Megan Fox Sex Article

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Hollywood stunner Megan Fox has been sending fans wild in her racy movie roles for many years, and here at Daily Star we've checked out some of the actress' hottest movie scenes.
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Megan Fox has been raising pulses ever since she burst on to our movie screens in Transformers all the way back in 2007.
The Hollywood sex symbol never fails to wow viewers with her stunning looks and fantastic features throughout her successful career.
Her life off-screen has been just as dramatic after she split from her husband Brian Austin Green, who she shares three sons with, and is now dating Machine Gun Kelly.
As the A-list beauty turns 35, Daily Star has taken a look at her sexiest movie roles, from Mikaela Banes to a killer zombie in Jennifer's Body, to celebrate the star's special day.
Who could forget how Megan blew us away as the sexy Mikaela Barnes as the female lead actress in the 2007 hit movie?
Perched provocatively on all fours on a motorbike saddle in one of the movie’s iconic – and most sexiest scenes - it’s no wonder Megan quickly gained an army of admirers.
Even co-star Shia LaBeouf had to bite his fist as the actress bent over a car bonnet and left little to the imagination as the hot female lead in the film.
Megan’s confident performance saw her nominated for an MTV Breakthrough Performance Movie Award.
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However, having been asked to gain ten pounds to star in the franchise’s second movie, she was fired from the third instalment after she claimed working for director Michael Bay was like working for Hitler.
She was replaced by UK model Rosie Huntington-Whiteley, who joined the cast as Shia's character Sam's new girlfriend Carly Spencer.
Two years later Megan landed her first lead role since Transformers, starring as the sexy murderous cheerleader Jennifer Check.
She has a lesbian romp with actress Amanda Seyfried (Anita “Needy” Lesnicki) and seduces countless male members of her class before killing them.
One unfortunate classmate, the football captain, is spectacularly disembowelled in the woods.
“I think what I loved about the movie is it's so unapologetic and how completely inappropriate it is at all times," Megan once said about the movie.
The movie, directed by Academy Award-winning screenwriter Diablo Cody earned mixed reviews, but it grew a cult following and some critics called it a “forgotten feminist classic”.
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Megan spoke about her passionate kiss with Amanda for the film, saying: "I feel much safer with girls, so I felt more comfortable kissing [Seyfried] than kissing any of the other people that I had to kiss."
Even Megan, it seems, can make a murderer look sexy.
Megan clearly has no problem stripping to her lingerie as she comically seduces actor Simon Pegg (Sidney Young).
She played the stunning character Sophie Maes, a budding starlet who is the object of Young’s lust.
In one iconic scene she walks through a swimming pool in a skimpy dress and then later strips to her lingerie as a breathless Pegg mimics a pig.
“Give me your ring, go on,” says Megan to Simon. “If I win tomorrow I’ll let you have sex with me.”
The Hollywood beauty starred alongside Hollywood heavyweights Mickey Rourke and Bill Murray in this romance-driven drama.
Rourke would later brand the film “terrible”, but Megan still looked her sexy self as she sizzled as a freak performer Lily Luster.
Famously dressed with angel wings on her back, Megan once again flaunts her enviable figure and is involved in a steamy motel scene with Rourke.
Megan played the character Mary Jane and in one season gets frisky with actor Adam Scott (Jason Fryman) in one fruity scene on the couch.
The pair are seen snogging as Megan stripped off again to show off her enviable curves.
“I never imagined doing a romantic comedy before, but it was so original and different,” Megan said of the movie.
“It’s so honest and not cliché like a lot of romantic comedies really are. I’m really proud of it.”
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Megan Fox is known as a brunette bombshell, but she has always striven to be seen as more than just a pretty face.
When rumors about Megan Fox getting botox emerged in 2011, the actress posted a FaceBook photo album titled “Things You Can’t Do With Your Face When You Have Botox.” In one photo, she furrows her brows. In another, she stares in fake disbelief as she points to a wrinkle on her forehead, sending a succinct message: Yes, Megan Fox is a human and she has wrinkles.
In an industry where complicity is the norm, Megan Fox has continually challenged her popular perceptions as a sex symbol. Having publicly addressed her objectification, bisexual identity and her experience with sexual assault in the entertainment industry, her name is routinely featured in conversations about womanhood and sexuality. Her unignorable yet fading status as a sex symbol is a case study in how female bodies and narratives are commodified and appropriated to serve male interests in Hollywood.
When “Jennifer’s Body” was released in 2009, critics panned the movie. It was conveniently easy to criticize: Megan Fox’s main character role was apparently too sexualized, too trashy — it was “‘Twilight’ for boys.” The LA Times called it “self-conscious splatter over a sorely lackluster scare flick.” Rotten Tomatoes gave it a 45 percent rating. 
The film revolves around a complex, implicitly queer relationship between the geeky Anita “Needy” (Amanda Seyfried) and cheerleader Jennifer Check (Megan Fox). One night, Jennifer finds herself getting into a van — described by Needy as a “white molester van with no windows” — and comes back a changed woman. Now possessed by a demon, she craves human flesh, hunting down boys at her school to satiate her satanic hunger. 
At surface level, the film is a gripping teen horror movie about sex and hormones, even if “cheerleader eats boys” isn’t a particularly thought-provoking plotline.The marketing of the film seemed to reflect that: trailers teased an intimate lesbian kiss between Seyfried and Fox, while promotional posters sold the raunchy schoolgirl allure of Jennifer Check, proclaiming “She’s Got a Taste for Bad Boys.” The way it was advertised, “Jennifer’s Body” was a straight male’s fantasy — nothing more, nothing less. Due to this mishandled marketing, viewers were already predisposed to critique the film through the lens of sexualization and objectification. Exploiting Megan Fox’s status as a sex symbol, the woman-led, woman-directed movie was misconstrued to appeal to straight male desires. It was a box office flop, grossing $31.5 million worldwide with a $16 million budget. 
At the same time that Fox was doing press for “Jennifer’s Body,” she was receiving backlash for speaking out against “Transformers” director Michael Bay, saying he was “a nightmare to work with.” In addition to the pre-existing pressure faced by Megan Fox to ideate herself as the sex symbol, Fox was deliberately blacklisted and cursed out by Bay’s crew members for breaking protocol in Hollywood’s sea of complicity. Soon after, it was announced that Rosie Huntington-Whitely would be replacing Fox in “Transformers 3.” The rapid exile of Fox and replacement with Huntington-Whitely is a testament to how Hollywood exploits and exerts control over women interchangeably. 
In a September 2020 interview with Eli Roth on his “History of Horror: Uncut” podcast, Fox reflected on her reputation at the time of the 2009 movie release and its role in downplaying the success of the movie. “A lot of it was just about my image at the time,” she said. “The movie never really stood a chance. I was being vilified a little bit when the movie was getting ready for its release… People definitely viewed me as negative or having bad intentions.” 
Only in recent discourse, however, have people begun to fully realize what the film signifies and what it says about queer womanhood. In 2018, the Me Too movement provided ample opportunity for viewers of the movie to refocus their lens towards feminism, consent and power. In exaggerating the importance of Megan Fox’s physical attractiveness in the film, marketers and movie critics alike diluted the visions of director Karyn Kusama and writer Diablo Cody. 
Megan Fox’s narrative of exclusion from Hollywood isn’t unique. As a sex symbol, she was forced into a mold of what being “sexy” meant — and when she didn’t squeeze into that mold, her image was manipulated and tarnished forever by the men that held the strings.
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