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By the early s, Tiffany was focusing his attention on the creative potential of glass. He tried working with existing glasshouses, but became eager to take control of the creative process and experiment on his own. In , he purchased a site in Corona, then a relatively rural area in Queens, and built glass furnaces where he employed skilled chemists to develop new recipes and decorative effects for sheet and blown glass. These formulas were fiercely guarded secrets, and the seclusion of Corona was ideal because it was situated safely away from the prying eyes of his competitors. Located on what is today the corner of 43rd Avenue and 97th Place, Tiffany called this new venture the Stourbridge Glass Company later renamed Tiffany Furnaces. A decorative enamel department and a small pottery studio were added by Across the street, between the glasshouse and the railroad, he established the Allied Arts Company later renamed Tiffany Studios , a large complex of brick buildings that eventually housed woodworking shops, lampshade and chandelier departments, and a foundry and metal shop for brass, bronze, and iron. Here, Tiffany created everything from furniture and lighting fixtures to desk accessories, elevator doors, and monumental sculpture. At the height of production in Corona, Tiffany reportedly employed several hundred workers. Production wound down during the s, and the Corona complex finally closed its doors in around

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