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April 15, 2008 / 9:57 AM
/ CBS


Marilyn Monroe starred in a "graphic" film performing oral sex on an unidentified man, according to a memorabilia collector who says he brokered the recent sale of the film for $1.5 million to a New York businessman who vows to keep it private.
Keya Morgan says the silent, 15-minute, black-and-white, 16 millimeter film was apparently shot in the 1950s, and shows Monroe on her knees performing the sex act on the man, who's only shown from the shoulders down, standing against a wall.
"It is graphic," Morgan told Lara Spencer on The Early Show Tuesday. "I was obviously shocked when I saw it."
Her face, Morgan says, makes it very clear that it's Monroe, with her iconic mole and features.
Former FBI Director J. Edgar Hoover, now known to have been an arch-rival of the Kennedy family, thought the man in the tape might be John or Robert Kennedy -- and tried hard to prove that it was one of them, Morgan says. John is long rumored to have had an affair with Monroe.
Morgan says he discovered that the film exists while researching his upcoming documentary, "Marilyn Monroe: Murder on Fifth Helena Drive."
Morgan says the FBI agent he interviewed "told me he and nine other agents were involved in verifying (the authenticity of the film) and were working directly under Hoover, who was directly involved in this investigation, because of the possibility this tape involved John F. Kennedy or Robert F. Kennedy."
Declassified FBI documents dated three years after Monroe's 1962 death say the film was a "French-type" movie that depicted Monroe in "unnatural acts with an unknown male."
The documents also show that one of Monroe's ex-husbands, Joe DiMaggio, once tried to buy the film, for $25,000, but was rebuffed.
Morgan says he and the businessman who just bought the film have the same goal in mind -- protecting Monroe.
"I would never have my name attached to anything if it would embarrass Marilyn Monroe or if it would in any way harm her image," he told Spencer.







First published on April 15, 2008 / 9:57 AM

Copyright ©2022 CBS Interactive Inc. All rights reserved.

Published August 24, 2018 2:45pm EDT

By
Stephanie Nolasco | Fox News
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Marilyn Monroe filmed a racy scene to please audiences, book claims.
When Marilyn Monroe filmed her last completed movie, 1961’s “The Misfits,” she chose to strip down opposite Clark Gable — a scene that director John Huston decided not to include.
But 57 years later, the blonde bombshell’s infamous nude scene, which many believed was destroyed, has been uncovered.
Charles Casillo, who wrote a book about Hollywood’s most iconic sex symbol titled “Marilyn Monroe: The Private Life of a Public Icon,” tracked down some of the last living people who befriended Monroe before she passed away in 1962 at 36.
During his research, the author arranged an interview with Curtice Taylor, the son of the film’s producer, Frank Taylor. It was then that the 71-year-old revealed the sought-after footage has been stored away in a filing cabinet since his father died in 1999 at age 83.
“[Curtice Taylor] was a child when ‘The Misfits’ was being made, and he was on the set,” Casillo told Fox News. “He knew Marilyn a little bit… So I was interviewing him about that. While we were talking, he just mentioned casually that he had the famous nude scene that people thought was destroyed, that was long speculated about.
“He just said it so casually, I don’t think he realized what it was… I knew it was something special, and I just was really excited about it. It was one of the things that I was unable to uncover for the book.”

Marilyn Monroe filming "The Misfits" opposite Clark Gable.
(Getty)
“The Misfits,” which was written by Monroe’s then-husband, playwright Arthur Miller , told the story of a divorcee who falls for an over-the-hill cowboy who is struggling to maintain his lifestyle. The love scene called for Monroe to be in bed as Gable walks into the bedroom to kiss her. But the actress had an idea to heat things up.
“In one take, she let the sheet drop,” described Casillo. “Marilyn Monroe was so insecure. She always wanted people to like her. The one thing that she was rock solid in, with her lack of confidence, she knew that her physicality was pleasing to people, that people liked to look at her, and people liked to look at her body.”
However, Huston was not swayed by a naked Monroe. Despite Miller, Taylor and Gable insisting that Monroe’s take would break new ground for the film, Huston felt it was too distracting. The scene ended up on the cutting room floor.

Marilyn Monroe on her way to sing "Happy Birthday" to President John F. Kennedy.
(Private collection of Charles Casillo)
“The movie was being made in 1960,” pointed out Casillo. “It would have ushered in everything that was going to happen in the late ‘60s with nudity, and the fall of censorship.
"But John Huston … had the final say. He decided not to keep the scene in. He used a different take. The producer, Frank Taylor, thought that it was so groundbreaking and extraordinary that a major mainstream actress would do that, he saved it.”
Casillo added that Curtice is being “very, very cautious” with the footage, which is in mint condition and includes sound. Taylor, who was still hopeful the scene would make the final cut, had it fully edited and prepped for viewing.

