Mektoub My Love Sex Scene

Mektoub My Love Sex Scene
From "Love" to "The Brown Bunny" and Abdellatif Kechiche's controversy-marred "Mektoub," Cannes has been riled up by many an unsimulated sex scene.
Photo : Strand Releasing/Courtesy Everett Collection
Photo : Courtesy Everett Collection
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“The Brown Bunny,” “Stranger by the Lake,” “Love,” “Antichrist”
Editor’s Note: This story was originally published in May 2019 and has been updated accordingly.
Cannes has a history of premiering sexually explicit films throughout its history — and with all manner of unsimulated acts — to both shocks and shrugs on the Croisette.
An avant-garde film like Yugoslavian director Dušan Makavejev’s brilliantly sex-crazed bonanza “Sweet Movie” likely didn’t swallow well with American audiences treated to its insanities, from coprophilia to vomit play, but it’s gone on to attract a cult following.
Most recently, “Blue Is the Warmest Colour” director Abdellatif Kechiche effectively made himself persona non grata among U.S. distributors when, in 2019, he released his nearly four-hour-long sequel “Mektoub, My Love: Intermezzo,” a graphic and some felt blatantly misogynist epic of young people having all the sex in the world. The film has never been seen stateside and remains the subject of ongoing legal entanglements due to Kechiche’s treatment of lead actress Ophélie Bau, who claimed he denied her permission to see the film’s most graphic scene prior to the premiere. Kechiche had a slightly warmer reception in 2013, when the simulated but realistic acts in “Blue” helped power it, and leads Adèle Exarchopoulos and Léa Seydoux, all the way to the Palme.
This year’s festival was heavier on horrors of the body (“Crimes of the Future,” “De Humani Corporis Fabrica’) than its pleasures (though Claire Denis’ “Stars at Noon” brought some steam to the Croisette). But Cannes most years, as you’ll see below, has at least a few sex scandals of its own. Below, we look back at the history of unsimulated sex scenes at Cannes — from the arcane to the more arthouse-accessible like Gaspar Noé and Lars von Trier and, of course, Vincent Gallo’s infamous “Brown Bunny” oral sex scene.
Tambay Obenson contributed to this story.
While often credited as premiering in Cannes, this Swedish thriller — also known as “They Call Her One Eye” and “Hooker’s Revenge” — was a exploitation film that debuted in the Cannes Market. It only achieved a level of auteur bona fides when the schlockmeisters at American International Pictures released a dubbed version in the U.S., where it found a passionate fan in Quentin Tarantino and inspiration for his Elle Driver character (Daryl Hannah) in “Kill Bill.” Written and directed by Bo Arne Vibenius under the pseudonym Alex Fridolinski, it tells the story of a mute woman (Christina Lindberg) who seeks revenge against the men who forced her into heroin addiction and prostitution. Initially banned by the Swedish film censorship board, the film features hardcore pornographic sequences in addition to a punishing amount of gore. — TO
Directed by Yugoslavian Dušan Makavejev, the avant-garde dramedy follows two women: a virgin Canadian beauty queen as she attempts to flee from her millionaire husband and his solid gold penis; and a socialist captain of a ship loaded with sugar and candy, sailing down the Seine with her lover in tow. With explicit sex scenes, the original cut included depictions of coprophilia, emetophilia, and suggested child molestation. It was banned in several countries or gutted prior to release. “Sweet Movie” premiered at the 1975 Cannes Film Festival. —TO
The feature debut of Bruno Dumont, the film follows a group of bored teenagers led by Freddy, who’s engaged in a rather crude sexual relationship with a girl named Marie. When young immigrant Kader expresses interest in Marie, and she responds to him, Freddy’s gang is outraged, setting off a tragic chain of events. Including a scene of a brutal rape, Dumont shoots unsimulated sex with extreme close-ups of genitals. The grim film earned the filmmaker the Camera d’Or at the 1997 Cannes Film Festival. — TO
Provocateur Lars von Trier wrote and directed this Danish dramedy in compliance with his Dogme 95 Manifesto. The second film in his Golden Heart Trilogy, it was among the first features to be shot entirely with digital cameras. Controversy arose over its explicit sexual content, including a shower scene in which a character has an erection and, later, a group sex scene that includes one couple (stand-ins from the porn industry) having unsimulated intercourse. The film screened in competition at the 1998 Cannes Film Festival. — TO
