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From Wikipedia, the free encyclopedia
For the 1969 novel by Sue Grafton on which the motion picture is based, see The Lolly-Madonna War .
Films directed by Richard C. Sarafian
Lolly-Madonna XXX (a.k.a. The Lolly-Madonna War ) is a 1973 film directed by Richard C. Sarafian . The film was co-written by Rodney Carr-Smith and Sue Grafton , based on the 1969 novel The Lolly-Madonna War by Grafton. [1]
The movie was filmed in rural Union County, Tennessee . [2]
Two families in rural Tennessee, headed by patriarchs Laban Feather and Pap Gutshall are at odds with each other. The sons of the two families play harmless tricks on each other but soon the Feather boys decide to kidnap a girl, escalating the rivalry. She turns out to be innocent bystander Roonie Gill, not the made-up Gutshall girlfriend "Lolly Madonna" that the Gutshall clan had invented to get the Feathers away from their still. As events escalate, Zack Feather and Roonie fall in love and try to bring the others to their senses, but to no avail. One family busts up another's still; and in retaliation, the sons of that family assault the daughter of the other. After the feud results in a fiery confrontation in a meadow, where one of the Feather boys is fatally wounded and the mother of the Gutshall kin is shot to death, the two families regroup in order to gear up for a final deadly confrontation. With the exception of Sister E Gutshall, who packs a suitcase and leaves home, the participants engage in battle at the Feather homestead. In the end, all combatants die.
The film had a mixed reception from the critics. Vincent Canby of The New York Times starts his review as follows:
Lolly-Madonna XXX is a disaster, but I can't tell whether it's because hillbillies make rotten metaphors or because Richard C. Sarafian has made a rotten movie. [3]
On the other hand, Variety had this to say:
Sue Grafton's novel, The Lolly-Madonna War , has been handsomely and sensitively filmed. Excellent performances abound by older and younger players in a mountain-country clan feud story which mixes extraordinary human compassion with raw but discreet violence. [4]
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