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If you are authenticated and think you should have access to this title, please contact your librarian. Institutions can purchase access to individual titles; please contact manchesterhive manchester. Don't have an account? She then learned that she had a low tolerance for drugs: prescription and illegal. Occasionally, she would leave the DJ booth to dance or vibe with the crowd. Loneliness, a hangover, beer glasses, bad decisions and an early journey were never a good combination. All of MUP's digital content including Open Access books and journals is now available on manchesterhive. This book looks in detail at the growth in popularity and profile of the English folk arts in the first decade of the twenty-first century. Based on original research within English folk culture, it is the only ethnographic study of its kind. The book first examines the salient characteristics of the twenty-first-century English folk resurgence. Then, it looks at the development of a 'folk industry', beginning with a broad analysis of the historical context of the first two folk revivals. Taking the emergence of folk industry conferences as a case study, it traces the folk industry's web of intersecting institutions and discourses. Its second case study of the new folk club the Magpie's Nest examines further the coming together of commercialisation and professionalisation with the folk ethos. The book also discusses the actual music and dance being performed within the English folk arts, and considers the ways in which these texts are engaging with both popular and high-art cultural products and processes. It gives a brief contextualisation of the wider cultural interest in Englishness within which the folk resurgence is situated. Following on from the exploration of England, the book analyses the versions of Englishness that can be found within the work of contemporary English folk artists. The book codifies a range of English identities under construction in the resurgence, and examines their politics. It concludes with a consideration of some broader theoretical issues raised by the author's findings. British Rural Landscapes on Film offers wide-ranging critical insights into ways in which rural areas in Britain have been represented on film, from the silent era, through both world wars, and on into the contemporary period. The contributors to the book demonstrate that the countryside in Britain has provided a range of rich and dense spaces into which aspects of contested cultural identities have been projected. The book also includes new interviews with the filmmakers Gideon Koppel and Patrick Keiller. By focusing solely on rural landscapes, and often drawing on critical insight from art history and cultural geography, this book aims to transform our understanding of British cinema. This book explores the role of mise-en-scene in melodrama criticism, and considers what happened to detailed criticism as major theoretical movements emerged in the s. Mise-en-scene, and other ways of conceiving visual style, has been central to so many important debates that the writing examined in the book shaped the field in enduring ways. The book provides a cross-section of the British culture and its attitudes to film. It also considers a range of important contexts, from material conditions of film viewing and therefore criticism to the cultural and political shifts of The book further investigates the frequently asserted connection between literary criticism and the approaches developed in Movie. It identifies the range of different approaches to interpreting mise-en-scene advanced in Movie , drawing out sections on action, camera movement and placing, connections between different parts of the film, and a range of further debates. In the early s, writing on melodrama provided some of the richest expressions of mise-en-scene criticism. The book embodies a number of approaches which were to undermine the emergent interest in the interpretation of the film style. Melodrama criticism is a crucial focus for shifts in film criticism and theory, and for this history. You're not logged in. Advanced Search Help. Bad behaviour. Shit shags and crap hotels. Abstract only. Log-in for full text You are not authenticated to view the full text of this chapter or article. Username Please enter a valid Username. Password Please enter your Password. Forgot your password? Rights and Permissions. Your current browser may not support copying via this button. Share on facebook Share on linkedin Share on twitter. Welcome to the club The life and lessons of a Black woman DJ. Performing Englishness Identity and politics in a contemporary folk resurgence. Authors: Trish Winter. Simon Keegan-Phipps. British rural landscapes on film. Editor: Paul Newland. Author: John Gibbs. Sign in to annotate. Delete Cancel Save. Cancel Save. View Expanded. View Table. View Full Size.