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Liza Minnelli looked like she was having a grand old time in the car on the way to the Oscars ceremony on March 27.
Fans were concerned last month for the 76-year-old “Cabaret” legend after she appeared frail while on stage at Los Angeles’ Dolby Theater to present an award with Lady Gaga.
In a clip from Hollywood’s biggest night, her close friend Michael Feinstein , who claimed she was “sabotaged” by the Academy, shared a video on both Facebook and Instagram that he shot in the car with Minnelli shortly before the show.
The clip featured the Oscar winner smoking a cigarette, dancing in her seat and singing gleefully.
Minnelli looked joyous and spirited as she made her way to the event. She then started singing the show tune “(It’s Gonna Be) A Great Day” by Vincent Youmans, Edward Eliscu and Billy Rose.
Fans gave so much love after seeing the video of the EGOT recipient looking lively, with one commenter on Instagram writing: “Still smoking too. Haha. Gotta love her!”
“Legend 76 years old, cigarette in hand, still showing ‘em all how it’s done,” one added. “A genuine legend. Uplifts my heart,” a user said. Another penned, “Liza has the pipes that won’t quit! Sounding great as ever!!”
Feinstein, 65, claimed earlier this month on Sirius XM’s “The Jess Cagle Show” that Minnelli was “sabotaged” and “forced” to use a wheelchair at the Oscars.
“Sabotaged. That’s a terrible word to use but she only agreed to appear on the Oscars if she was in a director’s chair, because she’s been having back trouble,” he said.
The Great American Songbook archivist went on, “She said, ‘I don’t want people to see me limping out there.’ She said, ‘You know, I want to look good. I don’t want people to worry about me.’”
“Then literally five minutes before she went on, when she sat in the director’s chair back there, and because I guess they were all shaken up because of everything that had happened earlier ,” Feinstein said, alluding to the Chris Rock Will Smith incident. “The stage manager said, ‘Well, she has to be in a wheelchair.’”
“She was nervous,” Feinstein said. “And it made her look like she was out of it. Can you imagine being suddenly forced to be seen by millions of people the way you don’t want to be seen? That’s what happened to her.”
The pianist later told Page Six that the “New York, New York” star noted, “No, I will not be seen in a wheelchair in front of everybody. I will not do this. I refused to do this.”
You undoubtedly know of Lolita , the controversial 1955 novel by Vladimir Nabokov that tells the story of an adult man's relationship with a sexually provocative 12-year-old "nymphet." You're also likely familiar with the Tokyo-born style subculture of the same name that consists of ruffled petticoats, lace hair bows, and pink parasols. And, if you're not part of that scene, you've probably conflated the two. Despite the little-girl attire and coquettish sensibilities, Lolita the style and Lolita the book come from completely different places.
Originating in Japan in the '70s, Lolita fashion was a reaction to the contemporary trend of showcasing a woman's body through formfitting clothing. For women who didn't want to show off their bodies, this was a way to set their own rules about getting dressed, engaging with their clothing, and what was considered a "good" outfit. Small communities grew throughout Tokyo, an industry sprouted up to accommodate demand, and pretty soon, Lolita fashion became renowned beyond the streets of Harajuku.
So, when we found a group of young women in Amsterdam who get together to dress up in Lolita gear, we weren't all that surprised. What did throw us for a loop, though, was how empowering they found it, as more than an activity but an identity and a community. A style subculture created by women, to dress women, and to be admired by women, it's one of very few that remove men from the equation entirely. Our host Asha Leo visits a group of women in The Netherlands who've come across a newfound confidence in a style that's traveled halfway around the world to find them.
For more from our Style Out There series, click here.
This Might Make You Rethink The Way You See Gender
The Bohemian Style You Don’t See Every Day
Now Playing Lolitas Who Aren’t Asian: Why This Style Is Actually Universal
Korea’s Matchy-Matchy Couple Outfits Take Relationships To The Next Level
What Harajuku Girls Look Like These Days
Refinery29 travels to Amsterdam in their Style Out There series to talk with the girls who've found themselves in the Japanese Lolitas style.
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Trailer: The 1997 movie Lolita, based on the classic novel
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Published: 22:10 BST, 17 September 2018 | Updated: 01:58 BST, 18 September 2018
Sally Horner was abducted aged 11 by Frank La Salle in the U.S. in 1948
Shortly before Christmas 70 years ago, a local newspaper in Philadelphia carried a heart-wrenching seasonal article under the headline: ‘An Xmas Tree Glows; A Lonely Mother Waits’.
It told the plaintive story of Mrs Ella Horner, a widow whose pretty, fair-haired 11-year-old daughter Sally — the very personification of innocence in her virginal white dress and short socks — had gone missing six months earlier, abducted by a stranger, and not heard of since.
What was even more tragic was that Mrs Horner had actually consented to her daughter going off with this middle-aged man she had never met. She’d been told by Sally that he was the father of one of Sally’s school friends and she was going on holiday with them to the seaside.
This was a fabrication — made, as we shall see, by Sally under duress — but Mrs Horner didn’t question it. In reality, the man was no such thing. A 50-year-old car mechanic who went by the name of Frank La Salle (one of many aliases), he was a convicted rapist and an unrepentant paedophile who preyed on sub-teen girls for his deviant sexual kicks.
For close on two years from 1948 to 1950, he held Sally captive, driving her from one city to another to stay ahead of the police, telling anyone who inquired that he was her doting, attentive father when the sordid truth was that he was using her as his concubine and satiating his lust on her at every opportunity.
By coincidence, around the same time, a Russian-born professor of literature at elite Cornell University was working on the germ of an idea.
Vladimir Nabokov — gifted, charismatic and already an acknowledged poet and author —wanted to explore through a novel about forbidden love the secret life of a man sexually obsessed with a young girl and in such thrall to this ‘nymphet’ (a word that Nabokov coined) that he would risk all to possess her.
He called the man Humbert Humbert and the 12-year-old girl Dolores — Lolita, for short. The story of their secret, sordid relationship as they journey from motel to motel, posing as father and daughter, would form one of the most electrifying, influential and notorious novels of the 20th century.
Was there an unacknowledged connection between fact and fiction here? Were Sally’s experiences in some way a blueprint for Nabokov’s creation?
The young girl was told by La Salle (pictured) she had to come with him or she'd be jailed
American crime writer Sarah Weinman believes so and argues her case in a recently published book revealing Sally Horner, as its title declares, as ‘The Real Lolita’.
Not that Sally was in any way a temptress in the way Lolita was portrayed — her very name becoming, thanks to Nabokov, a dictionary-defined synonym for a sexually precocious young girl, a pouting under-age siren. Sally was, in fact, an innocent, tricked and coerced into sexual slavery.
One day in her home town of Camden, New Jersey, just across the river from Philadelphia, she was caught in the act of stealing a cheap notebook for school from the local Woolworth’s.
A fierce-looking man grabbed her, identified himself as an FBI agent and told her gruffly she was under arrest.
She wept, he relented and said he would let her go as long as she promised to report to him from time to time. Otherwise she would be off to jail as a thief. Aged barely 11 and terrified of her mother finding out, she agreed.
A few months later, she ran into him again and fell for the yarn he spun that she would have to accompany him to his police headquarters in Atlantic City, on the coast 60 miles away.
The real life events mimic those in the novel written by Vladimir Nabokov in his classic Lolita (pictured Dominique Swain and Jeremy Irons in the 1997 movie Lolita)
She was to tell her mother she was going there with a school friend for a few days, and her busy mother — who worked long hours as a seamstress after her husband’s suicide and was grateful for someone to take her daughter on holiday — foolishly accepted her story at face value.
She even took Sally to the bus station and waved her off, catching just a glimpse of the furtive Frank, but thinking no more of it.
Yet the days turned into weeks and the weeks into more than a month, and Ella realised something was wrong.
There were no phone calls home and her letters to the address she had for Sally were returned to sender. She raised the alarm.
Police went to Atlantic City, traced where they had been staying and quickly identified the man as La Salle. But there was no sign of Sally and the man she apparently now called ‘Daddy’. They had disappeared and were on the run.
And when a police search over eight states failed to find them, official interest fell away, leaving Ella to a mournful, lonely Christmas, waiting in vain for her little girl to return.
She told the newspaper that ran her story: ‘Whatever she has done, I can forgive her for it... if I can just have her back again.’ What Sally was actually doing was whatever diabolical deed La Salle told her she had to do. She was his slave and she lived in abject fear of him.
But to those they met in the neighbourhoods where they lived, she smiled, and they looked every inch the devoted father and daughter. In Baltimore, he got a job and, every day while he was at work, she dutifully went to school and came home in the evening. And said not a word to anyone.
Too scared to defy ‘Daddy’ or run away, she hid the truth from everyone — even though by now he had gone from kidnapper to child molester and was regularly forcing her to have sex with him.
He still held over her the threat that she could go to jail, and, in the naivety her young age, she believed him. (Similarly, Humbert keeps Lolita in line by warning her she, too, will end up behind bars if she goes to the authorities.)
And whenever La Salle felt the law getting too close, they moved on — to Dallas in Texas and then San Jose in California. They lived in trailer parks, where for a year, Sally playe
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