Mom Movie

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Mohit Chadha as Mohit Chadha (as Adarsh Gourav Bhagvatula)
Girish Kohli (dialogue) (screenplay) (story) Ravi Udyawar (story) Kona Venkat (story)
Devaki is a biology teacher at the same school attended by her stepdaughter Arya. Although, Devaki is a caring mother, Arya remains distant. One unfortunate night, Arya is brutally attacked. When the justice system fails them, Devaki faces some tough decisions and goes to great lengths to find justice for her daughter. — L. Hamre
It is set to hit the silver screen on July 7, the same date that Sridevi debuted in the industry with her first release in 1967.
Referenced in 63rd Filmfare Awards (2018)
O Sona Tere Liye Vocals by Shashaa Tirupati & A.R. Rahman Lyrics by Irshad Kamil Music by A.R. Rahman
Sridevi Returns with a Powerful, Devastating Performance
Bollywood has a problem. And that problem's name is 'Sridevi'. Gone (mercifully) are the days when actresses over the age of 40 were automatically relegated to matronly roles (see Nutan, Rakhee, Farida Jalal, and even Rekha and Dimple for proof of this). We're lucky enough to live in an age when many actresses over a certain age abound in modern Hindi cinema: apart from Sri herself in Mom, we recently saw Manisha Koirala (Dear Maya), Raveena Tandon (Maatr), Kajol (Dilwale), Juhi Chawla (Chalk n Duster), Aishwariya Rai (Ae Dil Hai Mushkil) and Tabu (Fitoor) taking center stage in major films, all playing roles that required them to do more than serve as mother figures to younger protagonists. Credit this to expanding mindset of an audience that has gradually woken up to the fact that women are interesting (and, indeed, desirable) outside the customary Bollywood sphere of commercial romance. So what's the problem? The problem is that Sridevi has outgrown Bollywood. Arguably the greatest actor of her generation (and certainly a far more potent performer than the would-be usurpers who followed her), Sridevi has come to be regarded by the media and masses alike as "The Indian Meryl Streep". Which, though she may be, is secondary to the fact that she is "The Indian Sridevi". India has not witnessed an actor as complete and transformational as Sridevi since the dawn of cinema – so it makes sense that in the wake of her career as a mainstream leading lady, Bollywood is forced to confront a quandary unlike any other it's faced in the past. Having outgrown the usual romantic roles of her repertoire in the '80s and '90s (her last of which was her bewitching turn as the shrewish virago in Judaai), Bollywood now has the dilemma of trying to figure out what to do with a talent the size and scope of Sridevi's (hint: it has no clue). Asking Sridevi to play "the mother" or "some generic older female relative" is like asking Picasso to paint a wall: you do not – indeed, cannot – ask a genius to perform the mundane. We know what she is capable of; hers is a talent whose full potential can never be tapped (I'm quoting Shekhar Kapur here). What, then, is an industry built around the trope of 20-something romantic musicals to do with an actor like Sridevi? Sridevi is intelligent enough about her artistry to know that audiences will not accept her in the same mould of the past. She isn't the comic sprite of Chaalbaaz or Mr. India anymore – nor does she insist that she be treated as such. This is something megastar actors seem to have trouble accepting: remember Amitabh's disastrous re-entry into Bollywood as a leading/angry young man with "Mrityudaata"? Madhuri Dixit would also do well to learn this lesson given that she continues to insist that she be featured in song-n-dance roles (and now dance- themed television shows) which don't go over particularly well with either critics or audiences. Which brings us to 'Mom'. Bollywood is obsessed with rape. It's a trope that the Largest Film Industry in the World has relied upon quite steadily since the early 80s when every hero from Mithun Chakraborty to Amitabh Bachchan to Govinda regularly avenged the rapes (or would-be rapes) of his sister/daughter/and even mother. Leading men even play "hero" rapists from time to time: remember Anil Kapoor playing an unrepentant rapist in Benaam Badshah who is only tamed (incredulously) by the love of his victim (Juhi Chawla)? Things got (marginally) better when the same Anil Kapoor offered to marry a rape victim (Aishwarya Rai) when she was forced to consider marrying her rapist (Puru Raj Kumar) in Hamara Dil Aap Ke Paas Hai. Progress? Well, okay. Mom – which follows a stepmother's journey to avenge the gang rape of her stepdaughter - has summarily been compared to the standard '80s Bollywood potboiler in which the (male) hero restores the dignity of his beloved by killing off her rapists. Ravi Udyawar's directorial debut certainly has this trope at its center, but the film reminded me in many ways of Sridevi's 1996 film Army, in which she plays a widow seeking to avenge the murder of her young husband (Shah Rukh Khan). Mom is a far, far superior film to Army, but the resemblance between the story lines is difficult to ignore. Sridevi was pure arresting melodrama in Army (as only she can pull off – remember the brilliant scene in which her pregnancy was revealed?) and holds a more nuanced yet bitter tone in Mom. But in Mom she's also an army of one, choosing to go it alone when the law lets her down and even a good cop named Francis (Akshaye Khanna) seems eager to thwart her maternal yearning for justice. Yes, Sridevi's performance is devastating and brilliant, but even more than that, this is a performance which is agonizing to witness. She summons not only the tentative love of an unwanted stepmother, but brings to the surface the burden of a raw, all-consuming pain of a parent drowning in her child's misery. Much has been said about Devki's quest for revenge, but almost nothing is mentioned about the quiet moments of steeliness and stillness which punctuate Sridevi's performance throughout the film. Watch, for example, the many scenes between Sridevi and Nawazuddin Siddiqui (Daya Shankar, the detective). She expertly conveys the resigned feelings of an unwanted quest, of a heroine in search of a destination she never wanted to seek out. Revenge is not something to be celebrated, her body language tells us, but it is (in some scenarios, it seems) the only path to resolution. She asks her cohorts on one occasion: if you must choose between wrong and very wrong, which will you choose? She will emerge victorious, we know from the outset; but she is also already defeated.
“I am too overwhelmed” says Sridevi wows Russia with Mom
Check out: Sridevi, Boney Kapoor and daughter Khushi Kapoor arrive in Moscow for Mom premiere
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After her daughter is sexually assaulted at a party, a furious mother sets out to destroy the lives of the four perpetrators who walked away free. After her daughter is sexually assaulted at a party, a furious mother sets out to destroy the lives of the four perpetrators who walked away free. After her daughter is sexually assaulted at a party, a furious mother sets out to destroy the lives of the four perpetrators who walked away free.
Updates approximately every 20 minutes.

