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Humans, being as prejudiced as we are, tend to only like certain animals. Oh, how our dog smiles and plays! Oh, how our cat rolls on the rug asking for a tummy rub! Oh, how the hamster stuffs his chubby little cheeks! Oh, how pretty the Mute Swan is as he glides across the pond! Oh, how the Coelacanth... is a boring old fish.
You may have noticed that only cute, cuddly, and cool animals are good guys while unpopular or unattractive animals are brought in to be the Designated Villains. This usually plays into the "Carnivores are Mean" subtrope of Carnivore Confusion. Wolves were cast as baddies for centuries. Owls and hawks and corvids basically exist to drop down on our cuter protagonists from above. Wasps and termites are mini villains. Rats and skunks are the go-to pocket-sized villains. Weasels were formerly the standard pocket-sized villains before the millennia. Friendly sharks pretty much exist only as a subversion. Don't even ask about snakes.
The heroes, on the other hand, will be cute or cool animals like doggies and kitties and bunnies and duckies and turtles and froggies and ladybugs and bees and ants and monkeys and friendly playful dolphins and Reticulated Chipmunks and you see where we're going with this right?
Wolves and Foxes, and Lions and other big cats can be heroes as well because their babies are cute and thus remind people of puppies and kittens, and the adults look badass. All butterflies are marked "Cute", even those you won't like to see in your garden. Spiders and bats are marked "Mean" even though they usually don't bother humans at all and even devour lots of annoying and dangerous insects. And if you'll encounter an Antlion in the role of horrible predator, its adult form is not likely to appear in next scenes (it looks like a cute, pretty dragonfly). For any animals not in this short list, it's usually divided into one of these.
Some fiction goes even further, casting only cute, cuddly, and cool animals — ugly and unpopular animals tend to be non anthropomorphic, villainous, or outright absent.
It should be noted that which animals get to be considered cute/cool or the opposite tends to vary by culture. For example, foxes are generally cute or roguish in America, mean in some parts of Europe and Magnificent Bastard types in others, magical tricksters in Japan, and Ax-Crazy evil in Korea. Cats are generally seen as bad and mean in the West, but in other parts of the world such as Japan and the Middle East, cats are generally playful and cute animals even if they are strays. Rats are portrayed as vermin in the western world, but are revered in India and is the first of twelve animals that represent the years on the Chinese Zodiac. Pigs are often outrightly dirty and greedy in western culture as well as in Middle East, but tend to get more consideration in China, where they are part of the aforementioned Zodiac as well. Dogs, while seen as cute, heroic and lovable in the West, are reviled in Middle East as evil scavengers.
Another factor may be the animal's size and/or place in human society. For example, both Mice and Rats can be cute, but they can get a bad rap because they're commonly household pests. Even then, the tiny Mice are likely to be portrayed more positively than the larger Rats. Consequently; if a cat is chasing a mouse, the cat is often portrayed as the villain, but a cat chasing a rat is usually the hero.
Whatever the case may be, if you happen to think any of the animals in the "Designated Villains" list are cute and/or cool, you are a weirdo in the eyes of the mainstream.
It is worth noting that there are some exceptions to this rule, because perceived slyness and/or cunning are often important determining factors along with cuteness. Rats and ferrets, for example, are almost always portrayed as mean and/or evil, even though they are small and fuzzy. However, mice, who appear nice or mostly harmless quite a bit, are commonly thought to be unable to think their way out of a wet paper bag. For this reason, though cats are indisputably adorable, they are often seen as mean or a villain's pet in Western media.
This trope is pervasive enough that simply associating a human character with a certain animal or, in fantasy and science fiction, giving him the features of an animal can immediately peg them as good or bad.
In extreme cases, this can start to look like the animal equivalent of Fantastic Racism. Where are the wise crows (the closest you get is Clever Crows), easygoing iguanas, mean, aggressive hippos, gentle gorillas (though these are more common in the 21st century than any time period before the 1990s), murderous doves, Ax-Crazy chimpanzees, bullying swans, suicidal deer, vicious, sociopathic dolphins (though this is becoming popular in recent years), ad infinitum?
This trope is Truth in Television and a major problem in wildlife preservation, with animals that appeal to humans termed charismatic megafauna, like the panda for example. It doesn't matter if, like the aforementioned Coelacanth, you've survived damn near everything else the world can throw at you; if you aren't generally thought of as cute by most people, you're in serious trouble. Few people really care about ugly or unpopular animals, regardless of their ecological importance.
The Coelacanth example can also lead us towards the subtrope Prehistoric Monster, about the whole extinct animal ensemble, which often receives in media the same treatment as modern-day "non-cutes" or even worse.
