My Mistress Eyes Are Nothing
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My mistress' eyes are nothing like the sun (Sonnet 130)
My mistress' eyes are nothing like the sun;
Coral is far more red than her lips' red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damasked, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress when she walks treads on the ground.
And yet, by heaven, I think my love as rare
As any she belied with false compare.
William Shakespeare, regarded as the foremost dramatist of his time, wrote more than thirty plays and more than one hundred sonnets, all written in the form of three quatrains and a couplet that is now recognized as Shakespearean.
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But, lo! from forth a copse that neighbours by,
A breeding jennet, lusty, young, and proud,
Adonis' trampling courser doth espy,
And forth she rushes, snorts and neighs aloud;
The strong-neck'd steed, being tied unto a tree,
Breaketh his rein, and to her straight goes he.
Imperiously he leaps, he neighs, he bounds,
And now his woven girths he breaks asunder;
The bearing earth with his hard hoof he wounds,
Whose hollow womb resounds like heaven's thunder;
The iron bit he crushes 'tween his teeth
Controlling what he was controlled with.
His ears up-prick'd; his braided hanging mane
Upon his compass'd crest now stand on end;
His nostrils drink the air, and forth again,
As from a furnace, vapours doth he send:
His eye, which scornfully glisters like fire,
Shows his hot courage and his high desire.
Sometime her trots, as if he told the steps,
With gentle majesty and modest pride;
Anon he rears upright, curvets and leaps,
As who should say, 'Lo! thus my strength is tried;
And this I do to captivate the eye
Of the fair breeder that is standing by.'
What recketh he his rider's angry stir,
His flattering 'Holla,' or his 'Stand, I say?'
What cares he now for curb of pricking spur?
For rich caparisons or trapping gay?
He sees his love, and nothing else he sees,
Nor nothing else with his proud sight agrees.
Look, when a painter would surpass the life,
In limning out a well-proportion'd steed,
His art with nature's workmanship at strife,
As if the dead the living should exceed;
So did this horse excel a common one,
In shape, in courage, colour, pace and bone
Round-hoof'd, short-jointed, fetlocks shag and long,
Broad breast, full eye, small head, and nostril wide,
High crest, short ears, straight legs and passing strong,
Thin mane, thick tail, broad buttock, tender hide:
Look, what a horse should have he did not lack,
Save a proud rider on so proud a back.
Sometimes he scuds far off, and there he stares;
Anon he starts at stirring of a feather;
To bid the wind a race he now prepares,
And whe'r he run or fly they know not whether;
For through his mane and tail the high wind sings,
Fanning the hairs, who wave like feather'd wings.
He looks upon his love, and neighs unto her;
She answers him as if she knew his mind;
Being proud, as females are, to see him woo her,
She puts on outward strangeness, seems unkind,
Spurns at his love and scorns the heat he feels,
Beating his kind embracements with her heels.
Then, like a melancholy malcontent,
He vails his tail that, like a falling plume
Cool shadow to his melting buttock lent:
He stamps, and bites the poor flies in his fume.
His love, perceiving how he is enrag'd,
Grew kinder, and his fury was assuag'd.
His testy master goeth about to take him;
When lo! the unback'd breeder, full of fear,
Jealous of catching, swiftly doth forsake him,
With her the horse, and left Adonis there.
As they were mad, unto the wood they hie them,
Out-stripping crows that strive to over-fly them.
I prophesy they death, my living sorrow,
If thou encounter with the boar to-morrow.
"But if thou needs wilt hunt, be rul'd by me;
Uncouple at the timorous flying hare,
Or at the fox which lives by subtlety,
Or at the roe which no encounter dare:
Pursue these fearful creatures o'er the downs,
And on they well-breath'd horse keep with they hounds.
"And when thou hast on food the purblind hare,
Mark the poor wretch, to overshoot his troubles
How he outruns with winds, and with what care
He cranks and crosses with a thousand doubles:
The many musits through the which he goes
Are like a labyrinth to amaze his foes.
"Sometime he runs among a flock of sheep,
To make the cunning hounds mistake their smell,
And sometime where earth-delving conies keep,
To stop the loud pursuers in their yell,
And sometime sorteth with a herd of deer;
Danger deviseth shifts; wit waits on fear:
"For there his smell with other being mingled,
The hot scent-snuffing hounds are driven to doubt,
Ceasing their clamorous cry till they have singled
With much ado the cold fault cleanly out;
Then do they spend their mouths: Echo replies,
As if another chase were in the skies.
