Naked Nudists Photo

Naked Nudists Photo




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Naked Nudists Photo
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These young nudists are trying to break a world record. Photo: Caters
The nudists were aged between 18 and 40. Photo: Caters
They had a few rules including no staring. Photo: Caters
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A band of cheeky mini golfers believe they've beaten the world record for the most people playing the sport completely naked.
A group of 47 men and women shed their clothes and had a crack at the 36-par course in the Western Sydney suburb of Campbelltown on Sunday, and they smashed the previous record of 30.
Teed up by the Young Nudists of Australia, the event was held to challenge the stereotype that all nudists are old and grey.
"I think we definitely challenged some stereotypes with this event,” the event’s 32-year-old organiser Matt – who would only reveal his first name – said.
"I think the older, beach style events are tacky and worn. But my generation responds to social media driven, gimmicky events like this.
"The atmosphere was very jovial, there was lots of cheering and psych-out's. The course was pretty magnificent too."
Matt added that the attendees were aged between 18 and 40 and were 70 per cent male and 30 per cent female.
Staring and unsolicited cameras were forbidden at the world record attempt, while towels were compulsory for hygienic reasons.
Matt said he was initially drawn to the sense of freedom from nudism, but that it later become a thread in his social life.
But he still believes Australia has a long way to go when it comes to getting starkers.
"I was always drawn to the sense of freedom. It's very liberating. You learn to embrace yourself and be more comfortable in your body,” he said.
"Some people who get involved have body image issues, and it's a great way to overcome that. That's certainly something I have gotten out of it – but it's also a great way to meet new people.
"They call Australia the laidback country, but we can actually be quite prudish. I'm not sure nudism will ever be mainstream here."
Their daring golf game efforts are now being submitted to official Guinness World Record adjudicators in the hope of officially being named the most amount of people to play sport naked.
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Published: 00:56 BST, 25 November 2019 | Updated: 01:11 BST, 25 November 2019
Nude strangers posed together on an Australian beach in the name of art and awareness. 
The naked participants gathered on the shores of Haslewood Island in the Whitsundays, Queensland, to feature in a project about the vulnerability of humans and the environment.   
The shoot was directed by Spencer Tunick, an American artist who is internationally renowned for his mass nude photographs.    
American artist Spencer Tunick directed the project and is known for group nude photographs (pictured above) 
Tunick (pictured above) chose the idyllic location in order to focus on the vulnerability of the environment
Although Tunick has snapped many naked bodies before, he told Seven News that he hoped the deeper meaning would come through in his latest installation.
He described choosing the 'pristine setting' of the Whitsundays to portray that humans are 'So vulnerable... from climate change to sustainability issues.' 
Complete strangers of every age, shape and size came together to bare all for the shoot. 
One of the photo shoot participants, Clint Cook, said: 'It's a challenge in life just to put yourself completely outside your comfort zone. After five minutes it just felt all natural.'  
Participants came from all over the world to take part and Tunick himself was brought out by Australian clothing company THE ICONIC. 
Tunick said that the shoot promoted an important message of environmental conservation
The company's Head of Creative Content, Fiona Murchison, said: 'We really want everyone to feel comfortable in their own skin and just be at peace with who they are and how they move through the world.' 
Another participant, Aleesha Kelland, said: 'Body positivity is probably a very important thing to me and important for my daughters as well.' 
The campaign presented an important message about conserving our environment and the beauty of all bodies.
Participants described feeling comfortable and positive throughout the experience 
Pictured: photo shoot participants on the beach of Haslewood Island 
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I was naked this morning. A creepy way to start this article, perhaps (I was in the shower!), but think...


By
John Mahoney
|

Published Mar 27, 2012 11:24 PM


I was naked this morning. A creepy way to start this article, perhaps (I was in the shower!), but think about the statement as a plain fact. There’s a good chance that you too were naked this morning, along with millions of other humans. Life is experienced via our bodies and nothing else, which places the human form at the very top of the most primordial ideas and concepts in art.
Pulled from the New York Metropolitan Museum of Art’s permanent collection and opening today is “Naked Before the Camera”—a tight, brief primer of the history of the nude in photography that looks at art’s most ancient theme expressed in one of its youngest mediums.
If this sounds a little racy for the Met, you might right. But, as curator Malcolm Daniel points out, the museum is chock full of nakedness (just this week, a Tumblr blog surfaced promising to document every nipple in the place). Photography, though, in all of its detail and “accuracy,” frames human nudity much more directly than the idealized, classical forms in painting and sculpture. In its specificity, nudity in photography is a different beast. Yet, as “Naked Before the Camera” shows, the same art-historical tropes and historical developments found in more traditional mediums also apply to the nude in photography—it just got a late start.
Taking a roughly chronological approach, Daniel defines the 60-odd photos on view into five “motivations” for their nakedness. We begin in the prim times of the mid-19th century, when photographs used as figure studies for painting and drawing provided an imprimatur of practicality for nudity. Despite their utilitarian nature (Nothing to see here! Just a model for art students!), a feeling of humanity and eroticism still manages to find its way into these photos, as in Frank-François-Genès Chauvassaignes’s “Female Nude in Studio,” an uncharacteristically direct portrait for the time that feels much more contemporary as a result.
Worth noting in this time period are two interesting recent acquisitions that Daniel says served as a partial impetus for the show (see images #1 and #2 in the gallery above). Produced by an unknown French photographer around 1856, the large salted paper prints (much larger than the surrounding photos from the same time period) depict a male and female form, pleasantly obscured by what appears to be a silky veil. In fact, this effect is created by a printing mistake from dirty glass negatives, which the photographer elected to keep rather than fix. This is one of the earliest instances of technical defects being valued for what they add to a photo’s aesthetics—a very modern idea, as any Instagrammer today should recognize immediately.
As we move into the late-19th century, we see the motivation for nudes in photography turns toward science and ethnography. As France and England expanded their colonial holdings, photographic depictions of the exoticness of life abroad captivated artists and audiences back home. Here we also see nude photos valued for pure information, used for crime-scene forensics, medicine, and as scientific studies of human locomotion (most famously in Eadweard Muybridge’s frame-by-frame sequences).
In the 20th century, we see the photographic nude playing an important role in the modernist, avante-garde and surrealist work of artists like Man Ray, Brassaï, Franz Roh. Here the body is often abstracted, emphasizing the artists’ new ideas toward sexuality and psychology. The next section focuses on photographers documenting intimate relationships between artist and subject, when nude series of friends and spouses defined the work of Edward Weston, Harry Callahan and others. And the final “motivation” is one of politics, as naked bodies bore new ideas of gender, identity and sexuality from the revolutionary 1960s to the arrival of AIDS in the 1980s.
“Would my previous director let me get away with spelling out ‘naked’ in flashbulbs on a sign out front? Maybe not,” said Daniel. “Yes, we could have framed it as ‘Treasures of 19th Century Photography’…” Daniel said, as he trailed off with an exaggerated yawn. “But people will come and realize this is not a polemical show.”
“We do have a sense of humor here,” Daniel continued. “We can have fun with the signage, at least!”
“Naked Before the Camera” opens today and runs through September 9 .
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Back in the biblical Garden of Eden, it was totally acceptable to go nude.

Nudity (or near-complete nudity) continued in various parts of the world including Africa until civilization happened.

With the ever-increasing influence of Western culture, this tradition is almost non-existent nowadays except for a few areas in Nigeria.









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