Little Porno Film

Little Porno Film




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In most pornography, much of the titillation comes from the thrill of seeing something you’re not meant to see. From the outset, the new horror thriller Porno seems enamored with turning that sensation on its head and finding the fear on the other side of those forbidden desires. Unfortunately, that thematic exploration takes place within an unspectacular vessel.
Porno follows a group of young movie theater employees whose collective urges leave them trapped at work overnight while they’re being hunted by a succubus. There’s a pair of horny ushers we meet playing Peeping Tom on their neighbors fucking with a window open, a newly straight edge projectionist whose devotion to his principles borders on the erotic, their supervisor crushing on her work bestie, despite knowing his secret homosexuality and of course, a strict Christian manager hiding secrets of his own. Also, for some reason, the film is set in the ‘90s, the weekend A League of Their Own opens.
All these subplots come to a head at an after-hours staff screening where they decide to play a mysterious can of film they find hidden in the basement, an artsy and frenetic porno movie with a demon trapped inside the celluloid. From there, “Lillith,” a hot and shape shifting monster played by Katelyn Pearce, hunts each of them, exploiting their inner sinner and setting off chain reaction reveals about each of their respective issues.
The film’s problem is twofold. While the premise is interesting enough, its execution leaves quite a lot to be desired. The characters aren’t memorable and the performances are underwhelming, meaning that all the set-up in the world isn’t enough to get the audience invested in their danger, or even to outright hate them enough to be excited by the prospect of their gory deaths. The entire affair just feels like a perfunctory exploitation flick with just enough sex and violence to attract viewers without doing anything unique enough to hold their attention once they’ve arrived.
The other issue is the premise itself, which feels like someone wrote a movie set at a church camp or something, given how prevalent Christianity is in the narrative and themes. It’s as if someone just transported that script to a movie theater in the 90s, perhaps from personal experience, without altering anything else. It’s borderline strange to imagine this many young people, even in a small town, having such a strict and religious relationship with the guy who tells them how to scoop popcorn. That disunity of content and intent in the storytelling makes the whole movie feels broken somehow, like there was a glaring issue on the page and no one bothered to notice it through the entire filmmaking process.
While it’s clear that the thorny relationship between sex and religion permeates the air, it doesn’t inspire new ideas or striking imagery. Instead, we occasionally see pretty chaste images of breasts, some minor vulgar word-play and one particularly egregious scene of a man having his penis wrapped in a tourniquet after the succubus makes his testicles explode using demon powers. That little bit of business encapsulates everything lacking in Porno. A big, graphic set piece designed to shock and bewilder that nonetheless leaves the viewer feeling numb and bored. “Oh, a bloody dick. Neat.” The film is little more than a feint at digging into the guts of what drives our collective desires, only to settle at surface level signifiers of smut without substance or incident. A horror movie called Porno shouldn’t be this difficult to pull off.
Dominic Griffin is a pop culture polymath who lives on the internet. He writes about film, music, television, comics, and professional wrestling at Deadshirt.net and anywhere else that will support his unhealthy obsessions with Drake, Michael Mann and the X-Men. You can find him on Twitter (@captain_fuck) probably talking about Kanye West or maybe Mamet.
This well-trod ground just proves too difficult to freshen up, but if we as an audience wi…
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Little Children takes a penetrating look at suburbia and its flawed individuals with an unflinching yet humane eye. Read critic reviews
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Sarah (Kate Winslet) is a well-educated woman who cannot come to terms with her life as a housewife and mother. Brad (Patrick Wilson), a stay-at-home dad, is married to a beautiful filmmaker (Jennifer Connelly) and goes skateboarding instead of studying for the bar exam. The pair meet at a playground and soon begin having secret trysts while their children nap and their spouses are at work.
R (Some Disturbing Content|Language|Strong Sexuality and Nudity)
New Line Cinema, Standard Film Company Inc., Bona Fide Productions
Jackie Earle Haley
Ronald James McGorvey