The Uncanny Valley is somewhat related, as it was born from the scientific study of this trope. It is a supertrope of No Cartoon Fish. It often cross-pollinates with Beauty Equals Goodness, Animal Stereotypes, Carnivore Confusion, and What Measure Is a Non-Human?. See also Ugly Cute, Bat Out of Hell, Bug War, Ominous Owl, Reptiles Are Abhorrent, You Dirty Rat!, and Always Chaotic Evil. Contrast Dark Is Not Evil, Light Is Not Good, Tastes Like Diabetes, and Grotesque Cute. This trope also applies to humans and is often the deciding factor of who gets to be the Face of the Band. This trope is pervasive enough that the Killer Rabbit and some of the Bad Kitties exist to subvert it. Time period and location seem to affect public opinion of mustelids, as shown by the contrasting tropes Weasel Mascot and Wicked Weasel.
One way to subvert audience expectations with this trope is to turn the moralities of the characters on their head, but not the characteristics of the animals themselves. For example, use animals normally seen as unpopular (such as horseshoe crabs), and retain their "undesirable" qualities while showing that they're good at heart. Conversely, use popular animals (like dogs) to display pleasurable features, while hiding their malevolent nature.
Can overlap with Black Comedy Pet Death if "non-cutes" are killed for laughs.
In what was probably a deliberate Viral Marketing campaign, Ford "accidentally" leaked two SportKa ads onto the Internet. One depicted a pigeon getting smacked by the car's hood before taking a crap on it, and the other depicted a cat getting decapitated by the car's sun roof. While both sparked complaints, the cat one was the worst-received, though it might mostly be the level of violence that caused it.
Applied uncomfortably in Bubblegum Crisis. In the first episode the Knight Sabers are sent after a man and a small girl. They go to some lengths trying to rescue the kid, but it turns out she and the man were both Boomers, and she was taken out by a Kill Sat. The Knight Sabers promptly tell the company not to make Boomers that look like kids.
Fresh Pretty Cure! officially adopted this trope when Eas/Setsuna had her Heel–Face Turn. Both of her forms were equally good looking; instead of being killed off like most other female Pretty Cure villains, she's spared and converted to the side of good as Cure Passion.
It's doubtful anyone would care for the eponymous cyborgs in Gunslinger Girl if they wouldn't look like cute, little girls, since they are cold-blooded killing machines.
This is the point; the manga especially challenges viewers by making the characters sympathetic and cute, but then you have to contrast this with the fact that they are living weapons. The dichotomy even begins to take its toll on their handlers after a while.
A cyborg is a living creature with some mechanical parts, so they would look human regardless. Also, potentially dangerous things can still be cute. The fact that they could be really destructive doesn't mean it contradicts.
Watch the summons fighting in Naruto. Notice how animals like dogs and toads usually get beat up or, worst-case scenario, stabbed. Now notice how things like spiders, bees and centipedes get crushed, mutilated, or turned to pulp. If you consider that they all have at least some sapience since they can form contracts, then the Jiraya/Pain fight where the former snaps all the joints of the latter's giant crab is downright cringe-worthy.
This is actually not true for all summons. One of Tsunade's most prominent is a giant acid-spitting slug that splits off and forms smaller slugs Asteroids Monster style yet is apparently one of the quietest and most docile summons compared to Jiraiya's toad, Gamabunta, and Orochimaru's snake, Manda. In addition Anko, who was one of Orochimaru's test subjects, can also summon snakes which she used to help the protagonists a few times, and Temari once summoned a giant scythe carrying weasel to defeat one of Orochimaru's minions.
It's not necessarily about protagonist vs. antagonist. Aside from Katsuyu, invertebrate summons are treated like expendable Mooks that can (and do) get graphically slaughtered on-screen. And the snakes definitely get injured a lot more severely than the mammals and cute toads.
Subverted in Paranoia Agent, where the cute cartoon dog Maromi turns out to be the villain of sorts, if he can be called that, precisely because he is cute, and people love him, causing their collective stress to turn into a blob monster that destroys Tokyo once he disappears.
Pokémon:
The anime more or less follows through with the games' philosophy...until you go back to the first season or so and notice that Ash had cute little Pikachu, Butterfree, Squirtle, Bulbasaur, and Charmander - and that the Team Rocket trio had a floating naval mine gas cloud, and a giant purple rattlesnake. Later on though, Ash got a Muk (essentially a live pile of sludge) and Charmander gradually changed into the big, scary — but badass — Charizard. Additionally, Team Rocket started a sort of running gag where they acquire increasingly cute Pokémon in the newer seasons. It's also revealed that Ekans and Koffing aren't really evil (although it's stated that no species of Pokémon is inherently evil). In "Island of the Giant Pokémon" they are revealed to be Punch Clock Villains and bear no anger or malice towards Pikachu. The first Pokémon Ash captures is a Caterpie. It does evolve soon, but in the meantime Misty gets to scream about it because she's afraid of bugs and thinks it's gross. Also, Ash later gets an adorable Gligar which evolves into Gliscor — which is a huge, demonic-looking, flying scorpion thing with fangs and batlike ears. It's affectionate and a little slow in the head. But then there's also the uncomfortable realization that Ash's team hardly ever get to evolve. Unless their adult form looks cool.
