Naughty America Nobody Does It Better Mp3
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Naughty America Nobody Does It Better Mp3
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Blues
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Vocal Blues
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Maria Muldaur Format: Audio CD
4.7 out of 5 stars
58 ratings
Is Discontinued By Manufacturer
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No Language
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English Product Dimensions
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5.71 x 5.83 x 0.43 inches; 3.6 Ounces Manufacturer
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Stony Plain Music Item model number
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2248135 Original Release Date
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2007 SPARS Code
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DDD Date First Available
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March 9, 2007 Label
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Stony Plain Music ASIN
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B000O591I8 Number of discs
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1
4.7 out of 5 stars
58 ratings
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This album is great. I discovered her music back in college in the 90s, and she really is one of the best blues singers around. . .and amazingly productive putting out an album a year since Louisiana Love Call came out in 1992. She has done all types of genres of jazz and blues. Naughty Bawdy & Blue is one of the best. The songs are mostly uptempo with a great backup of trumpets, trombones, clarinets, saloon style piano, etc. It is urban upscale blues of the 1920s and 1930s, a tribute to the great female singers of the era. The songwriting is terrific. You don't get this kind of smart, bawdy, and often moving type of songwriting today. The Chicago Jazz Band brings an infectious mood to the songs. In short: This is a really fun album of great songs, singing, and musicianship. I guarantee you will like it. It is one gem after another to the point you are disappointed when the album ends. My favorites: Down Home Blues, Up the Country Blues, Separation Blues (great duet with Bonnie Raitt), New Orleans Hop Scot Blues, TB Blues, One Hour Mama (very funny), and Yonder Come the Blues. I cannot imagine anyone not liking this album. It makes me want to seek out the original singers and songwriters of these songs, which is exactly what a tribute album should do.
First,I have to admit a thing or two: I absolutely love Muldaur's last two acoustic blues albums,second I frequently listen 1920s blues queens on my I-pod (I collect with interest & enthusiasm their original music) so naturaly I was very excited and curious about this album.It might be that I'm too familiar with originals but I have impression that while Muldaur honestly loved & enjoyed previous two albums,this is done for the sake of finishing the trilogy.The magic is present only on duet with Bonnie Raitt who gracefuly harmonises from behind and dont push herself too much in front,excatly as young Muldaur did on her 1968 recording of the same song with great late Sippie Wallace.Althought Muldaur herself have talent,ability,attitude and formal connections with some of 1920s blues stars,somewehere at the back of my mind little voice tells me its still a little white girl trying to be big black mama - I don't love Muldaur any less for it,since there's nobody else who does this anyway,she's clearly on a mission to keep the torch going on - but somehow it would make more sense to hear Etta James or Koko Taylor with this kind of material.For heart in the right place and her enthusiasm,four stars anyway.
"Naughty, Bawdy & Blue" is a delightful blues fest. Muldaur acts as musicologist in addition to performer. The booklet has bios for Ma Rainey, Victoria Spivey, Sippie Wallace, Bessie Smith, Mamie Smith, Ethel Waters, Alberta Hunter & Sara Martin. Muldaur's duet with Bonnie Raitt on "Separation Blues" is a delightful showstopper with the band in full Dixieland mode, "For years you dogged me round, but now's the time for me to get you told what's on my mind; I'm going away; please don't ask me to stay." "New Orleans Hop Scop Blues" is another Dixieland diamond with Muldaur's voice sounding every bit like the CD title, "New Orleans is a great big old Southern town where hospitality I have surely found, the population there is very very fair with everything they do." The CD concludes with a Ma Rainey tune that's like a sunny day blues, "Everytime I get a letter, it's always bad news; Everytime I see the mailman, yonder comes the blues." Other tracks like "Handy Man," "Smile," & "One Hour Mama" are also excellent. Muldaur's blues bio is good reading. This set finds her knee deep in the blues. It's riveting listening. Enjoy!
Love her voice! From the first moment I heard Maria I was captivated. When I finally saw a picture of her, I couldn't believe she was the one who was singing to, and stirring up that Naughty, Bawdy and Blue woman living inside of me! Wonderful!!
5.0 out of 5 stars
A CRACKER !!!!
I've got cd's of the original recordings of some of these great blues songs, but Maria Muldaur's rolling versions, with her fantastic voice, are EVEN BETTER ! Every song on this album just makes you want to sway your shoulders and get up and swing to the beat. I defy ANYONE to sit still listening to this album....especially "A Good Man is Hard to Find" and "Early Every Morn" (my favourite). It's playing now...it's been playing ever since it arrived, and it's a dead cert it'll be playing whenever you read this review. BUY THIS ALBUM ! It'll bring joy to you whenever you play it.
As the title suggests an inspiring selection of Bawdy Blues. Sung with passion and what sounds like a serious amount of authenticity supported by a select band of jazz musicians who play with reverence to the singer and content - marvellous
3.0 out of 5 stars
Not one of her better albums
A very samey selection of tracks delivered in a very samey way. Frankly, it was boring. If you like this sort of music and you (like me) like Maria Muldaur buy Richland Woman Blues instead. It scores 9 out of 10 on the same scale this scores 4. It's got 3 stars for those who've not heard Richland Woman Blues. Otherwise 2 stars.
Not just a one trick pony - so glad we bought this. She really belts out the blues
I bought this album after listening to the sublime sound of Maria Muldaur with the Tuba Skinny band from New Orleans. No comparison! There is a wonderful cohesion between the Skinnies and Maria which is lacking from the sound and her fit with the Chicago Jazz Band. The bawdy ballads are great and the album is worth a listen but her work with the tight, light touch of the Tuba Skinnies will endure.
