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Police swarm the scene where the body of Debbie Collier was found
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Published: 14:47 BST, 21 September 2022 | Updated: 15:23 BST, 21 September 2022
The husband of a woman who was found naked and clinging to a tree said he didn't see his wife on the day of her disappearance because the married couple slept in separate bedrooms due to his loud snoring.
Debbie Collier, 59, was found dead in a small, steep-sided ravine on September 11 near a wooded area in Tallulah Falls, Georgia , after sending her daughter $2,385 along with a cryptic final message.
Her husband Steven, 67, spoke to officers just after 6pm on September 10 after filing a missing persons report - and revealed that he had not seen Debbie since 9pm the night before.
An Athens-Clarke County missing persons report said that the couple, who had been married since 2013, slept in separate bedrooms because Steve was known to snore.
The report, seen by DailyMail.com, read: 'He clarified that he and Deborrah sleep in separate bedrooms due to his snoring.'
The next morning, Steven woke up early and left the house in Athens, Georgia, to go to work.
He did not recall seeing his wife, but he said he saw her rented SUV still parked in the driveway - so assumed she was inside asleep.
Steven (right) and his wife Debbie had been married for 13 years. She was found dead, naked and charred, in a ravine on September 11
The married couple slept in different bedrooms because Steven was known to snore loudly during the night. He did not see his wife on the day she disappeared
Pictured: Debbie's rented black Chrysler Pacifica, which was tracked down to the scene. Her body was then found in the wooded area off the road
Debbie had rented a black Chrysler Pacifica through Enterprise, because her car had recently been in a crash.
At the time of her disappearance she also had a bad back meaning she couldn't walk far, according to her daughter.
It's unclear what occurred early on September 10, but alarm bells did not ring until later in the day when Debbie's daughter received a sum of money along with a bizarre, out-of-character text.
Collier, who lived in Athens, Georgia, sent her daughter Amanda Bearden, 36, a total of $2,385 on Venmo at 3.17pm on September 10 with the harrowing message: 'They are not going to let me go, love you.
The text continued: 'There is a key to the house underneath a blue flower pot by the door.'
Debbie's disappearance stunned her daughter and husband, since she had 'not done anything like this before' and she didn't have any other family members in the area she could have been visiting, documents state.
A desperate search was launched for the mother - and authorities begun pinging the rented car to see if they could locate the vehicle via its SiriusXM satellite radio.
The next morning around 12.30pm, the rented SUV was tracked down to GA 15 Northbound, in the area of Victory Home Lane, Clarkesville - 60 miles north of her home in Athens.
When they came across the rented black Chrysler Pacifica, police noted that the vehicle was completely empty, with no remnants of Debbie's clothing, or any indication of where the car had been traveling to.
There was also nothing to determine that she was in the car with someone else, or if she was on her own.
It's unclear what occurred early on September 10, but the concerned family reported her as a missing person following a cryptic message to her daughter in the late afternoon
Steven last saw his wife at 9pm the night before Debbie vanished, as he headed to sleep in his own bedroom
Police accompanied by K-9s approached the wooded area off of the road - and soon found the remains of a fire. Nearby, they found a red bag and blue burned tarp through the brush.
As they approached the fire, they looked further down the sloped embankment where he saw Debbie's naked, burned body.
She was laying on her back, grasping a small tree with her right hand, the police report stated.
The 59-year-old had been burned and her remains were charred, particularly on her abdomen.
Bearden, who was 'hysterical' at the scene, was heard shouting that the car pulled over on the road belonged to her mom.
She told police on the scene that her mother didn't have any history of mental heath issues - and denied that she had ever experienced suicidal tendencies.
Debbie, who married her husband Steve in 2013, worked as the front office manager at Carriage House Realty in Athens for many years.
The homicide investigation is ongoing.
Daughter Amanda Bearden, 36, (pictured) revealed that she received a sum of money from her mother alongside an eerie final message - prompting her to call the police and file her as a missing person
Debbie Collier, 59, was tragically found dead on September 11 in a wooded area in Tallulah Falls, Georgia, after being reported missing the day before
Cops have said that the disturbing statement Collier sent to her daughter may suggest that there was a violent kidnapping involved before she was found dead
Habersham County Deputy Coroner Ken Franklin talks with Collier's husband, Steven, seen here holding an umbrella, on September 11, 2022
Investigators and police cars seen at the scene near to where the body was discovered on September 11
The missing mother from Athens, Georgia sent an eerie last message to her daughter before she was found dead in a ravine
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April 18, 2002 Posted: 1:13 PM EDT (1713 GMT)

WASHINGTON (CNN) -- The U.S. Supreme Court Tuesday struck down a 6-year-old law that prohibits the distribution and possession of virtual child pornography that appears to -- but does not -- depict real children.

