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Anshuman Jha as Rahul [4]
Nushrat Bharucha as Shruti
Sandeep Bose as Shruti's Dad
Rajkummar Rao as Adarsh
Neha Chauhan as Rashmi
Arya Banerjee as Naina
Herry Tangri as Loki Local
Amit Sial as Prabhat
Atul Mongia as Atul
Ashish Sharma as Shahid
Taran Bajaj as Goldie
Aaditi Pohankar

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^ Jump up to: a b Tutorial on Digital Film-Making by Dibakar Banerjee – Part 6 . India: LSD the film. 10 March 2010 – via YouTube.

^ Jump up to: a b Singh, Harmeet (25 May 2010). "Why Love, Sex Aur Dhoka is a game changing film" . The Indian Express . Archived from the original on 10 June 2018 . Retrieved 12 May 2018 .

^ "LSD – Love Sex Aur Dhokha (Original Motion Picture Soundtrack)" . iTunes Store . Archived from the original on 13 May 2018 . Retrieved 12 May 2018 .

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^ Jump up to: a b "Sneha Khanwalkar's shock-treatment in Love Sex Aur Dhokha" . Bollywood Hungama . 3 April 2010. Archived from the original on 16 May 2018 . Retrieved 15 May 2018 .

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^ Patel, Devansh (14 July 2010). " "I'm going to London to see if LSD has world audience" – Dibakar Banerjee: Part 1" . Bollywood Hungama . Archived from the original on 16 May 2018 . Retrieved 15 May 2018 .

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Love Sex Aur Dhokha ( transl. Love, sex and betrayal ; also known by the initialism LSD ) is a 2010 Indian Hindi -language anthology found footage drama film directed by Dibakar Banerjee and written by Banerjee and Kanu Behl . Jointly produced by Ekta Kapoor , Shobha Kapoor and Priya Sreedharan under the banner of ALT Entertainment, the film stars mostly newcomers including Anshuman Jha , Nushrat Bharucha , Rajkummar Rao , Neha Chauhan, Amit Sial , Herry Tangri and Ashish Sharma . It has three separate but interlinked stories about an honour killing , an MMS scandal and sting operations .

Banerjee conceived the film after he came across several video clips containing sexual content including the DPS MMS clip and wanted to explore what led to that situation. He then wrote two short stories, which he later expanded into three. The film was made entirely using digital formats with different cameras, including a handycam, an amateur film camera, a security camera, an underwater camera and spy cameras. Nikos Andritsakis served as the film's cinematographer and Namrata Rao was its editor. The film's music was composed by Sneha Khanwalkar and the lyrics were written by Banerjee.

Love Sex Aur Dhokha was screened at the 2010 London Indian Film Festival and the Munich International Film Festival . It was released in India on 19 March 2010 to positive reviews from critics. The film was made on a budget of ₹ 20 million (US$250,000); it grossed ₹ 97.8 million (US$1.2 million) and proved to be a commercial success. Rao and Pritam Das won the Best Editing and the Best Sound Design Award , respectively, at the 56th Filmfare Awards . Khanwalkar received the R. D. Burman Music Award .

Rahul, a young amateur film director in his early 20s decides to make a small-budget film for the diploma of his film course. He conducts an audition and meets Shruti, a young girl whom he chooses for the leading role. Shruti belongs to an orthodox family and her father is a real estate magnate. The two bond and become closer, but Shruti's overprotective, aggressive brother overhears their telephone conversation and attacks the film set to find out the identity of the caller. Shruti tells Rahul her father will get her married to someone else; they elope and get married. From their honeymoon suite, they telephone Shruti's family and ask for their acceptance; her father and brother are initially angry but then approve and tell them they will be sending a car to pick them up from the hotel. During the journey, Rahul and Shruti are ambushed by Shruti's brother and his goons who murder them, dismember their bodies with an ax and bury their remains .

Shruti's friend Rashmi is a quiet woman who works night shifts in a supermarket to support her family. Adarsh, a supermarket supervisor, has obtained his job by using his family connections with the store's owner and has debts with loan sharks. He makes a pact with a friend to make a sex tape with one of the employees to sell to the media for a large sum of money; Adarsh chooses Rashmi, for whom he develops genuine feelings. He decides to back out of the plan but his feelings for Rashmi are suppressed by his greed. Rashmi receives news about the gruesome deaths of Shruti and Rahul and is deeply saddened. Taking advantage of Rashmi's vulnerability, Adarsh has sex with her and captures it on the shop's security camera. Having sold the footage, Adarsh is able to pay off his debts. It is later revealed that Rashmi was fired from the supermarket and shunned by her family.

