Nobody S Daughter Hole
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Nobody S Daughter Hole
℗ 2010 The Island Def Jam Music Group
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4.4 out of 5 stars
230 ratings
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Is Discontinued By Manufacturer
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No Language
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English Product Dimensions
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5.79 x 5.63 x 0.39 inches; 3.53 Ounces Manufacturer
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Mercury Records Date First Available
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May 8, 2008 Label
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Mercury Records ASIN
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B00192KCHO Number of discs
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1
4.4 out of 5 stars
230 ratings
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Wow. Who expected this? We all know the back story of Courtney Love. Her personal life has long overshadowed any musical effort that she has put out. And in her own words, she has spent more time being a "celebrity" than an actual musician in the past 10 years. After years of tabloid scandals, celebrity feuds and gossip, even the most hardcore fan could be forgiven for thinking this was going to be an absolute disaster. But it's not. In fact, this is a great record...actually, scratch that. The fact that this was made at all makes this a phenomenal record. If you are looking for the heaviness of Pretty on the Inside or the roaring grunge Queen of Live Through This, then look elsewhere. Compared to Holes discography, Nobody's Daughter is probably closest to Celebrity Skin, but even that is an unfair comparison. This album is more in the vein of latter-day Marianne Faithfull and Stevie Nicks than any of the above. Some critics would have you believe this is a disappointment. Most seem to want some sort of repeat performance of Live Through This, which is ridiculous. Grunge is dead and Courtney is now a 45 year old woman. Do they still want her to be singing about Pee-Girls and Garbadge Men at 45? As someone who favours songwriting and lyrics above all else, Nobody's Daughter is such a classy, lyrically strong and wonderful record that shows a remarkable amount of growth. Nobody's Daughter started out life as a solo record, and a folk-rock record to it's core. The re-recorded product (Recorded with and co-produced by new Hole guitarist Micko Larkin) still retains some of the earthy folk of the ditched solo record, but adds some much needed meat to it's bones. Some of the highlights include The title track, which could one day be regarded as her masterpiece. Containing a brilliant riff and equally brilliant lyrics, it's epic. It's sweeping. It's her "Gold Dust Woman" it's her "The Wall" all combined into one. It is truly that good. "Honey" is a gorgeous, heartbreaking scream-along ballad that is quite obviously written about her late husband. It's a very touching song, sung with a passion that has been missing from Courtney's music since Live Through This. "Pacific Coast Highway" is the twin sister of "Malibu"; it's a fantastic track which sounds like it should have been given to Stevie Nicks. "Someone Else's Bed" is one of the true highlights of the album. A song about one night stands, it's like R.E.M's "Country Feedback" meets "Doll Parts". The real highlight for me on this record though has to be "For Once in Your Life". The track is a stunning English pop/Celtic waltz, complete with marching drums and cellos and a beautiful backup vocal from Martha Wainwright and Jenni Muldaur. It is just a phenomenal tune, which very much recalls early Marianne Faithfull. The album ends on a big high note with "Never Go Hungry" which is just Courtney alone with her acoustic guitar. This is a 60s Dylan style folk tune, about survival through the darkest of times. Some people don't want to see an artist grow. As an album, Nobody's Daughter is possibly lyrically the strongest Courtney has ever been, and as a long time Courtney Love/Hole fan I couldn't happier with it. This isn't Zeitgeist and it isn't Chinese Demoracy. However you feel about Courtney using the band name Hole for this record, Nobodys' Daughter is for the most part an intelligent, mournful, elegant, sometimes angry, but gratifying album that attempts to face some of her past mistakes head-on. In a perfect world this album would be given the accolades it deserves. Unfortunately we will have to wait for the world to catch up with her before it sees the critical praise it is due. Highly recommended.
First I would like to say that this woman has been through the ringer. Let's give her a break and look beyond the headlines. I went to see her in Philly and she was off the hook amazing. This is a solid effort from Courtney love. Hole is reincarnated with new faces, and for anyone who doesn't like the New Hole, please remember one thing, without Courtney there would have never been a Hole in the first place. She is the star of the show, and most significant in the band. Many critics commented about her voice and singing in negative terms. Courtney was never known to have a beautiful voice, but that's what makes Courtney separate from the rest. Yes she has aged, but still has the same rage!Don't expect a hardcore Pretty on the Inside or even a Live through this, because this album is just one of a kind. For those of you who loved Celebrity Skin, this album is the closest to that, but with more honesty and rawness that is hard to find these days. Every song is fabulous, but I was disappointed that she left out a few gems like Car Crash, Sunset Marquis, Happy ending story, Stand up Mother ****** and the pop version of How Dirty girls get clean. Also, the old version of Samantha would have been a great fit. That's why I gave this album 4 Stars. 1. Nobody's Daughter- This song musically reminds me of the 90s, and at first listen you might not like it, but listen a few more times, and you will love it as she sings, "The world's broken doll and The world's shattered whore." 2. Skinny little Bitch- Love it! Love the screaming!She said that this song is about herself. She refers to herself as "a nasty piece of work." 3. Honey- Very sad song about someone that died. It's beautiful but tearful. One can draw there own conclusions. Her voice is filled with such passion in this track, especially in the chorus. 4. PCH- Sounds like "Boys on the radio, or Malibu." Another beautiful song. The most radio friendly track. 5. Samantha- One of the best songs on the album, and the best hook ever. How can you not like it when she screams, People like you **** people like me!" 6. Someone else bed- A good song, but not the most powerful, yet it shows Courtney's vulnerable side. 7. For once in your life- Slower, and almost sounds similar to Stevie Nicks "Landslide." Only in a few parts like when she sings, "I been cheated covered in diamonds and covered in filth, but I'm still breathing," 8. Letter to God- Linda Perry wrote this song for Courtney. I can see how it pertains perfectly to Courtney's life in a nut shell. 9. Looser Dust- Courtney does the most screaming on this song. This song is a more traditional Courtney track. 10. How Dirty Girls get Clean- Best song on the album. That's all I have to say about this piece. Listen and you will see what I mean. This is Courtney's masterpiece. The guitar riffs are pounding in this track. 11. Never go Hungry again- Acoustic and the second best song on the album. This is her anthem. Must listen to "How dirty girls get clean," and "Never go hungry again." Give her a chance despite her past mishaps. Even if you disagree with this review, still listen to her Wail.
