Men Forced Milking

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Men Forced Milking

Watch Humans Get Milked In Super NSFW ‘Breeding Ground’ Trailer

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The following is extremely not work safe.
Could humans be used like farm animals? Cody Knotts and Matthew Deering’s new indie Breeding Farm explores the destruction of a group of young people’s humanity as they are used like animals to be bred, milked and sometimes eaten. Based on real events , this story follows what happens to four young friends as they are bred, milked and dehumanized for profit.
The film stars Richard John Walters from My Bloody Valentine 3D fame. He plays Farmer, the man that abducts, breds and milks the women for profit in the growing human milk market .
The trailer for the 84 minute feature is right here and guaranteed to shock ya. Remember… “Stock Don’t Talk!”
Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.
The Fantasia International Film Festival will be celebrating its 26th Anniversary in Montreal this summer, taking place from July 14 – August 3, with its Frontières International Co-Production Market being held July 21 – 24.
Screenings, panels and special events will be taking place at the Concordia Hall and J.A. de Sève cinemas, with additional screens at the Cinémathèque Québécoise, Cinéma du Musée and the McCord Museum. Ticket pre-sales will open on July 9, at 1PM.
The festival has just announced a massive new assortment of feature films, which are detailed in the below press release:
Fantasia will be presenting this year’s PRIX DENIS-HÉROUX, an award recognizing exceptional contribution to the development of genre and independent cinema in Quebec, to producer Pierre David, known for his close collaboration with directors David Cronenberg and Jean-Claude Lord, among many others. Fantasia will present two of his collaborations with Lord, who passed away earlier this year: BINGO (1974) and VISITING HOURS (1982). The festival will also present a rare 35mm print of MUSTANG (1975), an eccentric modern western directed by Marcel Lefebvre. David directed the cult classic SCANNER COP (1994) and produced over 200 feature films and TV movies over the course of his long and fruitful career, including PARLEZ NOUS D’AMOUR, PANIQUE, THE BROOD, SCANNERS, VIDEODROME, OF UNKNOWN ORIGIN, GOING BERSERK, PIN, MY DEMON LOVER, WISHMASTER, THE DENTIST and SMASH CUT. Still active, he will be shooting his 218 th production in Ottawa this summer
Sohee (Kim Si-eun), a bubbly and tenacious high-school student, spirals into fatal depression when pressured by her school to work for an abusive call center. Enraged by this tragedy, Detective Yoo-jin (Bae Doona) begins a crusade against all those who exploit vulnerable teenage girls. This powerful and essential work received a seven-minute standing ovation at Cannes, where it closed Critics’ Week 2022. NEXT SOHEE is a true masterpiece and an absolute must-see, masterfully directed by July Jung and featuring wonderful performances by newcomer Kim Si-eun in a career-defining turn and South Korean film icon Bae Doona (KINGDOM). North American Premiere.
Also screening as part of Fantasia’s closing night events will be Halina Reijn’s wildly entertaining and gloriously twisted BODIES BODIES BODIES. A party game leads to murder when young and wealthy friends gather at a remote family mansion in this instant classic comedy horror joyride that maintains a taut balance of uneasy tension and wicked humor. Starring Amandla Stenberg (THE HATE U GIVE), Maria Bakalova (BORAT SUBSEQUENT MOVIEFILM), Myha’la Herrold (INDUSTRY), Rachel Sennott (SHIVA BABY) and comedy superstar Pete Davidson. Special Screening.
An octogenarian named Manuel (Zorion Eguileor) falls into a state of dementia after the sudden suicide of his wife, sparking a series of paranormal events that will put his family’s lives at risk. Starting as a grounded drama exploring the indignities of old age, THE ELDERLY gradually snaps off one guardrail after another, building to a crescendo of sheer terror with imagery that can never be unseen. This chilling new vision in Spanish horror from directors Raúl Cerezo and Fernando González Gómez (THE PASSENGER) features a heart-stopping lead performance from Eguileor (ALL THE MOONS, THE PLATFORM). World Premiere.