From Wikipedia, the free encyclopedia
For the short film, see Mum (film) .
Sunil Manchanda Naresh Agarwal Mukesh Talreja Gautam Jain Boney Kapoor
Mom is a 2017 Indian Hindi -language crime thriller film directed by Ravi Udyawar from a screenplay written by Girish Kohli . [4] [5] The film stars Sridevi as a vigilante who sets out to avenge her stepdaughter
after she is sexually assaulted at a party. The film also stars Nawazuddin Siddiqui , Akshaye Khanna and Pakistani actors Sajal Ali and Adnan Siddiqui in supporting roles. [6] [7] Music for the film has been composed and produced by A. R. Rahman . [8] The film marked Sridevi's 300th, and final major film appearance before her death on 24 February 2018. [9] [10]

The film was released on 7 July 2017, in four languages, and became a critical and commercial success. The film received two awards at the 65th National Film Awards : Best Actress for Sridevi, marking the first posthumous win in the category and Best Background Score for A.R. Rahman. At the 63rd Filmfare Awards , the film received six nominations, including Best Actress and Best Actress (Critics) for Sridevi and Best Supporting Actor for Siddiqui. At the box office, the film has grossed ₹ 175 crore (US$25 million) worldwide, including $16.02 million ( ₹110.8 crore ) in China.

Mrs. Devki Sabarwal is a biology teacher and vivacious and popular among her students. In the class, a student, Mohit Chadda sends Devki's stepdaughter, Aarya Sabarwal an offensive video and Devki throws his phone out of the window. At home, despite Devki's persistent and warm approach toward her, Aarya remains frosty and distant, rebuffing her attempts to build a relationship. Aarya is invited to Valentine's Day party at a farmhouse called Zodiac Farms, Devki and her husband Anand Sabarwal permit this with great hesitation. Aarya rejects Mohit and his cousin brother Charles Deewan at the party. Angered by this very public rejection, Charles, Mohit, their criminal friend Joginder 'Jagan' Singh, and the security guard of the farmhouse Babu Ram Yadav attacks Aarya when she leaves the party. They brutally rape her and dump her in a drain along the side of a road, leaving her for dead after half-strangling her. She is found barely alive and brought to the hospital , where she undergoes various operations to save her. Devki and Anand are shattered. Aarya soon recovers and releases a statement naming her attackers.

