Mother Son Xxx Ruski
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Mother Son Xxx Ruski
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This article is about a specific 2010 film. For other uses, see Cinema of Serbia and List of Serbian films .
Aleksandar Radivojević
Srđan Spasojević
11 June 2010 ( 2010-06-11 ) (Serbia) [1]
Srđan Todorović as Miloš
Sergej Trifunović as Vukmir
Jelena Gavrilović as Marija
Slobodan Beštić as Marko
Katarina Žutić as Lejla
Anđela Nenadović as Jeca
Ana Sakić as Jeca's mother
Lidija Pletl as Jeca's granny
Lena Bogdanović as a doctor
Luka Mijatović as Petar
Nenad Heraković as Keeper #1
Carni Đerić as Keeper #2
Marko Crljen as Keeper #3
Miodrag Krčmarik as Raša
Tanja Divnić as Kindergarten teacher
Natasa Miljus as Pregnant Woman
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^ Jump up to: a b 'A Serbian Film: Interview with Srdjan Spasojevic' ;electricsheepmagazine.co.uk; 5 December 2010
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^ John Squires (20 November 2020). "Unearthed Films Bringing 'A Serbian Film' to Blu-ray; Uncut, Uncensored and from the 4K Master" . Bloody-disgusting.com . Retrieved 1 June 2022 .
^ " A Serbian Film (18)" . British Board of Film Classification . 24 November 2010 . Retrieved 28 August 2011 .
^ "A Serbian Film is 'most cut' movie in 16 years" . BBC News , 26 November 2010
^ Kevin Jagernauth (18 April 2011). " 'A Serbian Film' To Get NC-17 Theatrical Release, Edited & Unrated VOD Release" . indieWIRE . Archived from the original on 19 April 2011 . Retrieved 5 May 2011 .
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^ Eric Pape (12 May 2011). "So Scandalous a Prosecutor Took Notice" . The New York Times . Retrieved 22 May 2011 .
^ "Angel Sala, Director of the Festival, exonerated of charges derived from the screening of 'A Serbian Film' in October 2010" . Sitges Film Festival. 23 February 2012 . Retrieved 23 February 2012 .
^ "VII Festival Internacional de Cinema Fantástico de Porto Alegre" . FantasPoa (in Brazilian Portuguese) . Retrieved 17 May 2021 .
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^ "NZ Censorship Database" . New Zealand Office of Film and Literature Classification . Archived from the original on 3 September 2012 . Retrieved 11 August 2012 .
^ "영화/비디오 - 등급분류검색 - 자료와통계 - 영상물등급위원회" . Archived from the original on 29 September 2017 . Retrieved 29 September 2017 .
^ "영화/비디오 - 등급분류검색 - 자료와통계 - 영상물등급위원회" . Archived from the original on 29 September 2017 . Retrieved 29 September 2017 .
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^ Klopka za porno-pastuva Archived 28 July 2013 at the Wayback Machine ; Blic , 15 October 2010
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Wikimedia Commons has media related to A Serbian Film .
A Serbian Film ( Serbian : Српски филм , romanized : Srpski film ) is a 2010 Serbian horror film produced and directed by Srđan Spasojević in his feature film debut. Spasojević also co-wrote the film with Aleksandar Radivojević. [4] It tells the story of a financially struggling porn star who agrees to participate in an " art film ", only to discover that he has been drafted into a snuff film with pedophilic and necrophilic themes. The film stars Serbian actors Srđan Todorović , Sergej Trifunović , and Jelena Gavrilović .
Upon its debut on the art film circuit, the film received substantial attention and controversy for its graphic violence and sexual content. The film has been banned in several countries including the Philippines, [5] Spain, Australia, New Zealand, Malaysia, [ citation needed ] and Norway, [6] and was temporarily banned from screening in Brazil. It is widely regarded by many as the most disturbing movie of all time. [7] [8] [9]
Miloš is a semi-retired porn star who lives with his wife Marija and six-year-old son, Petar. His brother Marko is a corrupt police officer who envies Miloš's life and is sexually attracted to Marija. Marija is curious about her husband's feelings towards his past and is concerned about the family's income. Lejla, a former co-star, offers Miloš a starring role in an art film directed by Vukmir, an independent pornographer who wishes to cast Miloš for his powerful erection . Having already caught Petar watching one of his films and not informed on the details of Vukmir's film, Miloš is hesitant to participate and continue his career, but accepts to secure his family's financial future. While meeting Vukmir, Miloš passes a bald man and his entourage, regarding them warily.
The filming begins at an orphanage, where Vukmir feeds Miloš instructions through an earpiece given by Vukmir's driver Raša, while a film crew follows him. Miloš sees a young girl named Jeca, who is being scolded by her mother for disgracing her deceased war hero husband's memory by becoming a prostitute . In a dark room, screens show Jeca eating an ice pop while Miloš is given fellatio by a nurse. Then, Miloš is instructed to receive it from the mother, while Jeca watches. Miloš refuses but is forced to continue. Marko later informs him that Vukmir is a former psychologist who has worked in children's television and state security . Vukmir meets a hesitant Miloš afterward to explain his artistic style, showing a film of a woman giving birth to a newborn which is immediately raped by Raša, in what the director terms "newborn porn." Miloš storms out and drives away. At a road junction, he is approached and seduced by Vukmir's female doctor.