Leos Carax’s provocative and relatively faithful adaptation of Herman Melville’s 1852 work “Pierre; or, The Ambiguities,” gained international infamy for its unsimulated sex acts between Guillaume Depardieu (Pierre) and Yekaterina Golubeva (Isabelle), although stand-ins were used for the more graphic sequences. The film, often associated with the New French Extremity of transgressive films by French directors at the turn of the 21st century, premiered at the 1999 Cannes Film Festival. — TO
An aging porn director (Jean-Pierre Léaud in a variation on his role in Olivier Assayas’ “Irma Vep”) attempts to rekindle his relationship with his estranged son (Jérémie Renier), while also returning to the porn industry to direct another film. The erotic drama, written and directed by Bertrand Bonello, features one explicit, unsimulated sex scene with two French pornographic actors, Ovidie and Titof. “The Pornographer” was selected for the Cannes International Semaine de la Critique in 2001, where it won the FIPRESCI Prize. — TO
Directed by Wayne Wang, it stars Peter Sarsgaard as Richard Longman, a millionaire who pays stripper Florence (Molly Parker) $10,000 to stay with him in Las Vegas for three days. Screened out of competition at the 2001 Cannes Film Festival, the film contains an erotic scene in which Longman goes to a strip club where Florence inserts a lollipop into her vagina before placing it in his mouth. The shot was performed by porn actress Alisha Klass. — TO
This was Vincent Gallo’s infamous portrait of a lost soul on a cross-country odyssey to Los Angeles, unable to escape his intense feelings for the love of his life, Daisy (Chloë Sevigny). The NC-17 film includes a crude unsimulated oral sex scene featuring Gallo and Sevigny. “The Brown Bunny” world premiered at the 2003 Cannes Film Festival and ignited a feud between Gallo and late film critic Roger Ebert ignited, after the latter called the film the worst in the history of Cannes. — TO
Michael Winterbottom’s explicit and intimate portrait of a highly charged erotic relationship, from its beginnings to its inevitable end. The intensely sexual affair is complemented by nine indie rock songs, hence the title. Controversy surrounded the art film’s release because of the couple’s unsimulated sex scenes including fellatio, ejaculation and cunnilingus, many in tight close-up. “9 Songs” screened at Cannes in 2004. — TO
Supervised by Gaspar Noé, the production is a two-hour compilation of seven short films made by artists and independent filmmakers commissioned to “explore the fine line where art and pornography intersect.” Leaving little to the imagination, it features numerous explicit acts of sexual intercourse, including an eight-minute scene of a man masturbating outdoors. Released uncut on DVD, it carries a warning that the film “contains strong, real sex,” as mandated by the British Board of Film Classification. The team of filmmakers included Marina Abramovic, Matthew Barney, Larry Clark, Richard Prince, Marco Brambilla, Sam Taylor-Wood and Noé. “Destricted” screened at the 2006 Cannes Film Festival. — TO
From the director of “Hedwig and the Angry Inch,” John Cameron Mitchell, “Shortbus” is an exploration of the lives of several characters (male and female, straight and gay) living in New York as they navigate the intersections between love and sex. They all converge at a weekly underground salon called “Shortbus,” where anything truly goes. The film features lengthy and unsimulated sex scenes which led to its being branded pornographic. Premiering at the 2006 Cannes Film Festival, Variety called it “unquestionably the most sexually graphic American narrative feature ever made outside the realm of the porn industry.” — TO
The Lars von Trier provocation opens, simultaneously, with an unsimulated sex scene, and the death of a child. Stricken with guilt, the couple, also the child’s parents — He (Willem Dafoe) and She (Charlotte Gainsbourg) — retreat to a cabin in the woods called Eden. There, sex scenes grow increasingly explicit and the violence graphic, including genital mutilation. The film premiered in Competition at the 2009 Cannes Film Festival, where it polarized audiences, prompting several walkouts. — TO
Alain Guiraudie’s erotic thriller “Stranger by the Lake” captures the unsuspecting dark side of French cruising culture. Along a nude beach, Franck (Pierre Deladonchamps) falls for mysterious Michel (Christophe Paou) after seeing him drown another man in the lake. The unsimulated sex scenes did use body doubles instead of the lead stars, and Guiraudie revealed the actors tested their own boundaries about how far they were willing to take nudity onscreen, which makes up “70 to 90 percent” of the film. The sex scenes were also handled with an “enormous amount of preparation,” as Guiraudie told IndieWire .
