Mamie Van Doren Topless
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Mamie Van Doren Topless
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It’s 1964, and Rudi Gernreich has just unveiled the monokini, a somewhat awkward topless swimsuit that was a predictable sensation. Gernreich was a gay Austrian designer who was opposed to the sexualisation of the body and he wanted to normalise nudity – what better way, then, than to allow women to sunbathe with their breasts exposed? Naturally, the monokini was a controversial invention – the first American model to be photographed wearing one, Peggy Moffat, received death threats and the costume was condemned by religious figures and moralists. Nevertheless, some 3000 were sold in New York alone in 1964, and at least a few of these must have been worn outside the house. More than that though, it was a sensational idea that caught the imagination of both liberated women and horny men, and was a major news story across the world. Stories of topless sunbathers in St Tropez seemed like the vanguard of a new movement – as, indeed, they were – by the 1970s, topless sunbathing (albeit usually by simply wearing the lower half of a two piece bikini rather than the monokini, thus allowing cover-ups if required) was the norm on the continent.
If your average mid-Sixties red-blooded male was asked who should be the should be the ideal wearer of the monokini, he might well have said Mamie Van Doren , the rock ‘n’ roll platinum blonde bad girl version of Marilyn and Jayne, or June Wilkinson, the British born glamour model who had worked with the likes of Russ Meyer . Both Van Doren and Wilkinson, had reached the height of their fame in the second half of the 1950s, but aged 33 and 24 respectively, they were hardly over the hill, and both were legendary sex symbols not adverse to taking their clothes off. So they seemed the ideal pairing for a novelty single exploiting the new topless craze.
Bikini with No Top on the Top was released by Jubilee Records in the USA and tells the unlikely story of Mamie and June heading down to the beach together where they go unnoticed until they whip off their robes and reveal themselves to be – shock, horror! – topless. Fame and fortune quickly follows.
With a thumping beat provided by Billy Strange and the Senators, this is a magnificent novelty record – exactly the sort of beat girl groove that you would expect Mamie to come out with. It wasn’t a hit of course, but copies today will set you back more than an original monokini would.
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Looking back at the short-lived craze for topless fashion and the public outrage that it caused. 1964 was a strange point in British history, caught between the first chinks of daylight peeping through a strict moral structure that had been in place for the entire 20th century and the coming…
Bikini girls and tabloid sensationalism in the pioneering men's magazine.
Britain's top glamour girl of the 1950s remembered.
Reblogged this on Commander Cookie Wolf and commented:
The whole concept of sending someone death threats because you don’t like what they’re wearing (or for any reason, really) is just freakish to me…
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Check out Mamie Van Doren’s nude photo collection. The blonde poses naked, showing her big natural “classic” tits.
Mamie Van Doren (Joan Lucille Olander; February 6, 1931) is an American actress, singer, model. She was a sex symbol and is known for being one of the first actresses to recreate the look of Marilyn Monroe. Mamie is perhaps best remembered for the films “3 Nuts in Search of a Bolt”, “Untamed Youth” and “Slackers”.
Thurston Howell’s wife has some nice funbags.
Used to be famous for being Ray Anthony’s wife… And being still alive at 90.
I BET HER PUSSY TASTES LIKE COTTON CANDY….
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From Wikipedia, the free encyclopedia
Mamie Van Doren at the 2007 launch of her new wine
This section of a biography of a living person needs additional citations for verification . Please help by adding reliable sources . Contentious material about living persons that is unsourced or poorly sourced must be removed immediately , especially if potentially libelous or harmful. Find sources: "Mamie Van Doren" – news · newspapers · books · scholar · JSTOR ( December 2017 ) ( Learn how and when to remove this template message )
^ Jump up to: a b 1940 United States Census, United States census , 1940; Sioux City, Iowa; page 480, line 13, enumeration district 97-61B. Retrieved on February 13, 2014.
^ Jump up to: a b King, Susan (January 1, 2011). "Mamie Van Doren is all dressed up" . Los Angeles Times . Retrieved 9 September 2012 .
^ Jump up to: a b Thomas, Bob (January 22, 1954). "Mamie Van Doren Wants to Quit Shadowing Monroe" . The Tuscaloosa News . Associated Press. p. 5.
^ "Baby Has 10 Grandparents, Six of Whom Are 'Greats' " . Argus Leader . Sioux Falls. April 8, 1931. p. 15 . Retrieved September 29, 2017 .
