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The research and study of lesbians.
There are free, streaming, full-length, lesbian-themed movies online, that do not require registration. There are not an overwhelming number of them, but they do exist. There are movies made in the United States and various other countries and in various languages. Only a few of the titles are presented on this page. For a more extensive list of lesbian movie titles see web sites that rank lesbian movies such as The Best Lesbian Movies Of All Time at AutoStraddle. Be prepared to spend some time searching. There are few sites that list lesbian movie titles, and it still takes a bit of trial and error to find free, full-length, movies, with lesbian characters and with an obvious lesbian storyline throughout the duration of the movie.
*See also the Audio Visuals tab on this research guide.
Often considered the 1st lesbian film in the U.S. Made in 1914, a silent film by Sidney Drew. Includes blackface comedy. Based on 1891 novel and 1896 play titled A Florida Enchantment by Fergus Redmond and Archibald C. Gunter.
2014 Thai film with English subtitles. Pat and Pim fall in love and have to deal with a parent who does not approve of their relationship. They have a commitment ceremony. Things are going well until there is a tragedy. Thai law currently does not recognize same-sex marriages, civil unions or domestic partnerships.
Set in the 1950s. Ellen (Barbara Marten) makes friends with her son’s schoolteacher, Miss Thompson (Andrina Carroll), and their relationship grows as Ellen’s marriage to Hardy (Andrew Dunn) falls apart. Movie was made in 2004. UK version is 79 minutes. US version is 93 minutes.
The Killing of Sister George is a 1968 British film directed by Robert Aldrich, and based on the 1964 play by Frank Marcus. The film was presented as a serious look at lesbianism with the story of June "George" Buckridge, an older television actress, and her younger lover, Alice, who George fondly (and at times not so fondly) calls Charlie. Their long-term relationship starts to fall apart when George suspects that her soap opera character is to be killed off the BBC Television series Applehurst. Life is not going well at home and Charlie/Alice is being wooed away.by BBC Network producer Mrs. Croft. June "George" Buckridge is played by Beryl Reid. Alice/Charlie is played by Susannah York. Mrs. Croft is played by Coral Browne. The film received an X rating, perhaps due to the lesbian sex scene, and there were censorship battles in England before it was released countrywide and internationally.
Based on the real life story of Mary Jo Risher. A woman fights her ex-husband for custody of their youngest child after the husband sues for custody when he learns that she is living in a relationship with another woman. Television movie released in November of 1978, and groundbreaking for the time period. Written by William Blinn. Stars Gena Rowlands as Linda Ray Guettner [Mary Jo Risher]; Jane Alexander as Barbara Moreland [her partner]; Clue Gulager as Mike Guettner [her ex-husband]; Jocelyn Brando as Mrs. Hunicutt [her mother]; and Ned Beatty as Dwayne Stabler [husband's attorney].
"Miss Understud is a confessional-style documentary about Masculine Identifying Lesbians commonly referred to as "Studs". The film examines societal norms toward (and self-identity within) the stud community." Director: Adam L. McMath. 2013. Documentary: 57 minutes. Production Company: Coloring Box Entertainment Group.
Tubi is available for free on Android, iOS, Roku, Apple TV, Amazon Fire TV, Xfinity X1, Xbox, Samsung Smart TVs, Sony Smart TVs, PlayStation and the web.
YouTube is a free video sharing website that makes it easy to watch online videos. You can even create and upload your own videos to share with others. Originally created in 2005.
U.S. Latinos are amply represented in the lineup. Xicana lesbian filmmaker Adelina Anthony’s Amigas with Benefits, for example, tackles issues of same-sex desire not by focusing on a young couple in the throes of lust, but of an older lesbian couple hoping to finally commit to one another. From 2017 PBS Online Film Festival. Director Adelina Anthony. Available at remezcla.com
In the midst of a passionate affair with a married woman, arts teacher Ariel must choose between sating her sexual desires or living an open life free of broken promises. Director: Ping-Wen Wang. Available at lesbianmedia
Black lesbian studs, their lives, loves, families. Five friends who love other women and assume the more aggressive role. Directed by Paulara Hawkins. Movie was made in 2011 and runs 18:28 minutes.
Betty employs a woman to train her domestic workers to be more efficient and to speak good English. The supposedly cooperative maid is a mistake, she starts to destroy the happy home. Published in 2015.
Nollywood is thought to come from the combined terms "Nigeria" and "Hollywood" and came into use in the early 2000s. The term also includes affiliate film industries in Ghana [English-language films] that are also produced in Nigeria. The lesbian-themed films found on YouTube are an addition to the New Nigerian Cinema.
A Chinese movie produced/sponsored by the sapphic dating app Rela. It follows three girls on a road trip. Chinese language with English subtitles.
