Mektoub My Love Intermezzo Sex Scene
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Mektoub My Love Intermezzo Sex Scene
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The 27-year-old actress returned to the screening of the sulphurous film by Abdellatif Kechiche at the last Cannes Festival. She explains the reason for her flight during the screening on the Croisette.
It was the controversy at the end of the Festival in Cannes last year. The sulphurous Mektoub, My Love: Intermezzo , had rocked the Croisette. "What have we done to deserve such a punishment?" Wondered our colleagues in front of this suffocating film object. In question, a non-simulated oral sex scene between Ophélie Bau and Roméo de Lacour.
Read also: Mektoub, My Love - Intermezzo: games, Sète and machos
The 27-year-old actress returned to the controversy of Abdellatif Kechiche's latest film on the Clique set , the Mouloud Achour show, broadcast on February 7. In particular, his choice to slip away from the Lumière amphitheater during the projection. "It was a story of a breach of contract ," said the actress, who had so far remained silent. I did not want to attend the screening because I did not agree with what was going to be shown. Not in full. "
Words that nuance those made by the director last summer. Following the incident, Kechiche denounced a "puppet plot" fomented by agents of the French union aimed at damaging his reputation. "Ophélie Baufle (her real name, Editor's note) has, in all conscience, fully accepted her role in my films, and has never, at any time, shown the slightest embarrassment or nudity, which she has publicly and repeatedly defended and approved, or as to the erotic dimension of certain sequences, he explained. If Ophélie had expressed the slightest embarrassment and that she no longer wanted to participate in it, she had plenty of time to think about it and tell me. ” Obviously, she had not given, to use the title of a book who is making a little noise these days, his consent.
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From "Love" to "The Brown Bunny" and Abdellatif Kechiche's controversy-marred "Mektoub," Cannes has been riled up by many an unsimulated sex scene.
Photo : Strand Releasing/Courtesy Everett Collection
Photo : Courtesy Everett Collection
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“The Brown Bunny,” “Stranger by the Lake,” “Love,” “Antichrist”
Editor’s Note: This story was originally published in May 2019 and has been updated accordingly.
Cannes has a history of premiering sexually explicit films throughout its history — and with all manner of unsimulated acts — to both shocks and shrugs on the Croisette.
An avant-garde film like Yugoslavian director Dušan Makavejev’s brilliantly sex-crazed bonanza “Sweet Movie” likely didn’t swallow well with American audiences treated to its insanities, from coprophilia to vomit play, but it’s gone on to attract a cult following.
Most recently, “Blue Is the Warmest Colour” director Abdellatif Kechiche effectively made himself persona non grata among U.S. distributors when, in 2019, he released his nearly four-hour-long sequel “Mektoub, My Love: Intermezzo,” a graphic and some felt blatantly misogynist epic of young people having all the sex in the world. The film has never been seen stateside and remains the subject of ongoing legal entanglements due to Kechiche’s treatment of lead actress Ophélie Bau, who claimed he denied her permission to see the film’s most graphic scene prior to the premiere. Kechiche had a slightly warmer reception in 2013, when the simulated but realistic acts in “Blue” helped power it, and leads Adèle Exarchopoulos and Léa Seydoux, all the way to the Palme.
This year’s festival was heavier on horrors of the body (“Crimes of the Future,” “De Humani Corporis Fabrica’) than its pleasures (though Claire Denis’ “Stars at Noon” brought some steam to the Croisette). But Cannes most years, as you’ll see below, has at least a few sex scandals of its own. Below, we look back at the history of unsimulated sex scenes at Cannes — from the arcane to the more arthouse-accessible like Gaspar Noé and Lars von Trier and, of course, Vincent Gallo’s infamous “Brown Bunny” oral sex scene.
Tambay Obenson contributed to this story.
