Mist goa mix

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It was originally broadcast on BBC Radio 1 as an Essential Mix on 18 December after the producer of the show, Eddie Gordon , chose Oakenfold to produce an eclectic DJ mix for the show which featured a burgeoning variation of electronic styles, having begun the previous year. Oakenfold had, at this point, developed his own unique goa trance sound, influenced by his time at hippy gatherings on beaches in Goa , and employed it heavily into the mix, which also made pioneering use of film score samples. Oakenfold used the mix an experiment in which he tried to fuse electronic music , especially trance music , as well as film score music, and then to overlay the result with vocal parts, samples and additional production. The mix was split into two parts, later referred to as the Silver Mix and the Gold Mix respectively. Reflecting the Goa influence, the album title did not evolve beyond its simplistic working name. Today Goa Mix is regarded as a ground breaking and a landmark for Oakenfold, Essential Mix and goa trance. Arguably at his biggest sense of exposure so far, it was also at this time he began producing his own tracks as well, and after visiting in the beaches of Goa in India , he began blending their native Goa music , fusing it with similar-sounding European tracks to create his own distinct sound. The term for this style of music became known as goa trance , and predated the typical current usage for the term trance music. Goa trance is characterised by making heavy use of melodies and synthesizers in its structure, as opposed to the bass lines and rhythms of house music that was prevalent in UK nightclubs. Goa trance was also typified by having faster beats per minute BPM than most other genres of dance music. With an eclectic array of DJs given their own 'Essential Mix', it naturally featured many different styles of electronic dance music. The show was launched with a Pete Tong mix on 30 October after Gordon advised Radio 1 that a weekly dance mix show with DJs of different genres of music would offer more variety and the chance for the ever burgeoning UK dance music scene to flourish with new emerging DJs as well as the internationally famous. Gordon further encouraged the DJs that he scheduled to flex their musical knowledge as the broadcast was not essentially playing to a dance floor but to people listening in their homes, noting that a high number of listeners were recording the show on cassette to listen to later. Hence, a need for a straight out ' four-on-the-floor ' seamless bpm mix for two hours was not totally necessary so the DJs could include more eclectic music or offer something different from their normal set. With this eclectic concept in mind, Gordon booked Oakenfold for an Essential Mix in Wanting to present his newfound sound, Oakenfold produced a two-hour goa trance mix broadcast on Sunday 20 March Whilst a success, Oakenfold would continue developing the sound, and ultimately would take it to greater depths on his second Essential Mix after he had been booked again for another edition for the early morning of Sunday 18 December , what is now referred to as the Goa Mix. First broadcast on the early morning of 18 December as the 59th edition of Essential Mix , the sound was predominantly influenced by the trance parties taking place on the hippie beaches of Goa , India at that time. These Full Moon parties involved European travellers dancing to the goa trance sound distinguished by the heavy use of melodies and synthesizers and fast BPM in its structure, and its contrast with the bass lines and rhythms of house music that was prevalent in UK night clubs made it an introduction to the sound for many UK listeners. As prompted by Gordon, Oakenfold lightened the harsh, dark sounds of Goa trance by incorporating European records into this broadcast and merging movie soundtracks and audio samples to retain audience interest. Whilst it has been noted that many contemporary big name DJs use this aesthetic today, it has been considered unheard of at the time of the Goa Mix. Partly due to Gordon witnessing various DJs delivering two hour house or trance mixes which he considered to remain linear, flat-lining out of interest after an hour in the broadcast with the same tempo being too repetitious, the Goa Mix featured musically changing gears to take the listener up and down in mood. Oakenfold would later state that with the Goa Mix , he 'wanted to do something that for \\\\\\\\\\\\\\[him\\\\\\\\\\\\\\] felt right at the time,' saying that, with films serving as a big influence thanks to his father in his early days, he tried to combine electronic music , trance music and film score music, and then to overlay the result with vocal