Mom Son Xxx Skachat

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American action film directed by Rob Cohen
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^ Jump up to: a b "XXX (2002)" . AFI Catalog of Feature Films . Retrieved 2019-07-21 .

^ " XXX (12A) (CUT)" . British Board of Film Classification . 2002-09-24 . Retrieved 2012-10-19 .

^ Lang, Brent (September 1, 2011). " 'Inside the Revolution Library: Where Joe Roth Went Wrong" . TheWrap.com . Retrieved June 28, 2017 .

^ Jump up to: a b c "XXX (2002)" . Box Office Mojo . Retrieved August 6, 2011 .

^ " 'Furious' Vin Diesel Will Star in Revolution Studios' Spy Thriller 'XXX' " . hive4media.com . July 31, 2001. Archived from the original on August 9, 2001 . Retrieved September 21, 2019 – via The Hollywood Reporter .

^ " Extreme Weekend for XXXسکس (2002)" . Box Office Mojo . Retrieved May 23, 2012 .

^ Koehler, Robert (5 August 2002). "XXX" . Variety . highlighted by lenser Dean Semler and designer Gavin Bocquet turning Prague into one of pic’s major attractions.

^ Jump up to: a b c PHILIP SLEDGE APR. 19. 2020 (19 April 2020). "xXx: 10 Behind The Scenes Facts About The Vin Diesel Movie" . CINEMABLEND .

^ 'XXX' Interview . YouTube . Event occurs at 2m50s. Archived from the original on 2021-10-30.

^ Kitchener, Shaun (29 May 2017). "xXx secrets revealed: How extreme sports pros helped with THESE incredible stunts" . Express.co.uk .

^ "World Stunt Awards 2003" . Worldstuntawards.com . Archived from the original on 2003-07-19.

^ "Ain't It Cool News: The best in movie, TV, DVD, and comic book news" . Aintitcool.com. April 7, 2002 . Retrieved 2020-07-28 .

^ "Scene Shooting for the Movie Triple X" . Rammstein & Pilgrim Management. Archived from the original on 2 May 2012 . Retrieved 6 May 2012 . [ permanent dead link ]

^ " XXX (2002)" . Rotten Tomatoes . Retrieved July 31, 2020 .

^ "xXx" . Metacritic . Retrieved 2020-05-04 .

^ "XXX (2002) A-" . CinemaScore . Archived from the original on February 6, 2018.

^ Ebert, Roger (August 9, 2002). "XXX" . Chicago Sun-Times . Retrieved October 11, 2017 – via RogerEbert.com.

^ Travers, Peter (9 August 2002). "xXx" . Rolling Stone .

^ Adam Smith. "XXX (2002) review" . Empire (film magazine) . Retrieved July 24, 2016 .

Wikiquote has quotations related to XXX .
XXX (stylized as xXx and pronounced Triple X ) is a 2002 American action film directed by Rob Cohen , produced by Neal H. Moritz and written by Rich Wilkes . The first installment in the XXX film series , the film stars Vin Diesel as Xander Cage, a thrill-seeking extreme sports enthusiast, stuntman and rebellious athlete-turned reluctant spy for the National Security Agency . Cage is sent on a dangerous mission to infiltrate a group of potential Russian terrorists in Central Europe. The film also stars Asia Argento , Marton Csokas and Samuel L. Jackson . Cohen, Moritz and Diesel had previously worked on The Fast and the Furious (2001) as director, producer and cast member respectively.

The film grossed $277.4 million worldwide [4] and was followed by two sequels, XXX: State of the Union and XXX: Return of Xander Cage , released in 2005 and 2017, respectively.

Anarchy 99, a Russian terrorist group, acquires a biochemical weapon, "Silent Night", presumed missing since the fall of the Soviet Union . Anarchy 99 easily discover and kill an undercover agent sent by the American National Security Agency to recover it. NSA Agent Augustus Gibbons suggests sending someone who lacks ties to the US government, such as Xander "XXX" Cage, an extreme sports professional wanted by the FBI for acts protesting against a senator. Gibbons takes Cage into custody, who then passes two field tests, before reluctantly accepting the job after he is told the only other option is prison.

Cage meets the NSA support team in Prague , which includes Czech agent Milan Sova, who has been tasked with supervising and, if necessary, deporting Cage. While scouting an Anarchy 99 party, Cage identifies Sova as a police officer to Anarchy 99's leader, Yorgi, earning him favor with the group. Cage asks Yorgi about purchasing high end sports cars, and Yelena, Yorgi's girlfriend and lieutenant, gives Cage an account number.