The law had banned a range of techniques -- including computer-generated images and the use of youthful-looking adults -- which were designed to convey the impression of minors engaging in sexually explicit conduct.

The 6-3 ruling says the law violates the First Amendment guarantee of freedom of speech. The decision hands a major setback to the Justice Department and the majority of Congress in their legislative efforts to fight child pornography.

Writing for the majority, Justice Anthony Kennedy said key provisions of the Child Pornography Prevention Act of 1996 were "overbroad" and infringed on established protections of material with artistic value that does not violate community standards.

"Pictures of what appear to be a 17-year-old engaging in sexually explicit activity do not in every case contravene community standards," the court said.

"The (Act) also prohibits speech having serious redeeming value, proscribing the visual depiction of an idea -- that of teenagers engaging in sexual activity -- that is a fact of modern society and has been a theme in art and literature for centuries."

The opinion cited several artistically significant instances in which teenage sex was portrayed, including William Shakespeare's play "Romeo & Juliet," and the recent movies "Traffic" and "American Beauty."

Kennedy was joined by justices John Paul Stevens, David Souter, Ruth Bader Ginsburg and Stephen Breyer. Clarence Thomas wrote a separate opinion agreeing with their conclusion.

Justices Sandra Day O'Connor, in a dissent, disagreed with much of the majority opinion, and was joined by Chief Justice William Rehnquist and Antonin Scalia.

In a separate dissent Rehnquist, backed by Scalia, strongly disagreed with the majority, saying "the computer-generated images are virtually indistinguishable from real children."

The ruling came in a case named Ashcroft v. The Free Speech Coalition. U.S. Attorney General John Ashcroft and President George W. Bush's Justice Department inherited defense of the law from former Attorney General Janet Reno and the President Clinton Justice Department, which had defended the law in the lower courts.

The Free Speech Coalition is comprised primarily of a trade association of publishers of pornographic materials.

Ashcroft said he was disappointed by the court's decision.

"This morning the United States Supreme Court made our ability to prosecute those who produce and possess child pornography immeasurably more difficult," Ashcroft said.

Ashcroft said the Justice Department would use every resource to prosecute child pornography cases and said child pornographers "will find little refuge in today's decision."

He said he would work with Congress to pass new laws that would survive the court's scrutiny.

"I believe today's opinion and the Constitution leave open legislative avenues to protect our children from harm and we will seek to develop the means to do so with legislative endeavor," Ashcroft said.

Still to be decided by the Supreme Court this spring is another case involving a separate law, which specifically restricts the access of minors to sexually explicit material on the Internet.

FindLaw opinion database: Supreme Court opinions from 1893-2002

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The U.S. Supreme Court voted 6-3 to strike down the ban on virtual child pornography, saying the law violated the First Amendment right of free speech. CNN's Kelli Arena reports (April 17)