^ "More Than 4000 Amvets to Convene Here in 3-Day Convention Starting Today" . The Desert Sun . Palm Springs. May 6, 1949. p. 1 . Retrieved September 29, 2017 .
^ Jump up to: a b King, Dennis (May 25, 2010). "Tree monsters attack in a sci-fi film recently released on DVD" . The Oklahoman . Retrieved 9 September 2012 .
^ Jump up to: a b Schwed, Mark (June 6, 1986). " 'Canned Film Festival' due" . The Bulletin . Bend, Oregon. United Press International . p. 31 What's On? . Retrieved 9 September 2012 .
^ Wilson, Earl (August 7, 1962). "Kitty Lost Voice, Found Religion" . The Milwaukee Sentinel . Retrieved 9 September 2012 .
^ Lowe, Barry; Mamie Van Doren (April 28, 2008). Atomic blonde: the films of Mamie Van Doren . McFarland. p. 190. ISBN 978-0786482733 .
^ Van Doren, Mamie; Art Aveilhe (1987). Playing the Field: My Story . New York: G. P. Putnam's Sons . ISBN 978-0-399-13240-7 .
^ Nolasco, Stephanie (February 28, 2020). " '50s sex symbol Mamie Van Doren on leaving Hollywood after Marilyn Monroe's death: 'There were a lot of drugs' " . Fox News . Retrieved May 30, 2020 .
^ Van Doren, Mamie (27 December 2021). "China & Me Coming Soon" . Inside / Out: The Dangerous Blog of Mamie Van Doren .
^ "It's Good to be Bad! Mamie van Doren Reflects on Life, Love and More" . 21 January 2021.
^ " 'Miss Palm Springs' Receives Divorce" . The San Bernardino County Sun . May 7, 1949. p. 11 . Retrieved September 29, 2017 .
^ Jump up to: a b c Thomas, Bob (December 2, 1997). "Sex goddess lives to tell her story" . TimesDaily . Florence, Alabama. Associated Press. p. 21D . Retrieved 9 September 2012 .
^ Phillips, Darell (June 23, 1966). "Time Out" . The Modesto Bee . Retrieved 9 September 2012 .
^ "People in the News" . Times-News . Hendersonville, North Carolina. Associated Press. December 5, 1972. p. 3 . Retrieved 9 September 2012 .
^ "Mamie Van Doren Bares All" . Star-News . Wilmington, NC. August 5, 1987. p. 2D . Retrieved 9 September 2012 .
^ "Klean Kut Kids" . The Portsmouth Times . UPI Telephoto. August 27, 1964. p. 32 . Retrieved 9 September 2012 .
^ "The Brightest Stars from New-York to Los Angeles" (PDF) . Archived from the original on October 13, 2012.
Mamie Van Doren (born Joan Lucille Olander ; February 6, 1931) [1] is an American actress, model, singer, and sex symbol . [2] [3] She is perhaps best remembered for the rock 'n' roll, juvenile delinquency exploitation film Untamed Youth (1957).
Van Doren was born on February 6, 1931, in Rowena , South Dakota , the daughter of Warner Carl Olander and Lucille Harriet Bennett. [3] [4] She is of three-quarters Swedish ancestry; the remainder is mixed English and German. In 1939, the family moved to Sioux City , Iowa , and then to Los Angeles during May 1942.
In early 1946, Van Doren began working as an usher at the Pantages Theatre in Hollywood . The following year, she had a bit part on an early television series. She sang with Ted Fio Rito 's band and entered several beauty contests . At age 17, she eloped to Santa Barbara, California , with Jack Newman, but because of his abusive nature the marriage was quickly dissolved. In the summer of 1949, at age 18, she won the titles Miss Eight Ball and Miss Palm Springs. [5] She was engaged to heavyweight boxing champion Jack Dempsey , but broke the engagement upon signing a contract with Universal Studios .
Producer Howard Hughes discovered Van Doren when she was crowned Miss Palm Springs. The pair dated for several years. Hughes launched her career by placing her in several RKO films.
In 1950, Hughes provided Van Doren with a bit part in Jet Pilot at RKO Radio Pictures , which was her film debut. Her line of dialogue consisted of one word, "Look!" and she appears uncredited in the film. Though production of the movie was from 1949 to 1953 (delays by Hughes), it was not released until 1957. The following year, 1951, she posed for pin-up girl artist Alberto Vargas .