Inspector Matthew quickly rounds up the attackers. However, the case falls apart when Aarya was found to be drinking, thus building the argument that her memory is unreliable. The body samples were recovered very late and were too weak to match the attackers. The judge acquits the four attackers due to lack of evidence. Her lawyer suggests appealing to a higher court but Devki has lost faith. Aarya, still in shock and broken by the court verdict, tears away from Devki. In sorrow, Devki realizes she has probably lost Aarya forever.

Devki recalls the somewhat shady detective, Daya Shankar Kapoor (abbreviated DK), whom she'd met on the night Arya was raped. A father of a daughter himself, he understands her pain and agrees to help her as Devki wants justice and revenge for Aarya.

The watchman Babu Ram is first. Devki seeks the help of her former students - transgender people who understand her plight. They seduce Babu Ram and drug him. He awakes four days later, still drunk, and finds, to his horror, that he has been castrated and remembers nothing. In a state of shock, he dies in an accident . The hotshot Charles is next. Devki breaks into his home and mixes crushed apple seeds – a source of cyanide – into his fitness powder. Charles is paralyzed. When Mohit visits Charles at the hospital, Devki, tipped off by DK, plants apple seeds and other evidence at Mohit's home. Inspector Matthew quickly arrests Mohit; Charles will die soon and Mohit will be the murderer. As Devki takes down each of Aarya's attackers, their situations make it on the news, which Aarya follows with surprise. She believes it may be her father, and she is deeply grateful to him. Matthew also suspects the father but, although he has him tailed, cannot catch him out. Then he finds Devki's glasses in Mohit's apartment and starts suspecting her.

Matthew confronts Devki but there is no evidence. He warns her that the fourth man, Jagan, is a hard criminal : going after him is dangerous for her family. Jagan visits Charles and in Charles' final moments before death, learns that it is "the mom" (Devki) who is retaliating. He goes after DK and discovers that Devki is on a holiday at a snow cottage in Kufri . He kills DK and goes after Devki. Matthew discovers a hidden camera in DK's glasses and hurries to save Devki.

Jagan cuts power at the cottage and shoots Anand. There is a scuffle and Aarya runs out into the snow. Jagan pursues her and Devki tries to save her. As Jagan is about to kill Devki, Matthew intercepts and tackles Jagan. There is a standoff: Devki points a gun at Jagan and Matthew attempts to talk her down by telling her that Anand is alive and in the hospital and if she shoots him, she'll go to jail. Aarya, in the bushes, overhears Jagan when he angrily relates how Devki finished off the other attackers. Devki knows if Jagan is left alive he will come after her again. At this point, Matthew hands her his gun and urges her to kill him. Devki hesitates but when an overwhelmed Aarya acknowledges Devki as ‘Mom’ for the first time, Devki shoots Jagan dead.
Aarya and Devki share a tearful and tender embrace.

It was announced in early 2016 that Sridevi would be starring next in Boney Kapoor 's woman-centric home-production titled Mom to be directed by Ravi Udyawar. [11] Nawazuddin Siddiqui was cast to play an important role in the film and the actor revealed that it was a dream come true for him to work with Sridevi. [12] Subsequently, Akshaye Khanna and actors Sajal Ali and Adnan Siddiqui were cast in crucial roles. [13] [14] A. R. Rahman was signed to compose the music of Mom . [15]

The first spell of film was shot in New Delhi in March 2016 around locations of Shri Ram College of Commerce in Delhi University and Noida Film City. [16] [17] Following this, Mom was shot in an extensive schedule in Mestia , Georgia . [18] The crew shot in freezing conditions of minus seven degrees for over two months. [19] Despite the challenging climatic environment, the schedule was successfully wrapped up. [20] Shooting resumed once more in March 2017 and the last leg of the film was completed in Bangkok . [21]