We look back through film history at 10 of the greatest movies about lesbians.
It’s tricky to pinpoint the moment when the movie world could proclaim the first openly lesbian film. Identifying early cinematic representations of lesbianism was like collecting crumbs off the top table. Sapphic sisters were used to watching whole films just to see a character (usually portrayed as victim, killer, neurotic or prostitute) shoot a covert look that audiences could interpret as queer – for instance, the apparent lesbian subtext between Vienna (Joan Crawford) and Emma (Mercedes McCambridge) in Nicholas Ray’s Johnny Guitar (1954).
In the UK, 1967 was a milestone, the year that homosexuality was decriminalised (even if there was no mention of lesbianism in the new legislation). In the USA, the 1969 Stonewall riots were a turning point that led to the beginning of the modern gay and lesbian liberation movement. From those moments on, lesbians have been slowly coming out on celluloid, albeit often controlled by the gaze of male directors.
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In tracking the key films of lesbian cinema, we’ve restricted our list to films available on DVD or for streaming in the UK. This sadly means we’ve had to leave out many favourites: Mädchen in Uniform (1931), Club de femmes (1936), Personal Best (1982), Virgin Machine (1988), and great films by Ulrike Ottinger and Chantal Akerman. Which begs the question, why are there not more lesbian films available to watch on DVD/VoD? After all, Walter Benjamin did say that the lesbian is the heroine of modernism…
Childie: Not all women are raving bloody lesbians, you know.
George: That is a misfortune I am perfectly well aware of!
The Killing of Sister George is one of the greatest and most grotesque of all lesbian crossover films. Life B.G. (before George) held little hope for cinema-loving lesbians. Pre-decriminalisation dramas included 1967’s The Fox, which has the basic premise that all a lesbian needs is a man, and 1963’s The World Ten Times Over, which is possibly the first British lesbian film but was heavily censored before its release.
All hail Beryl Reid, magnetic in her portrayal of George, a loud, aggressive, cigar-chomping dyke who loses her job and her young lover. It has the mother of all lesbian love triangles: butch girl-chasing George; the predatory, sophisticated middle-class dyke (Coral Brown), and Childie, the coquettish neurotic femme (Susannah York). Rated X for its explicit sex scene, the film tanked at the box office but remains an era-defining cult classic. Significantly, some scenes were shot in an actual London lesbian bar, The Gateways Club, giving audiences a rare on-screen glimpse of London lesbian culture.
Born in Los Angeles but a New Yorker by choice, Barbara Hammer is a whole genre unto herself. Her pioneering 1974 short film Dyketactics, a 4-minute, hippie wonder consisting of frolicking naked women in the countryside, broke new ground for its exploration of lesbian identity, desire and aesthetic. Abdellatif Kechiche, director of last year’s sexually sensationalist Blue Is the Warmest Colour, might have done better if he had taken a leaf out of Hammer’s book. Hammer calls the film her ‘lesbian commercial’.
She went on to become one of the brightest and most significant lesbian avant-garde filmmaking voices of the past 40 years, whose work includes over 80 film and video works covering lesbian love and sex, women’s spirituality, radical feminist politics, the figure of the goddess, and lesbian/queer film history. Without Hammer, there would be no Born in Flames (1983), no Desert Hearts (1985), no Go Fish (1994).
At time of writing, Ukraine is going through a 21st-century revolution and if the geopolitical land grab ends in victory for Russia, with its anti-gay laws, then the future for Ukraine’s LGBT community will be uncertain.
Another Way is set in another eastern European country dealing with its own revolution: Hungary immediately after the failed 1956 uprising against communism. The film details a courageous and intelligent love story between 2 pro-democracy journalists. The topic was a double taboo because it was the first Hungarian film to deal with homosexuality as well as a controversial look back at the consequences of the revolution. Director Károly Makk sensitively juxtaposes this tender but doomed love affair with the high hopes and bitter suppression of the Budapest Spring. It’s clear that Makk was not especially interested in homosexual rights in 1950s Hungary; nevertheless his portrayal of lesbianism is neither exploitative nor melodramatic.
Oh la la! C’est Paris, c’est magnifique! Well it would have been magic if you happened to be a boho creative woman living on the city’s Left Bank in the early decades of the 20th century. Greta Schiller’s absorbing investigative documentary could have been called Paris Was a Lesbian for the amount of Sapphos living, working and loving together. Writers Collette, Djuna Barnes, Gertrude Stein, Alice B. Toklas, poets H.D. and Natalie Clifford Barney, booksellers Sylvia Beach and Adrienne Monnier… the list goes on and on.
