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Spider-Man: Into the Spider-Verse Movie Download (2018) {Hindi-English}. Spider-Man: In…
Wonder Woman Full Movie download English {Hindi Subtitles} Bluray. Wonder Woman Full Movi…
Fantastic Four Movie Download Dual Audio {Hindi-English} . Download Fantastic Four Movie…
Ghost Rider (2007) Movie Download Dual Audio {Hindi-English} . Ghost Rider Movie (2007…
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, 92% Certified Fresh Tomatometer Score 92 % , 80% Audience Score 80 %
, 30% Rotten Tomatometer Score 30 %
, 25% Rotten Tomatometer Score 25 % , 60% Audience Score 60 %
, 93% Certified Fresh Tomatometer Score 93 %
, 100% Fresh Tomatometer Score 100 %
, 31% Rotten Tomatometer Score 31 %
, 39% Rotten Tomatometer Score 39 %
, 100% Fresh Tomatometer Score 100 %
, 54% Rotten Tomatometer Score 54 % , 78% Audience Score 78 %
, 72% Fresh Tomatometer Score 72 % , 88% Audience Score 88 %
, 82% Certified Fresh Tomatometer Score 82 % , 68% Audience Score 68 %
, 65% Fresh Tomatometer Score 65 % , 77% Audience Score 77 %
, 70% Fresh Tomatometer Score 70 % , 89% Audience Score 89 %
, 96% Certified Fresh Tomatometer Score 96 % , 99% Audience Score 99 %
, 33% Rotten Tomatometer Score 33 % , 96% Audience Score 96 %
, 43% Rotten Tomatometer Score 43 % , 72% Audience Score 72 %
, 78% Certified Fresh Tomatometer Score 78 % , 94% Audience Score 94 %
, 83% Certified Fresh Tomatometer Score 83 % , 89% Audience Score 89 %
, 30% Rotten Tomatometer Score 30 % , 77% Audience Score 77 %
, 79% Certified Fresh Tomatometer Score 79 % , 85% Audience Score 85 %
, 95% Certified Fresh Tomatometer Score 95 % , 93% Audience Score 93 %
, 98% Certified Fresh Tomatometer Score 98 % , 91% Audience Score 91 %
, 56% Rotten Tomatometer Score 56 % , 67% Audience Score 67 %
, 100% Fresh Tomatometer Score 100 %
, 79% Certified Fresh Tomatometer Score 79 %
, 100% Fresh Tomatometer Score 100 %
Marcel the Shell with Shoes On
Paws of Fury : The Legend of Hank
Alle Titel TV-Folgen Prominente Unternehmen Stichwörter Erweiterte Suche
Vollständig unterstützt English (United States) Teilweise unterstützt Français (Canada) Français (France) Deutsch (Deutschland) हिंदी (भारत) Italiano (Italia) Português (Brasil) Español (España) Español (México)
Phoebe Ephron (screenplay) Henry Ephron (screenplay) William Marchant (based on the play written by)
Phoebe Ephron (screenplay) Henry Ephron (screenplay) William Marchant (based on the play written by)
Phoebe Ephron (screenplay) Henry Ephron (screenplay) William Marchant (based on the play written by)
Improvised Scene: Sumner is leaving Bunny's apartment, shortly after Mike leaves and Peg arrives, when Bunny and Sumner are recapping the afternoon's events for Peg. Sumner puts on the ruined shoes and grimaces as he tries to walk in them, which causes Bunny to laugh. He hobbles off stage and returns with his hat pulled down over his ears, his shirt dangling out of his pants, staggering as though drunk and talking crazy. This moment, including the women's hysterical laughter and Katharine Hepburn 's nearly falling out of her chair, is spontaneous and not in the script.
In the opening shot of the film, at Rockefeller Center, the shot begins at ground level and tilts up the building, but it was clearly shot from the top of the building down to ground level and then reversed because all the people on the ground are walking backwards.
Opening credits: "The filmmakers gratefully acknowledge the cooperation and
assistance of the International Business Machines Corporation."
Hark! The Herald Angels Sing (uncredited) Music by Felix Mendelssohn Lyrics by Charles Wesley Sung by a chorus during the shot of the Rockefeller Center Christmas tree
Well, I suppose it lacks the deeper moral carried by "Adam's Rib," although it does deal with issues that have so far turned out to be less important than gender equality, such as the impact of automation on the work force. But none of that is very important anyway. It's a light romantic comedy set in the research department of a major broadcasting company. And Hepburn's name is Bunny, but again, so what? Would it be a better movie if she were called Mildred? It has the closed-in act structure of a play too, and it's obvious. There are other theatrical staples as well. How many plays include a drunken party at the end of the second act? (Exactly two hundred and forty-two.) Movies are similarly put together, especially those based on plays: "Long Day's Journey Into Night," "The Boys in the Band," "Who's Afraid of Virginia Woolf?" Often the alcohol consumption takes place at a Christmas party, as it does here, and in "The Apartment." Understanding that the characters' higher reasoning centers are partly paralyzed and their judgment impaired gives the writer a chance to have them behave outrageously without having to explain why they've lost their senses, and the audience understands this convention. Drunken conviviality doesn't always work on screen. It can leave the viewer feeling like the only sober person at the bash, which is why John Ford largely left the events up to the viewer's imagination. It doesn't work too well here, either. It's not the actors' fault. They convey that chemically induced jollity very well; it's that the lines are sometimes silly -- that "Mexican Avenue bus" business, for instance. You'd have to have been there to find it as amusing as Hepburn and Joan Blondell do. None of this undermines the amusement quotient of the film. It's relaxed, pleasant, and sometimes laugh-out-loud funny. The story is well laid out, dated though it may seem to some, the interpersonal relationships clearly delineated and squeezed of every chuckle. But it's the performers that get the job done here. Blondell's role seems to have been made for her, the down-to-earth blonde. Gig Young too is smooth in his usual careless charming playboy part, a touchstone for his career, as in "That Touch of Mink" and "Ask Any Girl." There are certain lines that no one can deliver better than he. Hepburn has been trying to get him to marry her for a long time and when he finally suggests they tie the knot, there is an argument, and he storms out the office door, but not before delivering his exit line: "Seven YEARS I've waited!" The other "girls" are intelligent and sexy. I have to mention Neva Patterson too, as Emerac's nurse. When the obscene machine begins to pant and puff out smoke, the other staff rush to help, but a hysterical Patterson screams at them, "Don't you TOUCH her!" Tracey and Hepburn, no longer kids, are superb. They're top notch all the way through, and they have a couple of set pieces that are about as funny as anything they've done on screen. One is a sort of quiz Tracey gives her on the roof. Another, the best in the film, takes place while Tracey visits her apartment to dry his clothes and is caught in a bathrobe by Gig Young, who happens to drop in at the incriminating moment. I defy anyone not to laugh as Tracey clumps out the door with his shoes smoking and his hat pulled down around his ears. The third, having to do with EMERAC's nervous breakdown, is also well done if a bit frantic. Not a comic masterpiece. It's too relaxed for that. But recommended without qualification.
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By what name was Eine Frau, die alles weiß (1957) officially released in India in English?
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[Richard gives Bunny a personality test]
Richard Sumner : Now what is the first thing you notice in a person?
Bunny Watson : Whether the person is male or female.
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