Mulholland Drive Nude
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After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
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What are you doing? We don't stop here.
on the floor, in back of the Caddy.
Any of those dead kids wearing pearl earrings?
So you had a dream about this place.
I-It's kind of half night, you know?
And I'm scared like I can't tell ya.
you're standing right over there...
You're in both dreams, and you're scared.
I get even more frightened when I see how afraid you are, and...
I hope that I never see that face...
To get rid of this god-awful feeling.
Well, it's time to say good-bye, Betty.
It's been so nice traveling with you.
Thank you, Irene. I was so excited and nervous.
It was sure great to have you to talk to.
Remember, I'll be watching for you on the big screen.
Okay, Irene. Won't that be the day?
Take care of yourself. And be careful.
- I will. Thanks again. - Okay, dear.
Betty, it was so nice meeting you. All the luck in the world.
Oh, just call me Coco. Everybody else does.
- Wait there, and I'll go get the key. - Okay, Coco.
If that damn dog craps in the courtyard one more time...
I'm just gonna bake his little butt for breakfast!
- You don't have any pets, do you? - Oh, no, I don't.
Well, they're allowed. I just don't like them here for obvious reasons.
You know, there was a man that lived here once...
what that kangaroo did to this courtyard.
Let's go see your aunt's apartment. It's a good one.
Well, you and your aunt probably have an understanding, so here's the key.
- And if you need anything, just give a holler. - Okay.
You know, everybody in this building is pretty much okay with me...
If you like, later on I'll introduce you around.
Well, no hard feelings if you don't.
Oh, my. I-I'm sorry. My Aunt Ruth didn't tell me someone was gonna be here.
I-I'm sure she told you I was coming.
I'll let you get back to that. I'm gonna get unpacked.
I'm – I'm sorry. I'll get out of here, and we can talk later.
It's – It's none of my business. I –
She's letting me stay here while she's working on a movie that's being made in Canada.
But... I guess you already know that.
I couldn't afford a place like this in a million years.
Unless, of course, I'm discovered and become a movie star.
Of course, I'd rather be known as a great actress than a movie star.
But, you know, sometimes people end up being both.
So that is, I guess you'd say, sort of why I came here.
I'm sorry. I'm just so excited to be here.
I mean, I just came here from Deep River, Ontario...
- Oh, we should call a doctor. - No.
- But this could be serious. - No, I –
If you have a concussion, you shouldn't sleep.
I just need to lie down here and sleep.
You see, Adam, there are some suggestions...
I know you said you would entertain suggestions.
And that's all anybody here is asking you to do.
You're in the process of recasting your lead actress...
We're asking you to keep an open mind.
This is Mr. Darby, whom you know...
and this is the director, Adam Kesher...
and his, uh, manager, Robert Smith.
- Mmm. Mmm. - May I offer you gentlemen... anything?
I think you're going to enjoy your espresso this time.
I've done quite a bit of research, knowing how hard you are to please.
- It's not a recommendation. - This is the girl.
What girl? For what? What is this, Ray?
Uh, we'd be happy to put her on the list for considerations.
that there's quite a bit of interest in this role.
There's six of the top actresses that want this thing.
- Ryan, take care of this. - Hold on. Hold on, Adam.
-That was a highly recommended – -That is considered one of the finest espressos in the world.
What is going on here? There is no way that girl is in my movie!
Castigliane brothers get out of that limo?
- You mean two guys in dark suits? - Yeah.
An accident like that – who could have foreseen that, man?
Well, you know, just doin' some stuff for this guy.
- Yeah? Are you making ends meet? - Yeah.
Gee, I hope you're not gonna get into any trouble.
But that story, that made you laugh, right?
- That was a funny story, man. - Fucking car accident.
Hey, so that's, uh – That's it, huh?
The history of the world... in phone numbers.
She's hurt real bad! Could you come here and call on the phone? I need you!
You gotta come in here and call the hospital!
Come on, man! I'm serious about this!
I can't do everything by myself, man!
I'm gonna study those lines until I know 'em inside out.
Yep, either right here on this fabulous leather couch...
or I'll take them with a coffee into the courtyard...
Oh, I got a real shock to find your friend Rita here.
She was in the shower, and I opened the door.
I'm sure there's some explanation for this. I don't think we have to do that.
Please don't worry. Aunt Ruth, we don't need the police.
I thought you knew my aunt, and that's why you were here.