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Maria Muldaur - still remembered for her classic hit "Midnight at the Oasis" - has become one of Stony Plain's most treasured artists. NAUGHTY BAWDY AND BLUE is the third in a series of CDs of classic blues material from the '20s through the '40s. This time however Maria changes her focus from country blues to the vaudeville blues artists who recorded racy, entertaining blues usually backed by the best jazz players of the day. Maria sings and delivers this material better than anyone.
Building on her Grammy-nominated collections of classic women's blues from the '20s through the '40s ( Richland Woman Blues , 2001, and Sweet Lovin' Ol' Soul , 2005), jazz/blues chanteuse Maria Muldaur returns with Naughty, Bawdy & Blue . It's an apt title for a sassy group of songs originally recorded by Victoria Spivey (one of Muldaur's mentors), Alberta Hunter, Bessie Smith, Ma Rainey, and other female urban blues stylists the singer describes as "liberated socially, financially, and most of all sexually from the confines and mores of the times." Backed by the perfect fit of James Dapogny's Chicago Jazz Band, who often performed with Sippie Wallace and whose sound seems to have time-traveled without alteration, Muldaur moves through a dozen vaudeville blues numbers with integrity and authenticity, and never resorts to campy riffs or faux black dialect. Her expressive soprano has taken on a depth and heft through the years, and she's smart to deliver such suggestive lines as "I love the way he whips my cream" (from "Handy Man") or "He's a deep-sea diver with a stroke that can't go wrong" (from Smith's "Empty Bed Blues") with a subtle wink, preferring to let an insinuating trumpet chase home the joke. The album finds its highlight with "Separation Blues," a duet with Bonnie Raitt, who introduced Wallace to new audiences on her tours of the '70s and '80s. Muldaur and Raitt--corduroy and burlap--harmonize with the ease that comes from decades of friendship, and from the joy of preserving and appreciating one of AmericaΒs purest musical forms. --Alanna Nash
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CDs & Vinyl
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R&B
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Funk
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Comment: Cd and artwork are in great shape. super fast shipping
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Various Artists
(Artist)
Format: Audio CD
4.6 out of 5 stars
14 ratings
Is Discontinued By Manufacturer
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No Product Dimensions
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5.5 x 4.94 x 0.45 inches; 3.68 Ounces Manufacturer
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Rhino Date First Available
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November 4, 2006 Label
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Rhino ASIN
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B00001W0BE Number of discs
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1
4.6 out of 5 stars
14 ratings
Brief content visible, double tap to read full content.
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Not the usual rehashing of tunes you have heard over and over again. It is new funk tunes that I thought were original and interesting. It had energy and you could definitely listen to the songs. I like the effort and results.
For those of us who miss that old time funk, this is Utopia. Confunkshun, SOS Band, Bar-kays, Dazz Band, Charlie Wilson, The System, Rick James and the amazing Roger Troutman. It doesn't get funkier. This CD is well balanced with jams and ballads. It's great to here an entire album of NEW funk. My personal favorites were Party Time (UWF), Who Do You Tell (SOS Band), Hello (The System), and Table Dance (Rick James). I was really glad to hear the System together again -- Mic & David can still do it. And if you like Rick when he's being naughty, you won't be disappointed.
I'd throw my two cents in. There is some serious funkin' goin' down here, from the jump. And by the way, contrary to a previous comment, the Rick James cut is a bouncing album highlight; I wouldn't steer you wrong. You'll want to break out into some of your best dance moves. Believe that.
Here is a great album that doubles as an indictment of the throw-away mentality the now permeates music and black music in particular. United We Funk, an album composed of new cuts by 1980s funk and R&B artists, shines because it doesn't saddle the old masters with having to re-sing their old hits (we all know you can't go home again. Instead, it but gives them new contemporary material. And you know what? They JAM! It was great hearing the Barkays, and the Gap Band again. Gap Band's Charlie Wilson spins the best line on the album in one cut: "You keep the key, I'll change the lock; don't want your hooptie rolling up my block.'' The underrated SOS Band has some good moments here as well. But The System--that great salt-and-pepper synth-funk duo from the 1980s--steals the show with the funky, repentive "Hello.'' The only weak spot is Rick James' contribution, although its good to hear him again. Too bad the music industry cut short these acts' original time in the sun. You always figured they had much more to offer. This album proves they indeed did. And do.
Excellent album! This is a unified release that was organized by Bobby Harris(founder of the Dazz Band and of Major Label records). United We Funk is actually Dazz Band, Con Funk Shun, SOS Band, Bar-Kays, The System and Charlie Wilson of the Gap Band. It is loaded with the old school funk us true funk fans will appreciate as well as young hip-hop fans will enjoy. You will not be dissappointed! I caught the San Diego tour date of United We Funk at 4th and B this past March 26th and it was one of the most incredible shows I have ever seen. Larry Dodson of the Bar-Kays and Michael Cooper of Con Funk Shun were dazzling and Charlie Wilson was just SUPERB! If the UNITED WE FUNK TOUR hits your town, DON'T MISS IT! Still, pick this CD up. Its the BOMB!
UWF is a compilation of new stuff, by old reliables. It is a collaboration of funk heavyweights, showing how it should be done. These old faithfuls show that NOBODY DOES IT BETTER,than the tried and tested ones. A funk collectors gem, will make a nice conversation piece, especially with new funkateers.
4.0 out of 5 stars
'Well Worth Adding To Your Collection!'
I have to say that I have been very pleasantly surprised by the overall quality of this album! It is pretty rare to find a compilation of 'retro' acts who are given the chance to put forward new material without the inclusion of a succession of re-records of their hits and even rarer
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