Mommy Dolan
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Marthe as Marthe (as Viviane Pacal)
Forty-six year old Diane Després - "Die" - has been widowed for three years. Considered white trash by many, Die does whatever she needs, including strutting her body in front of male employers who will look, to make an honest living. That bread-winning ability is affected when she makes the decision to remove her only offspring, fifteen year old Steve Després, from her previously imposed institutionalization, one step below juvenile detention. She institutionalized him shortly following her husband's death due to Steve's attention deficit hyperactivity disorder (ADHD) and his violent outbursts. He was just kicked out of the latest in a long line of facilities for setting fire to the cafeteria, in turn injuring another boy. She made this decision to deinstitutionalize him as she didn't like the alternative, sending him into more restrictive juvenile detention from which he would probably never be rehabilitated. However, with this deinstitutionalization, she has to take care of him which means only being able to do home based work. Despite they always yelling expletives at each other and Steve sometimes demonstrating those violent tendencies toward her, Die and Steve truly do love each other, his emotions which are sometimes manifested as an Oedipus complex especially as he seems to need her complete attention most specifically when it is being directed at possible male suitors. Their lives, both individually and as a family, are affected with the entrance of two of their neighbors. The first is Paul, a lawyer, who does have that sexual interest in Die as he tries to help Steve through his legal problems. The second and more important is Kyla, who lives across the street with her husband Patrick and their adolescent daughter, they who are in transit in their life to wherever Patrick's job will take them. Kyla is a high school teacher on sabbatical as she deals with her own emotional issues, which are manifested in stuttering whenever she feels incapable of dealing with her life. Kyla may find that she needs the Després as much as they need her. — Huggo
Rated R for language throughout, sexual references and some violence
Most of the film is presented in a 1:1 aspect ratio, where the "viewing area" of the screen is a perfect square.
Childhood Written and performed Craig Armstrong
Not what I expected. It's a film that features quite a lot of dark elements, but the film somehow manages to be really touching in such an odd, but effective way. I don't think it's flawless. The script has a few cracks here and there, and it sometimes feels a bit aimless in what it's trying to say. I also very much enjoyed Dolan's directorial touches, but many times they're a bit jarring and too stylistic for its own good. However, what I will not at all criticize is that 4-minute sequence near the beginning of its third act (you know which one). That glorious score with those images created a profoundly moving sequence, one of the most emotionally powerful scenes of the year. But that's how a lot of the film is. I liked it a lot, but it can feel like many great individual scenes and yet not as cohesive as a whole The acting here is phenomenal though. The three leads and the places they go to are harrowing and they probably rise the material greatly. The ending was a bit too obvious and not very original, but I'll take it Not as enamored with it as most, but I still found it to be a truly incredible experience that is no doubt so inherently interesting and entertaining, much like the only other Dolan film I've seen Tom at the Farm.
Canadian Producers C.S. Roy, Stéphanie Morissette Unveil Horror-ar Experience ‘V F C’
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A widowed single mother, raising her violent son alone, finds new hope when a mysterious neighbor inserts herself into their household. A widowed single mother, raising her violent son alone, finds new hope when a mysterious neighbor inserts herself into their household. A widowed single mother, raising her violent son alone, finds new hope when a mysterious neighbor inserts herself into their household.
Kyla : Loving people doesn't save them
From Wikipedia, the free encyclopedia
22 May 2014 ( 2014-05-22 ) ( Cannes )
19 September 2014 ( 2014-09-19 ) (Canada)
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Mommy is a 2014 Canadian drama film written, produced, directed and edited by Xavier Dolan and starring Anne Dorval , Antoine Olivier Pilon , and Suzanne Clément . The story concerns a mother with a sometimes-violent teenage son, struggling to control his behaviour in a hypothetical future in which parents have the legal option to commit troubled youth to public hospitals.
The story focuses on mother–son relationships, a reoccurring theme in Dolan's work, and also marks his fourth collaboration with Dorval and his third with Clément. Inspiration for this particular story was drawn from Dolan's discovery of Pilon and the music of Ludovico Einaudi . It was shot in Quebec in an unconventional 1:1 aspect ratio .
The film debuted at the 2014 Cannes Film Festival , where it won the Jury Prize . It subsequently became a critical and financial success, grossing over $ 13 million worldwide. Mommy went on to win numerous other awards, among them nine Canadian Screen Awards , including Best Motion Picture .
In a fictional outcome for the 2015 Canadian federal election , a political party comes to power and establishes a law called S-14, allowing parents of troubled children and limited finances to place their children in hospitals, without regard for fundamental justice .
After the law is passed, Diane "Die" Després, a widowed mother and 46-year-old journalist, picks up her son Steve, who has ADHD with violent tendencies, from an institution, in the aftermath of Steve starting a fire in which another youth was injured. Die brings Steve to their new home in Saint-Hubert and struggles to care for him under financial distress. When Steve gives her a cart full of groceries and a necklace reading "Mommy", Die suspects that he has stolen the latter. Enraged by the accusation, Steve begins choking her, and she defends herself by hitting him with a glass frame. Whilst chaos ensues, Kyla, a neighbour and teacher on sabbatical, shows up to tend to their wounds.
Kyla, who is dealing with a stuttering problem, begins to tutor Steve. After a disastrous tutoring session where Steve berates Kyla, she snaps and attacks him. After the confrontation, Steve mellows and indicates he is glad to know her and respects her wishes not to call her "babe". Although the three have bonded and their situation seems to improve, Die is served papers by the parents of the injured boy, indicating she and Steve are being sued for the injuries caused by his fire.
Die finds a lawyer willing to help them and the three of them go out for the evening for something to eat. They end up at a karaoke bar, where Steve is increasingly agitated by the atmosphere and what he sees as his mother's sexual interest in the lawyer. Steve decides to sing, but is taunted by the audience, leading to a fight. Steve, Die and their lawyer argue, ending with Die slapping the lawyer in retaliation for slapping Steve, driving the lawyer away.
Die continues to try and help her son and rebuild their lives, but while out shopping, with Steve and Kyla, Steve disappears and slits his wrist. Although he survives, Die later finds herself reflecting on all the dreams she had for her son to live a fulfilled, happy life. She finally drives to a hospital to commit him under S-14; Steve angrily resists, and she begins to regret
https://www.imdb.com/title/tt3612616/
https://en.wikipedia.org/wiki/Mommy_(2014_film)
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Mommy Dolan