While often credited as premiering in Cannes, this Swedish thriller — also known as “They Call Her One Eye” and “Hooker’s Revenge” — was a exploitation film that debuted in the Cannes Market. It only achieved a level of auteur bona fides when the schlockmeisters at American International Pictures released a dubbed version in the U.S., where it found a passionate fan in Quentin Tarantino and inspiration for his Elle Driver character (Daryl Hannah) in “Kill Bill.” Written and directed by Bo Arne Vibenius under the pseudonym Alex Fridolinski, it tells the story of a mute woman (Christina Lindberg) who seeks revenge against the men who forced her into heroin addiction and prostitution. Initially banned by the Swedish film censorship board, the film features hardcore pornographic sequences in addition to a punishing amount of gore. — TO
Directed by Yugoslavian Dušan Makavejev, the avant-garde dramedy follows two women: a virgin Canadian beauty queen as she attempts to flee from her millionaire husband and his solid gold penis; and a socialist captain of a ship loaded with sugar and candy, sailing down the Seine with her lover in tow. With explicit sex scenes, the original cut included depictions of coprophilia, emetophilia, and suggested child molestation. It was banned in several countries or gutted prior to release. “Sweet Movie” premiered at the 1975 Cannes Film Festival. —TO
The feature debut of Bruno Dumont, the film follows a group of bored teenagers led by Freddy, who’s engaged in a rather crude sexual relationship with a girl named Marie. When young immigrant Kader expresses interest in Marie, and she responds to him, Freddy’s gang is outraged, setting off a tragic chain of events. Including a scene of a brutal rape, Dumont shoots unsimulated sex with extreme close-ups of genitals. The grim film earned the filmmaker the Camera d’Or at the 1997 Cannes Film Festival. — TO
Provocateur Lars von Trier wrote and directed this Danish dramedy in compliance with his Dogme 95 Manifesto. The second film in his Golden Heart Trilogy, it was among the first features to be shot entirely with digital cameras. Controversy arose over its explicit sexual content, including a shower scene in which a character has an erection and, later, a group sex scene that includes one couple (stand-ins from the porn industry) having unsimulated intercourse. The film screened in competition at the 1998 Cannes Film Festival. — TO
Leos Carax’s provocative and relatively faithful adaptation of Herman Melville’s 1852 work “Pierre; or, The Ambiguities,” gained international infamy for its unsimulated sex acts between Guillaume Depardieu (Pierre) and Yekaterina Golubeva (Isabelle), although stand-ins were used for the more graphic sequences. The film, often associated with the New French Extremity of transgressive films by French directors at the turn of the 21st century, premiered at the 1999 Cannes Film Festival. — TO
An aging porn director (Jean-Pierre Léaud in a variation on his role in Olivier Assayas’ “Irma Vep”) attempts to rekindle his relationship with his estranged son (Jérémie Renier), while also returning to the porn industry to direct another film. The erotic drama, written and directed by Bertrand Bonello, features one explicit, unsimulated sex scene with two French pornographic actors, Ovidie and Titof. “The Pornographer” was selected for the Cannes International Semaine de la Critique in 2001, where it won the FIPRESCI Prize. — TO
Directed by Wayne Wang, it stars Peter Sarsgaard as Richard Longman, a millionaire who pays stripper Florence (Molly Parker) $10,000 to stay with him in Las Vegas for three days. Screened out of competition at the 2001 Cannes Film Festival, the film contains an erotic scene in which Longman goes to a strip club where Florence inserts a lollipop into her vagina before placing it in his mouth. The shot was performed by porn actress Alisha Klass. — TO
This was Vincent Gallo’s infamous portrait of a lost soul on a cross-country odyssey to Los Angeles, unable to escape his intense feelings for the love of his life, Daisy (Chloë Sevigny). The NC-17 film includes a crude unsimulated oral sex scene featuring Gallo and Sevigny. “The Brown Bunny” world premiered at the 2003 Cannes Film Festival and ignited a feud between Gallo and late film critic Roger Ebert ignited, after the latter called the film the worst in the history of Cannes. — TO
Michael Winterbottom’s explicit and intimate portrait of a highly charged erotic relationship, from its beginnings to its inevitable end. The intensely sexual affair is complemented by nine indie rock songs, hence the title. Controversy surrounded the art film’s release because of the couple’s unsimulated sex scenes including fellatio, ejaculation and cunnilingus, many in tight close-up. “9 Songs” screened at Cannes in 2004. — TO
Supervised by Gaspar Noé, the production is a two-hour compilation of seven short films made by artists and independent filmmakers commissioned to “explore the fine line where art and pornography intersect.” Leaving little to the imagination, it features numerous explicit acts of sexual intercourse, including an eight-minute scene of a man masturbating outdoors. Released uncut on DVD, it carries a warning that the film “contains strong, real sex,” as mandated by the British Board of Film Classification. The team of filmmakers included Marina Abramovic, Matthew Barney, Larry Clark, Richard Prince, Marco Brambilla, Sam Taylor-Wood and Noé. “Destricted” screened at the 2006 Cannes Film Festival. — TO
From the director of “Hedwig and the Angry Inch,” John Cameron Mitchell, “Shortbus” is an exploration of the lives of several characters (male and female, straight and gay) living in New York as they navigate the intersections between love and sex. They all converge at a weekly underground salon called “Shortbus,” where anything truly goes. The film features lengthy and unsimulated sex scenes which led to its being branded pornographic. Premiering at the 2006 Cannes Film Festival, Variety called it “unquestionably the most sexually graphic American narrative feature ever made outside the realm of the porn industry.” — TO
The Lars von Trier provocation opens, simultaneously, with an unsimulated sex scene, and the death of a child. Stricken with guilt, the couple, also the child’s parents — He (Willem Dafoe) and She (Charlotte Gainsbourg) — retreat to a cabin in the woods called Eden. There, sex scenes grow increasingly explicit and the violence graphic, including genital mutilation. The film premiered in Competition at the 2009 Cannes Film Festival, where it polarized audiences, prompting several walkouts. — TO
Alain Guiraudie’s erotic thriller “Stranger by the Lake” captures the unsuspecting dark side of French cruising culture. Along a nude beach, Franck (Pierre Deladonchamps) falls for mysterious Michel (Christophe Paou) after seeing him drown another man in the lake. The unsimulated sex scenes did use body doubles instead of the lead stars, and Guiraudie revealed the actors tested their own boundaries about how far they were willing to take nudity onscreen, which makes up “70 to 90 percent” of the film. The sex scenes were also handled with an “enormous amount of preparation,” as Guiraudie told IndieWire .
Actor Deladonchamps later explained that nude
Vous voulez voir les vidéos que je trouve sur mon ordinateur aujourd'hui Le plus délicieux sadisme que vous pouvez imaginer
La fille de mon patron est une pute nymphomane
Baise A Trois Avec Ma Femme