A bloodied Miloš wakes up in his bed some time later with no memory of what has happened. He returns to the now abandoned set and finds a number of tapes. Viewing them, Miloš discovers that he was drugged to induce an aggressive, sexually aroused , and suggestible state. At Vukmir's manipulative direction, Miloš beats and rapes Jeca's mother before decapitating her and later, a catatonic Miloš is sodomized by Vukmir's security. He then watches footage of Lejla voicing concern for Miloš, only to be restrained as her teeth are removed. A masked man then enters the room and forces his penis down her throat to kill her by suffocation . The footage continues as Miloš is led to Jeca's home where an elderly woman praises him for killing her mother and offers Jeca as a "virgin commune." Miloš refuses and escapes through a window to an alleyway, where he watches a girl pass by. He begins masturbating and is attacked by a group of thugs before they are killed by Raša, who then takes Miloš back to a warehouse with Vukmir.
At the warehouse, Vukmir's doctor administers more drugs after which Miloš overpowers her, sticking the syringe into her throat. He is then taken into a room to have intercourse with two hidden bodies under a sheet. Miloš is guided onto one body and the masked man from Lejla's movie enters and begins sexually assaulting the other. Miloš doesn't notice that his victim is bleeding profusely from the rectum . Vukmir then reveals the masked man to be Marko, his own brother. Marko's victim is revealed to be Marija, while Miloš's is revealed to be Petar, his own son. Vukmir's doctor then staggers into the warehouse, clothes disheveled with her vaginal area covered in blood. She is holding a bloodied metal pipe in her hand, implying that she masturbated herself to death after being shot up with the same drug she used on Miloš to make him sexually aroused and aggressive. She falls down and dies from massive vaginal hemorrhaging. With everyone's attention diverted, an enraged Miloš lunges at Vukmir and smashes his head against the floor, initiating a brawl during which Marija bites Marko in the jugular before bludgeoning him to death with a sculpture. Miloš wrestles a gun from a guard and shoots all but the one-eyed Raša, whom he kills by shoving his erect penis into his empty eye socket. A dying Vukmir praises Miloš' actions as truly worthy of film.
Miloš, having recalled his actions, including locking his wife and son in their basement before passing out earlier, returns home to find them. He and his wife come to a mutual understanding that he, his wife and their son should die together , so the three gather in bed and embrace before Miloš fires a fatal shot through himself, Petar and Marija. Sometime later a new film crew, including the bald man from earlier, enters the bedroom. He unzips his fly , as the director advises him to "start with the little one."
In March 2009, six months after the shooting wrapped, film's director Spasojević and writer Radivojević stated that the at-that-point-still-unreleased film is a parody of modern Serbian-made politically correct films that are financed by foreign arts council funds such as Eurimages . When asked about the decision to name their movie A Serbian Film , Radivojević answered: "We have become synonymous with chaos and lunacy . The title is a cynical reference to that image. A Serbian Film is also a metaphor for our [Serbian] national cinema —boring, predictable and altogether unintentionally hilarious which to a certain extent is commented on and subtly parodied throughout our film." Similarly, Radivojević dismisses Serbian cinema as "pathetic state-financed films made by people who have no sense or connection to film, but are strongly supported by foreign arts council funds", while adding: "Film quality is of no concern to them, only the bureaucratic upholding of the rule book on political correctness." [10]
In a May 2010 interview, while the film was doing rounds on the festival circuit, Spasojević is quoted as saying the film "denounces the fascism of political correctness ". Questioned by the Croatian media on whether the violence depicted deals with crimes committed by Serbian soldiers during the Yugoslav Wars , Spasojević answered: " A Serbian Film does not touch upon war themes, but in a metaphorical way deals with the consequences of post-war society and a man that is exploited to the extreme in the name of securing the survival of his family." [11]
While promoting the film's December 2010 UK theatrical release, Spasojević stated that the character of Vukmir is "an exaggerated representation of the new European film order", adding: "In Eastern Europe , you cannot get your film financed unless you have a barefoot girl who cries on the streets, or some story about war victims in our [ Balkan ] region ... the Western world has lost feelings, so they're searching for false ones, they want to buy feelings." [12]
The first ever showing of A Serbian Film took place on 15 March 2010 at midnight in Austin as part of the 2010 South by Southwest . [13] During the introduction by Alamo Drafthouse Cinema 's owner Tim League , the audience in the theater was once again warned about the extreme nature of the scenes they were about to see and given one last chance to leave the screening. [14] He also coaxed a handful of audience members to join him on the stage – where they jointly snorted lines of salt, squeezed lime juice into their eyes and took shots of tequila in order to "understand what Serbians have been through to create a culture of A Serbian Film ". [15]
The film was run on 16–19 July 2010 during the Fantasia Festival [16] in Montreal as part of the Subversive Serbia program. [17]
The film was due to screen on 29 August 2010 at the Film Four FrightFest in London , UK but was pulled by the organizers following the intervention of Westminster Council . Films shown at this festival are usually shown pre-certificate but in this case Westminster Council refused to grant permission for its exhibition until it had been classified by the BBFC . Following its DVD submission to the BBFC (there were no theatrical materials available in the time frame requested for a proper theatrical classification), 49 cuts totaling four minutes and eleven seconds were requested for DVD certification. The UK distributor, Revolver Entertainment , initially looked into the possibilities of the process, but it became clear that the film would then have to be resubmitted to the BBFC and further cuts may then have been required. It was decided that to show a heavily edited version was not in the spirit of the festival and consequently its exhibition was pulled from the schedule. The film was replaced at the festival by Rodrigo Cortés ' Buried starring Ryan Reynolds . [18]
The Raindance Film Festival
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