Mature Mom Bikini

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Mature Mom Bikini
Mature Women in Bikinis and/or Showing Cleavage
retro,Vintage, mature sexy ladies, soap and movies

View all All Photos Tagged mature bikini



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SmugMug + Flickr .


Connecting people through photography.


➸ Maitreya, Legacy, Reborn and Kupra
You want to have it then here is your TP & LM !!🔝
You want to have it then here is your TP & LM !!🔝
➸ BOM / 3 opacity options -100% - 75% - 50%
You want to have it then here is your TP & LM !!🔝
You want to have it then here is your TP & LM !!↴
➸ Legacy / Belezza / EBody / Kupra / Maitreya
You want to have it then here is your TP & LM !!🔝
My partner Michele at the San Luis Obispo Lighthouse
I saved my favorite photo of the silver bikini set for the finale. Look at my juicy ass in my bikini bottoms. Eventually I'll do my top 10 favorite photos and this will be in it. I love this photo better than the thong pics too. Please comments on it ok. It's just begging for attention.
Striking a pose that I hope you all like and approve of
Let's zoom in closer and see what awaits you. Hope you like or better yet love what you see. Everyone, male or female can have a piece and take their time and have their turn too. I never wear down and I especially NEVER say no. That's a guarentee
Model Aline Bernardes presenting Anita Rincon Swim 2016 S/S Collection named “Diosa de la Jungla” (Goddess of the Jungle) during Miami Swim Week at The Riviera Hotel South Beach
I had an absolute pleasure covering the event by Anita Rincón, designer of Anita Rincón Swim. During Miami Swim Week she launched her first 2016 S/S Collection named “Diosa de la Jungla” (Goddess of the Jungle). During the show guests enjoyed an exclusive preview of Rincón’s collection while sipping cocktails provided by D’USSE and lite bites provided by Moreno’s Cuba at the courtyard pool inside The Riviera Hotel South Beach. Anita is the first person from the Nordic countries to showcase her swimwear collection at the Miami Swim Week.
Anita Rincón is a renaissance woman who is an accomplished model, swimwear designer, author, and all around dynamo. In her mere 28 years, she has achieved what only other models have dreamed of. She is known around the world as the “model mogul” as she has amassed a grand empire for herself, which include beauty products such as Luz Lashes, Luxurisma Hair Extensions, and AR Nail Lacquer.
The world of fashion and beauty opened up to this ambitious entrepreneur when she was 17 years ago. She was born in northern Europe into a multicultural family and at the age of 17, she was signed to her first modeling agency in Argentina. Who knew that this was when this ambitious lady’s career would begin! With that first step, her road to mogul status was just getting under way.
Her latest projects include filming a new television show which is based in New York City called “ALL ABOUT ANITA”. In this series, Anita hopes to reveal all the secrets she has learned in order to inspire young women to go for their dreams. Her personal secret to success has been beauty, brains, drive, and creativity which viewers and fans will clearly see. The show will air in January 2016, but the network and country it will air on is still too secret.
In addition, Anita has authored a book called “American Dream – A Fashion and Beauty Moguls Basics to Building A Million Dollar Empire” which entails the meteoric rise of Anita Rincón from humble beginnings to a multi-millionaire bombshell. This book is almost a blueprint for other young women entrepreneurs to follow. Although she has faced both the highs and lows of being in business, she has ultimately persevered to become one of the most successful entrepreneurs known worldwide. Readers can follow her inspiring story and road to success. She shows with true vision and unwavering dedication that the world is her playground.
The most remarkable thing about Anita Rincón is that she does not rely on merely on her looks to get by. Rather, she blends a rare combination of ingenuity, creativity, and drive to create a multi-faceted brand. If authoring a book, modeling, filming a TV show, and heading her product lines weren’t enough, she also has a swimwear line called ‘Anita Rincón Swim’ which debuted at Miami Swim Week. The price point is comparable to Victoria’s Secret and is thus available to most women. The secret to her gorgeous swimsuits is the handmade quality.
Anita Rincón will continue to be a major player in the fashion and beauty industry. Her star will continue its meteoric rise, especially after her new television show, “ALL ABOUT ANITA”, debuting in January 2016. This is only the beginning for this talented lady as her drive and charisma will constantly propel her career to new heights. With her drive, beauty, brains, and business sense, there is truly no stopping Anita Rincón.
