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Naomi Ellen Watts (born 28 September 1968) is a British actress and film producer.[1] She made her film debut in the Australian drama For Love Alone (1986) and then appeared in the Australian television series Hey Dad..! (1990), Brides of Christ (1991), Home and Away (1991), and the film Flirting (1991). After moving to the United States, Watts struggled as an actress for years, with appearances in small-scale films.
Watts rose to international prominence for playing an aspiring actress in David Lynch's psychological thriller Mulholland Drive (2001) and a tormented journalist in the horror remake The Ring (2002). She received a nomination for the Academy Award for Best Actress for her performance as a grief-stricken mother in Alejandro González Iñárritu's film 21 Grams (2003). Her profile continued to grow with starring roles in I Heart Huckabees (2004), King Kong (2005), Eastern Promises (2007), and The International (2009).
For her role as Maria Bennett in the disaster film The Impossible (2012), Watts received another Academy Award nomination for Best Actress. In the 2010s, she starred in such films as Birdman (2014), St. Vincent (2014), While We're Young (2015), The Glass Castle (2017), and Luce (2019). Watts also continued to act in blockbusters, with appearances in the Divergent franchise (2015–2016), and ventured into television with the Showtime mystery drama series Twin Peaks (2017) and the biographical limited series The Loudest Voice (2019).
Watts is particularly known for her work in remakes and independent productions with dark or tragic themes, as well as portrayals of characters that endure loss or suffering.[2] Magazines such as People and Maxim have included her on their lists of the world's most beautiful women. She has been an ambassador for Joint United Nations Programme on HIV/AIDS and Pantene's Beautiful Lengths. Despite significant media attention, Watts is reticent about her personal life. She was in a relationship with American actor Liev Schreiber from 2005 to 2016, with whom she has two sons.
Naomi Ellen Watts was born on 28 September 1968, in Shoreham, Kent, England.[3][4] She is the daughter of Myfanwy (Miv) Edwards (née Roberts), an antiques dealer and costume and set designer,[3] and Peter Watts (1946–1976), a road manager and sound engineer who worked with Pink Floyd.[5][6] Miv was born in England but lived in Australia between the ages of one and seven. Watts's maternal grandfather was Welsh and her maternal grandmother was Australian.[7][8]
Watts's parents divorced when she was four years old.[6][9] After the divorce, Watts and her elder brother, Ben Watts, moved several times across South East England with their mother.[10] Peter Watts left Pink Floyd in 1974, and remarried in 1976. In August 1976, he was found dead in a flat in Notting Hill, of an apparent heroin overdose.[11][12]
Following his death, Watts's mother moved the family to Llanfawr Farm in Llangefni and Llanfairpwllgwyngyll,[13][14] towns on the island of Anglesey in North Wales, where they lived with Watts's maternal grandparents, Nikki and Hugh Roberts, for three years. During this time, Watts attended a Welsh language school, Ysgol Gyfun Llangefni.[11] She later said of her time in Wales: "We took Welsh lessons in a school in the middle of nowhere while everyone else was taking English. Wherever we moved, I would adapt and pick up the regional accent. It's obviously significant now, me being an actress. Anyway, there was quite a lot of sadness in my childhood, but no lack of love."[15] In 1978, her mother remarried (though she would later be divorced again)[16] and Watts and her brother then moved to Suffolk, where she attended Thomas Mills High School.[10] Watts has stated that she wanted to become an actress after seeing her mother performing on stage and from the time she watched the 1980 film Fame.[6][17]
In 1982, when Watts was 14, she moved to Sydney in Australia with her mother, brother and stepfather.[6][18] Myfanwy established a career in the burgeoning film business, working as a stylist for television commercials, then turning to costume design, ultimately working for the soap opera Return to Eden.[11] After emigrating, Watts was enrolled in acting lessons by her mother; she auditioned for numerous television advertisements, where she met and befriended actress Nicole Kidman. Watts obtained her first role in the 1986 drama film, For Love Alone, based on the novel of the same name by Christina Stead, and produced by Margaret Fink.[11]
