Naked Grandmas

Naked Grandmas

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Another lot of glam grannies in the Wrinklies calendar
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Published: 15:41 BST, 18 December 2014 | Updated: 00:05 BST, 19 December 2014
As a group of elderly ladies with ages ranging up to 85 years old, these women would be expected to be more at home wearing knitted cardigans and making jam.
However, these daring grannies from the Vale of Clwyd, Wales, have bared all for a naked charity calendar - and they believe they are the oldest pin-up girls in Britain.
The 15 courageous pensioners, who notch up an incredible 1,053 years between them, are selling The 2015 Wrinklies Charity Calendar for £10 - and have already raised more than half their £10,000 target.
The calendar might have light-hearted pictures but the aim is to raise funds for serious charities
With an average age of 71, this brave group of grandmothers are aiming to be the oldest pinups in the UK
With their average age of 71, the women have gone one better than Calendar Girls movie stars Helen Mirren and Julie Walters who were in their 50s when the film was shot.
Grandmother Jenny Stephens, 72, of Denbigh, North Wales, said: 'At our age, everything goes south but I don't care. Life is too short to worry.
'Between us all we have racked up 1,053 years but I think we all look fabulous for our age.'
The calendar, which is raising money for cancer charities, has grannies enjoying 'tea for three' - posing with strategically placed cherry bakewells and chocolate muffins.
The calendar, which costs £10, has already raised £6,700 of its £10,000 target
All the models come from Wales and use the opportunity of the calendar to show off the Welsh countryside
It also features grannies in hot tubs, riding horses and donning Christmas stockings and Santa hats.
Jenny decided she wanted to raise money for cancer after her niece Bethan, 35, died after losing her battle with the disease.
The money will be split between Macmillian Cancer Support, Glan Clwyd Cancer Centre and Jo's cervical cancer trust.
The good-natured grans pose for some tongue-in-cheek shots with a giant heart and in a hot tub
Money raised from the calendar - which include the these photos, will be split between cancer charities
The women stripped off for the festive calendar, right, and have racked up 1,053 years between them
Jenny has already raised £6,700 by selling the calendars which cost £10 each - her target is £10,000.
She added: 'Making the calendar has been such a laugh but it's important to remember the real message we want to get over.
'Who cares about saggy bits and the odd wrinkle? We need to cherish our bodies whatever our age.'
Photographer Chris Birchall said: 'Our calendars are "naughty but nice" full of humour and always tasteful. These are a great bunch of ladies, full of fun and not a bit inhibited.
'I’m more or less retired myself now, so this is a good way for me to help local charities.'
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Is nakedness invisibility’s opposite? Maybe not, but, if it’s unapologetically displayed, it can be a kind of antidote to erasure.
“Bebe on Sand,” 2014. Photographs by Jocelyn Lee
“Deborah at Aquinnah Beach in September,” 2020.
“Nancy at 78, Maine at 18 (Aunt and Grandniece),” 2018.
“Nancy Floating at Quitsa Pond,” 2016.
“Judith at Home,” 2009. Photographs by Jocelyn Lee
“Bebe and Pagan in the Red Room,” 2004.
“Bebe and Pagan Pregnant with Twin Girls,” 2012.
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Some clichés about the cycle of life are true. When you are raising young children, the days are long and the years are short. And when you’re a woman, you will, at about age fifty, become invisible. All our lives, as girls and younger women, we prepare ourselves to be looked at. We grow accustomed to registering —to attracting, evading, or denouncing the male gaze. In “ Mrs. Dalloway ,” Clarissa, newly aware of herself as a woman of a certain age, walks down the street thinking, “This body, with all its capacities, seemed nothing—nothing at all.” The cultural critic Akiko Busch, quoting that line from “Mrs. Dalloway,” notes that “a reduced sense of visibility does not necessarily constrain experience.” True, but it takes some getting used to, and when it’s punctuated, as it often is, by condescension—when strangers are suddenly addressing you not even as “Ma’am” but, with a verbal wink, as “young lady”—you may not want to get used to it.
Is nakedness invisibility’s opposite? Maybe not, but, if it’s voluntarily, unapologetically displayed, it can be a kind of antidote to diminishment and erasure. A nude portrait of a woman older than, say, sixty is an unusual image—even a taboo one. To make such photographs, and, even more so, to pose for them, is an act of defiance. In the course of her career, the photographer Jocelyn Lee has been drawn to nude bodies of all shapes and ages. Her latest book, “Sovereign” (Minor Matters Books), features a selection of her photographs of women who range in age from their mid-fifties to their early nineties, posing naked, frequently outdoors and in natural settings.
