Naked Came I

Naked Came I




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First US edition (publ. William Morrow)
Naked Came I is a bestselling 1963 novel by David Weiss based on the life of sculptor Auguste Rodin. [1]
Naked Came I portrays Rodin as driven to be an artist because his temperament would allow him to be nothing else. It shows him as a friend with other Parisian artists such as Edgar Degas, Auguste Renoir, Édouard Manet, and those of the Second French Empire associated with the Salon des Refusés: they were generally outside the Paris art establishment, and had been refused admission to the École des Beaux Arts. The title is derived, according to the frontispiece, from Cervantes' Don Quixote . (Cervantes, in turn, had taken it from the Book of Job, 1:21.)
Due to the success of Weiss' previous novels, the book was, almost simultaneously with its American publication, also published in the United Kingdom and in translation in France, Germany, and Italy.
The Ingenious Gentleman Sir Quixote of La Mancha, or just Don Quixote, is a Spanish novel by Miguel de Cervantes. Published in two parts, in 1605 and 1615, Don Quixote is the most influential work of literature from the Spanish Golden Age and the entire Spanish literary canon. As a founding work of modern Western literature, it regularly appears high on lists of the greatest works of fiction ever published, such as the Bokklubben World Library collection that cites Don Quixote as the authors' choice for the "best literary work ever written".
Camille Claudel was a French sculptor. Although she died in relative obscurity, Claudel has gained recognition for the originality and quality of her work. She was the elder sister of the poet and diplomat Paul Claudel and the co-worker and lover of sculptor Auguste Rodin.
The Thinker is a bronze sculpture by Auguste Rodin, usually placed on a stone pedestal. The work shows a nude male figure of over life-size sitting on a rock with his chin resting on one hand as though deep in thought, often used as an image to represent philosophy. There are about 28 full-sized castings, in which the figure is about 186 cm high, though not all were made during Rodin's lifetime and under his supervision. There are various other versions, as well, several in plaster, and studies and posthumous castings exist in a range of sizes. Rodin first conceived the figure as part of his work The Gates of Hell commissioned in 1880, but the first of the familiar monumental bronze castings did not appear until 1904.
The Salon, or rarely Paris Salon, beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. At the 1761 Salon, thirty-three painters, nine sculptors, and eleven engravers contributed. From 1881 onward, it has been managed by the Société des Artistes Français.
Les Bourgeois de Calais is a sculpture by Auguste Rodin, one of his best known, that exists in twelve original castings, and numerous copies. It commemorates an event during the Hundred Years' War, when Calais, a French port on the English Channel, was under siege by the English for about eleven months. Calais commissioned Rodin to create the sculpture in 1884 and the work was completed in 1889.
The Musée Rodin in Paris, France, is a museum that was opened in 1919, dedicated to the works of the French sculptor Auguste Rodin. It has two sites: the Hôtel Biron and surrounding grounds in central Paris and just outside Paris at Rodin's old home, the Villa des Brillants at Meudon (Hauts-de-Seine). The collection includes 6,600 sculptures, 8,000 drawings, 8,000 old photographs, and 7,000 objets d’art. The museum receives 700,000 visitors annually.
The Musée d'Art Moderne et Contemporain de Strasbourg is an art museum in Strasbourg, France, which was founded in 1973 and opened in its own building in November 1998.
The Gates of Hell is a monumental sculptural group work by French artist Auguste Rodin that depicts a scene from the Inferno, the first section of Dante Alighieri's Divine Comedy. It stands at 6 metres high, 4 metres wide and 1 metre deep (19.7×13.1×3.3 ft) and contains 180 figures. The figures range from 15 centimetres (6 in) high up to more than one metre (3 ft). Several of the figures were also cast independently by Rodin.
The Age of Bronze is a bronze statue by the French sculptor Auguste Rodin (1840–1917). The figure is of a life-size nude male, 72 in. high. Rodin continued to produce casts of the statue for several decades after it was modelled in 1876.
Outis is an often used pseudonym. Artists, writers and others in public life use this pseudonym in order to hide their identity. The Latin equivalent Nemo is also often used.
Monument to Balzac is a sculpture by Auguste Rodin in memory of the French novelist Honoré Balzac. According to Rodin, the sculpture aims to portray the writer's persona rather than a physical likeness. The work was commissioned in 1891 by the Société des Gens de Lettres, a full-size plaster model was displayed in 1898 at a Salon in Champ de Mars. After coming under criticism the model was rejected by the société and Rodin moved it to his home in Meudon. On July 2, 1939 the model was cast in bronze for the first time and placed on the Boulevard du Montparnasse at the intersection with Boulevard Raspail.
Saint John the Baptist (preaching) is a bronze sculpture, by Auguste Rodin.
Léonce Bénédite was a French art historian and curator. He was a co-founder of the Société des Peintres Orientalistes Français and was instrumental in establishing Orientalist art as a legitimate genre.
Balzac in the Robe of a Dominican Monk is a bronze sculpture by French artist Auguste Rodin, one of the studies made in preparation to the Monument to Balzac, a tribute to novelist Honoré Balzac commissioned by the Society of Men of Letters of France in 1891. This sculpture was a particular challenge to the artist due to his preference to portray his subjects in great detail, and the fact that Balzac was already dead. Rodin then started to research about the life and times of his subject, only to find, according to Kenneth Clark, that he had been a short, fat and unremarkable-looking man.
The Falling Man is a sculpture by French artist Auguste Rodin modeled in 1882 and is part of Rodin's emblematic group The Gates of Hell.
Pierre de Wiessant is a bronze sculpture by French artist Auguste Rodin, part of his sculptural group The Burghers of Calais. This sculpture represents one of the six burghers who, according to Jean Froissart surrendered themselves in 1347, at the beginning of the Hundred Years' War (1337–1453), in order to save the inhabitants of the French city of Calais from the English laying siege to the city.
The Bust of Maurice Haquette is an 1883 bronze sculpture by the French artist Auguste Rodin, measuring 53.5 by 26.7 by 41.1 cm.
Adonis Awakens is an 1889 sculpture by the French artist Auguste Rodin. Based on the account of Adonis in Book 10 of Ovid's Metamorphoses, it is signed “A RODIN” on the edge of the base. It is now in the Museo Soumaya in Mexico City.
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