Schiller (Before Stonewall, 1984), together with her long-term collaborator Andrea Weiss, rewrites (her)story with unseen home movies and new research to create a magical film about this most original of women’s artistic communities. Weiss’ British queer film history documentary A Bit of Scarlet (1997) is also worth a look and can be watched on the BFI Player.
No lesbian film list is complete without the Wachowski siblings’ dazzling sexy noir/crime caper/slapstick comedy Bound. It was their pre-Matrix breakout film, a titillating Playboy hybrid thriller mashed up into a lesbian feminist love story. The Wachowskis don’t just play with the male gaze, they flip it sunny side up and get feminist writer Susie Bright in as their lesbian ‘sexpert’.
The story concerns a mobster’s girlfriend falling in love with the ex-con dyke next door. Jennifer Tilly and Gina Gershon positively sizzle as couple on the run, Violet and Corky, giving audiences plenty of girl-on-girl action. Taking inspiration from Billy Wilder and their love of comics, Bound completed a 90s trilogy of (in critic B. Ruby Rich’s phrase) ‘Lethal Lesbians’ films (beginning with Thelma & Louise, 1991, and Basic Instinct, 1992) – a cinematic expression of lesbian feminist desire.
US indie writer/director/educator Cheryl Dunye burst onto the New Queer Cinema scene in 1996 with The Watermelon Woman, an audacious, self-styled ‘Dunyementary’. However, it’s her rarely screened follow-up film, Stranger Inside, which really impresses. Made for HBO and produced by R.E.M.’s Michael Stipe, it’s set within the US women’s prison system and tells the story of an incarcerated young African-American woman who goes in search of her biological mother.
Based on 4 years of research into the lives of women inside, the drama is a powerful study of prison life in the 21st century. Far away from the piss and vinegar of Scrubbers (1982) and Prisoner Cell Block H (1979-86), Dunye’s film makes a potent case for how race and class have created a new caste system behind bars.
In 2002, when Lisa Gornick’s debut feature premiered at the BFI London Lesbian & Gay Film Festival (now BFI Flare), it was a significant moment because the film was the first British lesbian feature in 10 years. As such, the film and director attracted considerable attention both at home and abroad. Gornick wrote, directed and starred in this breezy, urbane comedy, which she described as “a thesis on love and its labels”.
The life and loves of 30-something Marina are explored as she searches for answers to the big questions in her life. Made 2 years before the internationally successful TV series The L Word (2004-09), Do I Love You? deftly captures the zeitgeist with its investigation of lesbian identity and sexual mores in the 21st century. It’s like a lesbian Annie Hall (1977) or Frances Ha (2012), with Gornick (who recently starred in The Owls) cornering the market as the thinking woman’s favourite dyke.
Lesbian cinema finally hits the big ‘O’ time with Lisa Cholodenko’s (High Art, 1998) family-friendly comedy The Kids Are All Right ratcheting up four Oscar nominations in 2011, including best picture. Annette Bening and Julianne Moore tear up the straights-can’t-play-gay rulebook as long-term married couple Nic and Jules, who hit midlife parenting and partnership problems.
The mainstream press went nuts, joyful that they had a homosexual film they could write about without unsettling their more conservative readers – though Cholodenko suffered a backlash from some queer corners for her inclusion of hetero sex (with beefcake Mark Ruffalo), and for her film’s apparent advocacy of traditional family values.
The French term for tomboy is ‘garçon manqué’, which translates literally as ‘failed boy’. “I don’t need to comment, you can see how bad it is”, said writer/director Céline Sciamma (Water Lilies, 2007) on the phrase, preferring to give this honest little film about gender confusion an English title.
Laure/Mikael is 10 years old, her/his family has moved to a new town and we follow her/his adventures over one summer as s/he negotiates the early complexities of selfhood: playing a game of football, finding s/he is attracting the attention of local girls and facing the ultimate test of wearing a bathing suit. In France, the film was received as a family film and went on to be shown in primary and secondary schools as part of classes about cinema.
The second British lesbian film to be included on the list, Break My Fall is the story of the painful end of a one-time loving relationship. A previous BAFTA nominee for best short with 1999’s Travelling Light, writer/director Kanchi Wichmann made this feature debut shooting on 16mm on the streets of east London. (Campbell X’s East End-set Stud Life, made a few years later, is also worth a peek)
Influenced by the formalism of early Chantal Akerman films such Je tu il elle (1975), it boasts music from local bands (Wet Dog, Peggy Sue) and the kind of realistic characterisation of people and city that can be found in Bette Gordon’s cinema (eg Variety, 1983). Released in 2012, Break My Fall (together with Weekend and others) was identified as part of a new wave of queer cinema, charting queer experience in all its complexities.
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Originally published: 11 March 2014
5 things to watch this weekend – 25 to 27 June
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