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By Ashley Strickland , Special to CNN
The company's mission is to be "the first designer brand dedicated to 'loungerie' for children and teenagers."
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© 2022 Cable News Network. A Warner Media Company. All Rights Reserved. CNN Sans ™ & © 2016 Cable News Network.
(CNN) -- They recline in their bras and panties, some wearing pearls and Brigitte Bardot-inspired bouffants, shooting smiles at the camera. The images are just like many a lingerie ad designed to entice, but these are images of young girls -- those who aren't even old enough to need bras.
French company Jours Après Lunes has designed a line of " loungerie " -- a compromise between loungewear and lingerie -- for children between the ages of 4 and 12. A line for teenagers and infants is seemingly age appropriate, but the designs for children are drawing fire.
The company's mission is to be "the first designer brand dedicated to 'loungerie' for children and teenagers, comprised of loungewear and lingerie to be worn over and under, inside and outside."
Fashionista.com first broke the story, stating "What's disturbing about Jours Après Lunes is not just the fact that it's lingerie for people who probably shouldn't be old enough to even know what lingerie is, but the photographs on their website."
In the comments, readers went back and forth over the appropriateness of the lingerie, asking if these girls were old enough to make decisions about how they want to look and, even more hotly contested, if the styling of the photos sexualizes the lingerie, rather than the designs themselves.
In an interview with The Lingerie Journal , Jours Après Lunes creator Sophie Morin defended her brand and the photographs included in the ad campaign.
"There is no vulgar connotation," she told the lingerie industry publication. "The materials are totally opaque, there is no transparency, no lace. The triangles -- there are only two in the collection -- are used in swimwear for the smallest children and as a first support for young girls, even by young women who are not looking for proper support since the tops I design do not offer any. There is no bra in my collection.
"The children are not wearing heels, nor nail polish, nor lipstick," Morin added. "Their hairstyles are exaggerated, just as are games and the child's universe. These models are professional models and not 'Lolitas' who have stolen women's clothing."
Comments on the Fashionista story show that many who have viewed the ads don't take away the innocent "child's universe" that Morin was hoping to convey.
The makeup on the models, although it may not include lipstick, was another upsetting factor for viewers, and while Morin says there are no bras in the collection, it was assumed that the "swimwear tops" were lingerie-esque in appearance.
Morin also said that the loungerie is not distributed in the U.S. or the UK.
The criticism of the French clothing line is not unlike when Abercrombie and Fitch released its "Ashley" push-up bra, originally designed for 7-year-olds but later marketed to 12-year-old girls after a public outcry.
In 2007, the American Psychological Association developed a task force of psychologists to tackle the issue of sexualization of girls in every form of media. Dr. Tomi-Ann Roberts was a part of that task force and continues to address female body image and sexuality.
Dr. Roberts and her colleagues on the task force say that sexually objectifying women at a progressively younger age has been occurring for the last 20 years in advertising. The photo spread by Jours Après Lunes came as no surprise to her, although she still considers these ad campaigns to be "nauseating and sick."
In a society that continues to value younger women, we've reached an ultimate low, Roberts said. This campaign, with its prominently featured stuffed animals, is eerily similar to a recent Victoria's Secret fashion show, where scantily-clad models "dragged teddy bears down the catwalk," she said.
And as for the girls involved in the photo shoot, Roberts believes they know how to portray a sexualized look.
"I think the advertising world is trying to convince all of us that youth is the only good time of life," Dr. Roberts said. "Now it's like, we've been obsessed with youth, so we might as well have them be 6 years old. Today's girls equate pretty with 'trumped-up sexy.'
"We have now said, as a society, that attractiveness today is constituted by a pornographied, voyeuristic look-at-me kind of sexuality. Girls know it very well. If I say 'Look pretty' to a young girl, she lowers her chin, slants her eyes and turns to the side. That's everywhere around them.
"What we have taught them by posing them this way that there's something about their bodies that is publicly consumable."
Discussion: Would you buy this kind of lingerie for your young daughter? Tell us in the comments section below.
© Copyright 2021 Wakelet Limited. All rights reserved.
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Novosibirsk’s Siberian Beauties
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Anna Yuzhakova takes her laptop computer with her to the restaurant car. She wants to show her international visitor the many charms of Siberian beauties. They are the result, she says, of years of mixed marriages by citizens from different republics of the former Soviet Union.
Anna is a scout. She discovers new talents for the Noah Models agency in St. Petersburg.
She is herself a former model. Four times a year she crosses her native region by train searching for the next top models, the ones who will one day strut the catwalks of Paris or New York.
Her travelling companion, Stephane Hababou, watches the photos of would-be models scroll across the screen. He’s also a scout. He represents the prestigious Marilyn agency in Paris.
It’s his first trip to Siberia. Hababou says it’s the best way for him to find new prospects ahead of his competition.
There’s not a moment to waste. Anna and Stephane stop in every large city of the region, holding a casting call that is open to all.