I just talked to my aunt on the phone, and she wants me to call the police.
No, I'm not. I don't know what my name is.
- So you don't want anything? - Not here. No, thanks.
- A drink or something? - No. Thanks, though.
I'll take a cigarette, if you have one.
Yeah, just reach inside my shirt pocket there.
Any new girls on the street lately?
You keep your eyes open for me, won't you, baby?
When you think of them – the money and the key –
does it make you remember anything?
Ray did – Wait! I-I'm talking on the phone.
And then they closed the set. Everybody's gone.
You've gotta talk to Ray. You've gotta fix this.
Meet me at the office. We've gotta do something.
Adam, listen to me. This isn't like you.
- There's gotta be something we can do. - I'm going home.
Maybe that's where the accident was.
There must be a police report. We could call.
We could call anonymously from a pay phone just to see if there was an accident.
Come on. It'll be just like in the movies.
I'm in Hollywood, and I haven't even seen any of it.
Come on, Rita. Do you feel up to it?
Just to see if there was an accident...
Just forget you ever saw it. It's better that way.
What the hell are you even doing here?
That ain't no way to treat your wife, buddy. I don't care what she's done.
I'm inquiring about an accident that happened last night on Mulholland Drive.
Hold, please. I'll connect you to Traffic.
- Sergeant Baxter. - Hi. I'm inquiring –
Well, I heard a sound last night that sounded sort of like a car crash...
and, well, I want to know if there was an accident on Mulholland Drive.
- Can you tell me what happened? - No, I can't.
- Was anyone hurt? - May I have your name, please?
He wouldn't tell me anything else, but that was your accident. I just know it was.
Maybe there's something about it in the papers.
I'll buy you a cup of coffee and we can see.
Maybe it happened so late, it's not in today's paper.
Will that be all? Would you like your check?
It's strange to be calling yourself.
Maybe that isn't Diane Selwyn's voice.
♪ I'm gonna bring it on home to you ♪
- Adam Kesher! - Yeah, right. Get lost!
- This is Adam Kesher's house. - Like hell it is. Get out! Now!
Get out of here! He's never coming back, ever!
I guess you don't understand English. She said leave!
I'm sorry, Mr. Kesher, but there seems to be some problem with your credit cards.
Mira, ese. Two guys from your bank came by.
- How-How'd they know I was here? - I don't know.
I'm afraid they said to tell you that you're maxed out at your bank...
and that your line of credit has been canceled.
I , uh – I don't know what's going on.
But I got enough cash for you, Cookie.
Whoever you're hiding from, they know where you are.
I'm sorry. What do you mean, you know?
Somebody called. When they couldn't get you, they told me you were as good as broke.
I didn't believe them, so I made a few calls.
I know, but you're broke. Where are you?
Do you know somebody called the Cowboy?
This guy, the Cowboy, wants to see you.
Jason said he thought it'd be a good idea.
Oh, Jason thought it'd be a good idea for me to go see the Cowboy.
Well, should I wear my 10-gallon hat and my six-shooters?
Listen, something tells me that this guy is connected to what's happening.
Adam, I think you should do it, and I think you should do it right away.
So, where do I meet this Cowboy? Do I have to ride out to the range?
you'll have to go to the top of Beachwood Canyon...
and there's a corral up there where he'll be.
No, i-it's been that kind of a day. When?
You know, you – you could stay at my place if you – if you wanted.
Uh, Cynthia, no. I don't think that would be a good idea.
I was just offering a place to stay.
Yes, and I appreciate the offer, Cynthia. I'll find a place.
Just go and give that Cowboy a yodel and get on back to me.
Okay. But you don't know what you're missing.
Uh, just get along, little doggie, and call me back.
It's right about here – Sierra Bonita.
What are you doing in Ruth's apartment?
Someone is in trouble! Something bad is happening!
Well, I-I'm sorry, but I don't know who you are, and –
Louise? What are you doing, Louise?
I've been trying to get a hold of you since 3:00 this afternoon.
That one is in my room, and she won't leave.
I want you to get her out. I want you to get her out now!
Uh, this is Louise Bonner. I'm sure she meant well.
Louise, this is Betty. This is Ruth's niece.
In fact, fortunately I was just on my way over here to see Betty.
Betty's a young actress, and I was just delivering...
some faxed pages of a scene for a big audition tomorrow.
- Well, here they are, honey. - Oh, thank you.