Marilyn Monroe's turbulent childhood caused the movie star to become very insecure over the years.
(Photofest)
“We don’t know for sure if it will ever be released,” admitted Casillo. “But with the amount of interest in Marilyn Monroe… I can’t say how, where or when, but it will not be kept under wraps forever. Somehow, some way, this will be seen.”
Monroe never got the chance to be the star of the first nude scene in a major American movie. In 1961, she and Miller called it quits. Monroe, who was battling a crippling depression, anxiety and low self-esteem, was under the round-the-clock care of a psychiatrist.
It was reported that around this time the actress was also struggling with substance abuse, as well as physical ailments, including endometriosis, which resulted in a public miscarriage during her marriage to Miller.

Marilyn Monroe filming "Something's Got to Give."
(Private collection of Charles Casillo)
Then in 1962, Monroe, who was in the middle of filming “Something’s Got to Give,” was fired from the romantic comedy after she was consistently late or absent for days at a time. She would be found dead from an apparent overdose just two months later.
Casillo described Monroe’s last day alive as “chaotic.”
“She had been living a very chaotic and frantic existence in her last months,” he explained. “She was on a downward spiral… She was 36 years old, and for her, that was devastating… In that era, a sex symbol, a love goddess, like Marilyn was, to be 36 was considered to be at the end of her rope.
"For someone like Marilyn [whose] whole identity and whole persona came from being sensual… the idea of losing that was very frightening to her… Also on the last day, she was furious about a lot of things… She was very angry, she was very frightened.”
On the night before she died, Monroe met a 25-year-old Warren Beatty , who was a mutual friend of fellow actor Peter Lawford. While the now-81-year-old actor told Vanity Fair in 2016 that he “hadn’t seen anything that beautiful,” the buxom blonde felt differently about herself.
“From her point of view, she was over the hill, because that’s what the media was saying about her,” said Casillo. “… She said, ‘I’m 3-6 and I’m frightened.’ She couldn’t even say her age. That’s how devastating it was for her… She said, ‘My life is becoming more and more disorganized. I’m becoming more and more unable to sleep. I’m up all night and I’m sleeping during the day. Everything I try, I just can’t control it.'"
Casillo claimed the conversation haunted Beatty for years.
“He was also known for his beauty and sex appeal,” said Casillo. “He started wondering, ‘What will happen when I lose it? Will I be in the same situation that Marilyn Monroe is in? … Will I have friends? Will people still love me?’”
Beatty himself said he noticed Monroe was “already tipsy from the champagne” even “before the sun had set.”

Marilyn Monroe and her mother Gladys.
(Private collection of Charles Casillo)
Casillo shared part of Monroe’s emotional turmoil stemmed from her life-long quest to develop a relationship with her father after enduring an erratic childhood in a series of foster homes where she was sexually abused, only to be brutally rejected.
“She was born illegitimately and her mother was in and out of mental institutions,” he explained. “… Her mother would show her a photo of a man with a fedora, a handsome guy, saying, ‘This is your father.’ At that time, Marilyn was shuffled from one foster home to another.
"She was in orphanages. She felt like she didn't belong anywhere, and her father came to represent security and someone who would love her and take her away from the kind of miserable existence that she had.