In Australia, Watts attended Mosman High School and North Sydney Girls High School.[19] She failed to graduate from school, afterwards working as a papergirl, a negative cutter and managing a Delicacies store in Sydney's affluent North Shore.[11]
She decided to become a model when she was 18. She signed with a models agency that sent her to Japan, but after several failed auditions, she returned to Sydney.[6] There, she was hired to work in advertising for a department store, that exposed her to the attention of Follow Me, a magazine which hired her as an assistant fashion editor.[6][11] A casual invitation to participate in a drama workshop inspired Watts to quit her job and to pursue her acting ambitions.[11][20]
Regarding her nationality, Watts has stated: "I consider myself British and have very happy memories of the UK. I spent the first 14 years of my life in England and Wales and never wanted to leave. When I was in Australia I went back to England a lot."[21] She also has expressed her ties to Australia, declaring: "I consider myself very connected to Australia, in fact when people say where is home, I say Australia, because those are my most powerful memories."[22]
Watts's career began in television, where she made brief appearances in commercials.[18] The 1986 film For Love Alone, set in the 1930s and based on Christina Stead's 1945 best-selling novel of the same name, marked her debut in film.[23] She then appeared in two episodes of the fourth season of the Australian sitcom Hey Dad..! in 1990. After a five-year absence from films, Watts met director John Duigan during the 1989 premiere of her friend Nicole Kidman's film Dead Calm and he invited her to take a supporting role in his 1991 indie film Flirting.[18][24] The film received critical acclaim and was featured on Roger Ebert's list of the 10 best films of 1992.[25] Also in 1991, she took the part of Frances Heffernan, a girl who struggles to find friends behind the walls of a Sydney Catholic school,[26] in the award-winning mini-series Brides of Christ[27] and had a recurring role in the soap opera Home and Away as the handicapped Julie Gibson.[28] Watts was then offered a role in the drama series A Country Practice but turned it down, not wanting to "get stuck on a soap for two or three years", a decision she later called "naïve".[18][20]
Watts then took a year off to travel, visiting Los Angeles and being introduced to agents through Kidman.[10][11] Encouraged, Watts decided to move to America, to pursue her career further. In 1993 she had a small role in the John Goodman film Matinee and temporarily returned to Australia to star in three Australian films: another of Duigan's pictures, Wide Sargasso Sea; the drama The Custodian; and had her first leading role in the film Gross Misconduct, as a student who accuses one of her teachers (played by Jimmy Smits) of raping her.[18] Watts then moved back to America for good but the difficulty of finding agents, producers and directors willing to hire her during that period frustrated her initial efforts.[11] Though her financial situation never led her to taking a job out of the film industry, she experienced problems like being unable to pay the rent of her apartment and losing her medical insurance.[11][29] "At first, everything was fantastic and doors were opened to me. But some people who I met through Nicole [Kidman], who had been all over me, had difficulty remembering my name when we next met. There were a lot of promises, but nothing actually came off. I ran out of money and became quite lonely, but Nic gave me company and encouragement to carry on."[30]
When I came to America there was so much promise of good stuff and I thought, I've got it made here. I'm going to kick ass. Then I went back to Australia and did one or two more jobs. When I returned to Hollywood, all those people who'd been so encouraging before weren't interested. You take all their flattery seriously when you don't know any better. I basically had to start all over again. I get offered some things without auditioning today, but back then they wouldn't even fax me the pages of a script because it was too much of an inconvenience. I had to drive for hours into the Valley to pick up three bits of paper for some horrendous piece of shit, then go back the next day and line up for two hours to meet the casting director who would barely give me eye contact. It was humiliating.