You can check out Anita Rincón’s beauty products at www.luzlashes.com and www.luxurisima.com .
Time magazine list of top 10 bikinis in popular culture
-Micheline Bernardini models the first-Ever Bikini (1946)
-"Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini" (1960)
-Annette Funicello and Beach Party (1960's)
-The belted Bond-girl bikini (1962)
-Sports Illustrated's first Swimsuit Issue (1964)
-Raquel Welch's fur bikini in One Million Years B.C. (1966)
-Phoebe Cates' Bikini in Fast Times at Ridgemont High
-Princess Leia's golden bikini in Return of the Jedi (1983)
-Official uniform of the female Olympic Beach Volleyball team (1996)
-Miss America pageant's bikini debut (1997)
The history of the bikini can be traced back to antiquity. Illustrations of Roman women wearing bikini-like garments during competitive athletic events have been found in several locations. The most famous of them is Villa Romana del Casale. French engineer Louis Réard introduced the modern bikini, modeled by Micheline Bernardini, on July 5, 1946, borrowing the name for his design from the Bikini Atoll, where post-war testing on the atomic bomb was happening.
French women welcomed the design, but the Catholic Church, some media, and a majority of the public initially thought the design was risque or even scandalous. Contestants in the first Miss World beauty pageant wore them in 1951, but the bikini was then banned from the competition. Actress Bridget Bardot drew attention when she was photographed wearing a bikini on the beach during the Cannes Film Festival in 1953. Other actresses, including Rita Hayworth and Ava Gardner, also gathered press attention when they wore bikinis. During the early 1960's, the design appeared on the cover of Playboy and Sports Illustrated, giving it additional legitimacy. Ursula Andress made a huge impact when she emerged from the surf wearing what is now an iconic bikini in the James Bond movie Dr. No (1962). The deer skin bikini Raquel Welch wore in the film One Million Years B.C. (1966) turned her into an international sex symbol and was described as a definitive look of the 1960's.
The bikini gradually grew to gain wide acceptance in Western society. According to French fashion historian Olivier Saillard, the bikini is perhaps the most popular type of female beachwear around the globe because of "the power of women, and not the power of fashion". As he explains, "The emancipation of swimwear has always been linked to the emancipation of women." By the early 2000's, bikinis had become a US $ 811 million business annually, and boosted spin-off services like bikini waxing and the sun tanning.
In ancient Rome, the bikini-style bottom, a wrapped loincloth of cloth or leather, was called a subligar or subligaculum ("little binding underneath"), while a band of cloth or leather to support the breasts was called strophium or mamillare. The exercising bikini girls from Piazza Armenia wear subligaria, scanty briefs made as a dainty version of a man's perizoma, and a strophium band about the breasts, often referred to in literature as just fascia, which can mean any kind of bandage. Observation of artifacts and experiments shows bands had to be wrapped several times around the breasts, largely to flatten them in a style popular with flappers in the 1920's. These Greco-Roman breastbands may have flattened big breasts and padded small breasts to look bigger. Evidence suggests regular use. The "bikini girls" from Piazza Armenia, some of whom sport the braless look of the late 20th century, do not depict any propensity of such popularity in style. One bottom, made of leather, from Roman Britain was displayed at the Museum of London in 1998. There has been no evidence that these bikinis were for swimming or sun-bathing.
Finds especially in Pompeii show the so-called Roman goddess Venus wearing a bikini. A statue of the so-called Venus in a bikini was found in a cupboard in the southwest corner in Casa della Venere, others were found in the front hall. A statue of the so-called Venus was recovered from the tablinum of the house of Julia Felix, and another from an atrium in the garden at Via Dell'Abbondanza. Naples National Archaeological Museum, which opened its limited viewing gallery of more explicit exhibits in 2000, also exhibits a "Venus in Bikini". However, the Naples National Archaeological Museum is keen to stress that this statue actually depicts her Greek counterpart Aphrodite as she is about to untie her sandal, a common theme among other works depicting Aphrodite. The museum's exhibits include female statues wearing see-through gold lamé brassiere, basque and knickers. The Kings of Naples discovered these Pompeii artifacts, including the one meter tall, almost unclothed statue of Venus painted in gold leaf with something like a modern bikini. They found them so shocking that for long periods the secret chamber was opened only to "mature persons of secure morals". Even after the doors were opened, only 20 visitors were to be admitted at a time, and children under 12 were not allowed into the new part of the museum without their parents' or a teacher's permission.