Marilyn Monroe's father.
(Photofest)
“… When she became an adult, she did try to contact him, and he wouldn’t talk to her. He wouldn’t see her. He said, ‘Talk to my lawyer.’ So he wouldn’t recognize her as being his daughter. I think that Marilyn spent her whole life trying to find a man to be a substitute for her father, someone who would be a savior, someone who would protect her, someone who would comfort the little girl that was always inside of her.”
Toward the end of her life, Monroe received an unlikely phone call from her alleged rival — Elizabeth Taylor . The actress, who was filming 1963’s “Cleopatra,” reached out to Monroe from Rome after hearing she had been fired from “Something’s Got to Give.”
“She said, ‘Marilyn, everything that you’re going through, I’ve gone through,’” said Casillo. “‘…I will walk off this film in solidarity with you. I’ll call the press, I’ll tell them I’m walking off because Marilyn is being treated unfairly.’ That’s astonishing to find out about Elizabeth Taylor that she… would hold up this epic movie, tens of millions of dollars in debt, to help Marilyn.”
Monroe declined the offer, explaining there was no reason for both actresses to hurt their careers. But Taylor offered one piece of advice.
“She said, ‘No matter what they say about me, no matter how they criticize me, I just smile and I keep on walking,’” claimed Casillo. “‘Just smile and keep on walking.’ Elizabeth Taylor was able to do that. Marilyn wasn’t.”
Stephanie Nolasco covers entertainment at Foxnews.com.
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More stories to check out before you go
In what would have been her last film before her untimely death, Marilyn Monroe had a risque idea for what she hoped would become a famous scene.
Marilyn Monroe had an idea about how to make a major splash while working on an movie.
The iconic actress – who was filming what would be her final unfinished film, 1962’s Something’s Got To Give – had a pool scene in which she would emerge from the crystal clear water.
But while she would go in wearing a flesh-toned swimsuit, America’s most famous sex symbol would come out wearing nothing at all.
Photojournalist Lawrence Schiller, who was on set documenting the moment, is remembering the film icon on what would have been her 94th birthday.
He is teaming up with New Orleans-based antique dealer M.S. Rau to release limited edition photos taken by the lensman.
The blonde bombshell passed away in 1962 at age 36 from a barbiturate overdose.
Schiller, who was 26 at the time and already gaining recognition for his work, told Fox News that Monroe knew exactly what she was doing.
“I’m in her house – (she’d) just come back from Mexico,” he recalled.
“She had all these floor tiles that she was going to redo in the kitchen and she was trying to pick out what colour blue she liked.
“She was asking for my opinion – not that my opinion meant anything to her. Maybe she was being polite or something. And she said, ‘Oh, you know about that scene in the movie where I’m supposed to be in a swimming pool and I have a bathing suit on, but it looks like I’m nude?’
“And I said, ‘Yeah, that’s going to really make some good pictures.’ She said, ‘Larry, what would happen if I jumped in the swimming pool with the bathing suit on, but I came (out) with nothing on?’
“I said, ‘Well, Marilyn, the problem really is … you’re already famous, now you’re going to make me famous.’ She looks at me and giggles and says, ‘Larry, I can fire you in two seconds.’ Of course, she didn’t fire me.”
At the time, Monroe’s Hollywood rival, Elizabeth Taylor, was in Rome filming the epic drama Cleopatra .
The film made her the first actress to be paid a million-dollar salary. But working overtime, Taylor earned more than twice that amount.
Monroe was only earning $125,000 for her comedy, which also starred Dean Martin, Cyd Charisse and Wally Cox, among others.
“‘I should be getting that kind of money!’” Schiller remembered Monroe telling him about Taylor’s stunning salary.
“‘That’s why I want to come out of the swimming pool with no clothes on. Because the pictures will then be on the cover of all the magazines and they won’t have Liz Taylor to look at. If you shoot the pictures, I want to make sure that when you release them, everybody’s got to put me on the cover and Liz Taylor can’t be in the same issue of the magazine.’”
Schiller admitted he was stunned at how savvy of a businesswoman Monroe was as she was often depicted as a “dumb blonde”.
“Marilyn knew exactly what to do,” he said.
“You didn’t have to tell her, ‘Pose this way or that way’ in between the takes. She knew exactly what to do when she was directing herself. I felt quite honestly that I was the technical guy who was like a sponge. I was capturing it and absorbing it. Preserving it. But Marilyn was directing.”
At the time, Monroe developed an unflattering reputation on set of the movie for being notoriously late.
And the final years of her life were becoming increasingly erratic. By 1961, Monroe was under the constant care of her psychiatrist and lived as a recluse in her Brentwood, California home.
She had undergone surgery for endometriosis, had a cholecystectomy (the removal of her gallbladder), was briefly hospitalised for depression and endured addiction, UK’s Independent reported.
Monroe was frequently absent from the set and when she did appear, the star had to be coaxed to leave her trailer, the outlet reported.
And when it came time to perform, Monroe had forgotten many of her lines. She would apologise profusely but the crew couldn’t hide their frustration.
“You have to remember that every day on set with Marilyn was problematic because everybody goes to work in the movie business like 8, 9, 10 o’clock,” Schiller said.
“You’re lucky if Marilyn showed up at 11.30. And meanwhile, everybody’s sitting around just waiting, waiting, waiting. And of course, that’s money … going out the window.
“And then she would show up … giggle as if nobody had waited a minute … And then she would go into her dressing room and be there for another half hour, or hour.”
Despite her personal battles, a noticeably slimmer Monroe was eager to show Hollywood she was still valuable and knew her worth, Schiller said.
But the studio and production team had little sympathy for the visibly troubled star. Just months before her death, Monroe was fired from the film.
Schiller still vividly remembers the last time he saw Monroe alive.
“I was going to Palm Springs with my first wife and daughter,” he said.
“I went to her house because we were talking about doing the cover of Playboy magazine. She kind of liked the idea and (Hugh) Hefner had written a personal note.
“The idea was a front cover and back cover. Her press agent Pat Newcomb didn’t like the idea. You know, ‘You don’t have to go that far.’
“She already had Vogue magazine. I went out to talk to her and see whether she really wanted to do it. By then she had been fired by the studio.
“We had a conversation and then all of a sudden, she turned to me and said, ‘Oh, they’re just interested in my body – nothing else but my body!’ Something like that. … I just knew I had to get the hell out of there.
“I blew her a kiss and drove off. The next morning I got a phone call. Marilyn was dead.”
Schiller was present at Monroe’s funeral and shot a now-iconic photo of a devastated Joe DiMaggio, Monroe’s ex-husband.
Today, Schiller still wonders what might have been for Monroe, a woman he described as “a fine actress,” an intellectual who enjoyed reading about her idol Abraham Lincoln, knew more about photography and lighting than expert cameramen and was determined to be taken seriously as a bankable businesswoman in Hollywood.
“(These photos are) a mirror to another era,” he reflected.
“It’s a window to what was and what no longer exists. And I don’t necessarily mean Marilyn as a person. It’s a whole different ball game now.
“(Back then, these stars) were there to entertain. And they made great films. Yes, we make fine films now, but when you start thinking about great films, you don’t think of anything made in the last five years, even though there have been some fine films made.
“I personally think it’s a window into a period of American history, world history, which we will never see again.”
This story originally appeared on Fox News and has been reproduced here with permission
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