Mom And Son Mainstream Sex Films

Mom And Son Mainstream Sex Films
From Wikipedia, the free encyclopedia
Gemini Films Les Films du Lendemain Arte France Cinéma Natan Productions Clap Films S2 International Audiovisual Consulting
Gemini Films (France) Atalanta Filmes (Portugal) Poool Filmverleih (Austria)

19 May 2004 ( 2004-05-19 ) (France)
1 July 2004 ( 2004-07-01 ) (Portugal)
20 July 2007 ( 2007-07-20 ) (Austria)

This section needs expansion . You can help by adding to it . ( August 2017 )

^ "Ma mère" . JP's Box-Office .

^ "Ma mère (2004)" . Box Office Mojo . Retrieved 21 April 2022 .

^ Jump up to: a b Stephen Holden (13 May 2005). "Ma Mère" . The New York Times . Retrieved 16 January 2021 .

^ "My Mother (2004)" . Rotten Tomatoes .

^ "My Mother" . Metacritic . Retrieved 1 January 2021 .

^ Foundas, Scott (23 June 2004). "Ma Mere" . Variety .

Wikiquote has quotations related to Ma Mère .
Films directed by Christophe Honoré
Ma Mère (English: My Mother ) is a 2004 erotic drama film written and directed by Christophe Honoré , based on the posthumous 1966 novel of the same name by French author Georges Bataille . The film follows the incestuous relationship between a 17-year-old boy and his attractive, promiscuous , 43-year-old mother. The film stars Isabelle Huppert , Louis Garrel , Emma de Caunes and Joana Preiss .

Honoré shot the film on location on the island of Gran Canaria , Canary Islands , Spain. Its dialogue is almost entirely in French with brief segments in Spanish, German and English. Film distribution company TLA Releasing released Ma Mère in France, at the Cannes Film Market , on 13 May 2004.

Seventeen-year-old Pierre has recently left a Catholic boarding school to live with his wealthy parents at their villa on the island of Gran Canaria. Pierre's father dies, leaving his mother Hélène to care for him. While in a restaurant, his mother reveals to him that she had been unfaithful to her husband many times with his knowledge and feels no shame about it. She then insists that her son accept her promiscuous ways. Soon after this, Pierre finds a closet full of his father's pornography . His reaction is to furiously masturbate and then to urinate on the magazine pages.

Hélène encourages her uninhibited sex partner Réa to have sex with Pierre. She does so in public at Gran Canaria's Yumbo Centrum, a popular shopping and nightlife complex. Hélène looks on longingly as the partially clothed couple copulates with passersby raising no objections.

Afterwards, Hélène includes her son in an orgy with her friends, including Hansi. After the orgy, Hélène decides that she must leave her son to travel. While saying goodbye to Pierre, she implies that something taboo has happened between them and that she must leave to prevent it from happening again.

Upon Hélène's departure, Hansi enters Pierre's life as a friend. She admits befriending Pierre at Hélène's encouragement but denies receiving a fee from her. Their friendship blossoms into a tender romance and they both fall in love. During their relationship, Hansi reveals that she has participated in sado-masochistic sex many times as a dominatrix with her friend Loulou as the willing masochist. She adds Hélène arranged these encounters as sexual exhibitions for tourists.

Hélène returns home with Réa. Upon arriving, she finds her son and Hansi socializing at a bar near the villa. Hélène and Pierre greet each other and chat while gazing into each other's eyes, with Hansi looking on jealously. Hélène invites her son to sleep with her. He agrees.

Hélène and Pierre enter the house's wine cellar. Hélène asks her son to cut her abdomen with a razor while he masturbates and as he climaxes she slits her own throat. Paramedics take away her body. Pierre says good-bye to his mother before the cremation. He enters the room where she lies in state and masturbates exclaiming that he does not want to die as she is carried out.