Ash's rival Paul has some pretty scary Pokémon on his team, all of them evolved. He eventually released the only one that didn't belong that he kept for a good amount of time...Ash ended up capturing it minutes later.
The summer camp arc of the anime had a Dusknoir that tried to warn people about the evil ghost girl that was really trying to harm them, and getting beaten up for its trouble. It still chose to help, even putting itself at risk and clearing its name. You just want to take it with you and give it snacks.
In Pokémon: The Rise of Darkrai, Darkrai is blamed for destruction in the city, whereas it was Palkia that caused it and Darkrai tried to protect the town and the garden in which he lived. He goes as far as to sacrifice himself to prevent the effects of one of Palkia's Spacial Rends and Dialga's Roar of Time colliding. He gets better in the end.
Played with in Porco Rosso where the main hero is a Pig Man. He is nonetheless rather popular with the ladies.
Subverted in Puella Magi Madoka Magica — you're in the minority if you think the Weasel Mascot isn't suspicious by episode 2, and all bets are off in episodes 6 and 8.
Yokohama Kaidashi Kikou uses this trope to the fullest to elicit complete empathy for the robotic protagonists.
This is why Alpha playing a moon-zither provides us with an illustration for the Ridiculously Human Robots trope, turned Up to Eleven.
Monster Musume has a few chapters that deal with this, especially in the case of Rachnera, who was treated with false niceties due to her drider-esque appearance and very few locations cater to non-humanoid liminals though the latter is treated as government oversight.
In Dragon Ball Super, the remaining fighters in the Tournament of Power bear witness to the Kamikaze Fireballs' transformations and many of them are left bewildered by their looks as while Sanka Ku/Kakunsa and Su Roas/Rozie still retain decent looks, it's Brianne de Chateau/Ribrianne that has this reaction the most as her transformed state makes her very chubby and fat, so much so that Vegeta actually dodges an easy hit because he's so repulsed by it.
Played with in-universe during the Japan Animator Expo short "20 min. Walk from Nishi-Ogikubo Station". Our heroine wakes up to find she's been miniaturized, and her boyfriend is suddenly trying to kill her. It turns out she's been turned into a cockroach (and thus we've had our sympathies with one the whole time) — but while she and the audience sees herself as a regular, albeit naked human, all he sees is the scuttling roach form.
Big Finish Doctor Who: Horrifyingly invoked in "Zagreus", where Rassilon prevented the evolution of future lifeforms that aren't the basic "two arms, two legs, one head" form, justifying it with this trope.
Explicitly invoked in Hack/Slash: Trailers #2, when Cassie and Vlad are overwhelmed by Hobs, furry little Gremlins-like Explosive Breeders who multiply when wet and have a "violent allergy" to candy. When Chris reveals what they are and how to stop them from multiplying, they attack, and Cassie's unwilling to just take them out with her baseball bat because "We don't kill cute." So Chris tells her about their "allergy", which it turns out results in the creatures turning red and scaly, instantly eliminating Cassie's reluctance to slaughter them.
In the first issue of the Milligan-Allred run on X-Force, the team loses Sluk, a mutant whose power is apparently having a mass of tentacles instead of a face. Leader Zeitgeist admits that he's not too broken up over the loss, as Sluk was tactically less useful than the others and his hideous visage was just slightly beyond what the public was willing to accept from a "heroic" mutant. He was only really marketable towards little kids.
Tharg's Future Shocks: In the future humans hunt down alien reptiles that look like bowls of mucus. One guy eats as many of their eggs as possible to wipe out those ugly aliens. It turns out that they have a very interesting method of reproduction when he starts to melt.
The father of Joker's Daughter abandoned (or possibly killed, though she is an Unreliable Narrator) a dog she picked up because it was an "ugly" Bulldog-looking dog.
Many pure-blood families would find it easier to benefit beautiful magical creatures like phoenixes or unicorns than to treat their house-elves better.
WALL•E: The most sympathetic robots like WALL-E, EVE, and MO, have endearing features such as large eyes and hands. The villainous robots, such as AUTO and GO-4, are red-eyed cyclopes with no hands or visible expressions. That said, some of the minor heroic robots have unorthodox designs; some are merely vacuums on wheels, and the intimidating WALL-As, enormous WALL-Es with four Glowing Eyes of Doom, turn out to be nice guys.
Lampshaded in Ratatouille. Remy's major struggle is the fact that humans thin
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