Namio Harukawa
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Namio Harukawa
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SmugMug + Flickr .
Connecting people through photography.
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Harukawa was born in 1947 in Osaka Prefecture, Japan. As a high school student he contributed artwork to Kitan Club, a post-war pulp magazine that published sadomasochistic artwork and prose. He developed a career as a fetish artist in the 1960s and 1970s, taking the pen name “Namio Harukawa”: formed from an anagram of “Naomi”, a reference to Jun’ichirō Tanizaki’s novel of the same name, and actress Masumi Harukawa. Though he worked in pornographic magazines for the majority of his career, his work received wider recognition and critical acclaim beginning in the 2000s. His art has earned praise from Oniroku Dan, Shūji Terayama, and Madonna, and favorable comparisons to works by Robert Crumb.
His artwork typically features women with large breasts, hips, legs, and buttocks dominating and humiliating smaller men, typically through facesitting or other forms of sexualized smothering. Bondage and human furniture are depicted frequently in his art.
Kyonyū Katsuai, a two-volume book of Harukawa’s works, has been published in Japan. Two volumes of works by Harukawa have been published by French publishing house United Dead Artists : Callipyge in 2009, the first book of works by Harukawa published outside of Japan, and Maxi Cula in 2012. Works by Harukawa were exhibited at the Museum of Eroticism in Paris in 2013, his first solo exhibition outside of Japan. The exhibition featured 71 works by Harukawa, 59 of which were from his Garden of Domina series. The Incredible Femdom Art of Namio Harukawa, an anthology of Harukawa’s works, was published by Kawade Shobō Shinsha in 2019.
Harukawa died on April 24, 2020. His death was confirmed in a blog post by Yuko Kitagawa, the owner of a video production company who was a longtime associate of Harukawa’s.
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PleaseKnock is pleased to present the first posthumous book by artist Namio Harukawa (May 1947 – April 24, 2020), dedicated to Harukawa’s archive of rarely published work.
Creating a visionary language through the medium of pencil drawings, Harukawa worked for 60 years under a pseudonym, Namio Harukawa: formed from an anagram of “Naomi”, a reference to Jun’ichirō Tanizaki’s novel, and actress Masumi Harukawa, using it until his death in 2020.
Forniphilia and domination has fascinated and preoccupied Harukawa, in his artistic practice, and was central to his life work. His artwork typically featured voluptuous women dominating and humiliating smaller men. His work has been exhibited internationally and received critical praise, from Oniroku Dan to Madonna, and found new contemporary relevance on social networks, from feminists, to liberators.
The book also contains an essay by academic Pernilla Ellens, editor of Post Butt and The true meaning of S.M.H . and is designed by Sam Boxer, Art Director of Gut Magazine .
Book Condition: New Binding: Hardcover Pages: 76 Size: 7.8'' X 9.8'' Publisher : Baron Books Second edition | Edition of 1000 copies
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