Mommy Torrent

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Mommy[2014]DVDRip.XviD[Xavier.Dolan.Film.torrent download

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Goodnight Mommy
2014 [GERMAN]
Action / Horror / Mystery / Thriller

Goodnight Mommy
2014 [GERMAN]
Action / Horror / Mystery / Thriller

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Reviewed by ArchonCinemaReviews

8 / 10

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In a lonesome house in the countryside between woods and cornfields live nine-year-old twin brothers who are waiting for their mother in the heat of summer. When she comes home, bandaged after cosmetic surgery, nothing is like before. The children start to doubt that this woman is actually their mother. An existential struggle for identity and fundamental trust emerges.
In a lonesome house in the countryside between woods and cornfields live nine-year-old twin brothers who are waiting for their mother in the heat of summer. When she comes home, bandaged after cosmetic surgery, nothing is like before. The children start to doubt that this woman is actually their mother. An existential struggle for identity and fundamental trust emerges.

Uploaded by: FREEMAN
April 16, 2020 at 12:11 AM

What would you do, if your mother felt like new, didn't act the way she should, behaved like mother never would, like a stranger in the house, makes you feel like a small mouse, quite aggressive and quite cold, not like the one you knew of old. Elias and Lucas struggle to come to terms with their mother when she re-joins them after a period of hospitalisation. Taking matters into their own hands they explore a variety of ways to unmask their doppelganger and expose the truth. There's a lot to like about the escalation through this film as you wonder what you would do faced with the same position of the mother or the children. An unexpected end leaves you satisfied that every cloud does not have a silver lining.
It's virtually impossible to discuss Goodnight Mommy without discussing some spoilers, but before I jump into those (in the next paragraph,) I will give my general non-spoilery thoughts. I found this movie to be a poorly-executed idea. I admit that I appreciated how the menace of the movie seemed to shift as things progressed, because there were at least moments where I questioned who was really the antagonist. But the actions of the characters get progressively more insane and ridiculous to the point that I found it unbelievable and intolerable. What started as a good concept quickly devolved into a lame attempt at graphic gore and other gross-out moments. None of these worked even slightly, and just managed to annoy me instead. Needless to say, I won't be recommending Goodnight Mommy to anyone else. Now let's talk about the major spoiler in this movie. I wonder if I was much younger or had less experience watching movies then perhaps I could have been fooled by the fact that there was only one son still alive. However, we live in a post-Sixth Sense world and this kind of thing has been done better in the past. When one character is completely ignored by everyone except one other person, never interacts with anyone besides that same person, and magically disappears from rooms, then that character is imaginary. They were so blatant in showing their hand that I couldn't tell if it was intended to be a twist or not. About halfway through I was hoping and praying that there was a double-twist that was coming (like the mother really was someone else) and the dead twin thing was just a bait-and-switch element meant to fool the audience. Sadly, Goodnight Mommy was a one-trick pony, and it's about as effective as I would be at trying David Blaine's sleight-of-hand magic.
The original title for the Austrian film Goodnight Mommy is Ich seh Ich seh, which translates roughly to "I see, I see." This phrase is a reference to a German/Austrian version of "I spy with my little eye," which proceeds instead as "Ich seh, Ich seh, was du nicht siehst" – "I see, I see, what you don't see." There is an abundance of visually stunning darkness and violence in this truly disturbing film. So what, then, are we meant to see that we do not immediately see? In the opening to the Austrian film Goodnight Mommy, two ten-year- old twins, Elias and Lukas (portrayed wonderfully by Elias and Lukas Schwarz), idle away their boyhood summer at a large countryside house. Curiously unsupervised for the first part of the film, they boys seem to exist in a single, golden, never-ending day of play, running through fields, swimming in the lake, and exploring caves. However, the light of the summer quickly becomes more sinister when their mother (the equally superb Susanne Wuest) returns home from an unexplained cosmetic facial surgery. To Elias and Lukas, the heavily bandaged woman now in their home is severe and menacing, and the boys soon begin to suspect that she is not their dear mother at all. What unfolds throughout the film is seemingly a monster movie, the tale of a beast that descends from the hills to terrorize a town (population: 2). The mother stalks through the house with booming steps, almost machine-like in resonance and pace, trailed by a plume of ashen robes. She sets strict rules for the silence and sterility of the house, for which the boys are punished harshly when they refuse to comply. Stranger yet, the woman seems to prohibitively favor one of her sons, citing an unstated prior insult as justification. The directors of Goodnight Mommy, Veronika Franz and Severin Fiala, are masterful at creating tension and mystery. Who is this woman? It seems impossible that this woman is their mother, or anyone's mother for that matter. At one point, after making too much noise, the boys are locked in their rooms, starved and forced to urinate into cans. They begin to have visions of their mother undergoing demonic transformations. They realize they must fight back. Many of the mother's actions are objectively monstrous and inconsistent with her personality in the past. The film becomes more compelling, however, after the halfway point, when we begin to realize that we are, in fact, being told this story through the eyes of children. Lukas and Elias have legitimate fears and analyses, but their minds are walled by their own naiveté. We see hints of the mother as a damaged and strained person who is struggling to heal emotionally as well as physically. Through small clues—snippets of conversations, flashes of computer screens–it is revealed that some significant change happened to this family prior to and beneath the surface of the film. Trauma does not discriminate between the young and the old, and ultimately, after the film's graphically violent and shocking turn in the final act, we are left devastated for all members of the family alike. As watchers of horror movies, we are trained to be vigilant, always on edge and scanning for the monster around the corner. This is more challenging in Goodnight Mommy, in which allegiances shift throughout. Where did I actually see the monster? For many years, horror films have focused on fear of children as a central theme, with movies such as The Ring, Children of the Corn, and The Exorcist all utilizing childhood as a conduit of terror. While not a direct subversion of this theme, Goodnight Mommy sets its goals higher, exploring the desolation and fear that can occur when humans at vastly different stages in their development attempt to reconcile themselves with transformative pain. Terror is never just about a monster; terror is found within. There is a moment in Goodnight Mommy when the anxious heat of summer finally breaks, and the sky opens to a flurry of hail. The boys rush out to the back yard in cathartic glee to jump around in the chunks of ice. Inside, their mother stares coldly, her hollow eyes buried in bandages, her face obscured by blinds, her entire body sealed like a dissected specimen behind a pane of glass. In that moment, the boys and their mother are more like pillars demarcating negative space than a family. The void between them is terrifying, but nonetheless invisible. There is nothing there to see. Review written by contributing writer, please check out our website for full reviews of all the recent releases.

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