Lolita + Video

Lolita + Video
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Alle Titel TV-Folgen Prominente Unternehmen Stichwörter Erweiterte Suche
Vollständig unterstützt English (United States) Teilweise unterstützt Français (Canada) Français (France) Deutsch (Deutschland) हिंदी (भारत) Italiano (Italia) Português (Brasil) Español (España) Español (México)
2 Gewinne & 10 Nominierungen insgesamt
Vladimir Nabokov (screenplay) (novel "Lolita") Stanley Kubrick (Nicht genannt) James B. Harris (Nicht genannt)
Peter Sellers modeled the voice of his character Clare Quilty on that of his director, Stanley Kubrick .
Director Stanley Kubrick walks out of the very first interior shot (center to right bottom) of Humbert entering Quilty's house.
The credits are played over footage of Lolita's toenails being painted.
The scene where Lolita first "seduces" Humbert as he lies in the cot is a good 10 seconds longer in the British cut of the film. In the U.S. cut, the shot fades as she whispers the details of the "game" she played with Charlie at camp. In the U.K. print, the shot continues as Humbert mumbles that he's not familiar with the game. She then bends down again to whisper more details. Kubrick then cuts to a closer shot of Lolita's head as she says "Well, allrighty then" and then fades as she begins to descend to Humbert on the cot. The British cut of the film was used for the Region 1 DVD release.
Theme from Lolita by Bob Harris Orchestrated by Gil Grau
brilliant visual translation of the novel
It was very hard to get a hold of lolita. I couldn't rent it anywhere, 'till one day i stepped in the library and i went to their video section. And yes, they had it, Lolita. I was very happy to have found it, cause i had already read the novel by Vladimir Nabokov, which made a big impression on me, though sometimes i had to force myself to reading it. When i saw the movie, it was everything i hoped it would be when i read the novel. The images and environment that Kubrick put on film were exactly the same as the visual world that I created in my mind while I was reading the book. The actors were perfectly cast and the whole atmosphere, ambiance and tension, that Kubrick created in his film, felt exactly like they felt in the book. The screenplay could not have been written better by the master himself. When someone has read the book they'll know what i mean when i say that it seems almost impossible to make a film of it. The book is so complex, psychological and plays at so many different levels, that on screen, people wouldn't be able to make sense out of it. But the screenplay that Nabokov wrote was a lot more accesible and could therefore reach a bigger audience. The controversial novel was talked about a lot in its time and i think Stanley Kubrick, always controversial and provocative, was the perfect director to make a film out of it. And he did. The theme of sexual obsession is handled very subtle, but it IS being handled, and that gives the film the tension and controverse that we find in all of Kubrick's films. The film made a big impression on me, as the book did, but even more, they made the same impression on me, which satisfied me a great deal. Great film of a great book.
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What is the streaming release date of Lolita (1962) in Brazil?
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Ein Hochschullehrer mittleren Alters wird von einer vierzehnjährigen Nymphe betört. Ein Hochschullehrer mittleren Alters wird von einer vierzehnjährigen Nymphe betört. Ein Hochschullehrer mittleren Alters wird von einer vierzehnjährigen Nymphe betört.
Charlotte Haze : Do you believe in God?
Humbert Humbert : The question is does God believe in me?

Alle Titel TV-Folgen Prominente Unternehmen Stichwörter Erweiterte Suche
Vollständig unterstützt English (United States) Teilweise unterstützt Français (Canada) Français (France) Deutsch (Deutschland) हिंदी (भारत) Italiano (Italia) Português (Brasil) Español (España) Español (México)
Annabel Lee (as Emma Griffiths-Malin)
As Dominique Swain was a minor at age 15 when the movie was filmed, an adult body double had to be used for most of the sex scenes.
Charlotte threatens to "ground" Lolita. Though the term was known to airmen it would not assume its current familiar meaning for many years.
After the credits are over there is a brief clip where Lolita is shown
juggling a red apple.
The film was slightly cut to avoid a 'Not under 18' rating in Germany. An uncut version has been released on video.
Stormy Weather Written by Harold Arlen and Ted Koehler Performed by Lena Horne
Nabokov's best novel save for Pale Fire will probably never get an "ideal" filming, unless someone decides to actually commit Nabokov's own script to celluloid (he wrote it for the 1962 version, and his name appears in the credits, but the finished product was almost wholly the product of Kubrick's pen and Peter Sellers' ad-libbing). But I like both the Kubrick and the Lyne versions, with reservations. With Kubrick's, the only real problem is that it's not Nabokov. James Mason's performance contains the core of an accurate portrayal of Humbert, and he's often moving. But Sue Lyon was too old for her part and Sellers' Quilty is an altogether different conception from the author's (not that he isn't lots of fun). The film also suffers from having been filmed in the UK. Nabokov had a complex vision of America - vast, tacky, seductive, and grindingly mundane all at the same time - and this just can't be conveyed in a studio and with a few well-chosen locations. That's where Lyne's version excels. His compositions (or his cinematographer's) are indeed beautiful to look at, and (I think) capture suburban and roadside America very much the way Humbert would have experienced them. Irons is fine as Humbert, although the typecasting was initially painful to contemplate, and Swain is a vast improvement over Lyon as young Dolores: still a bit too old for the part (an inevitable problem, perhaps, for anyone who wants to film this book), but her intelligent performance makes up for this. Despite his cheesy reputation, Lyne wisely refrains from making his Lolita a teenage bombshell, something the more artistic Kubrick couldn't resist. Again, however, the problem is Quilty. Both directors obviously felt compelled to render in three dimensions a character who is one of Nabokov's phantoms: Does he really exist? Who is he and what do we know about him, outside of Humbert's increasingly paranoid imaginings? Can we trust anything at all that's said about him in this book? I expect that Nabokov himself regretted having to bring Quilty out of the shadows at all for the denouement. Sellers carried off the role with style, making you forget for a moment that his routines seem to have wandered in from another film. Lyne turns the final confrontation between Humbert and Quilty (there is no flashback framing device, as in Kubrick) into pure Grand Guignol, and so we have to endure watching poor, paunchy Frank Langella running down a hallway of his ridiculously overstuffed house, his bathrobe falling open to reveal his endowments to our embarrassed gaze before being blown away Dirty Harry-style by the avenging Humbert. A major wrong note to say the least. So Quilty, in the end, defeats both of Nabokov's filmic approximators. But if you love the book, see both movies: Kubrick and Lyne each capture different aspects of the master's great story in valuable ways, and the new Lolita is clearly Lyne's best work yet, proving that a great novel can inspire excellent filmmaking, if not guarantee an "ideal" adaptation. What we really need now, however, is not a third version of Lolita, but finally, a filming of Lolita: A Screenplay. Nabokov had fun writing this, and any fan of his should read his script as well. Wouldn't you like to see a move of Lolita in which Humbert, searching through the woods for his Lo, encounters a butterfly collector named Vladimir Nabokov? Of course you would!
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What is the streaming release date of Lolita (1997) in Canada?
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Ein Mann heiratet seine Wirtin, damit er sich an deren Tochter heranmachen kann. Ein Mann heiratet seine Wirtin, damit er sich an deren Tochter heranmachen kann. Ein Mann heiratet seine Wirtin, damit er sich an deren Tochter heranmachen kann.
Humbert : [voiceover] She was Lo, plain Lo, in the morning, standing four feet ten in one sock. She was Lola in slacks, she was Dolly at school. She was Dolores on the dotted line. But in my arms she was always - Lolita. Light of my life, fire of my loins. My sin. My soul.

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