About 50 teen girls in black undergarments and stiletto heels greet Anna and Stephane at every stop. Some move nervously. Others proudly show off their curves.
The presence of this visitor from Paris ramps up the pressure. Everyone knows Hababou holds the key to a possible career abroad. It’s an opportunity to follow both an American and French dream, a chance to escape the daily drudgery of life in Siberia.
Anna invites Marina Korotkova to step forward. The 17-year-old barely has the time to take two steps before a cutting remark welcomes her into the world of modelling, even if pronounced under the guise of humour. “Marina is a little overweight.” At 93 centimetres, her hips are too wide. The visitors still take a few photos and recommend she go on a diet.
Russia’s largest modelling school is in Novosibirsk. It’s a unique breeding ground for girls who start training as early as age 10 or 12. They learn fashion photography techniques and how to sway their hips on a catwalk.
Fifteen-year-old Kristina Churina, a recent graduate, catches Stephane Hababou’s eye. If she loses a little weight, she could end up in Paris within the year, modeling the creations of top designers.
But few are chosen. Anna selects about 30 young women during each of her Siberian scouting trips. Only a fraction of them will ever end up with real modelling careers.
To be ready to seize the opportunity if presented with it, Kristina has been taking intensive English courses. She also has a plan B. She’s studying tourism and hopes to one day manage a large hotel.
Anna Yuzhakova takes her laptop computer with her to the restaurant car. She wants to show her international visitor the many charms of Siberian beauties. They are the result, she says, of years of mixed marriages by citizens from different republics of the former Soviet Union.
Anna is a scout. She discovers new talents for the Noah Models agency in St. Petersburg.
She is herself a former model. Four times a year she crosses her native region by train searching for the next top models, the ones who will one day strut the catwalks of Paris or New York.
Her travelling companion, Stephane Hababou, watches the photos of would-be models scroll across the screen. He’s also a scout. He represents the prestigious Marilyn agency in Paris.
It’s his first trip to Siberia. Hababou says it’s the best way for him to find new prospects ahead of his competition.
There’s not a moment to waste. Anna and Stephane stop in every large city of the region, holding a casting call that is open to all.
About 50 teen girls in black undergarments and stiletto heels greet Anna and Stephane at every stop. Some move nervously. Others proudly show off their curves.
The presence of this visitor from Paris ramps up the pressure. Everyone knows Hababou holds the key to a possible career abroad. It’s an opportunity to follow both an American and French dream, a chance to escape the daily drudgery of life in Siberia.
Anna invites Marina Korotkova to step forward. The 17-year-old barely has the time to take two steps before a cutting remark welcomes her into the world of modelling, even if pronounced under the guise of humour. “Marina is a little overweight.” At 93 centimetres, her hips are too wide. The visitors still take a few photos and recommend she go on a diet.
Russia’s largest modelling school is in Novosibirsk. It’s a unique breeding ground for girls who start training as early as age 10 or 12. They learn fashion photography techniques and how to sway their hips on a catwalk.
Fifteen-year-old Kristina Churina, a recent graduate, catches Stephane Hababou’s eye. If she loses a little weight, she could end up in Paris within the year, modeling the creations of top designers.
But few are chosen. Anna selects about 30 young women during each of her Siberian scouting trips. Only a fraction of them will ever end up with real modelling careers.
To be ready to seize the opportunity if presented with it, Kristina has been taking intensive English courses. She also has a plan B. She’s studying tourism and hopes to one day manage a large hotel.
Siberia is known around the world for its frigid temperatures. But in the world of fashion, the region is famous for being home to the most beautiful women in the world.
The measuring tape is king. Minimum height: 172 centimetres (5 feet, 6 inches). Maximum hips: 90 centimetres (35.4 inches).
Casting calls are open to all and attract about 60 hopeful young women every time they are held.
The measuring tape is unforgiving. With hips measuring 93 centimetres (36.6 inches), Marina Korotkova is considered “a little fat.”
Stephane Hababou, from the Marilyn agency in Paris, has come to Siberia to find the most promising beauties before his rivals do.
Anna Yuzhakova (centre), herself a former model, visits Siberia four times a year on behalf of the Noah modeling agency in St. Petersburg.
Anna discovers 30 to 40 fresh and interesting faces every month.
Anastasia Akhmameteva catches the eye of Stephane Hababou. Her ticket to Paris is within reach.
For the ones left behind, the rejection is often brutal.
15-year-old Kristina Churina just graduated from Novosibirsk’s modelling school and has caught the attention of the Paris agency.
But Stephane Hababou hesitates about Kristina: “If she loses weight, we’ll see see how she changes.”
Siberia is considered a modelling reservoir, thanks to ethnic mixing.
A little powder, and barely pubescent girls turn into femmes fatales.
A fashion show after the casting call allows scouts to observe the models in real conditions.
For many young women from small villages, modelling offers a chance to travel and earn a lot of money.
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