Natasha Teen Plays With Huge Before Dap
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WHEN Natasha was a little girl, her dad would often ask her to play ‘spoons’ on the sofa - he'd be the big spoon and she was the little one.
It sounds like an innocent childhood memory – yet it was anything but, with her evil father using these moments of cuddling to sexually abuse her in secret.
Natasha, now 28, suffered a catalogue of abuse which lasted 15 years from the age of 4 until 19, when she finally plucked up the courage to tell the police.
Only during the subsequent investigation did she learn that she was one of four family members her dad Peter Wilson had abused.
Today he is behind bars serving a twelve-year sentence and Natasha has waived her anonymity to tell her story in an interview with the Sun ahead of a compelling new documentary, My Dad the Paedophile.
Shockingly, one in 20 children in the UK have been sexually abused, and one in three don't tell anyone.
Natasha says her dad was able to abuse her because she had a ‘two-dimensional childhood’ following her parents’ separation when she was a toddler.
"There was my Monday to Friday childhood with my mum and my stepdad and my brothers which was a typically normal childhood, then I had this weekend childhood with my dad which had a secret," she says.
From very early on – Natasha thinks she was around four – her daddy’s cuddles morphed into something more sinister, his hand gradually slipping down from her stomach to beneath her underwear.
"It was almost as if each week his hand got lower and lower …and then it just got more and more intimate to what I would now regard as foreplay," she says.
"There never was any talking or speaking. It was almost as if he was pretending to sleep through most of it. But on one occasion he opened his eyes and said: 'You don’t tell anyone about this do you because if you do daddy will go to prison’."
For a girl who adored her father the warped attention was bewildering.
"Dad had two personas - the guy I knew on the sofa and the guy that everyone knew down the pub, who took me and my brother on holiday," she recalls.
"It was very hard to know what the boundaries were: I grew up thinking this was my dad, he’s allowed to see me naked in the bath but I didn’t know what the line was. I so wanted to believe that I’d got a normal dad."
Only when she got to around aged eleven was she able to really question what was happening.
"There was one incident where he rolled over and he got really passionate grinding against me kissing my neck and at that point I knew that was a boundary he’d pushed it too far."
Yet she felt unable to tell her mother, to whom she was close.
"My mum is an Egyptian woman and she has a fiery temperament. I honestly thought she would drive to his house, pick up a knife and kill him," says Natasha.
"In my mind it meant she would go to prison and I would have no mum and no dad. It was weird to be making this kind of analysis but that is exactly what I did."
Her way of coping, she now realises, were the kick boxing classes she took from the age of eight.
"It gave me a feeling of being strong, of being in control. It didn’t cure the problem, but it was vital at helping me get through my childhood," she says.
There was a reprieve when, shortly after Natasha turned twelve, her father remarried.
"For a good two or three years there was nothing going on. Then I remember when I was about fifteen he asked me to lie on the sofa and I thought it would be OK.
But he tried again. At this point I shot off the sofa, called my mum and asked her to pick me up because we’d had an argument. I didn’t see him again until I faced him in court."
It would be another four years before Natasha was able to pluck up the courage to report her father to the police.
"I was overly upset after an argument with my mum and my partner at the time was baffled about why I was so emotional – it was a huge over-reaction. I remember saying "you don’t have a clue you don’t know my past,"' she says.
"Finally I opened up. He was the first person I’d told and he persuaded me to call the NSPCC , who recommended I speak to the police"’
Two years later Natasha received a call to tell her the case was being dropped due to lack of evidence.
But two years later, she received another phone call, this time from a Leicester police officer telling her there had been another allegation about her father and the case was being reopened.
She wasn’t told by who, but in time she learned that her father had also sexually abused two cousins and her step-sister Sophie – her father’s daughter by a third marriage - who Natasha had played with as a girl.
"When the case finally came to court and I walked in and saw Sophie - nothing can prepare you for that confirmation. I had felt alone for so long, but it made it so real," she says.
The court case took place at Leicester Crown Court last October with Natasha and her fellow victims giving evidence from behind a screen.
"But once it came to the verdict I was determined to see him," she recalls.