–Watts on her early struggles[20]
She then won a supporting role in the futuristic 1995 film Tank Girl, winning the role of "Jet Girl" after nine auditions.[6] The film was met with mixed reviews and flopped at the box office, although it has gone on to become something of a cult classic.[31] Throughout the rest of the decade, she took mostly supporting roles in films[32] and occasionally considered leaving the business, but: "there were always little bites. Whenever I felt I was at the end of my rope, something would come up. Something bad. But for me it was 'work begets work'; that was my motto."[10][29] In 1996, she starred alongside Joe Mantegna, Kelly Lynch and J.T. Walsh in George Hickenlooper's action-thriller Persons Unknown; alongside James Earl Jones, Kevin Kilner and Ellen Burstyn in the period drama Timepiece; in Bermuda Triangle, a TV pilot that was not picked up for a full series, where she played a former documentary filmmaker who disappears in the Bermuda Triangle;[33] and as the lead role in Children of the Corn IV: The Gathering, in which children in a small town become possessed under the command of a wrongfully murdered child preacher.[6]
In 1997, she starred in the Australian ensemble romantic drama Under the Lighthouse Dancing starring Jack Thompson and Jacqueline McKenzie. She also played the lead role in the short-lived television series Sleepwalkers.[11] In 1998, she starred alongside Neil Patrick Harris and Debbie Reynolds in the TV film The Christmas Wish, played the supporting role of Giulia De Lezze in Dangerous Beauty,[18] and provided some voice work for Babe: Pig in the City.[11] She said in an interview in 2012, "That really should not be on my résumé! I think that was early on in the day, when I was trying to beef up my résumé. I came in and did a couple days' work of voiceovers and we had to suck on [helium] and then do a little mouse voice. But I was one in a hundred, so I'm sure you would never be able to identify my voice. I probably couldn't either!"[34] In 1999, she played Alice in the romantic comedy Strange Planet and the Texan student Holly Maddux in The Hunt for the Unicorn Killer, which was based on the real life effort to capture Ira Einhorn, who was charged with Maddux's murder.[35][36] In 2000, while David Lynch was expanding the rejected pilot of Mulholland Drive into a feature film, Watts starred alongside Derek Jacobi, Jack Davenport and Iain Glen in the BBC TV film The Wyvern Mystery, an adaptation of the novel of the same name by Sheridan Le Fanu that was broadcast in March of that year.[11]
Much of her early career is filled with near misses in casting, as she was up for significant roles in films such as 1997's The Postman and The Devil's Advocate and 2000's Meet the Parents, which eventually went to other actresses.[37] In an interview in 2012, Watts said, "I came to New York and auditioned at least five times for Meet the Parents. I think the director liked me but the studio didn't. I heard every piece of feedback you could imagine, and in this case, it was 'not sexy enough'."[38] Watts recalled her early career in an interview in 2002, saying, "It is a tough town. I think my spirit has taken a beating. The most painful thing has been the endless auditions. Knowing that you have something to offer, but not being able to show it, is so frustrating. As an unknown, you get treated badly. I auditioned and waited for things I did not have any belief in, but I needed the work and had to accept horrendous pieces of shit."[30] Watts studied the Meisner Technique.
In 1999, director David Lynch began casting for his psychological thriller Mulholland Drive. He interviewed Watts after looking at her headshot,[38] without having seen any of her previous work,[39] and offered her the lead role.[38] Lynch later said about his selection of Watts, "I saw someone that I felt had a tremendous talent, and I saw someone who had a beautiful soul, an intelligence—possibilities for a lot of different roles, so it was a beautiful full package."[40] Conceived as a pilot for a television series, Lynch shot a large portion of it in February 1999, planning to keep it open-ended for a potential series. However, the pilot was rejected. Watts recalled thinking at the time, "just my dumb luck, that I'm in the only David Lynch programme that never sees the light of day."[10] Instead, Lynch filmed an ending in October 2000, turning it into a feature film which was picked up for distribution.
Mulholland Drive, also starring Laura Harring and Justin Theroux, premiered at the 2001 Cannes Film Festival to high critical acclaim and marked Watts's breakthrough. Reviewing her performance, Peter Bradshaw of The Guardian stated that "Watts's face metamorphoses miraculously from fresh-faced beauty to a frenzied, teary scowl of ugliness.";[41] Emanuel Levy wrote, "... Naomi Watts, in a brilliant performance, a young, wide-eyed and grotesquely cheerful blonde, full of high hopes to make it big in Hollywood."[42] The film received a large number of awards and nominations, including the Best Actress Award for Watts from the National Society of Film Critics and a nomination for Best Actress from the American Film Institute.[43] The surrealist film following the story of the aspiring actress Betty Elms, played by Watts, sparked controversy over its strong lesbian theme.[44][45]
Also in 2001, she starred in two short films, Never Date an Actress and Ellie Parker, and the horror film The Shaft, director Dick Maas' remake of his 1983 film De Lift.[11] In 2002, she starred in one of the biggest box office hits of that year,[11] The Ring, the English language remake of the Japanese horror film Ringu. Directed by Gore Verbinski, the film, which also starred Martin Henderson and Brian Cox, received favourable reviews and grossed around US$129 million domestically (equivalent to US$183.4 million in 2021).[46] Watts portrayed Rachel Keller, a journalist investigating the strange deaths of her niece and other teenagers after watching a mysterious videotape, and receiving a phone call announcing their deaths in seven days.[47] Her performance was praised by critics, including Paul Clinton of CNN.com, who stated that she "is excellent in this leading role, which proves that her stellar performance in Mulholland Drive was not a fluke. She strikes a perfect balance between skepticism and the slow realisation of the truth in regard to the deadly power of the videotape."[48] That year, she also starred in Rabbits, a series of short films directed by David Lynch; alongside several other famous British actors in the black comedy Plots with a View; and with Tim Daly in the western The Outsider.