Gibbons calls Cage about changes to the plan but is impressed when Cage gives them information provided by the star-struck Kolya. As a result, Gibbons sends tech-specialist Agent Toby Shavers, who provides Cage with a special revolver, binoculars that can see through walls and explosives disguised as bandages. As Cage attends the car deal he made with Yorgi, Sova attempts to intercede. Using the trick revolver and special effects, Cage fakes killing Sova. Having earned Yorgi's trust, Cage joins Anarchy 99.

Yorgi brings Cage back to a castle after a dance party at one of his nightclubs that serves as Anarchy 99's headquarters. Cage, while searching for the biochemical weapon, catches Yelena investigating Yorgi's secret safe. He takes her to a nearby restaurant to discuss the matter and reveals his true identity. Sova betrays Cage to Yorgi on the phone. Furious, Yorgi sends his trusted sniper Kirill to kill Cage. While watching the pair, Kirill, who is in love with Yelena, warns her. As Cage and Yelena stage a fight, the NSA suddenly appears to capture Cage, and Yelena is taken back to Anarchy 99.

Cage meets with Gibbons, who demands that Cage return to America now that his cover is blown and special forces are planning to siege the castle. Cage refuses, fearing for Yelena's life and bitter that Sova purposely blew his cover. Cage sneaks into Yorgi's castle and follows him into a secret underground lab. Cage overhears Yorgi's plan to launch "Silent Night" from a water-borne drone named Ahab. Cage flees the area after killing Kolya. At his hideout, he finds Sova waiting for him, now with Yorgi. Before Sova can kill Cage, Yelena saves him and reveals herself to be an undercover Russian Federal Security Service agent abandoned by her handlers. Cage relays Yorgi's plans to the NSA in return for Yelena's asylum. Against orders, Cage gives his car to Shavers and tells him to load it up with weaponry. Cage parachutes from a plane on a snowboard near Anarchy 99's communication tower. He starts an avalanche that destroys the tower but is captured by Yorgi, who already knew Yelena's identity. As Yorgi prepares to kill them, the special forces attack. Cage and Yelena free their restraints, but Yorgi launches Ahab before Cage kills him.

The Czech military prepares to destroy Ahab with airstrikes, though this will release some of the biochemical agent. Cage and Yelena take his car, now heavily modified by Agent Shavers, to race alongside the river to catch up to Ahab. Cage harpoons the drone, crosses over to it, and disables the weapon moments before it goes off. Cage and Yelena are recovered, and Gibbons follows through on his promises. In the conclusion, Cage and Yelena are relaxing in Bora Bora when Gibbons contacts Cage to offer him another mission, but Cage ignores him.

To imply Xander Cage's credibility within extreme sport subcultures, various personalities make cameo appearances:

In July 2001 it was announced that Vin Diesel will receive in the neighborhood of $10 million to star in the film, with an initial release date of July 26, 2002. [5] In August 2001, Sony put a large billboard of XXX in Hollywood, before a script had been written. [6] There was also a teaser trailer released on May 3, 2002. It was then attached to Spider-Man , and shown on the web.

Filming took place at three locations. Most of the film is set in Prague , Czech Republic . [7] The Corvette jump was filmed at the Foresthill Bridge in Auburn State Recreation Area , Auburn, California . [8] The final scenes were set in Bora Bora , Tahiti , and other areas in southern West Virginia. [ citation needed ]

Several Czech Su-22s were used for the film. It was one of the last "actions" of these aircraft – Czech Air Force decommissioned Sukhois in 2002.

Vin Diesel did many of his own stunts, director Rob Cohen said: "I think the thing is that Vin did more than he should have, but less than he wanted to." Diesel took a fall during the avalanche scene, and landed head first and wasn't moving, and Cohen was worried the star of the film might have broken his neck. [9] [8] The Corvette bridge based jump was performed by Tim Rigby wearing a Vin Diesel mask. [10] [11] The motorcycle jump was performed by professional motocross rider and stuntman Jeremy Stenberg , and Diesel's face was later added digitally. [8]

Stunt player Harry O'Connor, Diesel's stunt double, was killed on April 4, 2002, when he hit a pillar of the Palacký Bridge in Prague, para-sailing during one of the action scenes. The accident occurred while filming the second take of the stunt; O'Connor's first attempt was completed without incident and can be seen in the completed film, which was dedicated to him. [12]

