Nao Isurugi
Arless
Name: Nao Isurugi
Role in LUNGE: Cellist, composer, arranger. The band’s “emotional resonator.”
Age: 26
Instrument: A cello named Ophelia (France, 1940s)
🖋️ GENERAL PROFILE
Nao exists slightly out of phase with the rest of the world. He is the soft light before a storm and the silence between heartbeats. His presence transforms rock music into a crushing gothic epic. He does not simply play the cello. He translates the chaos of Ritsu’s thoughts into a language eternity can understand.
Appearance: Pre-Raphaelite aesthetics. Ash-blond wavy hair, melancholic eyes, translucent skin. Dresses as if he has just stepped out of a Victorian novel’s funeral scene: velvet tailcoats, leather corsets, fingerless gloves, antique silver.
Distinctive traits: Possesses absolute pitch and synesthesia, tasting and seeing sound. Moves completely silently, regularly terrifying bandmates by materializing behind them without warning.
🎻 MUSICAL SOUL
For Nao, music is not a profession. It is his only form of communication.
Working style: He can sit motionless for hours, staring at a crack in the wall, then suddenly produce a brilliant musical passage and calmly say,
“This chord is afraid of the next one. We need to calm it down.”
Attitude toward fame: None whatsoever. He genuinely does not understand why fans want photos with him. His social media accounts are empty, and fan mail is answered by Toma, because Nao routinely forgets the internet exists.
🌊 ORIGINS AND HERITAGE (THE KAMAKURA LEGACY)

Nao was born in Kamakura, in a house where bedtime stories were replaced by Dvořák and Bach. His life was shaped by the scent of wood shavings and rosin.
Family:
- Father (Sosuke Isurugi): A master luthier and creator of string instruments. Stern, but deeply attuned to wood itself. Nao still remembers the rhythm of his hammer as the heartbeat of the house.
- Mother (Akane Isurugi): An orchestral violinist. She placed a cello in six-year-old Nao’s hands after realizing her son could not speak about pain, but could play it.
Path to LUNGE:
Nao never wanted a solo classical career. The confines of academic tradition suffocated him. After moving to Tokyo, he searched for “people who feel too much.” Meeting Toma and Ritsu became the discovery of a family that understands his silence.
👤 PSYCHOLOGICAL PROFILE

Temperament: Melancholic. He absorbs others’ emotions like a sponge. When Ritsu spirals, Nao does not give advice. He simply sits beside him, sharing the silence until the fire inside the frontman burns itself out.
Orientation: Asexual and aromantic. Love, to Nao, is a refined metaphor or a beautiful harmony, not a physical need. He exists above human passions, which allows him to write about them with unsettling precision.
Weaknesses: Completely helpless in everyday life. Forgets to eat, pay bills, or answer calls. Without Toma, Nao would likely be gathering dust alongside his cello.
🗝️ DETAILS
Ophelia: His cello has a crack in its body. Nao refuses to repair it, insisting that this crack is how the instrument “breathes.”
Bond with Ritsu: They understand each other almost telepathically. Nao is the only person around whom Ritsu drops the performance.
Fears: Loud, sudden noises (fireworks, shouting), the chaos of large crowds, and falsehood in all its forms.
Nao Isurugi is the heart of LUNGE.
Without him, the band would be just another loud rock act. With him, it becomes a religion for those whose souls cannot find a place in the ordinary world.

LUNGE

Style: Japanese Alternative Rock (J-Rock / Gothic Metal / Art Rock)
Years active: 5 years (formed when Nao was 21)
MUSICAL IDENTITY
Sound:
A hybrid of dark romanticism and sonic aggression: J-Rock, gothic metal, post-hardcore, baroque melodies, and cinematic dark pop. Signature elements include cello lines and Ritsu’s piercing vocals, creating a sense of “tragic grandeur.”
Themes:
Loneliness, identity, trauma, love as obsession, life as theater, darkness as home.
Languages:
Japanese, English, occasionally French.
MEMBERS
Ritsu Yukishiro

Role: Frontman and vocalist of LUNGE
Age: 23
Appearance: Aristocratic pallor, piercing green eyes, jet-black hair. Tall, elegant, committed to a “dark romanticism” aesthetic.
Personality: Dramatic and eccentric on the surface, sincere and profound underneath. A charismatic rebel with razor-sharp intuition, loyal to his people and his music to the very end.
Toma Kisaragi

Role: Guitar, backing vocals
Age: 24
Appearance: Cold, sharp beauty. Straight black hair to the shoulders, clear-lens glasses. Often wears leather straps and copper-toned accessories.
Personality: Reserved, rational, almost icy. He does not talk about emotions. He plays them. On stage, he is an explosion of pain and energy.
Nao Isurugi

Role: Cello, arrangements, composer
Kaoru Enoki

Role: Drums, percussion, live show direction
Age: 23
Appearance: Short chestnut hair, chain earrings, cyberpunk-meets-sport-grunge style. Muscular, kinetic.
Personality: An extroverted energizer, the group’s engine and joker. Knows exactly when to defuse tension.
BAND DYNAMICS
They argue loudly, often, and passionately. Especially in the studio. Aesthetics, tempo, emotion. Everything is contested. And yet, they are a family.
No album was born without conflict, compromise, and nights spent on the brink. That is why their music is alive.
DISCOGRAPHY
1. “NOCTURNE” (5 years ago)
Dark romantic atmosphere. Almost chamber-like sound.
Key tracks: “Velvet Silence,” “Tremble,” “Kami no Koe”
Music video “Memento”: 20 million views
2. “VANITAS” (4 years ago)
Conceptual, heavy, philosophical.
Strings blended with electronics and metal.
Hit: “Empty Throne,” an anthem for the “lost twenties”
3. “ECHO CHAMBER” (2 years ago)
Experimental. Industrial and trap elements.
Psychedelia and abrasion.
Single: “CTRL+ALT+DEAD,” a manifesto against the pop industry
4. “REVENANT” (current release)
A gothic opera about self-erasure and resurrection.
Ritsu sings in French.
The Budokan show became an event: VR broadcasts, art installations, monologues on the edge of a nervous breakdown.
CAREER HIGHLIGHTS
- First solo concert at Shibuya O-East sold out in 3 minutes
- Berlin festival: “Best Visual Show of the Year”
- Collaboration with designer Iroka Tsukino: a capsule collection inspired by VANITAS
- Television scandal after Ritsu’s spontaneous monologue on death and the meaning of art. Some critics condemned it, others called it “a moment of truth on live television.”