Between the classical bikinis and the modern bikini there has been a long interval. Swimming or outdoor bathing were discouraged in the Christian West and there was little need for a bathing or swimming costume till the 18th century. The bathing gown in the 18th century was a loose ankle-length full-sleeve chemise-type gown made of wool or flannel, so that modesty or decency was not threatened. In the first half of 19th century the top became knee-length while an ankle-length drawer was added as a bottom. By the second half of 19th century, in France, the sleeves started to vanish, the bottom became shorter to reach only the knees and the top became hip-length and both became more form fitting. In the 1900's women wore wool dresses on the beach that were made of up to 9 yards (8.2 m) of fabric. That standard of swimwear evolved into the modern bikini in the first of half of the 20th century.
In 1907, Australian swimmer and performer Annette Kellerman was arrested on a Boston beach for wearing a form-fitting sleeveless one-piece knitted swimming tights that covered her from neck to toe, a costume she adopted from England, although it became accepted swimsuit attire for women in parts of Europe by 1910. Even in 1943, pictures of the Kellerman swimsuit were produced as evidence of indecency in Esquire v. Walker, Postmaster General. But, Harper's Bazaar wrote in June 1920 (vol. 55, no. 6, p. 138) - "Annette Kellerman Bathing Attire is distinguished by an incomparable, daring beauty of fit that always remains refined." The following year, in June 1921 (vol. 54, no. 2504, p. 101) it wrote that these bathing suits were "famous ... for their perfect fit and exquisite, plastic beauty of line."
Female swimming was introduced at the 1912 Summer Olympics. In 1913, inspired by that breakthrough, the designer Carl Jantzen made the first functional two-piece swimwear, a close-fitting one-piece with shorts on the bottom and short sleeves on top. Silent films such as The Water Nymph (1912) saw Mabel Normand in revealing attire, and this was followed by the daringly dressed Sennett Bathing Beauties (1915–1929). The name "swim suit" was coined in 1915 by Jantzen Knitting Mills, a sweater manufacturer who launched a swimwear brand named the Red Diving Girl,. The first annual bathing-suit day at New York's Madison Square Garden in 1916 was a landmark. The swimsuit apron, a design for early swimwear, disappeared by 1918, leaving a tunic covering the shorts.
During the 1920's and 1930's, people began to shift from "taking in the water" to "taking in the sun," at bathhouses and spas, and swimsuit designs shifted from functional considerations to incorporate more decorative features. Rayon was used in the 1920's in the manufacture of tight-fitting swimsuits, but its durability, especially when wet, proved problematic, with jersey and silk also sometimes being used. Burlesque and vaudeville performers wore two-piece outfits in the 1920's. The 1929 film "Man with a Movie Camera" shows Russian women wearing early two-piece swimsuits which expose their midriff, and a few who are topless. Films of holidaymakers in Germany in the 1930's show women wearing two-piece suits,
By the 1930's, necklines plunged at the back, sleeves disappeared and sides were cut away and tightened. With the development of new clothing materials, particularly latex and nylon, through the 1930's swimsuits gradually began hugging the body, with shoulder straps that could be lowered for tanning. Women's swimwear of the 1930's and 1940's incorporated increasing degrees of midriff exposure. Coco Chanel made suntans fashionable, and in 1932 French designer Madeleine Vionnet offered an exposed midriff in an evening gown. They were seen a year later in Gold Diggers of 1933. The Busby Berkeley film Footlight Parade of 1932 showcases aqua-choreography that featured bikinis. Dorothy Lamour's The Hurricane (1937) also showed two-piece bathing suits.
The 1934 film, Fashions of 1934 featured chorus girls wearing two-piece outfits which look identical to modern bikinis. In 1934, a National Recreation Association study on the use of leisure time found that swimming, encouraged by the freedom of movement the new swimwear designs provided, was second only to movies in popularity as free time activity out of a list of 94 activities. In 1935 American designer Claire McCardell cut out the side panels of a maillot-style bathing suit, the bikini's forerunner. The 1938 invention of the Telescopic Watersuit in shirred elastic cotton ushered into the end the era of wool. Cotton sun-tops, printed with palm trees, and silk or rayon pajamas, usually with a blouse top, became popular by 1939. Wartime production during World War II required vast amounts of cotton, silk, nylon, wool, leather, and rubber. In 1942 the United States War Production Board issued Regulation L-85, cutting the use of natural fibers in clothing and mandating a 10% reduction in the amount of fabric in women's beachwear. To comply with the regulations, swimsuit manufacturers produced two-piece suits with bare midriffs.