"He hadn’t changed - he didn’t look a day older. I remember him looking at me with these puppy dog eyes like he couldn’t believe I’d sold him out. I stared right back. It felt really powerful to be able to stand so close to the man who had tried so hard to ruin me.
"I was fifteen when I last saw him – now I was a strong independent woman with my own career."
Natasha’s father was sentenced to twelve years imprisonment for ten counts of indecent assault by a judge who told him his family life was a massive web of lies and secrets.
Afterwards, Natasha and her family members read a victim impact statement. ‘He was shaking his head – he’s in total denial. I can only hope that he spends his time in prison working on himself and thinking about what he’s done.’
By contrast, Natasha says the court case set her free. ‘For years you’re harbouring this monumental secret inside of you - but the minute you’ve spoken about it it’s outside of you. It’s liberating.’
It has also enabled her to talk frankly with her mother for the first time.
‘I found it hard to talk to her as I didn’t want to feel guilty – she felt she had let me down. Now our relationship is so much better,’ she says, ‘What happened with my dad affected my relationships for a very long time. I had trouble being intimate with men – I couldn’t bear the feeling of stubble next to my face but since the court case that has all gone away.’
Today Natasha, who initially trained as lawyer, works as a sports trainer and mentors women who have gone through traumas, sharing her own experiences.
‘For a long time I thought I was going to take what happened with me to the grave,’ she says. ‘Now I am talking to different people about it every day – and I hope by speaking out I can change the image of what a survivor of abuse looks like.’
My Dad the Paedophile airs tonight at 9pm on 5star.
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June 29, 2021 (world premieres)
July 9, 2021 (United States)
Development of a Black Widow film began in April 2004 by Lionsgate, with David Hayter attached to write and direct. The project did not move forward and the character's film rights reverted to Marvel Studios by June 2006. Johansson was cast in the role for several MCU films beginning with Iron Man 2 (2010), and began discussing a solo film with Marvel. Work began in late 2017, with Shortland hired in 2018. Jac Schaeffer and Ned Benson contributed to the script before Pearson was hired. Filming took place from May to October 2019 in Norway, Budapest, Morocco, Pinewood Studios in England, and in Atlanta and Macon, Georgia.
Black Widow premiered on June 29, 2021 at various events around the world, and is scheduled to be released in the United States on July 9, which will be simultaneous in theaters and through Disney+ with Premier Access. It is the first film in Phase Four of the MCU, and was delayed three times from an original May 2020 release date due to the COVID-19 pandemic. The film received generally positive reviews from critics, with praise for the performances and action sequences.
Following the events of Captain America: Civil War (2016),[3] Natasha Romanoff finds herself on the run and forced to confront a dangerous conspiracy with ties to her past. Pursued by a force that will stop at nothing to bring her down, Romanoff must deal with her history as a spy and the broken relationships left in her wake long before she became an Avenger.[4][5]
Additionally, Olga Kurylenko portrays Antonia Dreykov / Taskmaster, Dreykov's daughter who completes missions for the Red Room.[27] She has photographic reflexes that allow her to mimic their opponents' fighting style in order to learn how to use it against them,[28][16]:4 and uses techniques from other superheroes, such as Iron Man, Captain America, the Winter Soldier and Spider-Man.[29] Julia Louis-Dreyfus appears as Valentina Allegra de Fontaine in the post-credits scene.[30][31]
"What I tried to do was use the backdrop of the splintered Soviet Empire—a lawless insane asylum with 400-some odd nuclear missile silos. It was all about loose nukes, and I felt it was very timely and very cool. Unfortunately, as I was coming up on the final draft, a number of female vigilante movies came out. We had Tomb Raider and Kill Bill, which were the ones that worked, but then we had BloodRayne and Ultraviolet and Æon Flux. Æon Flux didn't open well, and three days after it opened, the studio said, 'We don't think it's time to do this movie.'"