Actor Deladonchamps later explained that nude seduction scenes were shown as naturally as possible. “For everybody on the set, it was like, ‘let’s go,’” actor Deladonchamps said. “I felt that I would be blocked if I asked myself too many questions. What am I going to do? How is my body? I just didn’t want to think too much. I trusted [Guiraudie]. It was all very natural.”
“Stranger by the Lake” premiered in Un Certain Regard at the 2013 Cannes Film Festival, with Guiraudie winning the directing prize and taking home the Queer Palm. — SB
Argentine director Gaspar Noé first toyed with unsimulated sex in his trippy 2009 Tokyo-set drama “Enter the Void.” But it was in 2015’s “Love” that he went further. Set in Paris and told in flashback, the movie recounts the relationship between American film student Murphy and his French ex-girlfriend Electra. “Love” features all manner of sex scenes including fellatio, cunnilingus, mutual masturbation, threesomes and more. Premiering at the 2015 Cannes Film Festival, it is notable for one particular “money shot” for which 3D glasses were required. — TO
If an orgy happens in the woods and no one is around to hear it, did it make a sound? Well, thanks to Albert Serra’s “Liberté,” there are plenty of moans to be heard — and loads of unsimulated sex to be seen. Set in the 18th century, European libertine aristocrats spend a night of sexual debauchery in a forest. Helmut Berger, Marc Susini, Iliana Zabeth, and Laura Poulvet star as Madames, Dukes, and Duchesses who revel in S&M bodily pleasures after being expelled from Louis XVI’s court. While IndieWire’s Eric Kohn called the film “not exactly porn” despite its pornographic tendencies, the period piece proves to be a satire of elite repression…with a five-minute scene of anal “eating.” The film premiered in the Un Certain Regard section at Cannes 2019. — SB
Director Abdellatif Kechiche’s nearly four-hour-long “Mektoub, My Love: Intermezzo,” caused outrage and prompted plenty of walkouts during its Cannes Film Festival premiere, due to lengthy and graphic sexual content that included an extended unsimulated oral sex scene. The film has never been seen in the U.S. due to legal battles involving the production. Actress Ophelie Bau claimed in 2020 that she was denied permission from Kechiche to see a 13-minute sex scene featuring her ahead of the film’s premiere. Kechiche allegedly used unorthodox methods such as plying the cast with alcohol to elicit the performances he desired. — RL
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Hot brunette actress Ophelie Bau nude sex scene from movie ‘Mektoub, My Love Canto Uno’ is here to make u hard!
Hot Ophelie Bau is naked while a guy is fucking her from behind, putting his hand between her legs, touches her pussy and kisses her! Another guy watches through the window and sees Bau has sex on her back with her guy. Then there’s more of her nude great body as she lies on her back and side on the bed, rolling over onto her stomach for a final look at her curvy big butt! I’m in love with this busty actress, so enjoy! Check out other celeb porn we have!
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