Native American Tranny
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Native American Tranny
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Gimmicks are not only the provenance of porn videos but have become the raison d'etre of mainstream cinema as well. This "high-concept" Adult video is very poorly made but does fill its self-proclaimed niche as the only hardcore project with all the trans-gender cast members supposedly Native Americans. The only points of interest for me were strictly in the realm of nostalgia. The five sex vignettes are separated by Silent Era inter-title cards, while the photography captures (probably accidentally) the Eastmancolor look of '60s soft-core sex films. Beyond those minor factors, the project is a disaster. Sex is mainly pantomime, as not only the trans-females but the ugly male cast members have no clue concerning acting. Costumes are trashy, insulting to the Native American girls with dicks. Condoms are used for humping, normal for the TS genre. The structure has the attractive, and flat-chested, women in the early segments, and some scary looking performers with big breasts and very masculine faces in the final segments. The guys do the humping, but per genre strictures also suck off the she-males. It's mechanical sex at its most robotic, merely a curiosity, which hit me a bit like Warhol's once-notorious (and now forgotten) "Lonesome Cowboys" when I saw it as a midnight movie in 1969. Warhol's opus was strictly soft-core but had a similar amateurishness and flaunting of convention as this forgettable junker does by default.
Cowboys and Shemale Indians: How the Wet was Won
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Policy & Legislation Free Speech Coalition August 30, 2018 CA Senate, Net Neutrality
Press Releases, PASS Free Speech Coalition August 30, 2018 Production Hold
Read the full article by Mark Kernes at AVN.com
LAS VEGAS, Nev. —Carmen Moore, a transgender performer who entered the adult industry at roughly the same time as her "sister in arms" Jessica Fox, has died. She was 32 years old. No cause of death has yet been revealed, in part because, according to Fox, "At this time, our family would appreciate privacy around the whole situation during this tragedy. Maybe sometime in the future after we grieve, we'll be able to honor her and maybe then we'll be able to talk, but as of now, we'd appreciate as much privacy as we can. The only questions we'll be answering are how we can honor her and show respect to our sister."
Fox's reference to Moore as her sister has deep origins. The pair grew up together in a Native American village in northern Arizona from childhood, and according to Fox, "She was a mentor to me."
Our culture embraced trans women," she continued. "In our culture, it wasn't male or female; we recognize five genders and we were very blessed for growing up in the community that we did because we were never harmed, we were never hurt; we always had this strong community support system so that we were able to flourish into the women that we are, and we had very, very strong grandmothers who embraced us and kept us safe, and no one was able to say anything about us, and we were very close to them. We had trans cousins and trans sisters; Carmen had a younger trans sister as well, blood sister who was very close to us. We had this amazing family support system that was there and we were able to flourish into the beautiful women that we are," Fox recalled.
"Over the years, when I was filming, there were these three girls—I joked that they were the 'three little Indians'—but they were Jamie Page, Carmen Moore and Jessica Fox and they were my go-to's," director Steve Volponi told AVN.
"Carmen was definitely one of the girls I could hang out with; go eat, go drink, totally just hang; joke around, be friends. Jessica too, same thing," he reminisced. "I know over the years, Carmen had some boyfriend issues, and sometimes she'd be up and sometimes she'd have down days and she would talk to me about it. For the most part, she was just a great girl, a great person. It's really sad; she's definitely going to be missed. I always looked forward to seeing her, whether at the show or wherever. It really sucks."
Moore worked for most of the biggest adult studios that shot trans material, including Evil Angel, Rodnievision, Grooby Productions, Pulse/Pure Play, Mile High and Exquisite, and several directors at those studios have fond memories of working with her.
"We’re saddened to hear of the passing of Carmen Moore, whom we were informed of her death earlier this week from a member of her family," read a eulogy posted on the Grooby Network website. "Carmen was a much loved, well-respected trans model who had worked in the adult industry across a 10-year span. ... She was one of, if not, the first Native American trans performers. Brought up on a reservation, she transitioned in middle school and then moved to Las Vegas where she began her career, working with our producers, PK Vegas and Buddy Wood on DVD releases and scenes for Grooby Girls. ... Our condolences go to her many friends and family. She will be very missed."