"By this, poor Wat, far off upon a hill,
Stands on his hinder legs with listening ear,
To hearken if his foes pursue him still:
Anon their loud alarums he doth hear;
And now his grief may be compared well
To one sore sick that hears the passing-bell.
"Then shalt thou see the dew-bedabbled wretch
Turn, and return, indenting with the way;
Each envious briar his weary legs doth scratch,
Each shadow makes him stop, each murmur stay:
For misery is trodden on by many,
And being low never reliev'd by any.
"Lie quietly, and hear a little more;
Nay, do not struggle, for thou shalt not rise:
To make thee hate the hunting of the boar,
Unlike myself thou hear'st me moralize,
Applying this to that, and so to so;
For love can comment upon every woe."
Tell me where is Fancy bred, Or in the heart or in the head? How begot, how nourishèd? Reply, reply. It is engender'd in the eyes; With gazing fed; and Fancy dies In the cradle where it lies. Let us all ring Fancy's knell: I'll begin it,--Ding, dong, bell! All. Ding, dong, bell! --from The Merchant of Venice Where the bee sucks, there suck I: In a cowslip's bell I lie; There I couch when owls do cry. On the bat's back I do fly After summer merrily: Merrily, merrily, shall I live now, Under the blossom that hangs on the bough. -from The Tempest
Lord Amiens, a musician, sings before Duke Senior's company
Eenee Menee Mainee Mo!
—Rudyard Kipling, "A Counting-Out Song,"
in Land and Sea Tales for Scouts and Guides, 1923
The woman with cheerleading legs
has been left for dead. She hot paces a roof,
four days, three nights, her leaping fingers,
helium arms rise & fall, pulling at the week-
old baby in the bassinet, pointing to the eighty-
two-year-old grandmother, fanning & raspy
in the New Orleans Saints folding chair.
Eenee Menee Mainee Mo!
Three times a day the helicopter flies
by in a low crawl. The grandmother insists on
not being helpless, so she waves a white hand-
kerchief that she puts on and takes off her head
toward the cameraman and the pilot who
remembers well the art of his mirrored-eyed
posture in his low-flying helicopter: Bong Son,
Dong Ha, Pleiku, Chu Lai. He makes a slow
Vietcong dip & dive, a move known in Rescue
as the Observation Pass.
The roof is surrounded by broken-levee
water. The people are dark but not broken. Starv-
ing, abandoned, dehydrated, brown & cumulous,
but not broken. The four-hundred-year-old
anniversary of observation begins, again—
Eenee Menee Mainee Mo!
Catch a—
The woman with pom-pom legs waves
her uneven homemade sign:
Pleas Help Pleas
and even if the e has been left off the Pleas e
do you know simply
by looking at her
that it has been left off
because she can't spell
(and therefore is not worth saving)
or was it because the water was rising so fast
there wasn't time?
Eenee Menee Mainee Mo!
Catch a— a—
The low-flying helicopter does not know
the answer. It catches all this on patriotic tape,
but does not land, and does not drop dictionary,
or ladder.
Regulations require an e be at the end
of any Pleas e before any national response
can be taken.
Therefore, it takes four days before
the national council of observers will consider
dropping one bottle of water, or one case
of dehydrated baby formula, on the roof
where the e has rolled off into the flood,
(but obviously not splashed
loud enough)
where four days later not the mother,
not the baby girl,
but the determined hanky waver,
whom they were both named for,
(and after) has now been covered up
with a green plastic window awning,
pushed over to the side
right where the missing e was last seen.
My mother said to pick
The very best one!
What else would you call it,
Mr. Every-Child-Left-Behind.
Anyone you know
ever left off or put on
an e by mistake?
Potato Po tato e
In the future observation helicopters
will leave the well-observed South and fly
in Kanye-West-Was-Finally-Right formation.
They will arrive over burning San Diego.
The fires there will be put out so well.
The people there will wait in a civilized manner.
And they will receive foie gras and free massage
for all their trouble, while there houses don't
flood, but instead burn calmly to the ground.
The grandmothers were right
about everything.
People who outlived bullwhips & Bull
Connor, historically afraid of water and routinely
fed to crocodiles, left in the sun on the sticky tar-
heat of roofs to roast like pigs, surrounded by
forty feet of churning water, in the summer
of 2005, while the richest country in the world
played the old observation game, studied
the situation: wondered by committee what to do;
counted, in private, by long historical division;
speculated whether or not some people are surely
born ready, accustomed to flood, famine, fear.