Van Doren did a few more bit parts in movies at RKO, including His Kind of Woman (1951) starring Robert Mitchum , Jane Russell and Vincent Price . About her appearance in this movie, Van Doren said "If you blinked you would miss me. I look barely old enough to drive."
Van Doren then began working on the stage. She was a showgirl in New York City in Monte Proser's nightclub version of Billion Dollar Baby . Songwriter Jimmy McHugh discovered her for his musicals, then decided she was too good for the chorus line and should have dramatic training. She studied with Ben Bard and Bliss-Hayden . While appearing in the role of Marie in a showcase production of Come Back, Little Sheba , Van Doren was seen by Phil Benjamin, a casting director at Universal International.
On January 20, 1953, Van Doren signed a contract with Universal Studios. They had big plans for her, hoping she would bring the same kind of success that 20th Century Fox had with Marilyn Monroe . Van Doren, whose signing day coincided with the inauguration of President Eisenhower , was given the first name Mamie for Ike's wife, Mamie Eisenhower . Other Van Dorens, who were unrelated to Mamie, were a prominent and noted family of American intellectuals; these Van Dorens included two Pulitzer Prize -winning brothers, Carl (biographer) and Mark (poet), and Mark's wife Dorothy , an academic and historian.
Universal first cast Van Doren in a minor role as a singer in Forbidden , starring Tony Curtis . Interested in Van Doren's allure, Universal then cast her in The All American (1953), (also starring Tony Curtis), playing her first major role as Susie Ward, a wayward girl who is the man-trap at a campus beer joint. In Yankee Pasha (1954), starring Jeff Chandler and Rhonda Fleming , she played a slave girl in a supporting role. In 1955, she had a supporting role in the musical Ain't Misbehavin' and starred in the crime-drama Running Wild . Van Doren turned down a Broadway role in the play Will Success Spoil Rock Hunter? and was replaced by newcomer Jayne Mansfield .
In 1956, Van Doren appeared opposite a young and unknown Clint Eastwood in Star in the Dust . Though Van Doren garnered prominent billing alongside John Agar and Richard Boone , she appears rather briefly, as the daughter of a ranch owner. By this time, Van Doren had grown tired of Universal, which was casting her in non-breakthrough roles. Van Doren began accepting bigger and better roles in better movies from other studios.
Van Doren went on to star in several bad girl movies that later became cult films. She also appeared in some of the first movies to feature rock 'n' roll music and became identified with this rebellious style, and she made some rock records. One of her rock 'n' roll films, Untamed Youth , later was featured in the 1990 Mystery Science Theater 3000 episode "Untamed Youth".
Some of Van Doren's more noteworthy movies include Teacher's Pet (1958) at Paramount Pictures , Born Reckless (1958) at Warner Brothers , High School Confidential (1958), and The Beat Generation (1959), the latter two at Metro-Goldwyn-Mayer . But Van Doren was just as well known for her provocative roles. She was in prison for Girls Town (1959), which provoked censors with a shower scene where audiences could see Van Doren's naked back. As Eve in The Private Lives of Adam and Eve (1960) she wore only fig leaves, and in other films, like The Beautiful Legs of Sabrina (1959), Sex Kittens Go to College (1960), and Vice Raid (1960) audiences understood the nature of the films from the titles.
Many of Van Doren's film roles showcased her ample curves, and her onscreen wardrobe usually consisted of tight sweaters, low-cut blouses, form-fitting dresses, and daring (for the era) swimsuits, but she and such other blonde bombshell contemporaries as Jayne Mansfield , Cleo Moore , Sheree North , Anita Ekberg , Barbara Lang , Joi Lansing , Greta Thyssen , and Barbara Nichols did not attain the same level of superstar status as Marilyn Monroe . Marilyn, Mamie, and Mansfield were known as "The Three M's". But by comparison, where Monroe succeeded in Gentlemen Prefer Blondes and Mansfield had big success replacing Van Doren in Will Success Spoil Rock Hunter? , Universal stuck Van Doren with Francis the Talking Mule in Francis Joins the WACS (1954).