—David Hayter on his version of the script and why that project failed to move forward[32]
In February 2004, Lionsgate acquired the film rights for Black Widow,[33] and in April announced David Hayter as writer and director of the film, with Marvel Studios' Avi Arad producing.[34] By June 2006, Lionsgate had dropped the project and the rights reverted to Marvel Studios. Hayter and Marvel tried getting another financier to develop the project, but Hayter "never felt comfortable that we had found a place that was willing to take the movie, and the character, seriously". This left Hayter "heartbroken", but he hoped the film would be made "some day".[35]
Marvel entered early talks with Emily Blunt to play Black Widow in Iron Man 2 (2010) in January 2009,[36] but she was unable to take the role due to a previous commitment to star in Gulliver's Travels (2010).[37] In March 2009, Scarlett Johansson signed on to play Natasha Romanoff / Black Widow, with her deal including options for multiple films.[38] In September 2010, while promoting the home media release of Iron Man 2, Marvel Studios President Kevin Feige stated that discussions with Johansson had already taken place regarding a Black Widow standalone film, but that Marvel's focus was on The Avengers (2012).[39] Johansson reprised her role in that film,[40] as well as in Captain America: The Winter Soldier (2014),[41] Avengers: Age of Ultron (2015),[42] Captain America: Civil War (2016),[43] Avengers: Infinity War (2018),[44] and Avengers: Endgame (2019).[45] After the release of Age of Ultron, Johansson revealed that the number of films on her contract had been adjusted since she first signed to match the "demand of the character", as Marvel had not anticipated the audience's "great reaction" to the character and her performance.[46]
In February 2014, Feige said that after exploring Black Widow's past in Age of Ultron, he would like to see it explored further in a solo film, which already had development work done for it,[47] including a "pretty in depth" treatment by Nicole Perlman, who co-wrote Marvel's Guardians of the Galaxy (2014).[48] The following April, Johansson expressed interest in starring in a Black Widow film, and said that it would be driven by demand from the audience.[49] That July, Hayter expressed interest in reviving the project for Marvel,[50] and the following month, director Neil Marshall said that he "would love to do a Black Widow film", saying he felt the character was "really interesting [given] she doesn't have any superpowers, she just has extraordinary skills, and the world that she comes from, being this ex-K.G.B. assassin, I find that really fascinating".[51] In April 2015, Johansson spoke more on the possibility of a solo Black Widow film, seeing the potential to explore the character's different layers as depicted in her previous appearances. However, she felt that the character was being "used well in this part of the universe" at that time.[46] While promoting Civil War the next April, Feige noted that due to the announced schedule of films, any potential Black Widow film would be four or five years away.[52] He added that Marvel was "creatively and emotionally" committed to making a Black Widow film eventually.[53]
Joss Whedon, the director of The Avengers and Avengers: Age of Ultron, said in July 2016 that he was open to directing a Black Widow film, feeling he could make "a spy thriller. Like really do a good, paranoid, 'John le Carré on crack' sort of thing."[54] In October, Johansson discussed the potential film being a prequel, saying, "you can bring it back to Russia. You could explore the Widow program. There's all kinds of stuff that you could do with it." She did caution she may not want to "wear a skin-tight catsuit" for much longer.[55] The next February, Johansson said that she would dedicate herself to making any potential Black Widow film "amazing. It would have to be the best version that movie could possibly be. Otherwise, I would never do it ... [it would] have to be its own standalone and its own style and its own story."[56] Due to the development work already done, and the public support for a Black Widow film, Marvel ultimately decided that the best time to move forward with the project would be at the beginning of the "latest phase" of the MCU in 2020.[11]
Feige met with Johansson to discuss the direction of a solo film in October 2017, before Marvel began meeting with writers for the project, including Jac Schaeffer.[57] Schaeffer met with Feige again in December, and was hired to write the screenplay by the end of 2017.[58][59] Schaeffer and Johansson were set to discuss the direction of the film at the beginning of February 2018.[60] Marvel began meeting with female directors to potentially take on the project, part of a priority push by major film studios to hire female directors for franchises.[61] By the end of April, the studio had met with over 65 directors for the project in an "extremely thorough" search,[62] including Deniz Gamze Ergüven, Chloé Zhao—who went on to direct Marvel's Eternals (2021)[63]—Amma Asante,[
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Natasha Teen Plays With Huge Before Dap
