on Sand,” 2014. Photographs by Jocelyn Lee
“Deborah at Aquinnah Beach in September,” 2020.
“Nancy at 78, Maine at 18 (Aunt and Grandniece),” 2018.
“Nancy Floating at Quitsa Pond,” 2016.
“Judith at Home,” 2009. Photographs by Jocelyn Lee
“Bebe and Pagan in the Red Room,” 2004.
“Bebe and Pagan Pregnant with Twin Girls,” 2012.
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Some clichés about the cycle of life are true. When you are raising young children, the days are long and the years are short. And when you’re a woman, you will, at about age fifty, become invisible. All our lives, as girls and younger women, we prepare ourselves to be looked at. We grow accustomed to registering —to attracting, evading, or denouncing the male gaze. In “ Mrs. Dalloway ,” Clarissa, newly aware of herself as a woman of a certain age, walks down the street thinking, “This body, with all its capacities, seemed nothing—nothing at all.” The cultural critic Akiko Busch, quoting that line from “Mrs. Dalloway,” notes that “a reduced sense of visibility does not necessarily constrain experience.” True, but it takes some getting used to, and when it’s punctuated, as it often is, by condescension—when strangers are suddenly addressing you not even as “Ma’am” but, with a verbal wink, as “young lady”—you may not want to get used to it.
Is nakedness invisibility’s opposite? Maybe not, but, if it’s voluntarily, unapologetically displayed, it can be a kind of antidote to diminishment and erasure. A nude portrait of a woman older than, say, sixty is an unusual image—even a taboo one. To make such photographs, and, even more so, to pose for them, is an act of defiance. In the course of her career, the photographer Jocelyn Lee has been drawn to nude bodies of all shapes and ages. Her latest book, “Sovereign” (Minor Matters Books), features a selection of her photographs of women who range in age from their mid-fifties to their early nineties, posing naked, frequently outdoors and in natural settings.
Lee’s color images of older women are painterly, classical, but also frank. Skin puckers, crinkles, and sags. Bellies poof and pleat. A silver-haired woman stands knee-deep in a pond strewn with autumn leaves, looking directly at the camera, her elbows angled back like wings to reveal one intact breast and one mastectomy scar. A naked woman sits on a blanket of moss in the woods, her breasts and belly soft, so at ease she might be napping. In “Nancy at 78, Maine at 18,” a woman and her grandniece stand nude on a beach. Side by side, their long-legged, curly-headed bodies rhyme, but also remind us of the ways time will remake our familiar, corporeal selves. The image is not some grim memento mori, though. The women lean comfortably toward each other, touching shoulders; the younger woman’s arm loops through the elder woman’s. Behind them, the sea and sky are a light-suffused blue.
Lee, who is fifty-nine, lives part of the year on a lush, wooded property outside of Portland, Maine. She’s taken some of the portraits of older women at a pond near her house, and others on beaches at Martha’s Vineyard and elsewhere. The natural settings, devoid of sociological detail and inherently beautiful, tend to banish ironic readings and extend a certain benevolence to the naked subjects. We aren’t in paradise here—nobody in these photos looks that naïve—but we are not in any sort of judgment-laden social space, either. Lee told me that she hoped the locations implied the warmth of sun on the body—“that kind of comfort and love”—and communicated the idea that we are “all essentially sensual creatures.”
“The camera can be very cruel depending on how you use it,” she said. “There’s a whole tradition of photography that’s based on criticality and cruelty. Diane Arbus —whom I love, by the way—looked for unflattering moments to create a sense of drama. Sometimes that can be done with the juxtaposition of elements in a space, the exaggeration of the appearance of wealth or poverty, harsh lighting.”
Lee said that, by contrast, her work had sometimes been criticized for being “too earnest or romantic.” But she made her peace with that a long time ago. Through her photography, Lee has always tried to understand “what lay ahead.” When she was still in college, long before she had children herself, she photographed a pregnant friend in the nude as part of her thesis project. “This was before the Demi Moore Vanity Fair cover; people didn’t really know what a pregnant woman looked like,” she said. Through the years, she took many nude photographs of her mother, who, she says, had a remarkable ease in her own skin. Lee continued taking pictures of her as she was dying of cancer.
I’m about six months older than Lee, and, all in all, I consider aging to be far better than the alternative, as my own mother, who died at sixty, the age I am now, used to say. Still, I prefer the cloudy mirror in my bathroom to any in which I can see myself clearly. The older women who posed for Lee in the nude include professors, writers, artists, an astrologer, a hospice worker, and a small-town mayor. To me, they seem very brave, but it bothers me to say so. We all have bodies; if we’re lucky, we all get old, or at least older. Why not show what it looks like?
Two of Lee’s subjects, Judith and Nancy, have been posing for her for decades. Both told me that they don’t love how they look in some of the images, but that they treasured the experience of making them with Lee, whose process is creative and collaborative. Nancy, who is eighty, said, “I cringe when I look at the images, but I know that when I’m ninety I’m gonna say, ‘Ooh, look how great I looked!’ ” Her grandniece Maine, who posed with her, is a photography student. Maine told me that Lee’s image makes her happy because her grandaunt and she look so alike in it. “It’s like seeing myself in sixty years, and I sort of love that,” she said. “I think Nancy is beautiful.” Lee told me that she plans to photograph the pair every year.
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