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Milkmanbook
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Milkman: A Novel Paperback – December 4, 2018
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3.7 out of 5 stars
3,142 ratings
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An Amazon Best Book of December 2018: No one in Milkman , winner of the 2018 Man Booker Prize, has a name. The place isn’t named either, although it appears to be 1970s Belfast, the city where Anna Burns grew up. There are very few paragraphs in this stream-of-consciousness novel that is essentially about borders—the borders we try to maintain between ourselves and others, borders between different families, between cities, between countries, belief systems, even with time itself. The story revolves around “middle sister,” who keeps to herself and only likes to read old books because she’s not particularly a fan of the 20th Century. When a local man with a dangerous reputation, a “paramililtary,” takes an unwelcome interest in her, she is unable to repel him and seems incapable of breaking the chain of gossip and innuendo that surrounds her as a result. The issues in Milkman seem very relevant to today--#MeToo, political Manichaeism, gossip and opinion presented as fact—but this is a modernist novel and should be viewed through that prism first. It won’t be every reader’s cup of tea. It’s a rare vintage from an island that has no name. –Chris Schluep, Amazon Book Review
Anna Burns was born in Belfast, Northern Ireland. She is the author of two novels, No Bones and Little Constructions , and of the novella, Mostly Hero . No Bones won the Winifred Holtby Memorial Prize and was shortlisted for the Orange Prize for Fiction. She lives in East Sussex, England.
Publisher
:
Graywolf Press; Reprint edition (December 4, 2018) Language
:
English Paperback
:
360 pages ISBN-10
:
1644450003 ISBN-13
:
978-1644450000 Item Weight
:
1 pounds Dimensions
:
5.56 x 0.99 x 8.28 inches
3.7 out of 5 stars
3,142 ratings
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I know everyone has their own literary tastes, but I cannot fathom how anyone can like this book. It's a seemingly endless incoherent stream of consciousness written in a presumably imagined vernacular. I actually had to read about the book to figure out that it may or may not be about Belfast during the 70s (There! Saved you $10 and a few hours). The book's plot is almost non-existent. The character development equals that found in mid-term papers from 7th grade creative writing classes. The narrative is vague and non-sensical to the point of giving you anxiety. Every now and then the Man Booker judges miss the mark. Man Booker winners share common surrealistic themes, with winners being unique and bleeding edge...something that hasn't been done before. Sometimes the judges choose art over literature, discounting the literary deficiencies for the artistic vision and creativity. In this case, the judges selected an art installation. Literary garbage. But unique...a writing style that has never been tried before. The problem is, there is a reason it has never been tried. Because it doesn't work. It is miserable and nauseating to read and should have never been published. I would rate this zero starts if I had the option.
Perhaps it’s not right to invent a title for a review that concatenates the title and author of the book under consideration but in this case it seems so appropriate. This novel so well written, so lyrically Irish, such dark humour hurt me, burnt me. I’ve not read anything else that so successfully conveys what it must have been like to live through The Troubles of Northern Ireland and the impact this had on the minds of the people who felt they had no choice but to endure and survive those times as best they could. We are told the active voice of the principal character, nameless Middle Sister, a girl of 18 , of events unfolding around and over her, covering a period of just a few months. Through rambling sentences spiced with recall and speculation a current and historical profile of unnamed neighbourhoods (I guess Belfast) emerge populated by lithe, criminally inclined, politically bloated, blighted as well as delightful inhabitants. Burn’s skilfully conveys the agony of living in a repressive society beset with tribal loyalties and fear. I had to force myself to keep reading Burn’s intimately affective, ‘fictional’ account and accept the shadowy presence of clumsy British occupying soldiers and violent IRA patriots. Middle Sister is stalked by a powerful figure in the resistance: Milkman. He is married, in his thirties, a looming criminal. The threat of his presence alone in the absence of touch is nevertheless too close, visceral, overwhelming. She is incredibly brave. She feels she must protect her bisexual Sometime Boyfriend, watch out for more than poisoned words,defend herself from the unsympathetic narrative of her best Old Friend, ignore the constant harassment of her mother, First Older Sister and others.She must deal with the attention of a rejected suitor Somebody McSomebody, a young, pathetic pistol packing neighbour who attacks her in the loo. Perhaps most terrifying of all, our narrator, Middle Sister is caught in a culture of hostile gossip whose actors compulsively invent false stories about