Nasty Savage Indulgence
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Nasty Savage Indulgence
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Side A
1. Stabbed in the Back – 04:03
2. Divination – 03:50
3. XXX – 04:42
4. Indulgence – 03:55
Side B
5. Inferno – 04:13
6. Hypnotic Trance – 04:41
7. Incursion Dementia – 04:45
8. Distorted Fanatic – 04:44
9. ? – 03:53 – instrumental
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Nasty Savage
(Artist)
Format: Vinyl
5.0 out of 5 stars
9 ratings
Product Dimensions
:
11.81 x 0.39 x 11.81 inches; 6.35 Ounces Manufacturer
:
Metal Blade Original Release Date
:
2016 Date First Available
:
January 20, 2016 Label
:
Metal Blade ASIN
:
B01AISRYOI Country of Origin
:
United Kingdom Number of discs
:
1
5.0 out of 5 stars
9 ratings
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Item arrived in a timely manner and was in perfect condition! Added to my (rather small) list of reputable third party sellers!
5.0 out of 5 stars
Excellent experience! First class seller!
By ThatEdGuy on March 2, 2021
This is Nasty Savage at their peak of creativity, musically and lyrically. Great musicianship, with incredible breakdowns and great guitar riffs. Also check out "Penetration point". Nasty Savage was one of those lesser known bands that not got the recognition that deserves.
5.0 out of 5 stars
Avatara's review of Nasty Savage "Indulgence"
I originally bought this album on picture disc when it first came out but the sound quality was not as good as I would have liked it to have been. Over the years I have always kept an eye open for a bargain vinyl copy of this amazing Thrash Metal master piece and lo and behold I finally have the version that sounds the best! This is the 1987 Metal Blade pressing and it is in very good condition for a second hand vinyl. The production is pretty standard for late 1980's Thrash Metal but the song writing is of a very high standard and the songs themselves are delivered with consummate musicianship. There are nine amazing tracks on this original vinyl version of the album. The lyrical content ranges from betrayal to sexual deviance and any other subject matter deemed taboo be the moral minority, bible bashing fascists. Nasty Savage challenged their audience with heavy, fast music and lyrics that were controversial and thought provoking. Their stage show was extreme as "Nasty Ronnie" the band's vocalist was known to break television screens over his head and flaunt his bleeding head to the crowd in a bid to shock and amaze Nasty Savage are criminally underrated as a band and in my humble opinion they should have been huge. "Indulgence" is the second full length album from these Floridian Thrashers and it is still amazing after all these years, it hasn't aged badly at all!! This album is definitely on the heavier side of the Thrash Metal spectrum but is still catchy and melodic. If you love Thrash Metal then you need to check out this amazing band and buy everything that they have released.
5.0 out of 5 stars
Metal classic
Arrived quickly, no damage. The sound is just perfect. Very satisfied. It’s a pity there is no 1989 album on 180 gram vinyl record. For me the heyday of the work of this group is two albums, this and 89.
5.0 out of 5 stars
Metal classic
Reviewed in the United Kingdom on September 25, 2019
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Felix 1666 , December 12th, 2015
Written based on this version: 1987, 12" vinyl, Metal Blade Records
Best viewed without Internet Explorer, in 1280 x 960 resolution or higher.
Nasty Savage's "Indulgence" is one of the divine albums which embody the fascinating liveliness and the wealth of the early thrash metal scene. The pioneering spirit, the will to explore new dimensions, the courage to create something different - "Indulgence" offers these elements in abundance. Apart from this excellent feature, the full-length shows that the band members had already achieved a more than solid degree of musicianship. Probably due to this fact, Nasty Savage did not head for the most extreme approach. They had a more clever idea. The band just wanted to form a unique product and it was successful. Already the cover seeks its equal. Instead of trying to shock with a bloodthirsty image, the band chose a surrealistic, atmospheric artwork. But this was just the first sign of the band's independence.
Nasty Savage unleash their full force with a very special mixture of morbidity, weirdness and pure thrash metal power. The band proves its admirable talent for creating more or less eerie melodies. One might say that a lot of our musical "heroes" are able to create this kind of melodies. I agree, yet I like to emphasize that Nasty Savage master a further discipline in a highly fascinating manner. They present a remarkable number of bulky riffs without neglecting the creation of a good flow. Quite the opposite, these riffs are so cleverly arranged that they create this flow. The closing instrumental "?" represents this skill of the band in the best possible way. But nobody needs to wait that long in order to realize the outstanding qualities of the protagonists. Already the impulsive opener shows the interplay of smooth parts and gnarled riffs - and I may not forget to mention the expressive vocal performance of Nasty Ronnie.
He belongs to the rare species of metal divas who are slightly egocentric but not overly pretentious. His high-pitched, unexpectedly appearing screams and lines - and the music as well - sound less fragile than on the debut while adding an insane touch. But he also impresses with his normal, less psychopathic voice. For example, the rigorous and voluminous vocal performance on "XXX" ennobles the aggressive neckbreaker. This lump of gold had previously been released on a Metal Massacre sampler, but the here recorded version is much more demonic than the original. Especially the extrovert appearance of the busy yet stoic double bass gives the song a new, highly intensive character. The mid-paced, somewhat spine-chilling "Hypnotic Trance" is also driven by this mercilessly throbbing double bass. Thanks to the almost perfect production, each and every instrument comes into its own and the drums profit most from this situation. Nevertheless, the guitars do not need to hide their light under a bushel. Inter alia due to their full sound, the full-length guarantees a timeless joy of listening from start to finish.
