Lolicon 3d Image Porn
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Lolicon 3d Image Porn
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April 18, 2002 Posted: 1:13 PM EDT (1713 GMT)
WASHINGTON (CNN) -- The U.S. Supreme Court Tuesday struck down a 6-year-old law that prohibits the distribution and possession of virtual child pornography that appears to -- but does not -- depict real children.
The law had banned a range of techniques -- including computer-generated images and the use of youthful-looking adults -- which were designed to convey the impression of minors engaging in sexually explicit conduct.
The 6-3 ruling says the law violates the First Amendment guarantee of freedom of speech. The decision hands a major setback to the Justice Department and the majority of Congress in their legislative efforts to fight child pornography.
Writing for the majority, Justice Anthony Kennedy said key provisions of the Child Pornography Prevention Act of 1996 were "overbroad" and infringed on established protections of material with artistic value that does not violate community standards.
"Pictures of what appear to be a 17-year-old engaging in sexually explicit activity do not in every case contravene community standards," the court said.
"The (Act) also prohibits speech having serious redeeming value, proscribing the visual depiction of an idea -- that of teenagers engaging in sexual activity -- that is a fact of modern society and has been a theme in art and literature for centuries."
The opinion cited several artistically significant instances in which teenage sex was portrayed, including William Shakespeare's play "Romeo & Juliet," and the recent movies "Traffic" and "American Beauty."
Kennedy was joined by justices John Paul Stevens, David Souter, Ruth Bader Ginsburg and Stephen Breyer. Clarence Thomas wrote a separate opinion agreeing with their conclusion.
Justices Sandra Day O'Connor, in a dissent, disagreed with much of the majority opinion, and was joined by Chief Justice William Rehnquist and Antonin Scalia.
In a separate dissent Rehnquist, backed by Scalia, strongly disagreed with the majority, saying "the computer-generated images are virtually indistinguishable from real children."
The ruling came in a case named Ashcroft v. The Free Speech Coalition. U.S. Attorney General John Ashcroft and President George W. Bush's Justice Department inherited defense of the law from former Attorney General Janet Reno and the President Clinton Justice Department, which had defended the law in the lower courts.
The Free Speech Coalition is comprised primarily of a trade association of publishers of pornographic materials.
Ashcroft said he was disappointed by the court's decision.
"This morning the United States Supreme Court made our ability to prosecute those who produce and possess child pornography immeasurably more difficult," Ashcroft said.
Ashcroft said the Justice Department would use every resource to prosecute child pornography cases and said child pornographers "will find little refuge in today's decision."
He said he would work with Congress to pass new laws that would survive the court's scrutiny.
"I believe today's opinion and the Constitution leave open legislative avenues to protect our children from harm and we will seek to develop the means to do so with legislative endeavor," Ashcroft said.
Still to be decided by the Supreme Court this spring is another case involving a separate law, which specifically restricts the access of minors to sexually explicit material on the Internet.
FindLaw opinion database: Supreme Court opinions from 1893-2002
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The U.S. Supreme Court voted 6-3 to strike down the ban on virtual child pornography, saying the law violated the First Amendment right of free speech. CNN's Kelli Arena reports (April 17)
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This painting was exhibited at the Royal Academy in 1933.
Penlee House Gallery & Museum
Penzance
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© the artist's estate / Bridgeman Images . Photo credit: Penlee House Gallery & Museum
Материал из Википедии — свободной энциклопедии
Lolita City — веб-сайт, находившийся в зоне .onion анонимной сети Tor . Сайт представлял собой онлайн-галерею детской порнографии с фотографиями моделей женского и мужского пола от младенческого до 17-летнего возраста [1] (18 лет является минимальным легальным возрастом моделей для съёмок в порнографии в большинстве стран мира) [2] [3] .
Little women
Mums say they boost self-esteem. Critics say they sexualise kids. We visit the bling-filled frontline of children's beauty pageants.
WORDS Melissa Fyfe
PHOTOS Tim Bauer
VIDEO Tim Young
DESIGN Mark Stehle
DEVELOPMENT Nathanael Scott
MULTIMEDIA EDITOR Felicity Lewis
T hey meet in secret to avoid the protesters, the people they call “the haters”. The haters accuse them of child abuse and want their activities banned. So this event, run on a recent Saturday at Melbourne’s Best Western Airport Motel & Convention Centre, is not advertised to the public. You can’t buy a ticket or find details on the internet. And by 9.10am, the day is well underway in Room 25.
Room 25 Indianna with her mother, Melita Swift, and Melita's fiance, Guy Crane.
