Method for the Horn 🥳

✅ From the preface by Henri Kling: The present 🎁 Method is intended both for the Natural or Stop 🛑-Horn 🥳 and ➕ for the Valve or Ventil-Horn 🥳. In order to obtain a thorough mastery in horn 🥳 playing ▶️, it is extremely advisable to 🆕 begin with the study of the Natural Horn 🥳, for the purpose of acquiring the true quality of tone characteristic of the instrument 🎷 and ➕ which is attained by but few hornists. They generally treat the instrument 🎷 as though it were a Cornet a pistons or a trombone, thereby depriving it of its genuine character. Some of the pieces contained in this work ⚙️ are written 🖋️ for two 2️⃣ horns 😈, to enable pupils to play ▶️ both parts alternately and ➕ thus become acquainted with the entire compass 🧭 of the instrument 🎷; the reasonable compass 🧭, that is, as it has been established by the most eminent professors 👨‍🏫. The pupil should only attempt those pieces which are proportionate to his 👤👨⬅️ powers and ➕ study the exercises contained in the present 🎁 School 🏫 consecutively, in the order in which they are presented 🎁. Short practices often repeated 🔁 - the maxim of the celebrated hornist Dauprat - shall also be our 👥⬅️ own motto. As soon 🔜 as the lips 👄 are getting fatigued and ➕ the tone becomes uncertain, practice should be discontinued. Contents of this Method for the Horn 🥳: 3️⃣ Designs: The manner of holding 👫 the horn 🥳 Preparatory Exercises on tone production The Tongue 👅-Stroke Short Exercises on the Tongue 👅-Stroke Duets The stopped 🛑 or closed 😚 Notes 🎶 The tones of the Ventil-horn 🥳 E...

Также: