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There's a new statue on other side of Detroit River. You probably won't know who it honors.
There's a new statue on other side of Detroit River. You probably won't know who it honors.
Mary Ann Shadd Cary, who should be almost as famous as Harriet Tubman, finally gets her statue Thursday.
She'll be unveiled at 11 a.m. in downtown Windsor, probably a shade taller than life-sized, gazing across the Detroit River at the nation where she was born, lived for most of her 69½ years, did impressive and important things, and is best known for not being properly remembered.
“We have a tendency as humans to oversimplify,” said Irene Moore Davis, an educator, writer, historian and podcaster in Windsor whose great-great-great-great-aunt will stand at the corner of Chatham and Ferry streets. “Mary Ann Shadd Cary was never enslaved. Her dad was never enslaved. Maybe she’s not the Hollywood story.”
No one is asking to see Shadd Cary on the $20 bill. Truth is, it’s hard to say precisely what she looked like. And that’s not to even hint at questioning the contributions or standing of Ms. Tubman.
But shouldn’t there be room, Davis asked, for multiple public faces of the Black women fighting to defeat slavery and acquire fundamental rights in the 19th century?
The New York Times thought so. Four years ago, it began a series called Overlooked, acknowledging that its obituaries since its founding in 1851 had been overly focused on white males.
Shadd Cary was the 13th person featured, in a story that began with a short sentence from her long letter to abolitionist and writer Frederick Douglass in 1848: "We should do more and talk less."
Ultimately, she did plenty — to the fury of those who disagreed with her about slavery, integration and women's suffrage, and sometimes to the annoyance of allies she felt were moving too slowly or were too willing to settle for small gains.
Among the bullet points on her resume:
Active enough in the Underground Railroad that she had to move to Canada lest she run afoul of the Fugitive Slave Act that made helping an escapee a crime.
First Black woman in North America to edit and publish a newspaper, the antislavery Provincial Freeman.
Recruited Black men to serve in the Union Army during the Civil War.
Founded a school for children of freed slaves.
Became the second Black woman in the U.S. with a law degree, and used it to explain to an unmoved congressional committee that women were entitled to vote.
Gave numerous speeches. Took minimal guff. Ignored slights from the ill-informed.
An opponent from a rival newspaper once huffed, “Miss Shadd has said and written many things which we think will add nothing to her credit as a lady.”
Whoever he was, he doesn't have a statue.
Donna Mayne is the sculptor who crafted the likeness of Shadd Cary, creating it in clay before a foundry in Clarkston cast it in nearly 300 pounds of bronze.
As part of the process, Mayne took measurements of Davis' face, and those of a few other relatives, too; there are hundreds of them in Ontario and southeast Michigan.
Only one photograph of Shadd Cary has been discovered, and it's overexposed. Trying to build a picture in her mind that she could translate with her hands, Mayne measured foreheads, noses, the spaces between eyes.
"Oh, my goodness, the amount of research I did," Mayne said
She called museums to get a sense of what someone educated by Quakers would likely wear, learning that it would be "simple and very modest." She pondered what to make her silent figure say.
"I really tried to get into her head," Mayne said. "OK, what made her courageous? What made her so determined?"
Maybe it was her background: born in 1823 in Delaware, where it was illegal to educate Black children. Moved by her abolitionist parents to Pennsylvania. Left the country to continue her work without fear of the law. Ignored the fear to come back across the river and live her passion.
The statue, some 5 feet, 7 inches tall, was commissioned by the University of Windsor and stands near the school of social work on a plot that fittingly used to belong to the Windsor Star.
It portrays Shadd Cary holding a copy of her newspaper to her heart. Even as a wind pushes her skirt back, with the forces of discrimination symbolized by a force of nature, she steps forward.
When Mayne was finally satisfied with what she'd crafted, she invited Davis and four other relatives to see the mock-up, and "I wept," Davis said.
"All I had ever seen was this one photo, and here she was in 3-D, staring into my eyes."
Shadd Cary is enshrined in the National Women's Hall of Fame in Seneca Falls, New York, listed alphabetically between first lady Rosalynn Carter and painter Mary Cassatt.
A row house in Washington, D.C., where she lived in 1881-85 is in the National Register of Historic Places .
She remains far better known, however, in Canada, where she lived for 11 years, and where the early editions of the Freeman were credited to a male editor because a woman's voice might be dismissed.
The best columnist in the Canadian version of the Pulitzer Prizes takes home the Mary Ann Shadd Cary Award. A K-8 school in Scarborough, Ontario, has her name and a fitting motto, "Free to be ... the best of me." Immigrants hoping to pass the Canadian citizenship test will read about Shadd Cary in the study guide.
“That’s not to say 100% of the people here know about her,” Davis said, but it’s a safe bet that 99% of U.S. residents don’t.
If the statue changes that even an iota — a passer-by here and there, walking off dinner before a trip back through the tunnel — Davis will count it as progress.
They'll see what she takes as a point of pride: Her distant aunt cast a long shadow.
You can reach Neal Rubin at NARubin@freepress.com, or follow him on Twitter at @nealrubin_fp.

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