The First Look of Mom was unveiled at the Zee Cine Awards 2017 by Salman Khan who hailed Sridevi on stage as "a bigger star than the Khans". [22] [23] The actress made the First Look public on Twitter which went viral. [24] Subsequently, the Teaser of Mom acquired 1.2 million views in its first 24 hours on YouTube . [25] It also met with a positive response in Pakistan. [26] The well-receival of the teaser led to distributors in South India asking for dubbed version of the film pre-emptively. [27] The filmmakers announced that Mom would also be dubbed and released in Tamil, Telugu and Malayalam. [28]

The film is slated to release in China on 22 March 2019, two years after its release in India. Zee Studios International , the distributors of the film, have released an international poster for Chinese audience . [29]

The film grossed ₹ 14.25 crore on its first domestic weekend. [30] It had a domestic gross of approximately ₹ 51.78 crore. Overseas, it grossed ₹ 3.87 crore from North America, ₹ 164 million from the United Kingdom, ₹ 4.2 million from Australia, ₹ 1.4 million from New Zealand, ₹ 34.5 million from the UAE, ₹ 100,000 from Malaysia, and ₹ 36 million from the rest of the world, bringing the film's worldwide gross to ₹64.9 crore in 2017. [31]

The film released in China on 10 May 2019. [32] The film had an opening weekend gross of US$5.96 million ( ₹41.8 crore ) in China, [33] where it was at number four on the weekend charts, just below the Hollywood films Pokémon Detective Pikachu and Avengers: Endgame and the Arabic film Capernaum . [34] As of 4 June 2019, the film has grossed $16.02 million [35] ( ₹110.8 crore ) in China, [36] bringing the film's worldwide gross to ₹ 175.7 crore (US$25 million).

Mom received positive reviews from critics with major acclaim drawn to Sridevi's performance. Meena Iyer of The Times of India rated 4 stars out of 5 and said, "this one still manages to stay ahead with some interesting twists and turns". [37] Sarita A Tanwar of Daily News and Analysis rated 3 stars, saying " Mom is interestingly cast and that's a major part of the battle won." [38] Shubhra Gupta of The Indian Express rated 2 out of 5 stars and said, "The plot is riddled with holes, and is too focussed on Sridevi." [39] Saibal Chatterjee of NDTV India rated 3.5 stars out of 5 and said that it doesn't strictly belong to "conventional rape-and-revenge drama" category as it does not have "clearly defined moral and emotional context". [40] Mayank Shekhar of Mid-Day rated 3 out of 5 stars, saying that "the filmmakers effectively employ their talent" on the fresh ensemble cast, the characters," or "fine passages of photography and production design". [41] IANS of The Economic Times said, "the scenes are cut in a way that they heighten the drama without resorting to hysteria". [42] Kunal Guha of Mumbai Mirror rated 3.5 out of 5 stars and said, "Several scenes in Mom wordlessly convey more than what can be said through dialogue." [43] Rajeev Masand of News18 India rated 2.5 out of 5 stars, saying " Mom is a far from perfect film, but it's never boring." [44] Rohit Vats of Hindustan Times , while rating 3 stars out of 5, pointed out as good thing of the film that it "can hold the audience's attention". [45]

Sridevi's performance was highly acclaimed with India Today calling her "unbelievably good as the mother thirsty for revenge" [46] while NDTV found her "magnificently expressive as the titular figure." [40] Times of India described her act as a "captivating performance where she walks you through the entire gamut of emotions with panache" [37] while Indian Express declared that "Sridevi needs only a twitch or a glance to prove that she is a powerhouse and there are several scenes she lifts by just being there." [39] Deccan Chronicle wrote that "Turning your eyes elsewhere will be criminal when Sridevi is on screen in the film" [47] while Rediff hailed the actress as "the master of expressivity...it's classic Sridevi." [48] Rajeev Masand declared that "Sridevi's performance elevates Mom to another level" [49] while TV Today declared that "Sridevi's breakdown scene in the film must be studied in film schools." [50] Firstpost commented "Here is a 53-year-old leading actress doing what Amitabh Bachchan once excelled at...Sridevi is a far more a riveting watch than a shirtless Salman Khan with his 6 plus packs or the quintessential middle aged Hindi film hero, who refuses to grow up....Suddenly
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