The first few minutes of the film take place at a concert of German Neue Deutsche Härte band Rammstein in Prague, performing the song " Feuer Frei ". The same clip is available, but from the band's perspective (with only brief scenes from the film) in their video compilation Lichtspielhaus . [13]

The film score was composed by Randy Edelman , a frequent collaborator of Cohen's. The film also featured a contemporary rock music soundtrack . Rammstein provided some of the music and was even featured in the film in the opening scene. During the club scene in Prague, Orbital can be seen playing their exclusive track "Technologicque Park" live before the dancing crowd. The soundtrack album also features Queens of the Stone Age , Drowning Pool , Hatebreed , Nelly , Lil Wayne , N.E.R.D , Fermín IV and Moby . It was released on August 6, 2002, through Universal Records . It peaked at #9 on the Billboard 200 , #16 on the Top R&B/Hip-Hop Albums and #1 on the Top Soundtracks . The "Tweaker remix" of the song "Adrenaline" by Gavin Rossdale (the lead singer of Bush ) was featured was in the film, while the original version is included on the soundtrack. None of Edelman's score was included on the album, with a separate disc of his work released by Varèse Sarabande .

The film opened in 3,374 theaters and grossed $44,506,103 in its opening weekend. It grossed a total of $142 million, and a further $135 million internationally for a worldwide total of $277.4 million worldwide [4]

On Rotten Tomatoes the film has an approval rating of 48% based on reviews from 180 critics, with an average rating of 5.59/10. The site's consensus reads: "It has an endearing lack of seriousness, and Vin Diesel has more than enough muscle for the starring role, but ultimately, XXX is a missed opportunity to breathe new life into the spy thriller genre." [14] On Metacritic the film has a score of 48 out of 100, based on reviews from 33 critics, indicating "mixed or average reviews". [15] Audiences surveyed by CinemaScore gave the film a grade A− on scale of A to F. [16]

Roger Ebert of the Chicago Sun-Times gave it 3 + 1 ⁄ 2 stars out of 4, writing, "In its own punk way, XXX is as good as a good Bond movie, and that's saying something." [17] Peter Travers of Rolling Stone wrote: "It's hard to hate a movie, even one this droolingly crass, that knows how to laugh at itself." [18] Adam Smith of Empire called the movie, "Sporadically entertaining, but seriously hampered by a very choppy screenplay", and rating it three out of five stars. [19]

This film was nominated for a Razzie Award for Most Flatulent Teen-Targeted Movie, but lost to Jackass: The Movie .