The curse has mutated, spreading at great speed via the internet, and there are only a few hours left for skeptical TV personality Ayaka to solve the puzzle. Returning to the world of RINGU, which kicked off the Asian horror renaissance of the ’90s, director Hisashi Kimura’s
SADAKO DX isn’t afraid to laugh a little at the quirks of the franchise it emerges from while still bringing the horror that hardcore fans crave. From the meta jump scares to the bizarre new appearance of our favourite wraith, SADAKO DX delivers shrieks and chuckles alike. World Premiere.
ONE (FINAL) CUT OF THE DEAD. COUPEZ!
After opening this year’s Cannes, FINAL CUT (Coupez!), Michel Hazanavicius’s riotous remake of Shinichirou Ueda’s ONE CUT OF THE DEAD, is coming to North America. Starring Romain Duris, Bérénice Bejo, Grégory Gadebois, Finnegan Oldfield, Matilda Anna Ingrid Lutz, and Yoshiko Takehara reprising her beloved role from the original film as a producer, this hilarious ode to the do-or-die spirit of filmmaking is a joy to behold. It is especially noteworthy for the film’s North American journey to be starting at Fantasia, as the festival was among the first to popularize the original Audience Award-winning ONE CUT OF THE DEAD in the West. Poetically, Ueda’s latest, POPRAN, will also be having its North American Premiere at the festival this year. Bet your viewfinder that FINAL CUT is going to bring the house down in cheers. North American Premiere.
Hirako Waka’s powerful web manga finally arrives on the big screen. With MY BROKEN MARIKO, director Yuki Tanada (MOURNING RECIPE) merges past and present to perfection in a faithful, visually rich live-action adaptation. Mei Nagano (OFFICE ROYALE) delivers a visceral performance, showing incredible versatility in portraying the many facets of Tomoyo, who is driven to a revelatory pilgrimage by the suicide of her childhood best friend. Emotionally challenging but never despairing, the film sketches adorable characters in all their humanity and gentle eccentricity. World Premiere.
Disgraced cop Jun (Lau Ching-Wan) and pregnant police detective Yee (Charlene Choi) must solve cases new and old to bring a crew of killer vigilantes to justice in DETECTIVE VS. SLEUTHS, the new film from Hong Kong filmmaker Wai Ka-Fai, whose idiosyncratic brilliance has been absent from screens for more than a decade. This characteristically intense and gritty film reconnects Wai with Lau, the star of his second-to-last feature before his hiatus, 2007’s MAD DETECTIVE, which, like many of Wai’s films, was co-directed by Jonnie To. This time, however, he steers the ship by himself, writing, producing, and directing a distinctive and wholly engaging crime thriller that once again explores the line between genius and madness. North American Premiere.
Ten years after their groundbreaking masterpiece VANISHING WAVES, Lithuania’s Kristina Buozyte and France’s Bruno Samper have returned with the immersive fungal world of VESPER. After the collapse of Earth’s ecosystem, Vesper (Raffiella Chapman), a 13-year-old girl struggling to survive with her Father (Richard Brake), must use her wits, strength and bio-hacking abilities to fight for the future. This breathtakingly expansive Sci-Fi/thriller vision was built with years of painstaking detail. Also starring Eddie Marsan, Rosy McEwen and Melanie Gaydos. Official Selection: Karlovy Vary International Film Festival 2022. North American Premiere.
Meebo (Non) loves fish. Scratch that, she’s a certified, card-carrying “fish-a-holic.” As her aquatic obsession develops and follows her into the beginnings of adult life, her passion will convince you that fish make for quite a fascinating life! Based on the memoirs of celebrity ichthyologist, illustrator and “fish ambassador” Sakana-kun (imagine a cross between Jacques Cousteau and Nardwuar) THE FISH TALE is the unexpected feel-good film of the summer. It further cements Shuichi Okita’s (THE STORY OF YONOSUKE) ability to bring a teary-eyed smile to his audience’s face. World Premiere.