Fabric shortage continued for some time after the end of the war. Two-piece swimsuits without the usual skirt panel and other excess material started appearing in the US when the government ordered a 10% reduction in fabric used in woman's swimwear in 1943 as wartime rationing. By that time, two-piece swimsuits were frequent on American beaches. The July 9, 1945, Life shows women in Paris wearing similar items. Hollywood stars like Ava Gardner, Rita Hayworth and Lana Turner tried similar swimwear or beachwear. Pin ups of Hayworth and Esther Williams in the costume were widely distributed. The most provocative swimsuit was the 1946 Moonlight Buoy, a bottom and a top of material that weighed only eight ounces. What made the Moonlight Buoy distinctive was a large cork buckle attached to the bottoms, which made it possible to tie the top to the cork buckle and splash around au naturel while keeping both parts of the suit afloat. Life magazine had a photo essay on the Moonlight Buoy and wrote, "The name of the suit, of course, suggests the nocturnal conditions under which nude swimming is most agreeable."
American designer Adele Simpson, a Coty American Fashion Critics' Awards winner (1947) and a notable alumna of the New York art school Pratt Institute, who believed clothes must be comfortable and practical, designed a large part of her swimwear line with one-piece suits that were considered fashionable even in early 1980's. This was when Cole of California started marketing revealing prohibition suits and Catalina Swimwear introduced almost bare-back designs. Teen magazines of late 1940's and 1950's featured designs of midriff-baring suits and tops. However, midriff fashion was stated as only for beaches and informal events and considered indecent to be worn in public. Hollywood endorsed the new glamour with films such as Neptune's Daughter (1949) in which Esther Williams wore provocatively named costumes such as "Double Entendre" and "Honey Child". Williams, who also was an Amateur Athletic Union champion in the 100 meter freestyle (1939) and an Olympics swimming finalist (1940), also portrayed Kellerman in the 1952 film Million Dollar Mermaid (titled as The One Piece Bathing Suit in UK).
Swimwear of the 1940's, 50's and early 60's followed the silhouette mostly from early 1930's. Keeping in line with the ultra-feminine look dominated by Dior, it evolved into a dress with cinched waists and constructed bust-lines, accessorized with earrings, bracelets, hats, scarves, sunglasses, hand bags and cover-ups. Many of these pre-bikinis had fancy names like Double Entendre, Honey Child (to maximize small bosoms), Shipshape (to minimize large bosoms), Diamond Lil (trimmed with rhinestones and lace), Swimming In Mink (trimmed with fur across the bodice) and Spearfisherman (heavy poplin with a rope belt for carrying a knife), Beau Catcher, Leading Lady, Pretty Foxy, Side Issue, Forecast, and Fabulous Fit. According to Vogue the swimwear had become more of "state of dress, not undress" by mid-1950's.
French fashion designer Jacques Heim, who owned a beach shop in the French Riviera resort town of Cannes, introduced a minimalist two-piece design in May 1946 which he named the "Atome," after the smallest known particle of matter. The bottom of his design was just large enough to cover the wearer's navel.
At the same time, Louis Réard, a French automotive and mechanical engineer, was running his mother's lingerie business near Les Folies Bergères in Paris. He noticed women on St. Tropez beaches rolling up the edges of their swimsuits to get a better tan and was inspired to produce a more minimal design. He trimmed additional fabric off the bottom of the swimsuit, exposing the wearer's navel for the first time. Réard's string bikini consisted of four triangles made from 30 square inches (194 cm2) of fabric printed with a newspaper pattern.
When Réard sought a model to wear his design at his press conference, none of the usual models would wear the suit, so he hired 19 year old nude dancer Micheline Bernardini from the Casino de Paris. He introduced his design to the media and public on July 5, 1946, in Paris at Piscine Molitor, a public pool in Paris. Réard held the press conference five days after the first test of a nuclear device (nicknamed Able) over the Bikini Atoll during Operation Crossroads. His swimsuit design shocked the press and public because it was the first to reveal the wearer's navel.
To promote his new design, Heim hired skywrit
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