Ma Mère was rated NC-17 when it was released in the United States. The reason was "strong and aberrant sexual content". [3] For the trailer the film was presented as an NC-17 film while mistakenly defining the rating as "under 17 requires supervision by parent or guardian" (which is the definition of the R rating).

An edited R-rated version running ten minutes shorter was released on DVD. The reason for the R rated version was "Strong Aberrant Sexuality, Some Language and Violent Images".

Rotten Tomatoes gives the film an approval rating of 14% based on reviews from 43 critics. The site's consensus reads "Pretentious, overly perverse and dull." [4] On Metacritic the film has a score of 35% based on reviews from 19 critics, indicating "generally unfavorable reviews". [5]

Scott Foundas of Variety called it "Respectable, tightly coiled, but ultimately unrewarding." [6] [3]

Jonathan Romney associated the film with the New French Extremity . [ citation needed ]

From Wikipedia, the free encyclopedia

22 May 2014 ( 2014-05-22 ) ( Cannes )
19 September 2014 ( 2014-09-19 ) (Canada)

^ " Mommy (15)" . British Board of Film Classification . 29 January 2015. Archived from the original on 19 April 2015 . Retrieved 29 January 2015 .

^ Daudens, Florent; Niosi, Laurence (26 May 2014). "Mommy et les autres : combien coûte un prix à Cannes?" . CBC/Radio-Canada. Archived from the original on 19 December 2014 . Retrieved 20 February 2015 .

^ Jump up to: a b "Mommy (2014)" . Box Office Mojo . Archived from the original on 5 March 2016 . Retrieved 17 August 2016 .

^ @xdolan (1 October 2014). "non. Steven Chevrin. Un très beau mannequin alors je suis flatté merci!" (Tweet) – via Twitter .

^ Jump up to: a b Seymour, Tom (10 March 2015). "Xavier Dolan: 'I just want to express myself – like Madonna' " . The Guardian . Archived from the original on 16 August 2016 . Retrieved 16 August 2016 .

^ Szklarski, Cassandra (1 March 2015). "Xavier Dolan's Mommy wins best picture at Canadian Screen Awards" . The Globe and Mail . Archived from the original on 15 September 2016 . Retrieved 16 August 2016 .

^ Jump up to: a b Slotek, Jim (1 October 2014). "Xavier Dolan revelling in 'Mommy's' success" . Toronto Sun . Archived from the original on 19 September 2016 . Retrieved 16 August 2016 .

^ Jump up to: a b Lévesque, François (13 September 2014). "La belle famille de Mommy" . Le Devoir . Archived from the original on 27 August 2016 . Retrieved 16 August 2016 .

^ Jump up to: a b Kelly, Jeanette (9 September 2014). "Xavier Dolan brings Mommy back home to Montreal" . CBC News . Archived from the original on 19 January 2016 . Retrieved 16 August 2016 .

^ Lattanzio, Ryan (19 January 2015). "Xavier Dolan Gets Real, Reveals 'Mommy' Oscar Jitters, 'Tom at the Farm' Whereabouts and More" . IndieWire . Archived from the original on 22 August 2016 . Retrieved 16 August 2016 .

^ O'Falt, Chris (8 January 2015). "Why Xavier Dolan's 'Mommy' Was Shot as a Perfect Square" . The Hollywood Reporter . Archived from the original on 12 April 2015 . Retrieved 1 April 2015 .

^ Tremblay, Odile (23 May 2014). "Le cas Mommy" . Le Devoir . Archived from the original on 27 August 2016 . Retrieved 17 August 2016 .

^ Jump up to: a b Olsen, Mark (17 January 2015). "In 'Mommy,' Xavier Dolan looks things in the eye" . Los Angeles Times . Archived from the original on 27 August 2016 . Retrieved 16 August 2016 .

^ "Festival de Cannes: Xavier Dolan a eu droit à une ovation qui vous donnera des frissons" . Le Huffington Post (in French). 25 May 2014. Archived from the original on 6 October 2014 . Retrieved 13 October 2014 .