Lee’s color images of older women are painterly, classical, but also frank. Skin puckers, crinkles, and sags. Bellies poof and pleat. A silver-haired woman stands knee-deep in a pond strewn with autumn leaves, looking directly at the camera, her elbows angled back like wings to reveal one intact breast and one mastectomy scar. A naked woman sits on a blanket of moss in the woods, her breasts and belly soft, so at ease she might be napping. In “Nancy at 78, Maine at 18,” a woman and her grandniece stand nude on a beach. Side by side, their long-legged, curly-headed bodies rhyme, but also remind us of the ways time will remake our familiar, corporeal selves. The image is not some grim memento mori, though. The women lean comfortably toward each other, touching shoulders; the younger woman’s arm loops through the elder woman’s. Behind them, the sea and sky are a light-suffused blue.
Lee, who is fifty-nine, lives part of the year on a lush, wooded property outside of Portland, Maine. She’s taken some of the portraits of older women at a pond near her house, and others on beaches at Martha’s Vineyard and elsewhere. The natural settings, devoid of sociological detail and inherently beautiful, tend to banish ironic readings and extend a certain benevolence to the naked subjects. We aren’t in paradise here—nobody in these photos looks that naïve—but we are not in any sort of judgment-laden social space, either. Lee told me that she hoped the locations implied the warmth of sun on the body—“that kind of comfort and love”—and communicated the idea that we are “all essentially sensual creatures.”
“The camera can be very cruel depending on how you use it,” she said. “There’s a whole tradition of photography that’s based on criticality and cruelty. Diane Arbus —whom I love, by the way—looked for unflattering moments to create a sense of drama. Sometimes that can be done with the juxtaposition of elements in a space, the exaggeration of the appearance of wealth or poverty, harsh lighting.”
Lee said that, by contrast, her work had sometimes been criticized for being “too earnest or romantic.” But she made her peace with that a long time ago. Through her photography, Lee has always tried to understand “what lay ahead.” When she was still in college, long before she had children herself, she photographed a pregnant friend in the nude as part of her thesis project. “This was before the Demi Moore Vanity Fair cover; people didn’t really know what a pregnant woman looked like,” she said. Through the years, she took many nude photographs of her mother, who, she says, had a remarkable ease in her own skin. Lee continued taking pictures of her as she was dying of cancer.
I’m about six months older than Lee, and, all in all, I consider aging to be far better than the alternative, as my own mother, who died at sixty, the age I am now, used to say. Still, I prefer the cloudy mirror in my bathroom to any in which I can see myself clearly. The older women who posed for Lee in the nude include professors, writers, artists, an astrologer, a hospice worker, and a small-town mayor. To me, they seem very brave, but it bothers me to say so. We all have bodies; if we’re lucky, we all get old, or at least older. Why not show what it looks like?
Two of Lee’s subjects, Judith and Nancy, have been posing for her for decades. Both told me that they don’t love how they look in some of the images, but that they treasured the experience of making them with Lee, whose process is creative and collaborative. Nancy, who is eighty, said, “I cringe when I look at the images, but I know that when I’m ninety I’m gonna say, ‘Ooh, look how great I looked!’ ” Her grandniece Maine, who posed with her, is a photography student. Maine told me that Lee’s image makes her happy because her grandaunt and she look so alike in it. “It’s like seeing myself in sixty years, and I sort of love that,” she said. “I think Nancy is beautiful.” Lee told me that she plans to photograph the pair every year.
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The 70-year-old actress has been filming a new movie with Amy Schumer in Hawaii, and on Thursday, spent some time off taking a dip in the ocean. Rocking a nude one-piece, Goldie looked incredible getting in some rest and relaxation.
Goldie's definitely been making the most out of filming in Hawaii. Last month, she was snapped again showing off her swimsuit bod in a similar style black one-piece.
And don't think the actress is following a super strict diet to get her trim figure. Goldie recently shared this snap of herself enjoying a giant delicious waffle and stressed the importance of eating her favorite breakfast.
"A little sausage never hurt anybody...whoops! #cheatday," she joked on Instagram.
Though it's important to note that she's also very active, riding bikes and getting her dance on by the beach.
Goldie's obviously passed on her great genes to her daughter, 37-year-old Kate Hudson. The super fit actress recently joined her mother and Schumer in Hawaii, where she showed off her own enviable bikini bod in a bright yellow two-piece.

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