Come along now, Louise. I'll take you home.
No. She said it was someone else who was in trouble.
Stop it, Louise. I'm taking you home.
Sure wanna thank you for comin' all the way up here to see me...
Well, now, here's a man who wants to get right down to it.
Kinda anxious to get to it, are ya?
Is that something you might agree with?
because that's what you thought I wanted to hear...
or did you think about what I said...
and answer 'cause you truly believe that to be right?
That a man's attitude determines, to a large extent, how his life will be.
you must be a person who does not care about the good life.
Well, stop for a little second and think about it.
You're too busy bein' a smart aleck to be thinkin'.
Now, I want you to think and stop bein' a smart aleck.
Look, where's this going? What do you want me to do?
How many drivers does a buggy have?
So let's just say I'm drivin' this buggy...
and if you fix your attitude, you can ride along with me.
I want you to go back to work tomorrow.
You were recasting the lead actress anyway.
When you see the girl that was shown to you earlier today, you will say...
But that lead girl is not up to you.
Now, you will see me one more time...
I came back. I thought that's what you wanted.
My parents are right upstairs. They think you've left.
- So? Surprise. - I can call them. I can call my dad.
If you're trying to blackmail me, it's not gonna work.
You're playing a dangerous game here.
You know what I want. It's not that difficult.
Get out! Get out before I call my dad!
He trusts you. You're his best friend.
This will be the end of everything.
What about you? What will your dad think about you?
Stop! Just stop it! That's what you said from the beginning!
Now, if I tell what happened, they'll arrest you and put you in jail.
Then I cry, cry, cry, and then I say with big emotion...
- Such a lame scene. - But you are really good.
Uh, Betty, can I see you outside for a minute?
- What is it, Coco? - Your aunt called.
She wants to know who's staying in her apartment.
It's just for a night or two, until she finds her own place.
I tried to explain that to Aunt Ruth, but the connection was bad...
and her plane was leaving, and she got it all mixed up.
I kept telling her that it was my friend Rita...
and she kept saying she didn't know any Ritas.
- Look at me straight, sweetie. - Coco.
But what you're telling me is a load of horse puckey...
even though it comes from a good place.
Now, I'm gonna trust you to sort this thing out.
Louise Bonner said there's trouble in there.
But if there is trouble, get rid of it.
I hope I'm back in a couple of hours.
- And don't drink all the Coke. - Good luck!
Now, when I get back I'll keep the cab waiting, so be ready to go.
I would like you to meet Jack Tuptman, my assistant...
who we have cast in the part of Chuck and will do the scene with you...
Alas, we can't afford her to cast our show...
Why, thank you, Wally. Hello, Betty.
Martha Johnson, whom you met out front.
Uh, would you like a water or a coffee before we begin?
Well, then, let's everyone take a seat.
why don't you join Woody over there and we'll play the scene.
Bob, do you have anything you wish to say?
Something to Betty before we begin?
- Just tell me where it hurts, baby. - What?
Hey, Bobby, I wanna play this one nice and close...
What's her name? The one with the black hair. It felt kind of good.
- What do you think? - That's good, Woody.
I told you, the line where you say, "Before what?"
I just play off 'em. They all say, um...
"They're gonna arrest you," like that.
Then, "They'll put you in jail." They all say it the same way.
Yeah, Betty. Look, you don't rush it, I don't rush it. Okay?
Now, we're gonna play this nice and close.
I came back. Thought that's what you wanted.
I can call them. I can call my dad.
You're playing a dangerous game here.
If you're trying to blackmail me...
This will be the end of everything.
That's what you said from the beginning.
they'll arrest you and put you in jail.
- I'm gonna take her over there. - Yeah, big time.
Baby, you've got a way with you. Really.
I am going to tell her that first chance I get.
are going to speak again very soon.
I'm sure you all have a lot to talk about. We'll walk Betty out.
Oh, well, yes, indeed. And it was our pleasure, Linney.
Now, don't you be a stranger around here.
- We'd love to have you here. - Come on, Betty.
And it was nice meeting all of you. Bye.
Not you, Betty. You were stellar. And I mean that.
- He'll never get that picture made. - No.
You know Woody Katz is only doing it for a favor.
And the cast, I hear, so far is terrible.
He was very nice, and he seemed so sweet.
And Wally – Mr. Brown – is a very close friend of my aunt's, and –
Settle down, Betty. Don't get me wrong. I love Wally.