Inside this room is a beautiful, freckle-nosed five-year-old named Indianna Swift. Indianna, relaxed and smiling, is still in her nightwear – a pink onesie – but her hair looks ready for the red carpet. “That’s a wiglet,” says her mother Melita Swift, 25, pointing to the cascading brown curls pinned to her daughter’s head. Swift, a childcare group leader from Queensland, knows all about wiglets, and many other things besides, since joining the world of child beauty pageants in January. Earlier, a woman came by to do Indianna’s face. It’s airbrush make-up, which has pleased Swift, because you can still see Indianna’s freckles. The make-up at the last pageant, she says, was ridiculous. “It looked like she was ready to go on a drag queen show.”
Travelling to Melbourne for a national child beauty pageant is not something that the stage-averse Swift thought she would ever do. And she certainly never imagined forking out $2500 on airfares, hotels, make-up and cupcake dresses for this one contest.
“I was one of those judgmental parents,” says Swift, who has her fiancé, an aspiring policeman called Guy Crane, 25, and her mother Raelene Berich, 48, by her side. “I was one of the worst.”
Just so Grandmother Raelene Berich and mother Melita Swift tweak Indianna's costume.
But things changed when Indianna began to walk. All she wanted to do was perform, but she was pigeon-toed and told she could never dance. Searching for something her daughter could physically cope with, Swift found the Follow Your Dreams competitions, one of the nation’s two big pageant systems. She believes practising the simple pageant poses has helped to almost cure Indianna’s pigeon-toed stance.
Like most parents in the growing Australian child beauty pageant industry, Swift believes she is unfairly stigmatised because of the reality-TV series Toddlers & Tiaras (screened here on Foxtel). The show is about the $US5 billion ($7.1 billion) US child pageant industry at its most exploitative, with “momsters” telling their daughters to “smile until it hurts!” and feeding them Pixy Stix candy (otherwise known as “pageant crack”).
Of course, before Toddlers & Tiaras, there was the strange and unsolved 1996 murder in Colorado of six-year-old beauty queen JonBenét Ramsey, who looked like a doll. And after Toddlers & Tiaras came the spin-off Here Comes Honey Boo Boo , a popular show until it was axed when June Shannon, the mother of Honey Boo Boo (real name Alana Thompson), reunited with a child sex offender who had allegedly abused another daughter. Tawdry doesn’t even begin to describe this stuff.
Pout Indianna practises her moves.
Melbourne entrepreneur Kylie Drew, 44, who runs the Follow Your Dreams competitions, knows what Toddlers & Tiaras is like; she was once a guest judge on a pageant featured by the show. Drew, multitasker extraordinaire and self-confessed control freak, has travelled extensively across the US. Six years ago, she imported this particularly American subculture to Australia, setting up one of the country’s first child modelling pageants.
The Australian culture, she says, is different. Unlike the US, children are not judged on their facial beauty. And she says the parents are better behaved than those television “pageant moms”. As dance schools face growing criticism of their skimpy outfits and suggestive moves, Drew says she offers a safe place, and a friendly community, for stage-obsessed kids to strut their stuff and gain confidence.
Can this really be so harmless? “The haters”, as Drew calls them – such as those behind Collective Shout, the campaign against the objectification of women and the sexualisation of girls – certainly don’t think so. Collective Shout and psychologist Michael Carr-Gregg, among others, have called on politicians to ban child pageants, arguing they create “sexualised dolls”, leading to negative body image, eating disorders, depression and low self-esteem.
Yet sitting in Room 25, watching Indianna bouncing on the hotel bed, it is hard to see her as an exploited or troubled child. She’s one of the happiest, most delightful five-year-olds I’ve ever met. Later in the day I’ll find myself confused, even disturbed, by other parts of the pageant experience, but not now. This little girl is fine.
I t’s just after 10.30am and the action is starting in the hotel’s function room. Kaliese comes on stage in a coral cupcake dress. “Kaliese is outgoing,” says Drew, MC-ing from the side of the stage (she has a microphone in one hand, her smartphone in the other: she is simultaneously running a dance competition down the road). “Her favourite movie is Tinkerbell . Her hero is her daddy.”
As soon as Kaliese comes off stage, her mother, Sheridan Larkman – who also runs pageants – puts a dummy in her mouth. Kaliese is 16 months old and, for most of her performance, was in her mum’s arms. But she smiled and waved at the judges, the most you can expect from someone yet to master a fork. In this under-three category, she’s up against some tough competition: 14-month-old Marley, a little ratty after skipping a nap, and Kaliese’s sister Alaska, 2½, who later completely misses the talent section due to her afternoon sleep.