Prabhat, an investigative reporter, is desperate for a sensational story so he will be paid a bonus by the news company that employs him. He saves the life of aspiring dancer Naina, who tries to commit suicide by jumping from a bridge. Naina is initially furious at Prabhat but plans a sting operation with him to take revenge on Loki Local, a music producer and singer who asked her to trade sex for the position of a leading dancer in his upcoming music video. Prabhat and Naina take the sting footage to the media, who encourage them to plan another sting; Naina will supposedly blackmail Loki by threatening to reveal the initial footage in an attempt to catch him trying to bribe her—to render false any accusations by Loki of fabrication of footage. Naina meets Loki in the supermarket where Rashmi works to execute the sting, while Prabhat watches closely. The plan goes awry when Loki tries to steal the camera and shoots Prabhat, who is admitted to the hospital. Naina goes to meet Prabhat to hand over the footage so he can get the bonus, but he decides to protect Naina's dignity, refuses to give his superiors the footage and resigns. It is revealed that Naina has betrayed Prabhat by accepting the role as the lead dancer in Loki's new music video.

I realised when we see an MMS we actively do not want to engage with the characters. We don't know what had happened before or after the sex tape. That's when I thought-suppose a camera catches both, what if you start building back the context to the relationship? What if the same camera saw them coming together, holding hands etc. Out of that came the idea of shooting with just the security camera, yet tell a very involved tale.

Director Dibakar Banerjee said several real-life sex scandals, including the DPS MMS scandal , inspired him to make Love Sex Aur Dhokha because he "wanted to do something on what led to that incident". [6] [7] He co-wrote two short stories with Kanu Behl , which they later expanded into three. [6] [8] According to Banerjee, he found some sex tapes "hilarious" because "those people, while having sex were also struggling with the camera, the ergonomics of how to shoot while having sex". [5] He wrote a two-page story about a man who is in love and "the contrast between what he thinks love should be and what it actually is". [7] The film consisted of three stories dealt with issues of honour killings, sexual exploitation and voyeurism. [9] The second story is based on diploma film footage that Banerjee had retrieved. [1] He said the three stories were connected; "the way we played with time, and cause and effect and the fundamental rule that every story has a beginning, a middle and an end". [10]

Banerjee approached Ekta Kapoor after they finished writing the script; he said Kapoor "readily agreed" to produce it. [1] In 2010, Kapoor launched ALT Entertainment and decided to release Love Sex Aur Dhokha under her banner. [11] The film was jointly produced by Balaji Motion Pictures 's ALT Entertainment and Priya Sreedharan. [12] In June 2009, it was announced that Banerjee would make an experimental film about the impact of digital technology for Kapoor's company. [13] Banerjee said, "Earlier, we would have sex because we wanted to have sex. Today, we have sex to get caught on a tape, to further their career or to make friends. That is the issue that the film is examining." [7] Banerjee stated that he wanted to examine "voyeurism", which "the whole society finds itself trapped in", through the film. [12] Banerjee was inspired by the Tehelka sting operations for the third story of his film, which is about a sting operation on a pop star. [14] According to him, several clichéd dialogues of Hindi cinema were used in the film to show a "mirror" because the "trajectory is very similar to a typical Bollywood film and yet very different". [15]

Banerjee and his team decided to cast newcomers and unknown professional actors. [1] The cast consisted of actors including Neha Chauhan, Rajkummar Rao , Anshuman Jha , Nushrat Bharucha and Amit Sial . [16] The casting director of the film was Atul Mongia , who also acted in it. [17] Neha Chauhan was cast after Banerjee saw her in her brother's wedding video; Chauhan wanted to assist Banerjee but he chose her for the role of Rashmi. [17] Mongia auditioned 15 people a day for three and a half months to cast the 75 characters in the film. [17] He screened almost 2,000 actors and auditioned 1,000 of them; some actors were chosen from the street. Sandeep Bose, who runs a casting agency, sent actors for auditions and was eventually cast in the role of Shruti's father in the first story. [17] The three actors who were shortlisted for lead characters underwent through a two-month workshop in Prithvi Theatre. They were asked to act out random situations and improvise scenes. [17] Arya Banerjee, daughter of sitar player Nikhil Banerjee , was cast in the role of model Naina. [16] Herry Tangri was cast in the role of pop star Loki local. Rajkummar Rao, an alumnus of Film and Television Institute of India , was cast as Adarsh; to resemble his character's physique he had to lose six kilograms (13 lb) in a month. [16] The film was edited by Namrata Rao , who also acted in a small role. [16]

Love Sex aur Dhokha is the first Indian film to be shot in the digital format. [18] It was made using guerrilla film-making techniques in locations in Mumbai by the director of photography Nikos Andritsakis. [1] It was filmed with different cameras, including a handycam , an amateur film camera, night-vision cameras , a security camera, an underwater camera and a spy camera. [19] The stories are told from the camera's point of view; Banerjee said, "It is almost as if the camera is a character and to do that you have to give the camera character". [7] The film was made with different kinds of camera. [20] Banerjee said he chose to work digitally to get the aesthetics that he could not get on 35 mm film. [21] An item song titled "I Can't Hold It" was purposely filmed poorly because in the film, the song is being shot by an amateur film director who makes mistakes. [22]

Banerjee said many takes were required for the five-second shot in which a woman jumps into the sea because "the camera jumped along with her, filming her movements". [1] Andritsakis wanted to give the film a "video look" that has a "harsh" pictu
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