After Universal Studios chose not to renew her contract in 1959, Van Doren was then a free agent and struggled to find work. Some of her later movies were foreign and independent productions, which did little to keep her image in the public's eye. Many of the productions were low-budget B movies with some having gained a cult following for their high camp value. [6] [7]
The first of these later films was Sex Kittens Go to College (1960), which co-starred Tuesday Weld . Following the completion of the Argentine film The Blonde from Buenos Aires (1961), Van Doren took time off from her career. [8] She came back in The Candidate (1964), soon followed by Freddy in the Wild West , both of which were low-budget films that left little impact. In 1964, Tommy Noonan convinced Van Doren to appear in 3 Nuts in Search of a Bolt . Van Doren had turned down Noonan's previous offer to star opposite Jayne Mansfield in Promises! Promises! , and was replaced with Marie McDonald . In 3 Nuts in Search of a Bolt , Mamie did a beer-bath scene but is not seen nude. She posed for Playboy to promote the film.
Van Doren next appeared in The Las Vegas Hillbillys (1966) released by Woolner Brothers . [7] This film co-starred Mansfield; this was the only time two of "The Three M's" appeared together in a film. A sequel was titled Hillbillys in a Haunted House , but Van Doren turned this role down, and was replaced by Joi Lansing . She then appeared in The Navy vs. the Night Monsters (1966), a science-fiction movie. [6] In 1967, she appeared in You've Got to Be Smart , and starred in the science fiction film Voyage to the Planet of Prehistoric Women (1968), the following year, directed by Peter Bogdanovich .
Van Doren also developed a nightclub act and did live theater. She performed in stage productions of Gentlemen Prefer Blondes and Dames at Sea at the Drury Lane Theater in Chicago as well as appeared in Will Success Spoil Rock Hunter? and The Tender Trap at the Arlington Park Theater. In the 1970s, Van Doren performed a nightclub act in Las Vegas.
In 1970, Van Doren had a supporting role in the western comedy The Arizona Kid . In 1975, she starred in the film That Girl From Boston , adapted from a Robert Rimmer novel, but the film was never released. Since then, Van Doren has appeared only in cameos in low-budget films. To this date, Van Doren's last film appearance was a role in the direct-to-video drama The American Tetralogy (2013). [9]
Van Doren released Playing the Field (1987), her autobiography, which brought much new attention and proved to be her biggest media splash in over 25 years. [10] She has consistently denied in interviews ever having breast implants. In 2006, Mamie posed for photographs for Vanity Fair with Pamela Anderson as part of its annual Hollywood issue.
Between 2020 and 2022, Van Doren reportedly was working on a follow-up to her aforementioned autobiography; in an interview with Fox News in February 2020, Van Doren announced that she is working on a follow-up to her autobiography. She remarked that "...a lot has happened between 1987 and 2020. So now I’m writing about what it’s like getting older and appreciating life a little more as you go along, as well as getting smarter as you get older. There’s so much to write about." [11]
The title of her follow-up book was announced in December 2021 as "China & Me: Wind Flapping, Feather Pulling, and Love on the Wing", a memoir about her pet parrot China. Van Doren describes the story as "a look behind the curtain into my everyday life. It’s often funny, but, like so many things in life, it has its moments of sadness. Over the decades I’ve integrated a wild animal into a human household, played matchmaker to find him a mate, and cared for his offspring. I’m blessed to have had China as companion, confessor, and straight man all these years; and he’s still with me today." [12] The book has a planned January 2022 release.
In an interview with Closer in January 2021, she also reflected on the #MeToo movement, 'I’ve thought a lot about that. There are some things I would question, but I’ve also always been behind any woman with a problem because I have had plenty of them myself. [In my time] if I wanted to go to bed with someone, I’d go to bed with them, but I never did it for a movie. [A predator] would know that he was in for a fight if he ever came around me. [It would be] nails out, kicking and screaming.' [13]
Van Doren has been married five times. In 1949, she married sportswear manufacturer Jack Newman; she divorced him later that same year. [14] Her second marriage was to bandleader, composer and actor Ray Anthony whom she married in 1955. They had one son, Perry Ray Anthony, born March 18, 1956. [15] The couple divorced in 1961. When Van Doren's early 1960s, highly publicized, on-again off-again engagement to baseball player Bo Belinsky ended in 1964, she married baseball player Lee Meyers in 1966. They divorced in 1968. [16] Her fourth marriage was to businessman Ross McClintock in 1972. They met while working on President Nixon's re-election campaign; the marriage was annulled in 1973. [17] Since 1979, she has been married to Thomas Dixon, an actor and dentist. [15]
In her autobiography, Van Doren
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