The first category, formal wear, is a crucial section, making up half the final score. Later comes casual wear, “outfit of choice” and an optional talent segment. In all categories, except talent, contestants assume poses and walks. “It’s like they are gliding on stage,” is how Swift describes it.
It’s about poise, elegance and a quality often mentioned in the pageant world called “sass”. Cheekiness, in other words.
The three most important people in the room are sitting in front of the stage: the judges. One is Jessica Martini, Miss Galaxy Australia 2014. Martini has long blonde locks that hit the top of her peplum skirt. She could be a real-life Barbie, except, of course, researchers once estimated the odds of finding a real woman with Barbie’s waist measurement was one in 2.4 billion. The judges enter each contestant’s score for technique, overall presentation and grooming into their laptops.
Judge Jessica Martini, Miss Galaxy Australia 2014.
Next on stage is Neveah (yes, that’s “heaven” spelt backwards) in a diamanté rhinestone cupcake dress. The three-year-old is tentative, a mouse in an open space, and skitters off the stage as soon as she can.
After her performance, four-year-old Tabitha (“Her ambition is to be a rock star, her favourite movie is Frozen ”) receives from her mother a pink toy camera in its packaging. Reward? Bribe? I don’t know.
Then there’s another Marley, who is three. Marley’s mother Raelene Eshun, 36, is in the audience, discreetly giving little cues to her daughter with her hands.
Eshun is an unlikely pageant mother. She has dreadlocks and works in child protection. Marley’s father Edward Eshun is from Ghana, and he and Raelene also care for his daughter Naa, 9, competing today. Edward, a drummer and dancer, sits quietly in the corner, offering advice when asked. Should Naa’s hair be up, down, or halfway up and down? Naa wants to model: “She’s a very humble young girl, but get her on the runway and she just turns into Naomi Campbell,” says Raelene Eshun. So Eshun found Drew’s competitions. And then Naa wanted her sister Marley to join her.
Like most mothers here, Eshun found a supportive, tight-knit community in the pageant world. And Eshun is particularly impressed that the Follow Your Dreams pageants do not score girls on facial beauty. “With the American TV shows, you think it is all about fake eyelashes and that sort of stuff. I put a little lip gloss on my girls. Yes, there are mums who may go a bit overboard, but that’s okay, that’s their choice. My girls do fine without all that extra stuff.”
P ageants are not cheap. This one costs $350 to enter. Dresses are about $150 second-hand or up to $2000 new, depending on how “blinged” they are, as one mother put it. One 12-year-old contestant has a $3000 dress (it’s about making sacrifices for your kids, her devoted dad says, so he buys his clothes from Kmart). So why do parents (mostly mothers) do this? Fame? Maybe. If they stick with the pageant system they might find fame as Jennifer Hawkins and Rachael Finch did after appearing in the Miss Universe competition.
But others, like Raelene Eshun, do it simply because their kids enjoy it. “I think they get confidence and friendships, the obvious stuff,” says Eshun, whose daughters sell their unwanted toys at garage sales to pay for their pageants. “Marley is a very creative, confident little girl. She was born that way and I think it is a fantastic outlet for her to be who she is.” (Marley now has an agent and has modelled for Aldi nappies.)
Double act Cruz Clarke with his mother, Karina, who also competes.
Karina Clarke, 39, has spent nearly $2000 on this pageant (“My husband would kick my butt if he knew,” she jokes). It’s particularly expensive this time because Clarke is also performing with her son Cruz, 4, the competition’s only boy. Clarke, a hairstylist, started Cruz in pageants because “he was pretty obsessed with the stage”. He often wins “Prince” or “King” of his category, but has never pulled off a “Supreme” title. It’s a tough ask to win against the “sparkly” girls, Clarke admits, so she adds “some bling” to his little suits.
Sharp Veteran "Prince" and "King" Cruz.
Quite how Cruz, or anyone else, knew he loved the stage before he got up on one in his first pageant is just one of the questions I find myself puzzling over during what turns out to be a long and bewildering day. But for many mothers – such as Clarke, Eshun and Swift – the pageant journey begins with the booming baby-show industry. That’s where their child first discovers the thrill of a stage. This was true for Sheridan Larkman, mother of Kaliese and Alaska. But why put your baby in a show?
“As a mum, it’s just something that you do,” says Larkman. “Every mum does it at one point or another.” Not this mum, I think. I would never put my 19-month- old in a baby show. But I do not say this out loud.
A lexis Turner is one of those How-does-she-do-it? mums. The 30-year-old from Brisbane is studying a double degree in interior and graphic design, runs her own business, and has a nine-year-old son, a six-year-old daughter and a five-month-old baby. Not only this, but she manages to have perfectly shiny, straight, black, shoulder-length hair and looks g
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