parts, samples and additional production. The two-hour broadcast was split into two halves. These halves have been referred to as the 'Silver Mix' and 'Gold Mix' respectively, although they are not truly halves, with the 'Silver Mix' lasting almost 54 minutes whilst the 'Gold Mix' lasts almost 64 minutes. The Silver Mix begins with the 'eerie' vocals of Mr. With the third track, 'Point Zero', Oakenfold would later state that 'what really appealed to \\\\\\\\\\\\\\[him\\\\\\\\\\\\\\] was the atmosphere and the atmospheric vibe' and noted that when he came across it, he said it was 'perfect to put the headphones and get lost in the music, and that was key to \\\\\\\\\\\\\\[him\\\\\\\\\\\\\\] on the mix. Concluding the first hour is a trio of works from Man With No Name: The goa trance sound of Goa Mix ultimately set the stage for subsequent Paul Oakenfold mix albums such as Perfecto: By , Oakenfold had moved on from the Goa sound, paving the way for his Perfecto Presents series, his work in the studio, and recording film scores. Perhaps in a nod to the Goa Mix , Oakenfold has referenced the mix in later mix albums. In April , the Goa Mix was aired again as one of ten Essential Mix es to mark the th DJ to appear on the show, and on 28 December , Oakenfold gave a 'commentary' on the Goa Mix , explaining the thinking behind the mix whilst it plays in the background. Cream had already released five Digital Audio Tape -quality recordings of live performances from the club in the shop in , and similarly to the Goa Mix release, the tracks were unlicensed, and share the same record label name, Cream Records, which would soon become a real label operated by the club. Nonetheless, between the releases and Goa Mix , Cream had begun releasing commercially released, official compilation albums on electronic label Deconstruction Records in mid, beginning with Cream Live , which features a mix from Oakenfold himself. The CD release was titled The Goa Mix , with the addition of 'The' to the title as a prefix, and featured a photograph of a Goa beach tinted in yellow on the album cover. It was with this release that 'Goa Mix' was first used officially as the name of the mix, as it was originally a working title that Gordon gave to the conceptualised show to help Oakenfold decide a more eclectic track list. Because Oakenfold and Cream knew the album would be rare, the artwork warned people that there would most likely be bootlegs produced of it. Bootlegs were indeed made, although they can be identified as none seemed to contain the warning, nor do they contain the Cream logo on the album cover. In , Paul Oakenfold released The Goa Mix , a reworked version of the mix, as a double disc album. The mix stays almost true to the original with some tracks added by Paul Oakenfold himself, and similar to how the aforementioned Renaissance: The arrangement of the whole mix was also slightly rearranged. The album was released on 1 November on New State Music and marked the first time the Goa Mix was officially available in the shops. It was also reasonably successful commercially, reaching number 33 on the UK Compilation Chart. From Wikipedia, the free encyclopedia. Paul Oakenfold and Eddie Gordon both pictured in Retrieved 4 October Archived from the original on 23 June Retrieved 23 June Various Artists Compilations '. Live in Oslo Global Underground New York Tranceport Resident. Another World Perfecto Presents: Great Wall Creamfields Perfecto Presents: Retrieved from ' https: Use dmy dates from April Use British English from April Articles with hAudio microformats Album infoboxes lacking a cover Music infoboxes with deprecated parameters. Views Read Edit View history. This page was last edited on 20 October , at By using this site, you agree to the Terms of Use and Privacy Policy. Goa trance , progressive house , progressive trance. Cream Records New State Music Eddie Gordon , Paul Oakenfold. The Goa Mix Perfecto Fluoro Perfecto Fluoro

Mist goa mix

Goa Trance (mixes sets сеты миксы)

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progressive goa dj

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Dj Myst - On the sand under the sun mix (2016)

progressive goa dj

VA - Goa Culture Vol. XVII-2CD-2015-gEm

VA - Goa Culture Vol. XVII-2CD-2015-gEm

Dj Myst - On the sand under the sun mix (2016)

VA - Goa Culture Vol. XVII-2CD-2015-gEm

Import your shows from Soundcloud!

Import your shows from Soundcloud!

VA - Goa Culture Vol. XVII-2CD-2015-gEm

VA - Goa Culture Vol. XVII-2CD-2015-gEm

VA - Goa Culture Vol. XVII-2CD-2015-gEm

Goa Trance (mixes sets сеты миксы)

VA - Goa Culture Vol. XVII-2CD-2015-gEm

VA - Goa Culture Vol. XVII-2CD-2015-gEm

Dj Myst - On the sand under the sun mix (2016)

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