Trailer for Blue Valentine (2010) starring Ryan Gosling and Michelle Williams
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Derek Cianfrance dared to portray sex with any sense of realism, both physically and emotionally, only to quickly get slapped with an NC-17 rating for showing Michelle Williams’ character, Cindy, on the receiving end of oral sex. “The sex felt real - it wasn't sexy or 'a sex scene', and that's why we got into trouble,” co-star Ryan Gosling remarked to The Observer at the time. “You shouldn't be penalised for doing a good job.” After successfully appealing against the MPAA’s decision, Blue Valentine reached cinemas as an R, thankfully allowing mainstream audiences to see how emotionally complex a matter sex can actually be, especially in a broken down marriage like the one shared by its lead characters.
Gina Prince-Bythewood has masterfully shown Hollywood how cinema can portray realistic sex without any loss of romanticism or intimacy. That’s especially true of her directorial debut, 2000’s Love & Basketball, in which Monica (Sanaa Lathan) loses her virginity to childhood sweetheart, Quincy (Omar Epps). The moment is wonderfully tender, aided by Maxwell’s cover of Kate Bush’s “This Woman’s Work”, while being one of the rare films that actually shows the use of a condom. “The only note that I ever got from the studio during the filmmaking process was that when I shot that scene, they looked at the dailies and they said, they didn’t think she was enjoying it enough,” Prince-Bythewood told The Huffington Post. “And my argument was, it’s the first time and despite what the male fantasy might be, it’s not that great.”
Alfonso Cuarón’s raucous classic inverts the American sex comedy: Julio (Gael García Bernal) and Tenoch (Diego Luna) are stereotypical, sex-obsessed young men distraught at the concept of their girlfriends leaving the country. Choosing to live as bachelors, they befriend an older woman (Maribel Verdú), who seduces both of them. Yet, the film drives them towards one, real truth: their own bisexuality, finally freed during the film’s famous threesome. Though Y Tu Mamá También's conclusion is tragic - Julio and Tenoch's reject their own truth, turn their backs on each other, and suppress their feelings - their threesome still marks a moment of genuine, harmonious sensuality.
God’s Own Country star Alec Secareanu admitted he was initially “very afraid” of the kinds of scenes he would be tasked with filming for the gay drama film. “But the way each character has sex tells a lot about them; the way that they develop their relationship,” he told Attitude. The first sexual encounter between Secareanu’s character Gheorghe and Johnny (Josh O’Connor) is quick, aggressive and with little intimacy. As Johnny slowly learns to open up to Gheroghe, their second encounter is far more romantic; intense in a different way to the first. Both actors later told of how they developed a close bond in real life after working together on-screen.
A film that finds its eroticism in small gestures - in the languid rest of a glove, in a glance, shared across a crowded room - when it comes to director Todd Haynes actually filming the first time Therese (Rooney Mara) and Carol (Cate Blanchett) have sex, their chemistry is already so palpable that the moment feels nothing short of explosive. “It's very much like shooting a musical number,” Haynes told E!News of the scene. “You start the music and basically you just go and the camera finds the moments and the beats. And we had some amazing material with these two women to work with.”
Barry Jenkins’ Oscar-winner is one of the most tender depictions of yearning in modern cinema. Its protagonist Chiron (played by Ashton Sanders here, at other points by Alex R. Hibbert and Trevante Rhodes) experiences his first sexual encounter with fellow student Kevin (Jharrel Jerome) on a quiet, isolated beach. Their fumbling may pay testament to the awkwardness of a teenager’s first experiences, but Jenkins’ approach also gives the moment a profound grace, and an acknowledgement of how it will come to shape Chiron’s own view of himself. “It’s the first time I filmed a sex scene. It’s the first time these actors had performed a sex scene,” Jenkins told Entertainment Weekly of the scene. “It’s not gratuitous. It’s very delicate in keeping with most of the film, but it kept me up at night. I really wanted to get the feelings of that first sort of sexual expression, and I wanted to get it right… but then, when we got to shoot it, it rolled off like butter.”
Much like Blue Valentine, Nicolas Roeg’s 1973 classic swiftly faced controversy due to a sex scene so emotionally faithful (while also depicting a female character, Julie Christie’s Laura, receiving oral sex), that it caused clashes with censors. A grieving couple desperately holding onto the shreds of their marriage after the death of their child, Laura and John (Donald Sutherland)’s raw emotions and vulnerability in this moment are famously intercut with post-coital preparations to go to dinner - an attempt, in fact, to satiate censors. Christie herself admitted the film’s innovations made the scene difficult to film since, “There were no available examples, no role models ... I just went blank and Nic [Roeg] shouted instructions."
Sex is funny, sometimes hilarious. There’s no getting through this list without acknowledging that fact, and there’s no better film to summarise it than Team America: World Police and its infamous puppet intercourse, enthusiastically filing through every sexual position in the book. As puppet creator Stephen Chiodo noted to MovieWeb, it’s the scene’s bracing artifice that’s actually the key to its humour. As he explained, “The more realistic it became, the less funny it was. The more axes of movement, the more lifelike movement we gave the puppets during the sex scene, it just wasn’t funny. But when you had them stiff like dolls, kind of rutting, it just was funny.”
Trust David Lynch to create a highly-charged sex scene that inevitably only becomes part of the web created to deceive and befuddle us. Rita (Laura Harring) and Betty (Naomi Watts) may consummate their bubbling affections for each other in a sensuous, dreamlike manner - but who is Rita in this moment? Who is Betty? Is this encounter real or imagined? This moment of lush, Hollywood perfection only creates the set up for Mulholland Drive’s earth-shattering twist. Betty is now Diane, and her own sexual experience couldn’t be any more different: a tear-soaked, anguished masturbation scene that seems exemplary of her own broken soul.
One of the finest examples of the erotic thriller, director Adrian Lyne depicts the extramarital affair in its full urgency, its entire spectrum of conflicted emotions, as suburban housewife Connie (Diane Lane) becomes enraptured by a handsome young Frenchman (Olivier Martinez). Their initial encounter is at first tenuous, tender, before a hunger seems to consume Connie and her guilt is momentarily forgotten in the throes of extreme passion, only for them to creep slowly back on the train ride home. The memory of its erotic power, the searing regret; those feelings soon become feverishly intertw
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