With his latest film, THAT KIND OF SUMMER ( Un été comme ça ), the great Denis Côté (SOCIAL HYGIENE) explores the links between sex and trauma in an intimate, transgressive drama. Far from the overstimulation of the city, three women—Léonie (Larissa Corriveau), Eugénie (Laure Giappiconi), and Geisha (Aude Mathieu)—are being treated for their
“hypersexuality.” In a beautiful cabin by a lake, the women search for healing with the help of a soft-spoken therapist, Octavia (Anne Ratte-Polle) and a by-the-books social worker, Sami (Samir Guesmi). Côté’s film draws the audience into a world of pleasure, nightmares, and fantasy as time collapses and vivid imagery blurs the line between real and unreal. Official Selection: Berlin International Film Festival 2022 (competition). North American Premiere.
Jang is an ace driver of unmatched sangfroid, but when she finds a kid in the backseat of her car with the key to a corrupt cop’s illicit stash in his pocket, she is swarmed by a gang of murderous henchmen., Getting the kid (and herself)out of this mess alive will mean pushing her vehicular skills to the absolute limit… and beyond! SPECIAL DELIVERY riffs on DRIVE and BABY DRIVER but takes the automotive action, the hand-to-hand combat, and the emotional stakes to new heights. Having helmed the period pieces PRIVATE EYE and SEONDAL: THE MAN WHO SELLS THE RIVER, director Park Dae-min is no stranger to comedy-infused crime thrillers, and shifts gears to the modern era with ease. The entirely enjoyable cast is led by Park So-dam (PARASITE) in the driver’s seat. North American Premiere.
Jolts of high-voltage tension crackle along the lines between past and present, right and wrong, science and the supernatural in DOBAARAA. Director/screenwriter/producer Anurag Kashyap, beloved by international audiences for his no-nonsense approach to the crime drama (India’s first Netflix Original series SACRED GAMES, the epic GANGS OF WASSEYPUR), this time infuses his trademark thrills with a twist of science fiction. This high-stakes drama is led by a gripping performance from Taapsee Pannu (GAME OVER, NAAM SHABANA). (North American Premiere)
Rich in the Celtic folklore of northern Portugal, MY GRANDFATHER’S DEMONS is the country’s first-ever stop-motion feature, an engrossing drama about the push and pull of family ties, how roots can both nourish and entangle, told with inspired technical flourishes and a luminous sense of magic. This feature-length debut from award-winning animator Nuno Beato tells the tale of urban professional Rosa who inherits the farm that was her childhood home, and discovers that it’s littered with demonic ceramic figurines and clues pointing to troubling secrets buried in the past. North American Premiere.
Almost a decade after THE ADMIRAL: ROARING CURRENTS sailed into the history books as the most-watched and highest-grossing film of all time in South Korea, director Kim Han-min returns with HANSAN: RISING DRAGON, the long-awaited second chapter in this trilogy tells the story of naval hero Admiral Yi Sun-sin. Surrounded by a cast of notable Korean stars, Park Hae-il (DECISION TO LEAVE) portrays Yi in this spectacular epic of wood-on-water warfare. There are few things in life as satisfying as a well-executed big-screen demolition derby between battleships, and they don’t come any bigger, better, or wetter than HANSAN: RISING DRAGON. North American Premiere.
Pregnant with her first child and consumed by terrifying visions, Valeria (Natalia Solián) believes that she may be cursed by a supernatural entity. A brilliant and frightening breakout debut as important as Jennifer Kent’s THE BABADOOK, HUESERA firmly announces Mexico’s Michelle Garza Cervera as one of the leading new voices of the genre. A scorching personal vision that asks complex questions with ferocious honesty, this profound, nightmarish blessing comes to Fantasia hot off its award-winning Tribeca launch, and is already one of the most talked-about genre works of the year. Canadian Premiere.
In a realistic future, Ken has decided to give up his dream of becoming a doctor following the tragic death of his father. When his wife throws him out of the house, he is stuck with Tang, a clunky robot who follows him despite his annoyance. But this droid has way more value than he lets on. Kazunari Ninomiya (GANTZ), the leader of the J-Pop behemoth Arashi, teams up with the cutest robot in recent years, a kind of a rusted Baby Yoda, in the beautiful feel good movie TANG AND ME, directed by Takahiro Miki. International Premiere.