^ The Canadian Press (19 September 2014). "Xavier Dolan's Mommy tapped for possible Oscar contention" . CBC News . Archived from the original on 18 January 2017 . Retrieved 19 March 2017 .

^ Jump up to: a b c d Ernst, Thom (9 December 2014). "Director of the Year, French-language film: Xavier Dolan" . Playback . Archived from the original on 21 August 2016 . Retrieved 16 August 2016 .

^ Wong, Jessica (4 January 2016). "Xavier Dolan blasts Netflix for altering aspect ratio of drama Mommy" . CBC News . Archived from the original on 1 March 2017 . Retrieved 19 March 2017 .

^ Child, Ben (5 January 2016). "Xavier Dolan triumphs in row with Netflix UK over his film's aspect ratio" . The Guardian . Archived from the original on 18 September 2016 . Retrieved 16 August 2016 .

^ Jump up to: a b Kelly, Brendan (18 November 2014). "Mommy continues its box office dominance" . The Gazette . Montreal. Archived from the original on 8 December 2015 . Retrieved 30 November 2015 .

^ "Mommy" . Rotten Tomatoes . 17 August 2016. Archived from the original on 11 October 2016 . Retrieved 17 August 2016 .

^ "Mommy" . Metacritic. 21 January 2015. Archived from the original on 23 January 2015 . Retrieved 21 January 2015 .

^ Berry, David (3 October 2014). "Mommy, reviewed: Canadian wunderkind Xavier Dolan hits it out of the park with Oscar-vying fifth film" . National Post . Archived from the original on 12 July 2016 . Retrieved 16 August 2016 .

^ Kelly, Brendan (19 September 2014). "Review: Mommy is Xavier Dolan's dearest movie yet" . The Gazette (Montreal) . Archived from the original on 24 August 2016 . Retrieved 16 August 2016 .

^ Johnson, Brian D. (2 March 2015). "Blown away by Xavier Dolan's 'Mommy' " . Maclean's . Archived from the original on 24 May 2016 . Retrieved 16 August 2016 .

^ Howell, Peter (2 October 2014). "Mommy burns beyond the frame: review" . Toronto Star . Archived from the original on 22 August 2016 . Retrieved 17 August 2016 .

^ Lacey, Liam (3 October 2014). "Mommy: A shared history of love, hope and profanity" . The Globe and Mail . Archived from the original on 15 September 2016 . Retrieved 17 August 2016 .

^ Peter Bradshaw (21 May 2014). "Cannes 2014 review: Mommy - dearest work yet from Xavier Dolan" . The Guardian . Guardian News and Media Limited. Archived from the original on 1 June 2014 . Retrieved 1 June 2014 .

^ Xan Brooks (25 May 2014). "Cannes festival ready for shut-eye after Winter Sleep wins Palme d'Or" . The Guardian . Guardian News and Media Limited. Archived from the original on 2 June 2014 . Retrieved 1 June 2014 .

^ Debruge, Peter (21 May 2014). "Film Review: 'Mommy' " . Variety . Archived from the original on 9 August 2016 . Retrieved 16 August 2016 .

^ Hall, Sandra (5 April 2015). "Mommy review: New-look Anne Dorval shines in Xavier Dolan's homage to motherhood" . The Sydney Morning Herald . Archived from the original on 11 October 2016 . Retrieved 16 August 2016 .

^ Travers, Peter (21 January 2015). "Mommy" . Rolling Stone . Archived from the original on 26 August 2016 . Retrieved 17 August 2016 .

^ Morgenstern, Joe (22 January 2015). " 'Mommy' Review: A Complex Relationship" . The Wall Street Journal . Archived from the original on 29 April 2016 . Retrieved 17 August 2016 .

^ Brody, Richard. "Mommy" . The New Yorker . Archived from the original on 25 July 2016 . Retrieved 17 August 2016 .

^ "2014 Official Selection" . Cannes . Archived from the original on 19 April 2014 . Retrieved 17 April 2014 .

^ Jump up to: a b "Awards 2014 : Competition" . Cannes . Archived from the original on 27 May 2014 . Retrieved 25 May 2014 .

^ "Canadian Screen Awards 2015: Mommy big film winner, Orphan Black takes top TV trophies" . CBC News . 1 March 2015. Archived from the original on 19 March 2017.

^ "Dolan's 'Mommy' Canada's Oscar bid" . Brampton Guardian . Archived from the original on 10 October 2014 . Retrieved 19 September 2014 .

^ "Oscars: Canada Picks 'Mommy' For Foreign-Language Category" . The Hollywood Reporter . Archived from the original on 22 September 2014 . Retrieved 19 September 2014 .

^ "TIFF Tips Its Toque to the Best in Canadian Filmmaking: Cronenberg, Dolan, and Gunnarson Among Directors Recognized" (PDF) (Press release). TIFF. 1 December 2014. Archived (PDF) from the original on 21 December 2014 . Retrieved 21 December 2014 .

^ Linda Barnard (1 December 2014). "TIFF's Top Ten Film Festival: Spotlight on Canadian film" . Toronto Star . Archived from the original on 21 December 2014 . Retrieved 21 December 2014 .

^ " 'Leviathan' Wins Top Prize at Camerimage, Film Festival for Cinematographers" . Variety . Archived from the original on 25 November 2014 . Retrieved 23 November 2014 .

^ "2015 Canadian Screen Awards Feature Film Nominations" . 13 January 2015 . Retrieved 13 January 2015 . [ permanent dead link ]

^ "César 2015 : les nominations" . AlloCiné . Archived from the original on 11 April 2019 . Retrieved 29 January 2015 .

^ " "Birdman" Leads 2014 CFCA Nominations" . CFCA . Archived from the original on 27 November 2015 . Retrieved 14 December 2014 .

^ Anderson, Ariston (12 June 2015). " 'Birdman' Wins Italy's David Di Donatello Award for Best Foreign Picture" . The Hollywood Reporter . Archived from the original on 11 October 2016 . Retrieved 17 August 2016 .

^ Kennedy, John R. (20 January 2015). "Canadian filmmaker Xavier Dolan's 'Mommy' wins Dorian Award" . Global News . Archived from the original on 30 September 2016 . Retrieved 16 August 2016 .

^ "Le 29ème Palmarès!" . FIFF . Archived from the original on 18 October 2014 . Retrieved 11 October 2014 .

^ " 'Birdman' Tops Spirit Awards Nominations (Full List)" . Variety . 25 November 2014. Archived from the original on 28 November 2014 . Retrieved 26 November 2014 .

^ "Mommy, Tu Dors Nicole, 1987 Et Tom À La Ferme En Tête Des Nominations" . Lesjutra.ca . Archived from the original on 19 February 2015.

^ "France's Lumiere Awards Nominations Unveiled" . The Hollywood Reporter . Archived from the original on 15 January 2015 . Retrieved 12 January 2015 .

^ " 'Boyhood,' 'Grand Budapest' lead with 2014 online film critics nominations 9" . HitFix . Archived from the original on 19 April 2016 . Retrieved 8 December 2014 .

^ Ludvigsen, Jacob (8 February 2016). "Robert: De største overraskelser og alt for forudsigelige priser ved den danske Oscar" . Soundvenue (in Danish). Archived from the original on 12 February 2016 . Retrieved 23 June 2021 .

^ Bélanger, Cédric (10 February 2015). "Antoine-Olivier Pilon honoré à Hollywood" . Le Journal de Montréal . Archived from the original on 3 March 2016 . Retrieved 17 August 2016 .

^ "Lucifer wins the Black Nights Grand Prix" . Cineuropa. 1 December 2014. Archived from the original on 14 December 2014 . Retrieved 1 December 2014 .