I ought to. I was married to him for 10 years.
We just get a little catty sometimes.
Now, we wanna take you across and introduce you to a director...
- ♪ Why I love you ♪ - ♪ Why I love you ♪
- ♪ One ♪ - ♪ The way you hold my hand ♪
- ♪ Three ♪ - ♪ The way you understand ♪
- ♪ Five ♪ - ♪ The way you comb your hair ♪
- ♪ Seven ♪ - ♪ The way you say you care ♪
- ♪ Eight ♪ - ♪ Your crazy clothes ♪
- ♪ Nine ♪ - ♪ Snuggling in the car ♪
- ♪ Ten ♪ - ♪ Your wish upon a star ♪
- ♪ Eleven ♪ - ♪ Whispering on the phone ♪
- ♪ Twelve ♪ - ♪ Your kiss when we're alone ♪
- ♪ Thirteen ♪ - ♪ The way you thrill my heart ♪
- ♪ Fourteen ♪ - ♪ Your dress, so neat ♪
- ♪ Fifteen ♪ - ♪ You say we'll never part ♪
- ♪ Sixteen ♪ - ♪ Our love's complete ♪
- ♪ Love you ♪ - ♪ Why I love you ♪
Cut it. Thank you very much, Carol. I'm coming back.
Checking the gate? Checking the gate!
Thank you! We'll tell you what happens next!
Thank you very much for coming in. I know how busy you are.
Are you kidding me? I love the script. You just show me where to sign.
but there is no way they are gonna let me cast this thing until I've seen everyone.
- I'll let you know as soon as I can. - I know you will.
Because my manager is gonna be bugging you day and night. And me.
It'll be my pleasure. Now get out of here.
You're so cruel to me. Don't you forget me. I'm the girl who's playing this part.
- Uh, who's next, Hank? - Uh, Camilla Rhodes.
- Bring her in. - Camilla Rhodes, next.
Sylvia North Story. Camilla Rhodes, take one.
Okay, here we go! Let's lock it up, please!
- Roll sound, please! - Sound speed!
Da, da, da, da, da, da, da, da, da ♪
♪ Da, da, da, da, da, da, da, da, da ♪
♪ Da, da, da, da, da, da, da, da, da ♪
♪♪ Did you wanna tell me something, Adam?
♪ Da-dum, da, da, da, da, da, da, da, da, da ♪
♪ Dum, da-dum Da, da, da, da, da, da, da, da, da ♪
- I have to be somewhere. I'm – - ♪ Told me ♪♪
I promised a friend. Um, I'm sorry.
- Don't stop! - What is it? What do you see?
You see? I told you there was nothing to be afraid of.
I switched apartments with her. She's in 17.
But she hasn't been around for a few days.
You don't have to wear that in the house.
Oh, I was just looking at myself again.
- And you don't have to sleep on that couch. - No, it's okay.
Come on. Just get in and get a good night's sleep.
It's more comfortable than the couch, isn't it?
I shouldn't have let you sleep on the couch last night.
It's 2:00. It's 2:00 in the morning.
J'aime le son d'une trombone en sourdine.
- Where have you been? - What do you want?
Come on, Diane. It's been three weeks.
Oh, by the way, those two detectives came by again looking for you.
What was that you were saying, beautiful?
I've tried to tell you this before.
Now, I'm not trying to show you how to do the scene.
and I think you'll understand what I'm getting at.
like you've known each other forever.
Even if you don't say anything, it's-it's real comfortable.
There's too many people around here. Let us get this worked out.
Clear the set! Clear the set, please!
- Everyone, please! - Can Diane stay?
- Um, Hank, let Diane stay. - Diane?
it's just a continuation of that move.
- Don't make it be like this. - Oh, sure.
You want me to make this easy for you? No.
- Camilla. - Diane, the car's waiting.
Go on. The car's right outside your house.
What are you doing? We don't stop here.
Well, just call me Coco. Everybody does.
Pleased to meet you. Well, let's eat.
Anyway, she – she left me some money.
- She worked here. - In the movies?
Anyway, that's when we became friends.
getting some parts in some of her films.
I wanted to buy that judge a Rolls-Royce.
So I guess we've saved the best for last.
Don't show me this fuckin' thing here.
It's just an actress' photo resume. Everybody's got one.
Okay, now, once you hand that over to me, it's a done deal.
When it's finished, you'll find this where I told you.
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