Patrick J. Palmer
Executive Producer
The film displays a certain kinship with Sam Mendes's American Beauty, but Field is more tragedian than social satirist.
February 3, 2007 | Rating: 4/5 | Full Review…
Little Children is disturbing and smart and the best satire of modern American suburbia since American Beauty.
Well-acted and meticulously crafted, Little Children can feel less like a full-blooded representation of life than a disquieting literary exercise.
I didn't like any of these characters, but I kept pulling for them anyway -- right up to the shock-o-riffic ending, when I felt I'd been sucker-punched.
January 5, 2007 | Rating: 2.5/4 | Full Review…
As in Field's first film, the characters are drawn with such compassion their follies become our own and their desires seem as vast as the night sky.
Little Children shines through its flaws to deliver some of this season's most adult entertainment, a chilly send-up of an America we can all see out our windows or through our video screens.
Little Children is a superb adaptation, which is, nevertheless, slightly let down by too much exposition that comes from a desire to give too many characters meaningful time on screen.
November 3, 2018 | Rating: 4/5 | Full Review…
That a movie can inspire smirks in the same scene where a potential predator is seen scuba diving in the community swimming pool underneath hundreds of young children is one of the most notable feats of any modern motion picture.
March 26, 2016 | Rating: 3.5/4 | Full Review…
Playing up her sturdiness, her furry dark brows and the wiry unruliness of her old-gold hair, Winslet is the best Emma Bovary I've seen-even if she's named Sarah, not Emma.
September 2, 2014 | Rating: 4/5 | Full Review…
More than just another dissection of suburban sexual frustration, its concern with children, parents and those of us who lie somewhere in-between make Little Children a minor masterpiece.
April 27, 2012 | Rating: 4.5/5 | Full Review…
It's not necessarily a cautionary tale, but more a look within a surface utopia that doesn't really exist.
February 9, 2011 | Rating: 8/10 | Full Review…
Little Children is a fascinating and disturbing glimpse into suburban life, without a group of intriguing and diverse characters. The performances here are just outstanding. Kate Winslet and Jackie Earl Haley truly stand out, giving raw and unflinching performances that both terrify and amaze me. Patrick Wilson is also fantastic, giving us a real look into the life of this empty man. Noah Emmerich is very underrated as well, as he steals the show in some scenes. Everyone in the film was at the top of their game. This detailed vision came together extremely well, and it really left me thinking for days after I had saw it.
It is disturbing but the film is really really effective in telling a troubled tale of an affair in a suburban setting with a pedophile thrown in for good measure. Winslet is fantastic as always.
Freaking great! Its a real nice way of showing how intense suburban life can be. Though the ending is a bit of a fantasy, the rest is raw and powerful.
Without having read the book, I can still say confidently that Little Children is a near-perfect literary adaptation. Its multi-layered narrative coupled with its cleverly utilized narration give the movie a distinctly literary feel. It's an astoundingly humane drama that takes a piercing look at the darker underbelly of suburbia while also communicating a message of hope in the goodness of humanity. Kate Winslet plays Sarah Pierce, a suburban mother and wife who, dissatisfied with her husband and friends, begins an affair with a similarly dissatisfied father named Brad (Patrick Wilson). Their affair is set against the overarching plot of registered sex offender Ronnie (Jackie Earle Haley) and his mother moving into the neighborhood, causing parents in the neighborhood to fear for their children's safety. Jackie Earle Haley is the standout actor in an already talented cast, portraying Ronnie as a miserable outcast struggling to overcome his disorder rather than as the heartless sexual predator that his neighbors see him as. The scene in which Ronnie goes for a swim in the public pool is one of the best in the movie, and clearly illustrates his character. As the tension continues to build, the different plotlines of the movie converge until it reaches an intense but moving climax. It's not the first movie to dissect the dark side of suburbia, but Little Children is one of the better ones, and its sympathetic view of its characters makes it an intelligent and thought-provoking drama.
Oh that's nice. So now cheating on your husband makes you a feminist?
No, no, no. It's not the cheating. It's the hunger - the hunger for an alternative and the refusal to accept a life of unhappiness.
My professors would kill me for even thinking this, but, in her own strange way Emma Bovary is a feminist.
Oh, that's nice. So now, cheating on your husband makes you a feminist.
No, no, no. It's not the cheating. It's the hunger. The hunger for an alternative and the refusal to accept a life of unhappiness.
There. You look handsome. She won´t be dissapointed
There. You look handsome. She won't be dissapointed
Wait´ll she hears about my criminal record
Wait'll she hears about my criminal record
I don´t think you need to get into that just yet. Why dont´t you stick to small talk?
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Little Porno Film


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