Music Clips Nude Girls

Music Clips Nude Girls
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"Press, press, press, press, press."
Cardi B might not need more press but after dropping a fiery music video for her latest single, it's hard to not see her name splashed online. Releasing "Press" on YouTube this morning, the 26-year-old rapper proves even more that she's not afraid to push the boundaries when it comes to fashion, beauty and entertainment.
Similar to her risqué and sultry single cover, where she's hand-cuffed and walking out of a court house in her birthday suit , her music video is just as thought-provoking. The nearly four-minute clip opens with her making out with another woman during a threesome. Afterwards, she shoots them. The crime, of course, lands her in court . But that's just the beginning.
Later, Cardi strips down completely naked, though her nipples and other areas are blurred out. Her dancers also ditch their clothes and perform in the nude. In a following scene, they lay there dead and bleeding while she continues to sing.
The video ends with her in jail, drowning and killing a fellow inmate in the toilet.
Like many of the star's music videos before this, "Press" proves to be fashion-forward . The brunette beauty dons a printed, colorful silk outfit and fur before changing into an all white Viktor&Rolf suit. Even her hair and eyebrows are dyed white to match the look.
Contrary to the song's lyrics, it looks like the "I Like It" rapper's music video is gaining a lot of attention. It amassed more than 100,000 views on YouTube in just 10 minutes.
After the video was released, Cardi took to Instagram to thank everyone involved, including photographer and director Jora Frantzis . "This is my first video that I directed...I really wanted my vision to come to life," she said in the video. "I want to thank my glam team for making me look nice with white eyebrows and white hair. I was really specific about that. I really wanted that look."
And as for that violent ending, she said with a laugh: "I really wanted to drown somebody in the toilet and kill them ‘cause that's just such terrible way to die."
If you're a Cardi stan, you'll want to watch the provocative music vid! Because there are quite a few NSFW lyrics, put them headphones in and click play on the clip above.
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"I hadn't even realized I liked girls yet, but I watched that video so many times not really understanding why I was so into it."
"I would throw a blanket over the family desktop in the living room and watch Christina Aguilera’s 'Dirrty' music video on a loop. Definitely was not as inconspicuous as I thought, and definitely got in trouble."
"Adam Levine was SO hot in that video with all the strategic flower petals. My gay heart* exploded [*pants]."
"The lyrics, the beat, and the way she danced taught 14-year-old me what I was into...in ways I was just learning to understand!"
"The leopard print bra poking out of her tank top? The dancing? The glistening skin?"
"I think it started a slight rough play kink..."
"Wet T-shirt and riding a bull? Come on! Bisexual awakening."
"My five older brothers would crowd around the TV whenever the video came on, and I was right there with them."
"The music video for 'Toxic' by Britney Spears is literally what made me realize that I'm into girls. I first watched it when I was 11 but didn't put the pieces together until I was 13 (lol oops)."
"George Michael in a Speedo? Yes, please."
"First you get the scene with him in the bathtub, which makes you feel an odd kind of way. Then those few moments when he is crawling across the bathroom floor... Uh, yeah, you're suddenly not at all certain what it is that you're feeling for the first time. But it's certainly new and interesting."
"Britney and Madonna and ties and moving around a metal bed frame and chasing and the tension woke me."
"John Rzeznik in that tank top with his hair and his tattoos and the metal ball necklace that everyone wore in the '90s. It was and still is perfection."
"That bodysuit and her in the cage made me feel some type of way."
"The way she danced with those men...wow!"
"Justin Timberlake of NSYNC in a white tank, on a bed, fully 'Tearin’ Up My Heart.' Thank you, JT."
"Liv Tyler and Alicia Silverstone in schoolgirl outfits — then doing stripteases — did it."
"It opened my eyes to the fact that I might not be straight. The scene where they lie over the black and white stripes literally magnified me."
"I remember watching that video and feeling *things.*"
"This sparked not only my sexuality but also my gay."
"Something about that part where they dance in the rain."
"There are like five seconds in 'I Miss You' by Blink-182 where these spooky ladies make out and get lipstick all over each other's faces. MTV would play an edited version in the daytime, and that part was never there! So I'd stay up to watch those five seconds and fantasize about kissing other girls."
"The scene in the music video for 'Baby Boy' by Beyoncé feat. Sean Paul where Beyonce is dancing with the male lead. High school dancing-with-your-crush goals lol."
"Hot and sweaty in the desert heat? Definitely did something to me and made me realize I was in no way attracted to girls."
"Ten-year-old gay me was fucking shook."
"There's this one part where he's dressed as Robin and the camera zooms right in on that bulge."
"The video for 'Milkshake' by Kelis made me realize that I love boobs."
"I grew up in a very religious household, and this was the first 'mainstream' music video I remember watching. Seeing her dance in a crop top and low jeans made me FEEL THINGS for the first time in my life!"