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Trailer for Blue Valentine (2010) starring Ryan Gosling and Michelle Williams
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Derek Cianfrance dared to portray sex with any sense of realism, both physically and emotionally, only to quickly get slapped with an NC-17 rating for showing Michelle Williams’ character, Cindy, on the receiving end of oral sex. “The sex felt real - it wasn't sexy or 'a sex scene', and that's why we got into trouble,” co-star Ryan Gosling remarked to The Observer at the time. “You shouldn't be penalised for doing a good job.” After successfully appealing against the MPAA’s decision, Blue Valentine reached cinemas as an R, thankfully allowing mainstream audiences to see how emotionally complex a matter sex can actually be, especially in a broken down marriage like the one shared by its lead characters.
Gina Prince-Bythewood has masterfully shown Hollywood how cinema can portray realistic sex without any loss of romanticism or intimacy. That’s especially true of her directorial debut, 2000’s Love & Basketball, in which Monica (Sanaa Lathan) loses her virginity to childhood sweetheart, Quincy (Omar Epps). The moment is wonderfully tender, aided by Maxwell’s cover of Kate Bush’s “This Woman’s Work”, while being one of the rare films that actually shows the use of a condom. “The only note that I ever got from the studio during the filmmaking process was that when I shot that scene, they looked at the dailies and they said, they didn’t think she was enjoying it enough,” Prince-Bythewood told The Huffington Post. “And my argument was, it’s the first time and despite what the male fantasy might be, it’s not that great.”
Alfonso Cuarón’s raucous classic inverts the American sex comedy: Julio (Gael García Bernal) and Tenoch (Diego Luna) are stereotypical, sex-obsessed young men distraught at the concept of their girlfriends leaving the country. Choosing to live as bachelors, they befriend an older woman (Maribel Verdú), who seduces both of them. Yet, the film drives them towards one, real truth: their own bisexuality, finally freed during the film’s famous threesome. Though Y Tu Mamá También's conclusion is tragic - Julio and Tenoch's reject their own truth, turn their backs on each other, and suppress their feelings - their threesome still marks a moment of genuine, harmonious sensuality.
God’s Own Country star Alec Secareanu admitted he was initially “very afraid” of the kinds of scenes he would be tasked with filming for the gay drama film. “But the way each character has sex tells a lot about them; the way that they develop their relationship,” he told Attitude. The first sexual encounter between Secareanu’s character Gheorghe and Johnny (Josh O’Connor) is quick, aggressive and with little intimacy. As Johnny slowly learns to open up to Gheroghe, their second encounter is far more romantic; intense in a different way to the first. Both actors later told of how they developed a close bond in real life after working together on-screen.
A film that finds its eroticism in small gestures - in the languid rest of a glove, in a glance, shared across a crowded room - when it comes to director Todd Haynes actually filming the first time Therese (Rooney Mara) and Carol (Cate Blanchett) have sex, their chemistry is already so palpable that the moment feels nothing short of explosive. “It's very much like shooting a musical number,” Haynes told E!News of the scene. “You start the music and basically you just go and the camera finds the moments and the beats. And we had some amazing material with these two women to work with.”
Barry Jenkins’ Oscar-winner is one of the most tender depictions of yearning in modern cinema. Its protagonist Chiron (played by Ashton Sanders here, at other points by Alex R. Hibbert and Trevante Rhodes) experiences his first sexual encounter with fellow student Kevin (Jharrel Jerome) on a quiet, isolated beach. Their fumbling may pay testament to the awkwardness of a teenager’s first experiences, but Jenkins’ approach also gives the moment a profound grace, and an acknowledgement of how it will come to shape Chiron’s own view of himself. “It’s the first time I filmed a sex scene. It’s the first time these actors had performed a sex scene,” Jenkins told Entertainment Weekly of the scene. “It’s not gratuitous. It’s very delicate in keeping with most of the film, but it kept me up at night. I really wanted to get the feelings of that first sort of sexual expression, and I wanted to get it right… but then, when we got to shoot it, it rolled off like butter.”
Much like Blue Valentine, Nicolas Roeg’s 1973 classic swiftly faced controversy due to a sex scene so emotionally faithful (while also depicting a female character, Julie Christie’s Laura, receiving oral sex), that it caused clashes with censors. A grieving couple desperately holding onto the shreds of their marriage after the death of their child, Laura and John (Donald Sutherland)’s raw emotions and vulnerability in this moment are famously intercut with post-coital preparations to go to dinner - an attempt, in fact, to satiate censors. Christie herself admitted the film’s innovations made the scene difficult to film since, “There were no available examples, no role models ... I just went blank and Nic [Roeg] shouted instructions."
Sex is funny, sometimes hilarious. There’s no getting through this list without acknowledging that fact, and there’s no better film to summarise it than Team America: World Police and its infamous puppet intercourse, enthusiastically filing through every sexual position in the book. As puppet creator Stephen Chiodo noted to MovieWeb, it’s the scene’s bracing artifice that’s actually the key to its humour. As he explained, “The more realistic it became, the less funny it was. The more axes of movement, the more lifelike movement we gave the puppets during the sex scene, it just wasn’t funny. But when you had them stiff like dolls, kind of rutting, it just was funny.”
Trust David Lynch to create a highly-charged sex scene that inevitably only becomes part of the web created to deceive and befuddle us. Rita (Laura Harring) and Betty (Naomi Watts) may consummate their bubbling affections for each other in a sensuous, dreamlike manner - but who is Rita in this moment? Who is Betty? Is this encounter real or imagined? This moment of lush, Hollywood perfection only creates the set up for Mulholland Drive’s earth-shattering twist. Betty is now Diane, and her own sexual experience couldn’t be any more different: a tear-soaked, anguished masturbation scene that seems exemplary of her own broken soul.
One of the finest examples of the erotic thriller, director Adrian Lyne depicts the extramarital affair in its ful
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