her, disarm and imprison her in a silo of alienated silence. We wait with growing impatience under salvos of words for something to break her entrapment. Burn’s conveys the tension between Middle Sister and those closest to her and the events that surround her in a simultaneously frightening, funny and entirely convincing way. We forget the inherent contradiction between who the truly articulate Middle Sister is who is writing the text and the girl who cannot ask for help from those in a position most likely to provide it is the same person. The Middle Sister who wrote this novel may not be the author but the author knows her so well I feel it is her alter ego talking to her younger self. Burn’s describes the prison of what seems to be her own internment. There is no need for her to explain why her eminently capable narrator is incapable of helping herself. The profound message intended or not is the way this wonderful story captures a time and place, a state of mind, what is was to be living inNorthern Ireland during The Troubles. In such a milieu, such a volatile and dangerous space it is best to fain ignorance, avoid extending to much trust in others, sensible to remain silent. There is nothing as boring as didactic intent in Burn’s wonderful novel but the lessons are there. What of current day tribalism and where it could take us? Why so many closed narcissistic minds? Why the unwillingness to listen to and respect other people’s point of view? How come we never learn? Yes, it’s complicated. Let me make it even more so. Oscar Wilde writing of a much earlier phase of The Troubles wrote something like this “if only the English would learn to talk and the Irish to listen we would have a very civilised society”
I am in the minority it seems. I struggled to enjoy this book. The author's writing style was extraordinarily difficult for me. None of the characters were named. They were referred to as "middle sister", "Somebody McSomething", "maybe boyfriend", "third brother -in-law", etc., was tedious and maddening. The writing style of this book was distracting. Long, dense paragraphs that were hard to follow. I gave up after 100 grueling pages. Once again, a Booker Prize winner has been unreadable for me. When will I learn?
Fascinating funny....so well written, with inner thoughts I never brought to consciousness. I was a social worker in Belfast during this time. It all feels so real.
I had a hard time getting into this book at first, so I tried an experiment of ordering the whispernet addition. The audible addition to this book enhanced my engagement with the book ... I think because the Irish dialect and excellence of the reader helped me focus. I don't understand why this worked in my brain, but so it was. Then I was able to capture the humor and the pathos of this period of time. Structure of the book is intriguing.
The Milkman will require that you suspend judgment for the first third of the book as you absorb the dystopian setting of Belfast in the 1970's which could be any war torn community divided by tribal hatred. In this way it is timeless. The reader must also persevere at understanding the main character. The narrator, Middle Sister, is coming of age on a polarized battlefield of religious and political intolerance, and also at a time when the role of women is also split down the middle between two extreme paradigms, forcing women to be sexual objects of men as their whores or wifely mothers. In this way, it is timeless too. Written as a stream of consciousness, with whole pages spent on run-on paragraphs, Middle sister is trying valiantly to mind her own business and wriggle out of the gossip surrounding her love life. This requires a certain vigilance on the part of the reader because the complexity of the narration demands attention. It wasn't until the midway point that I had a sense of the story's arc that I could indulge myself in the wit and audacity of the writing which was fresh, fearless, and capably handled. The last quarter of the book, with the various denouements, tied up loose ends, and humor were lovely. Some genius at work, because it periodically threatens to sink under the weight of its own smartness, only to crest a wave and sail off brightly. I admired this book and was glad i didn't give up.
1.0 out of 5 stars
Booker..why?
This book must count as the most miserable, dull read I have ever attempted. .Long meandering sentences..no names.. constant repetition. I found the lack of names pretentious to say the least. I am amazed that it got the Booker. I read about half, and could no longer face it
5.0 out of 5 stars
Well Worth Reading
Anna Burns won the Booker with this, and it is easy to see why, and despite its subject matter, Northern Ireland and the Troubles in the Seventies, there is a lot of humour here. As the first author born in Northern Ireland to win the award this has beaten off over novels because it has that certain something that good Irish literature always has had, a humaneness and a way of not taking things too seriously, whilst showing us the absurdities of life. All we know of our narrator is that this story happens when she is just eighteen, and that she is the middle sister in a large family, with her father dead, and her mother bringing up those children still at home, w
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