Few know the hell of social integration better than Anna (Ioana Iacob), the beloved security officer of an exclusive, “curated” apartment tower in the German countryside, who soon finds herself in an imbroglio. Her daughter grows convinced she harbours an ancient evil, a dog disappears, and a panic spreads across the building like wildfire. Natalia Sinelnikova’s chilling debut WE MIGHT AS WELL BE DEAD is a carefully-observed dystopia reflecting on modern-day xenophobia and antisemitism in Germany. Canadian premiere . Camera Lucida section.
Homicide detective Jong-suk (Kim Sung-kyu, HANSAN), must catch his childhood friend Kyung-min (Kim Dong-wook, ALONG WITH THE GODS) who is on a rampage, hunting and killing the bullies responsible for their misery when they were beaten and humiliated at school. Adapted from TRAIN TO BUSAN director Yeon Sang-ho’s masterful animation film THE KING OF PIGS and produced by Studio Dragon, this live-action K-Drama by director Kim Dae-jin a impresses not only with its narrative and cinematography, but also with the relevance of its discussion of school bullying, lifelong trauma, and class struggle. North American Premiere
When asked, 17-year-old Sarya (Lina Arashi) would prefer to say she’s German. It’s a convenient answer, less complicated than explaining she is a Kurdish minority from Turkey whose family immigrated to Japan. When she learns that her father’s refugee status is being declined, Sarya is put in the difficult position of providing for her young brother and sister. A superb debut from Emma Kawawada (produced by Hirokazu Kore-eda), MY SMALL LAND is an exceptional breath of fresh air in the context of Japanese cinema and its notable lack of diversity. North American premiere.
Through the groundbreaking technology discovered by Dr. Stevenson (Karen Gillan, OCULUS), deceased persons can now be identified and tracked in the afterlife. When a call goes out for volunteers to further her research, two strangers, Rose (Katie Parker, THE HAUNTING OF HILL HOUSE) and Teddy (Rahul Kohli, MIDNIGHT MASS), each struggling with personal demons, choose to sign up. Fate has them splitting a rental car, and they embark on a drive across America to meet their destinies. Equal parts ghost story, misfit road movie, speculative science-fiction and tragicomedy, NEXT EXIT is a phenomenal debut from writer-director Mali Elfman. International Premiere.
BEHOLD MARTIAL-ARTS PUPPETRY IN TAIWANESE FILM DEMIGOD: THE LEGEND BEGINS !
Briskly-paced, elaborately ornamented, and surprisingly bloody, the Taiwanese feature film DEMIGOD: THE LEGEND BEGINS is the latest from Pili International Multimedia. Led by generations of the Huang family of puppeteers, Pili has maintained and modernized the centuries-old tradition of budaixi —Chinese opera by way of glove puppetry—which remains alive in Taiwan to this day. Director Huang Wen-Chang’s wuxia epic of intrigue, horror, martial arts and mysticism is above all an exquisite ocular feast for fans of the fine art of miniature figurine sculpture and costume design. North American Premiere.
A Korean folkloric belief dictates that parents should never venture down a taboo path when their child is born, as this could lead to a curse called Seire. Woo-jin decides to ignore the danger and attend the funeral of a former lover, which brings chaos to his family. With this first directorial effort, a masterful and oppressive psychological horror film, Park Kang proves that he can work miracles with a limited budget. A tight script,, minimalist music, nuanced acting, and meticulous direction all come together to create this stunning nightmare. North American Premiere.
TIME TRAVEL, BARE-KNUCKLE FIGHTS, AND HIDDEN DANGERS IN THE ROCKIES ROUND OUT THE SEPTENTRION SHADOWS PROGRAM.
RELUCTANT HEIRS SQUARE UP IN THE FIGHT MACHINE .
Horror author Craig Davidson’s 2007 novel “The Fighter” comes to the big screen in THE FIGHT MACHINE. Two young men from different walks of life face their families and destinies on the dusty floor of an underground fighting ring. Director Andrew T. Hunt, who co-wrote the screenplay with Davidson, delves into family obligation, toxic masculinity, and the intertwining fates of a kid from a working-class background and a spoiled rich boy. This gritty noir contains a touch of the fantastical, with earnest performances by lead
Young Twink
Antique Porn
Asstr Sisters