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^ "Audience choice awards 2015" . Vilnius International Film Festival . Retrieved 15 October 2020 .

^ "The 2014 WAFCA Awards" . Washington D.C. Area Film Critics Association . Archived from the original on 9 December 2016 . Retrieved 11 January 2017 .

Rebelle (2012)
Gabrielle (2013)
Mommy (2014)
Room (2015)
Juste la fin du monde (2016)
Maudie (2017)
Une colonie (2018)
Antigone (2019)
Beans (2020)
Scarborough (2021)

Mommy is a 2014 Canadian drama film written, produced, directed and edited by Xavier Dolan and starring Anne Dorval , Antoine Olivier Pilon , and Suzanne Clément . The story concerns a mother with a sometimes-violent teenage son, struggling to control his behaviour in a desperate attempt to avoid seeing him being institutionalized.

The story focuses on mother–son relationships, a reoccurring theme in Dolan's work, and also marks his fourth collaboration with Dorval and his third with Clément. Inspiration for this particular story was drawn from Dolan's discovery of Pilon and the music of Ludovico Einaudi . It was shot in Quebec in an unconventional 1:1 aspect ratio .

The film debuted at the 2014 Cannes Film Festival , where it won the Jury Prize . It subsequently became a critical and financial success, grossing over $13 million worldwide. Mommy went on to win numerous other awards, among them nine Canadian Screen Awards , including Best Motion Picture .

In a fictional outcome for the 2015 Canadian federal election , a political party comes to power and establishes a law called S-14. This legislation allows parents of troubled children and limited finances to place their children in hospitals, without regard for fundamental justice .

Diane "Die" Després, a widowed mother and 46-year-old advice columnist, picks up her son Steve from an institution. Steve, who has ADHD and an attachment disorder , was being discharged after starting a fire in which another youth was injured. Die brings Steve to their new home in Saint-Hubert and struggles to care for him under financial distress. When Steve gives her a cart full of groceries and a necklace reading "Mommy", Die suspects that he has stolen the items. Enraged by the accusation, Steve begins choking her, and she defends herself by hitting him with a glass frame. Whilst chaos ensues, Kyla, a neighbour and teacher on sabbatical, shows up to tend to their wounds.

Kyla, who is dealing with a stuttering problem and recently moved into the area with her husband and daughter, begins to tutor Steve. After a disastrous tutoring session where Steve goads Kyla, she snaps and attacks him. After the confrontation, Steve mellows and indicates he is glad to know her and respects her boundaries and expectations. Kyla notes Steve reminds her of her late son. The three have bonded and their situation improves: Die has a cleaning job and translation work on the side, Kyla's speech problem is resolving, and Steve is receiving better marks on his school work. All is looking up, until Die is served papers by the parents of the injured boy, indicating she and Steve are being sued for the injuries caused by his fire.

Die finds a lawyer, a neighbour and a potential love interest, who is willing to help them with Steve's case. The three of them go out to a karaoke restaurant for the evening. Over the night, Steve is increasingly agitated by the atmosphere and what he sees as his mother's sexual interest in the lawyer. Steve decides to sing, but is taunted by the audience, leading to a fight. They are thrown out. Steve, Die and their lawyer argue, ending with Die slapping the lawyer in retaliation for him slapping Steve, driving the lawyer away. Die in turn shouts at Steve for continually being an issue in her life, whereupon Steve runs away. He returns the following morning.

Die continues to try and help her son and rebuild their lives, but while out shopping with Steve and Kyla, Steve disappears. He is found by Kyla after slitting his wrists. Although he survives, Die comes to realise she is running out of options. One day Die and Kyla surprise Steve with a picnic, and on the drive Die finds herself reflecting on all the dreams she had for her son to live a fulfilled, happy life. The trio end up not at a picnic site as the faux ending implies, but at a hospital to commit Steve und
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Mom And Son Mainstream Sex Films

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