Martha Wainwright Bloody Mother Fucking Asshole
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Martha Wainwright Bloody Mother Fucking Asshole
From Wikipedia, the free encyclopedia
^ Hodgkinson, Will (18 March 2015). "They fuck you up, your mum and dad" . The Guardian . Retrieved 19 May 2015 .
^ Freeman, John (19 October 2012). "A Mother's Love: An Interview with Martha Wainwright" . The Quietus . Retrieved 19 May 2015 .
^ Menconi, David. "Loudon Wainwright III - So Damn Happy" . No Depression .
^ Jump up to: a b c Monger, James Christopher. "Martha Wainwright Bloody Mother Fucking Asshole (EP) review" . AllMusic . Retrieved 19 May 2015 .
^ Jump up to: a b Lundy, Zeth (27 January 2005). "Bloody Mother Fucking Asshole [EP]" . PopMatters . Retrieved 19 May 2015 .
^ Christgau, Robert . "Martha Wainwright" . Robert Christgau . Retrieved 19 May 2015 .
^ Ryttman, Robert (18 March 2009). "Caroline Af Ugglas – Så Gör Jag Det Igen" . Zero Music Magazine (in Swedish).
^ "Af Ugglas i duett med Tommy Nilsson" . Hallands Nyheter (in Swedish). 16 December 2008.
Bloody Mother Fucking Asshole is a five track EP by Martha Wainwright . It was released in January 2005 through both Zoë Records and Drowned in Sound .
Bloody Mother Fucking Asshole was inspired by Wainwright's father, Loudon Wainwright III . She wrote the track as a response to her father's way of writing songs about his family, rather than tending to them. [1] [2] Despite the sentiment, she collaborated a year earlier with Loudon on the song "You Never Phone" on his So Damn Happy album. [3]
The EP was released in the UK as a 4 song EP ( When The Day Is Short omitted) on the Drowned in Sound label. [4]
"Bloody Mother Fucking Asshole" was used at the end of the second episode in season three of the Netflix original series Orange is the New Black , [ citation needed ] and at the end of the fourth episode in season one of the HBO original series Big Little Lies . [ citation needed ]
The review in PopMatters calls the EP "a rebellious introductory stance for an artist looking to provoke or silence potential critics" and states that Wainwright is "as different from her brother as her brother is different from their father, but like both men, she's fiercely honest and stubbornly candid". [5] AllMusic write that "Wainwright's husky voice has matured into a thing of real beauty, and her ability to sound both majestic and totally wrecked helps to humanize each track". [4]
The title song "Bloody Mother Fucking Asshole" has been translated into a Swedish version by Caroline af Ugglas . The song, in Swedish called "Vill inte spela glad" ("Don't Want to Act Happy"), can be found on her album Så gör jag det igen , released March 18, 2009. [7] [8]
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Martha Wainwright Format: Audio CD
4.1 out of 5 stars
11 ratings
Is Discontinued By Manufacturer
:
No Package Dimensions
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5.55 x 4.97 x 0.54 inches; 2.83 Ounces Manufacturer
:
Zoe Records Date First Available
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January 30, 2007 Label
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Zoe Records ASIN
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B0006V6TLM Number of discs
:
1
4.1 out of 5 stars
11 ratings
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Some have labeled Martha Wainwright's vocal stylings as ear-piercing, going so far as to liken her to cat-screeching or nails on a chalkboard. If that is how you see it, then that is how you see it. I personally adore the cracks in her voice and to apparent strains she gives each of her words, for they add such emotional depth and clarity to her lyrics. She is a true artist (but, I mean her father IS Loudon Wainwright, so that figures...RIGHT?) and it shows all over this beautifully tailored EP. For me, the standout here is the salon inspired `How Soon', which places Martha in the company of a piano and lends her a Norah Jones' vibe that flourishes under her coarse vocal delivery. The song has an edge to it that perfectly contradicts the softness of the piano. `When the Day is Short' is another song that I really love. It has a spunk to it that really engages the listener. There is a soft and happy vibe to the song that, again, proves a perfect contradiction to Martha's broken vocals. `I Will Internalize' is a song that definitely plays to Martha's vocal strengths. The musical arrangement is less whimsical and more intimate, channeling the harshness of her voice into the sharpness of the guitar. It's a stunningly moving musical experience. The title track, `BMFA', is no where near as edgy as it needed to be to sell the `necessity' of that title. It's a decent song, but it is lacking (despite the fact that her voice is marvelous here). For me, `It's Over', is the worst song here. This is the one track where Martha really tries to go somewhere distinct and make some kind of different choices musically, but it just doesn't work. It comes off forced and misplaced. I can see what she was trying to do, but it just doesn't pull it off entirely. As a whole, this is a commendable effort. For an EP it is strong. I love her work and will laud her as an artist for a long time to come. If you aren't familiar with her then this is a nice place to start, for it gives you a good indication of who she is and what she is capable of. This isn't her best work, but it is solid and won't disappoint!
