Mother Whore

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Original title: La maman et la putain
Jean Eustache (scenario and dialogue)
Jean Eustache (scenario and dialogue)
In Paris, Alexandre, an unemployed young man with memories of the May 1968 events in France, attempts to persuade his former love, Gilberte, to marry him. Gilberte opts to instead marry another man. Alexandre is involved with a live-in girlfriend called Marie, and is interested in films such as The Working Class Goes to Heaven. One day, after an unsuccessful reconciliation with Gilberte at the highly popular Les Deux Magots café, he meets Veronika, a Polish French twenty-something nurse. In the midst of the sexual revolution, Veronika is highly promiscuous, and begins to make advances on Alexandre. During the summer of 1972, Alexandre and Marie are nude in bed in their apartment when Veronika visits. Marie lets her in and Veronika insults both of them, but acknowledges she is not pure herself. The three begin a ménage à trois and sleep in the same bed, with Veronika assuring Alexandre she and Marie both love him, and telling him to be more happy with his situation and life. Although Marie affirms her indifference to Alexandre's affairs, she quickly changes her mind when she sees how close he becomes to Veronika. This leads to a growing estrangement between her and Alexandre. As the three sit together, Veronika attempts to reassure Marie about her looks and body. Tearfully, Veronika speaks about how she believes no women are truly whores, and how love is meaningless unless it produces a child.
This film is based on the real-life relationship between director Jean Eustache and actress Francoise Lebrun (who plays Veronika).
While reading the book of Gestapo at his friend's home, Alexandre is holding a cigarette in his right hand in the close-up. In the next shot he is only holding the book.
Ich weiß, es wird einmal ein Wunder gescheh'n Written by Bruno Balz , Michael Jary and Ralph Benatzky Performed by Zarah Leander
One of the most moving films of the "past" century
La Maman et la Putain has to be watched as a movie that is both related to the time it was released (post-68) and eternal in many respects. True, the actors don't "act" ... True, they talk a lot... But what they talk about is just what makes life worth living... or dying. The very long monologue spoken by Françoise Lebrun is perhaps the most accurate and moving text that was ever written about womanhood, manhood and love. Not easy to translate accurately, though. This movie is a statement about the difficulty of being a man and a woman (or two women in this case). And IMHO, Jean Pierre Léaud is one of the greatest French actors.
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The chauvinist Alexandre balances relationships with several women, including the maternal Marie and the sexually liberated Veronika, in the post-1968 intellectual scene of Paris. The chauvinist Alexandre balances relationships with several women, including the maternal Marie and the sexually liberated Veronika, in the post-1968 intellectual scene of Paris. The chauvinist Alexandre balances relationships with several women, including the maternal Marie and the sexually liberated Veronika, in the post-1968 intellectual scene of Paris.
Veronika : Why shouldn't women be able to say they want to fuck?


https://www.imdb.com/title/tt0070359/
https://www.youtube.com/watch?v=CihaXYw3lTY
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Mother Whore