My mother said to pick
The very best one
And you are not it!
After all, it was only po' New Orleans,
old bastard city of funny spellers. Nonswimmers
with squeeze-box accordion accents. Who would
be left alive to care?
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https://poets.org/poem/my-mistress-eyes-are-nothing-sun-sonnet-130
Перевести · 14.05.2021 · William Shakespeare - 1564-1616. My mistress' eyes are nothing like the sun; Coral is far more red than her lips' red; If snow be white, why then her breasts are dun; If hairs be wires, black wires grow on her …
https://www.poetryfoundation.org/poems/45108
Перевести · Sonnet 130: My mistress' eyes are nothing like the sun If hairs be wires, black wires grow on her head. Than in the breath that from my mistress reeks. My mistress, when she walks, treads on the ground. As any …
Alan Rickman - My mistress' eyes are nothing like the sun (Sonnet 130)
Sonnet 130: My mistress' eyes are nothing like the sun
My mistress’ eyes are nothing like the sun
Stephen Fry reading Sonnet 130 'My mistress’ eyes are nothing like the sun'
Sonnet 130: My mistress' eyes are nothing like the sun
William Shakespeare Sonnet 130 ~ 'My Mistress' Eyes Are Nothing Like The Sun'#bluedotmusic
www.eng-poetry.ru/PoemE.php?PoemId=2025
Sonnet 130. My mistress' eyes are nothing like the sun. My mistress' eyes are nothing like the sun, Coral is far more red, than her lips red, If snow be white, why then her breasts are dun: If hairs be wires, black wires …
https://poemanalysis.com/william-shakespeare/sonnet-130
Перевести · 29.12.2015 · Sonnet 130 – My mistress’ eyes are nothing like the sun by William Shakespeare. Of the 154 sonnets that Shakespeare wrote throughout his lifetime, 126 were written to a figure known as the Fair Youth. The remaining 28 poems were written to the …
www.shakespeare-online.com/sonnets/130detail.html
Перевести · My mistress's eyes are nothing like the sun; Coral is far more red than her lips' red; Coral is far more red than her lips; If snow be white, why then her breasts are dun; If snow is white, then her breasts are a …
engshop.ru/shekspir-sonet-130-na_anglieskom
My mistress' eyes are nothing like the sun; Coral is far more red than her lips' red; If snow be white, why then her breasts are dun*; If hairs be wires**, black wires grow on her head. I have seen roses damasked***, red and white, But no such roses see I in her cheeks, And in some perfumes is there more delight Than in the breath that from my mistress …
https://www.litcharts.com/.../sonnet-130-my-mistress-eyes-are-nothing-like-the-sun
Перевести · 29.03.2019 · “Sonnet 130: My mistress' eyes are nothing like the sun” Themes Beauty and Love In “Sonnet 130,” the speaker unfavorably compares his lover's body to a series of beautiful things... Love, Personality, and the Superficial In Lines 9 and 10, of Sonnet 130, the …
https://www.gradesaver.com/shakespeares-sonnets/study-guide/summary-sonnet-130-my...
Перевести · My mistress's eyes look nothing like the sun; coral is far more red than her lips are. "If snow be white, why then her breasts are dun; / If hairs be wires, black wires grow on her head." If snow is white, then …
Based on the sonnet, what would the speaker find most distressing? losing his self-confidence losing his self-confidence losing his love losing his love losing his wealth losing his wealth losing his self-respect
I'm sorry, which of Shakespeare's sonnets does your question pertain to?
How far has Shakespeare unlocked his heart in his sonnet? Answer with reference to the sonnets in syllabus?
I'm sorry, this is a short-answer question forum designed for text specific questions. We are unable to assist students with essays or other writin...
can you give me a line of imagery in sonnet 18?
On the surface, the poem is simply a statement of praise about the beauty of the beloved; summer tends to unpleasant extremes of windiness and heat...
https://www.bbc.co.uk/bitesize/guides/zpkytv4/revision/4
Перевести · 26.07.2020 · My mistress' eyes are nothing like the sun; A. Coral is far more red than her lips' red; B. If snow be white, why then her breasts are dun; A. If hairs be wires, black wires grow on her …
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My Mistress Eyes Are Nothing