5.0 out of 5 stars
A truly brilliant album. No need to press skip at any ...
A truly brilliant album. No need to press skip at any time - as in all of the songs are well worth listening to - and to me that is the sign of a really good and complete album. Courtney's voice actually sounds really good, and some of the song lyrics are incredibly clever and poignant. Would recommend this album to fans of Hole, but also to people who've never listened to them before. It really does stand alone as a great album in itself. So pleased I bought this. It's become one of my most played CDs already.
4.0 out of 5 stars
The solo record Courtney should have released.
While there is no Eric,Melissa or Patty on this record there is still Love and lots of her. Courtney Love once again provide fans with a good record and more lyrics that will prompt thought from anyone who listens. Although Courtney Love is the only returning member of hole to return with this record it is still a record that fans expect from hole. An album that has the same heart ache and anger as it predecessors. However you can feel the absence of the other members, as the album sounds too much like Courtney's failed début album, with predictable, uninspired rock chord progressions and overall sound. The balance of band members is no longer present. The album plays like a solo record with nothing more than a back up band being instructed to play. But the album does avoid becoming forgettable with honest lyrics, great grunge vocals and most of all attitude that Love has become loved for. A good album all round but will leave fans missing the Hole of days gone by. With my top track picks being 'Pacific coast highway' and 'Someone else's Bed'
I am biased, i love courtney love so it's always going to be 5/5 In all honesty you are unlikely to buy this record unless you are a fan so you know what to expect. The usual mix of grunge rock and ballards. you will find yourself sing aalong to catchy tunes and maybe only skipping one track if that.
5.0 out of 5 stars
... the first time- that she is one of the best songwriters there has ever been
Courtney proves - not for the first time- that she is one of the best songwriters there has ever been. She continually produces the goods, time and time again, and rises above all the stupid conspiracy theorists and narrow minded haters. Not a weak song on the album. Buy it with an open mind...!
5.0 out of 5 stars
Great Album!
It's a very underrated album, all the songs have so much emotion and rawness. My fav song is Samantha, can't stop listening to it. I bought this one used and it arrived in great shape, happy with my purchase.
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NOBODY'S DAUGHTER is the first album by Hole in more than a decade (since 1998's three-time Grammy-nominated Celebrity Skin). It also marks Courtney's first record since her solo album America's Sweetheart of 2004 (with "Mono" and "Hold On To Me," both songs co-written with Linda Perry, who co-wrote the bulk of that album's songs with Courtney).
"This record is about greed, vengeance and feminism," says Courtney Love of the ragged rock songs on her first LP in six years - and the first she'll release with a new incarnation of Hole. Writing began in 2005, while Love was strumming raw folk tunes on an acoustic during a rehab stint. But as the songs developed - with help from producer Michael Beinhorn, Billy Corgan and Linda Perry - Love says, "S**t got darker, I got meaner, and the tracks got hard and big." -- Rolling Stone, March 8, 2010
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About “Nobody's Daughter”
1 contributor
Vita A Zero Kelvin
203,629
Nicole Witte
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takeyourfuckingfork
48,207
Acoustic Guitar
Linda Perry &
Peter Thorn
Additional Drums
Jack Irons
Additional Production
Micko Larkin
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Nobody’s Daughter is Hole’s last studio album, released in 2010. It was initially conceived by Love as a solo album, but she later changed her mind and decided to regroup Hole – although no member of any past lineup was present except for Love herself.
This created a controversy around the entitlement of the album, with original guitarist Eric Erlandson claiming that, contractually,
Nobody’s Daughter is Hole’s last studio album, released in 2010. It was initially conceived by Love as a solo album, but she later changed her mind and decided to regroup Hole – although no member of any past lineup was present except for Love herself.
This created a controversy around the entitlement of the album, with original guitarist Eric Erlandson claiming that, contractually, Hole couldn’t reform without him being a part of it; Love, however, countered in a tweet that the trademark was her property. In the end – although no actual agreement seems to have happened – Love went on using the band’s name and even promoted the Hole album with a tour. The new lineup featured guitarist Micko Larkin, bassist Shawn Dailey, and drummer Stu Fisher. Former bassist Melissa Auf der Maur expressed her disappointment in how Love “tried to jeopardize” an actual Hole reunion .
The album was inspired by Love’s drug addiction and ultimate rehabilitation. When she was in rehab, her friend and producer Linda Perry encouraged her to write new material, providing her with a guitar. Love commented :
My hand-eye coordination was so bad, I didn’t even know chords anymore. And
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