Free Speech Coalition PO BOX 10480 Canoga Park, CA 91309
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Written by
Daniel Villarreal
on September 17, 2020
20 Vintage Pics of Men, Snapped Before Guys Were Worried About Appearing Gay
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When most people think of the Wild West era of 1865 to 1895, they imagine ultra-masculine cowboys who drank whiskey, roped steers, shot revolvers and frequented brothels. Just look at HBO ’s Westworld — it’s filled with blood-thirsty bandits but nary a gay cowboy. But no matter your preconceptions, queer historian Michael Lyons says the 19th century American frontier was much gayer than most people think.
Lyons followed the exploits of “Scottish-born adventurer and noted homosexual” William Drummond Stewart, a military nobleman known for his gay adventures in the American West. Stewart’s travels and other historical facts make for some eye-opening revelations about the queer frontier.
After coming to America in 1832, Stewart joined a “rendezvous” of hunters and trappers in Wyoming and met a French Canadian-Cree hunter named Antoine Clement who became his lover for nearly a decade. As an experienced frontiersman, Clement undoubtedly showed Stewart the ropes of frontier life.
Later on, when the two returned to Scotland after the death of Stewart’s older brother, Stewart presented Clement as his valet (a male attendant responsible for his clothes and appearance) and footman (a uniformed servant who met guests and waited on him at the tables).
Clement reportedly didn’t like Scotland (probably because his boyfriend kept passing him off as the help) and so he and Stewart began traveling the world together. But even today closeted conservatives still pass off their male lovers as “luggage handlers” and “travel companions.”
Lyons points out that California ’s population before the 1849 Gold Rush was 90% male, and most of the men did male-dominated jobs that excluded women like “mining, cattle herding, ranching, hunting and trapping or the military.”
As a result, groups of men would form homes together and some men would do housework previously left to women like cooking, cleaning and laundry. Sometimes these men would also share beds and form partnerships known as “bachelor marriages.”
Historians have noted that these small, all-male families were made up of Chinese, African and Latino settlers, something that both exacerbated racial tensions, especially when food tastes and customs came into conflict, and transcended racial conflicts altogether.
Old-timey photos of same-sex cowboy couples also show the commonality of male affection during the 19th century, but not all of the men pictured in such photos were lovers. Many were just friends or relatives who felt comfortable expressing physical intimacy back then.
While terms like “homosexual” and “heterosexual” weren’t really in use at the time, men still expressed some of their same-sex affection on the dance floor.
An article entitled “Paradise of Bachelors” says the lack of women compelled men to hold dances where “half of the men danced the part of women, wearing patches over the crotches of their pants to signal their ‘feminine’ role.”
Some modern-day dance events at gay country-western bars, Latino bars, Renaissance fairs and contra dance meet-ups have leading partners wear something signifying their traditionally “male” role.
You’ve probably heard of Native American two-spirits — tribal religious leaders and teachers believed to have the spirit of a man and the spirit of a woman within them. Two-spirits lived across America at the time, but they weren’t seen as trans women and men, really. Rather, they fell somewhere along the gender spectrum.
While Christian-influenced Latin-American and European settlers condemned two-spirits as “sodomites” (and some of them did have same-sex or bi-fluid relationships), Native Americans focused instead on two-spirits’ spiritual gifts, allowing them to enter spaces meant exclusively for men or women. Female two-spirits also existed and would sometimes enter unions with other women in the tribe.
History also points out the use of the Wild West word “berdache,” a Persian-derived term commonly applied to two-spirits. The word isn’t a synonym, though, because of its more overt sexual overtones; it is similar to the words “lover” or “boyfriend.” Some people consider the word offensive now because of its derogatory use by some frontiersmen.
Most surprisingly, when Stewart returned to America in 1843, he planned a large “frontiersman rendezvous” and traveled with “a large entourage” to Fremont lake for the event. Stewart brought along “a large array of velvet and silk Renaissance costumes for his all-male guests to wear during the festivities.”
A historian called the event “a rollicking medieval market faire” where “naked men crawled out from beneath striped canvas” of the tents to go loudly skinny dipping in the nearby lake. Most were in their teens and 20s.
A scandal during the “Renaissance pleasure trip” reportedly caused Stewart to return immediately to Scotland and never return to America again.
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