With the rock pedigree of father Loudon Wainwright III, mother Kate McGarrigle and brother Rufus Wainwright, her voice sounds a bit like her aunt Sloan Wainwright's full throated-alto. The stripped down arrangements here put her voice front & center. It is a moving vocal delivery, but unfortunately the title track is unnecessarily offensive with its language. In short, this EP is a mistake as a calling card for an upcoming full-length release. I can only hope that the original tracks heard here will not be heard again. "I Will Internalize" is somber and boring. "When the Day is Short" is a peppy track without much of a melody, "On the jukebox is your only song." "It's over before it ever started" is pretty much a targeted assessment of this EP's worth. The track itself sounds like a caterwauling cat screeching, perhaps suitable for a song about slitting your wrists; but do I need to listen to this more than once? "How Soon" -- the only song Martha didn't write -- is the best track, but its wispy piano melody is hardly enough to recommend the set. Martha was charming on the McGarrigle Hour and did a wonderful job with "I'll Be Seeing You" from "The Aviator: Songs from the Movie" CD. However, this set is an utter mistake. She needs some management to help her find her talent that certainly seems to be there. Until next time, taxi!
I love her voice and her fearlessness. She will say whatever is on her mind and she is a genius like her brother and her mom.
Mark Barry Top Contributor: Folk Rock
It's rare that you hear a song (or singer) who stops you in your tracks - hits you with a tune so filled with pain and truth that it feels like some sort of musical open wound. "B.M.F.A" is such a song. Like many I kind of stumbled on this American 5-track EP CD single around the time of its release (on Zoe 021 432 007-2) and I've been quietly in love with it since 2005. Stylistically its part k.d. Lang - part Shawn Colvin - part Rosanna Cash - part Beth Orton - a wonderful set of songs. "B.M.F.A", "I Will Internalize", "When The Day Is Short" and "It's Over" are originals with "How Soon" being a cover of a 1947 Jack Owens classic ballad (lyrics above)... Strange, moving and gorgeous...pick it up soon...
I expected something at least somewhat unconventional and interesting based on the title, but the title track is just standard, mediocre lilith fair stuff. I really don't get what she was thinking with the offensive title. Anyone conventionally-minded enough to like the music would be offended by the title, and anyone who found the title amusing or interesting would be offended by the boring conventional music. Track 2 is more of the same. Track 3 has a more developed sound with slide guitar and better songwriting. Track 4 has a slight noisy goth vibe, and she uses her voice more effectively as an instrument, although her enounciation is terrible and it's near impossible to make out a word she sings. The last song reminds me of Billie Holiday. It's completely unoriginal and weak, but apparently it's a cover so I guess that shouldn't count against her. Here's hoping her forthcoming album has more songs like tracks 3 and 4 and less like tracks 1 and 2.
Martha has a gorgeous voice and wonderful stories to share. These tracks were among the best I heard last year and display how she has really come into her own as a solo artist. The production is raw and muted and does much to enhance the sheer emotionality of Wainwright's songs.
I saw her live a few months ago, in 2004. Absolutely riveting! Original and personal, authentic and not commercially oriented, strong and intense. This CD lets you in. Wait for the rest.
awesome lyrics,for the track of the name of the mini album
5.0 out of 5 stars
APPROFONDIMENTO
LE PRIME TRACCIE DI QUESTA SIGNORA ? LA CLASSE NON E' ACQUA GRANDE CONSIGLIATO A CHI AMA IL SOUNWRITING FEMMINILE
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Martha Wainwright bears the unmistakable stamp of her lineage. She and her brother Rufus grew up in Canada with their mother, Kate McGarrigle , with summer and holiday visits to father Loudon Wainwright III in the states. She's sung regularly in performances of the extended McGarrigle family, as well as with her brother since his ascendancy in this new millennium. Stepping out fully on her own, she's thrown down a knowing gauntlet, the title track being also listed as just "BMFA." From that near-solo opener to the judiciously arranged small combo setting for "When The Day Is Short" and the sonic wallop of "It's Over," she's not pulling any mere raucous stunts here. Rather, these five songs show a maturity that comes from someone who's been preparing for her first release her whole life. - David Greenberger
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"Bloody Mother Fucking Asshole" lyrics
Poetry is no place for a heart that's a whore
And I'm young & I'm strong
But I feel old & tired
Overfired
And I've been poked & stoked
It's all smoke, there's no more fire
Only desire
For you, whoever you are
For you, whoever you are
You say my time here has been some sort of joke
That I've been messing around
Some sort of incubating period
For when I really come around
I'm cracking up
And you have no idea
No idea how it feels to be on your own
In your own home
with the fucking phone
And the mother of gloom
In your bedroom
Standing over your head
With her hand in your head
With her hand in your head
I will not pretend
I will not put on a smile
I will not say I'm all right for you
When all I wanted was to be good
To do everything in truth
To do everything in truth
Oh I wish I wish I wish I was born a man
So I could learn how to stand up for myself
Like those guys with guitars
I've been watching in bars
Who've been stamping their feet to a different beat
To a different beat
To a different beat
I will not pretend
I will not put on a smile
I will not say I'm all right for you
When all I wanted was to be good
To do everything in truth
To do everything in truth
You bloody mother fucking asshole
Oh you bloody mother fucking asshole
Oh you bloody mother fucking asshole
Oh you bloody mother fucking asshole
Oh you bloody mother fucking asshole
Oh you bloody...
I will not pretend
I will not put on a smile
I will not say I'm all right for you
For you, whoever you are
For you, whoever you are
For you, whoever you are
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