Note: Some submissions have been edited for length and/or clarity.
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When Miley sang her way to the Billboard Top 100 atop a wrecking ball this past fall, it was sort of an uncomfortable moment. It seemed like the wrecking ball was just a metaphor for the costs of emotional vulnerability. And yet pop lovers everywhere couldn't help but think it was something much raunchier.
That's because for years, pop music lovers have been inundated by some of the craziest sexual metaphors and euphemisms ever created.
This '80s smash brings machismo to a whole new level. This song actually has many sexual euphemisms, but Gabriel's "sledgehammer" beat out his "bumper car" for the title slot.
The whole thing is pretty graphic. Apparently, his sledgehammer will "open up your fruit cage where the fruit is as sweet as can be." One might also refer to Peter Gabriel's sledgehammer as his "big dipper."
And many did: The song charted at No. 1 on the Billboard Hot 100 chart in the United States, won a record of nine MTV Awards at the 1987 MTV Video Music Awards , and, as of 2011, was the most played music video in the history of MTV .
If you ever see 50 Cent in a candy shop, you should probably call the police. By the time he sings that the highlight of his candy shop is "Dripping wet with sweat man it's on and poppin / I'll let you lick in my lollipop," it's clear that no child should ever buy candy from Fiddy.
When Prince sings about his "Little Red Corvette," he's definitely talking about a joyride, just of a different sort.
In this case, the car is some combination of the woman in question, her desires for Prince on a Saturday night, and his less-than-chivalrous response:
"A body like yours oughta be in jail / 'Cause it's on the verge of bein' obscene / Move over, baby, gimme the keys / I'm gonna try to tame your little red love machine." He's sort of entering "Blurred Lines" territory there.
It's common knowledge that this song isn't about a car, but it needed to be included because — when it comes to extended sexual metaphors go — nobody can beat R. Kelly.
In this case, the specific euphemism is R. Kelly's "key" and his partner's "ignition," and it revives Prince's car imagery to the delight of women everywhere.
Starland Vocal Band seems, at first, to be hungry on this song. "Thinkin' of you's workin' up my appetite / Looking forward to a little afternoon delight."
Eventually, though, the vague "afternoon delight" they speak of becomes pretty explicit: "We could make a lot of lovin' 'fore the sun goes down / The thought of rubbin' you is getting so exciting." So much for subtlety.
Anita Ward's "Ring My Bell" isn't exactly a feminist anthem. This disco hit dominated dance floors across the nation after its 1979 release, but the lyrics are hardly carefree or vague: "Well lay back and relax while I put away the dishes/ Then you and me can rock-a-bye/ You can ring my be-e-ell," Ward sings.
Although she's singing about a beloved British monument, Fergie isn't in quite the tourist attraction she imagines. Rather, she's in a club with drinks pouring, getting "up on the dude" and admittedly "feeling loose."
We're still not precisely sure what her London Bridge refers to (her pants? Her face?), but we certainly hope it stays upright.
This one has a weird history. At first, we all wryly thought we were in on Kelis's joke . But then she became an actual Food Network star, the chef of a SXSW food truck and the creator of a new album called FOOD .
We don't really know what to think anymore.
Robert Plant seems pretty upset about the girl involved in this song: She does, after all, give all of the singer's hard-earned money to another man and speak openly about her lack of sexual satisfaction.
Yet, Plant is happy to ask this special lady to "Squeeze my lemon, till the juice runs down my leg" which is maybe the most graphic moment in all music ever.
Nobody relishes the goodness of a succulent peach on a summer's day more than the Presidents of the USA. But, once again, we aren't talking about peaches at all.
In their hit, "Peaches," they sing about the glory of napping under a peach tree. However, when they get to "pok[ing] [a] finger down inside" it's clear that the peaches play host to a whole variety of meanings.
What at first seems like a helpful instructional song winds up being, once again, pretty sexual.
"You just put your lips together / And you come real close," Rida coaches, "I'mma lay it back, don't stop it / 'Cause I love it how you drop it." Now we can't help imagining him dressed like a gym coach while some girl tries to learn how to blow a whistle.
It's confusing that ZZ Top converts "Pearl Necklace" into a verb. It's even more confusing when it becomes clear that they aren't talking about giving a woman a necklace for, you know, some special occasion or something.
Then it's not so confusing and is simply disgusting:
"She want to pearl necklace / She is so tough, as pure as the driven slush."
At first, Tori Amos' "Raspberry Swirl" sounds like another classic use of fruit as a sexual metaphor. Note the line: "If you want inside her / Well, Boy you better make her raspberry swirl."
But it isn’t clear what exactly the sweet treat is meant to represent. Still, Amos pleads that "Things are getting desperate." This man better find out what the heck Tori is talking about, and deliver it fast.
We're all rooting for you, mystery man.

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