Nabeul buying blow

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Nabeul buying blow

Tableware cluster in Nabeul. The adventure began in in Nabeul, Tunisia with the establishment of a cluster dedicated to ceramics, and more broadly to table and ornamental ware, at a time when Tunisian handicrafts showed signs of running out of steam. Four years later, the results are more than enlightening. Nour Bellalouna, artist-designer and manager of Belle Lune , is one of the beneficiaries from the EU-funded cluster. As a Fine Arts graduate with a specialisation in Plastic Arts, she could have ended up as hundreds of Tunisian graduates in this speciality have — unemployed. However, thanks to an internship with a craftsman, she got into ceramics and eventually saw a change in her interests. A turning point in her career. Encouraged by the project leader, Nour transformed a room in her home into a creative workshop. Upon receiving a visitor into the room, she would follow their gaze to see if one of her works hanging on the walls would capture their attention. While glancing through an article that is part of a European order, Nour reflected on how the group has changed her life. Remaining studious and applied since her initial contact with the craftsmen, she has since gone on to master the material; making light explode, colours astonish and support multiply, and effortlessly going from one technique to another to the point of fooling critics eyes. Even her fellow designers sometimes establish themselves by bringing to mind the technique applied. This state of mind has greatly contributed to the renaissance in Tunisian handicrafts, a growing industry which is enjoying an increasingly important place in the economic dynamics of the region. More visibility. In the same context, Mohamed Riadh Zagdane, a year-old craftsman with more than twenty years of experience in the handicraft sector, admits that the group has allowed him to enter a more virtuous circle of production. In fact, according to him, this project has raised the level of manual craftsmanship through the networking of craftspersons with designers. A hard blow but…. Though it was the tourism industry crisis in particular that shook the country in , dealing a blow to the handicraft of ceramics. Indeed, he recalls in this regard the closure of large ceramic workshops such as The House of Crafts, which employed people, and Nabeul Ceramics Society. With the disappearance of these two companies, the region turned the page on a whole generation of craftsmen. Chabbouh, the project has allowed craftsmen to combine their strengths to diversify their activities and show creativity and new design. He also helped provide assistance and training to those who were left to their own devices, according to his remarks. Hub Design to galvanise the concept. But now thanks to the cluster set up by the EU with funding of up to , euro , the city of Nabeul has the first Hub Design fully dedicated to tableware. This space is also intended to serve as a kind of incubator for the creation of new companies in the sector. According to Mme. Ben Dhia, the technical support and other free services provided allow for the galvanisation of relations between the craftsmen. A new collaboration. It is thanks to this new collaboration, initiated and supported by Creative Mediterranean, Tunisia, that over the years the project has been able to bring together as many craftsmen as heads of companies or even students, who together have been able to fully establish development plans, including product design, visual identity and product communication. Talel Sahmim, national coordinator of the Creative Mediterranean project in Tunisia — a European Union funded project which targets craftsmen, designers, traders, and manufacturers in addition to a steering committee that brings together sponsors, ministries, occupational structures and observing members, proudly lists the results. A long road travelled. The craft has come a long way. This pilot project initiated by the European Union involves all stakeholders in the value chain and, for the first time, brings together a variety of support structures, such as the National Office of Crafts, the Nabeul Institute of Fine Arts, the Centre for Arts and Crafts, the Cap Bon Chamber of Commerce and Industry, the heads of companies, craftsmen and designers. The Nabeul group has allowed its stakeholders to combine their strengths through the unique exchange of skills and expertise, thus promoting the development and enhancement of a handicraft once in jeopardy, but which has now regained its nobility and splendour. Strength and adaptability. Today, we can pride ourselves on the fact that Nabeul, garden city, capital of ceramics, inspiration for poets, writers and novelists, has found its splendour thanks to the renaissance of this handicraft. This comprises of entrepreneurs who invest in their own expertise, custodians of ancient traditions, of proven techniques and of a culture that is enriched and adapted to follow changes in society and the tastes of their clientele. When we know that the art of ceramics in Nabeul, a community that is surprising in its strength and adaptability to modernity and which employs thousand craftsmen and contributes 3. Many craftsmen were forced to close shop because of the prevailing gloom regarding tourism and because of social unrest and terrorist attacks which shook the country at the time. A hit was also taken because of the stereotypes of the products and the industry, which has been deemed abandoned by young people because it offers few career prospects. Now, we can only applaud the tableware cluster, a rare success in an ocean of badly planned projects, which has just revived the handicraft of ceramics in Nabeul from the verge of collapse. Thanks to this initiative, the skill of the Nabeulean craftsmen is perpetuated in the heart of the city, which today proudly displays its ceramic products and flaunts an array of new collections of ceramic items requested by the best exhibitions and fairs dedicated to tableware. The city has resumed its economic momentum after bringing the industry in line with developments through modernisation, adaptation to consumer expectations and the frequent use of new technologies to generate new projects and services that will shape the craft of tomorrow; now resolutely turned towards the future. Flickr Album. When ceramics regained its nobility. November 15, Chokri Ben Nessir. Share on. Tableware cluster in Nabeul The adventure began in in Nabeul, Tunisia with the establishment of a cluster dedicated to ceramics, and more broadly to table and ornamental ware, at a time when Tunisian handicrafts showed signs of running out of steam. A general outside view of the Nabeul Hub Design in Nabeul. Nour Bellalouna paints a clay cup inside her workshop in Nabeul. Nour Bellalouna, craftswoman, presents her creations inside her workshop. Nour Bellalouna, craftswoman, paints a clay cup. Nour Bellalouna, craftswoman. A turning point in her career Encouraged by the project leader, Nour transformed a room in her home into a creative workshop. Mohammed Zegdane, craftsman. Nawel ben Dhia, member of the Nabeul design hub's management. Hbib Shabbouh, craftsman and entrepreneur. Talel Sahmim, the national project coordinator. More visibility In the same context, Mohamed Riadh Zagdane, a year-old craftsman with more than twenty years of experience in the handicraft sector, admits that the group has allowed him to enter a more virtuous circle of production. At the Hub design showroom in Nabeul, Tunisia. Hub Design to galvanise the concept But now thanks to the cluster set up by the EU with funding of up to , euro , the city of Nabeul has the first Hub Design fully dedicated to tableware. A new collaboration It is thanks to this new collaboration, initiated and supported by Creative Mediterranean, Tunisia, that over the years the project has been able to bring together as many craftsmen as heads of companies or even students, who together have been able to fully establish development plans, including product design, visual identity and product communication. A long road travelled The craft has come a long way. Strength and adaptability Today, we can pride ourselves on the fact that Nabeul, garden city, capital of ceramics, inspiration for poets, writers and novelists, has found its splendour thanks to the renaissance of this handicraft. Flickr Album Video. Latest Story. Krasiva: Featuring ceramic art in a sustainable spirit in Libya. Libyan Inas Al-Amin shines in the field of decoration with her brand. Latest Newsletter. News alerts. Opportunities Campaigns. About the programme Policy Contact. 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THE BROWN WATER GLASS

Nabeul buying blow

Your cart is empty. A taste of summer on everyone's lips. This footless water glass is not commonly found on the streets or in the markets. It's a treasure worthy of being embraced from breakfast to dinner. Sold individually. Add to cart. Open featured media in gallery view. View product details.

Nabeul buying blow