Another important feature are the lyrics. Nasty Savage deal with very different topics. Similar to bands like Destructor ("Bondage") or Venom ("Lady Lust"), they have an affinity for rather unusual sexual desires ("XXX"). But they also offer lyrics about historical topics, in particular World War II. "Inferno" is not only a fitting title. Its lyrics summarize the hellish confrontation in a very concise manner. By contrast "Stabbed in the Back" is about a modern theme, juvenile delinquency, to be precise. But the title track tops it all. Its pictorial lines like "My eyes trace the horizon / Winter brings another death to a year" match the almost philosophical approach of the song and create, also in combination with the excellent aforementioned artwork, a mysterious aura. Needless to say that Ronnie's charismatic contribution plays an important role as well.
Maybe with the exception of the slightly lacklustre "Distorted Fanatic", all songs provide very convincing arguments to sell your soul to thrash. The demonic whirlwinds like "Incursion Dementia" or "XXX" and the less rapid yet ironclad steamrollers such as "Hypnotic Trance" shape an album that does not show any major shortcomings. Despite a certain touch of progressiveness, Nasty Savage always keep an eye on accessibility and songs like the title track offer a brilliant arrangement, smooth and heavy at the same time. "Indulgence" is not the best thrash album of all times. But from my point of view, it has achieved cult status, because it opens the gate to a seldom heard yet extremely suspenseful kind of thrash. All of you who have not listened to this masterpiece so far, are summoned to rectify this omission as soon as possible. You will not repent it.
1986 was a year in which thrash metal finally made its presence known: loudly. Bands like Megadeth, Slayer and Metallica were churning out some of their best work (as it would turn out, some of the best work in the genre to date), and a wealth of newer bands were unleashing previously unheard, violent and energetic sounds. Seeing that Florida's Nasty Savage were already half arrived at this style on the s/t debut in 1985, it wasn't a huge leap for the band to shift their focus towards an overall harsher follow-up. This transition occurred through three notable alterations.
The first is through the increased thrashing of the guitars, which brought them in line with the standards of Anthrax, Exodus and Nuclear Assault while abandoning most of the classic/power metal overtones of the debut. The second transition is the vocals of Nasty Ronnie, which seem far more reigned in. He still visits the shrill heights from time to time, but most often works in his 'nasty', aggressive middle rage. And he's not often fucking around here (except near the 'climax' of "XXX"). Which leads us to the third mutation of Nasty Savage: the lyrics. The band have gone from tales of "Metal Knights" and the "Dungeon of Pleasure" to more serious fare here (song titles "Incursion Dementia" and "Distorted Fanatic"), and topics that deal in the day's big ticket thrash lyrics issues, rather than sex slave fantasies or the walking dead. Add to this the very bizarre choice of an abstract landscape for cover art, and you've got a more mature band. Like many metal bands of this period, Nasty Savage had grown up, which is most often (but not always) a positive thing.
At times, it can become difficult to determine which of the first two 'incarnations' of Nasty Savage that I liked more. The innocent, well measured fuckery of the debut, or this more emotionally tense and scarring thrash band that approached their art with a renewed affection, the determination of a ballistic missile as it sights its one target? In the long term I've grown fonder of this album and Penetration Point than the debut...the tunes are simply that much more crushing and resonant. And there is no buildup to this. No warning. The band break into "Stabbed in the Back" almost immediately and you can hear the transformation and sense of purpose here, a swift kick in the pants for the band's Bay Area or New York peers to signify that the rest of the country was not far behind when it came down to the thrashing. The song maintains the good, clear production of the last album; the flurries of guitar melody and loud and present bass tone. But the writing shows an advanced complexity, and the riffs have a cruel spike to them which I'm guessing kept every local gator well clear of this band's practice space.
If I'm painting too grim a portrait of Indulgence, let me assure you that the band is still fun through the sheer pomp and violence of their ministrations. "Divination" is a peppy, mid paced rager with more bounce than a pair of unstrapped breasts on a roller coaster, Ronnie taking the opportunity to create a ghostly shriek before the bridge similar to King Diamond (or Realm, who would come later). "XXX" is even more raunchy, a lament, or rather, a celebration for all the innocent lost to smut through their adolescence. Yeah, Nasty Savage still commit their dirty thoughts to the music, but here there is a purpose. A 'cautionary' tale. Title track "Indulgence" is vibrant and acrobatic thrash/speed metal with Ronnie's vocals exploring both their lesser and upper ranges, and some of the band's best lyrics yet:
There's a cyclone in your mind, it's throbbing at the end of a lie
But here and now, life is a great indulgence
Hell is paved with good intentions, but this is our time of joy
Play with fire, love the flame, this is our time of joy
"Inferno" is a WWII thrash piece with some sick, serpentine twists to the leads and melodies that seethe over the blitzkrieg of the hammering riffs (some of which would later be dubbed 'death metal'). "Hypnotic Trance" is another of these power thrash hymns, with some excellent drumming and leads, while "Incursion Dementia" throws a little nod back to the roots power metal of the band's waking years, one of the best and most bad-ass tracks on this album. "Distorted Fanatic" is also quite good, thanks to its evil Slayer-like opening melodies and the tightly spun, engaging thrash dyn
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