In 2003, Watts took the part of Julia Cook in Gregor Jordan's Australian film Ned Kelly opposite Heath Ledger, Orlando Bloom and Geoffrey Rush;[49] as well as starring in the Merchant-Ivory film Le Divorce, portraying Roxeanne de Persand, a poet who is pregnant and abandoned by her husband Charles-Henri de Persand. Roxeanne and her sister Isabel (played by Kate Hudson) dispute the ownership of a painting by Georges de La Tour with the family of Charles-Henri's lover. Entertainment Weekly gave the film a "C" rating and lamented Watts's performance: "I'm disappointed to report that Hudson and Watts have no chemistry as sisters, perhaps because Watts never seems like the expatriate artiste she's supposed to be playing".[50]
Conversely, her performance opposite Sean Penn and Benicio del Toro in director Alejandro González Iñárritu's 2003 drama 21 Grams earned Watts numerous award nominations, including an Academy Award nomination for Best Actress, later that year.[51] In the story, told in a non-linear manner, she portrayed Cristina Peck, a grief-stricken woman living a suburban life after the killing of her husband and two children by Jack Jordan (Benicio del Toro), who became involved in a relationship with the critically ill academic mathematician Paul Rivers (Sean Penn). She has said of the nomination, "It's far beyond what I ever dreamed for – that would have been too far fetched".[52][53] The New York Times praised her: "Because Ms. Watts reinvents herself with each performance, it's easy to forget how brilliant she is. She has a boldness that comes from a lack of overemphasis, something actresses sometimes do to keep up with Mr. Penn".[54] The San Francisco Chronicle wrote: "Watts is riveting, but she's much better in scenes of extreme emotion than in those requiring subtlety."[55]
In 2004, Watts starred alongside Mark Ruffalo in the independent film We Don't Live Here Anymore,[11] based on short stories by Andre Dubus, which depicts the crisis of two married couples,[56] reunited with Sean Penn in The Assassination of Richard Nixon, playing the wife of the would-be presidential assassin Samuel Byck (Penn),[57] and teamed up with Jude Law and Dustin Hoffman in David O. Russell's ensemble comedy I Heart Huckabees.[58] She headlined and produced the semi-autobiographical drama Ellie Parker (2005), which depicted the struggle of an Australian actress in Hollywood.[59] The film began as a short film that was screened at the Sundance Film Festival in 2001 and was expanded into a feature-length production over the next four years. Film critic Roger Ebert praised Watts's performance: "The character is played by Watts with courage, fearless observation and a gift for timing that is so uncanny it can make points all by itself."[60]
Watts starred in the sequel to The Ring, The Ring Two (2005), which despite a negative critical response,[61] made over US$161 million worldwide gross (equivalent to US$210.8 million in 2021).[62] In 2005, Watts also headlined the remake of King Kong as Ann Darrow. She was the first choice for the role, portrayed by Fay Wray in the original film, with no other actors considered.[63] In preparation for her role, Watts met with Wray,[64] who was to make a cameo appearance and say the final line of dialogue, but she died during pre-production at the age of 96.[65] King Kong proved to be Watts's most commercially successful film yet. Helmed by The Lord of the Rings director Peter Jackson, the film won high praise and grossed US$550 million worldwide (equivalent to US$720 million in 2021).[66][67] The Seattle Post-Intelligencer praised her performance: "The third act becomes a star-crossed, "Beauty and the Beast" parable far more operatic and tragic than anything the original filmmakers could have imagined, exquisitely pantomimed by Watts with a poignancy and passion that rates Oscar consideration."[68] Alongside the movie, she reprised her role as Darrow in the video game adaptation of King Kong,[69] for which she was nominated for a Spike Video Game Award for Best Performance by a Female.[70][71] Her other 2005 film release was Marc Forster's psychological thriller Stay, alongside Ewan McGregor, Ryan Gosling and Bob Hoskins.[11] At this point in her career, Wa
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