Little Boy Handjob

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Call him an artist, call him a visionary—just don’t call him a puppeteer. Hand Job, starring Erik Thomas Layne, offers an exclusive glimpse into the rarely-seen world of professional male hand modeling.


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Do you call it a business, a craft, a profession?
It's not only business; it's art, I think.
and you start to see too much hair, and
clients usually don't like that type of stuff.
You honestly sit down, and you watch television,
there are so many inserts of body parts
the really great, amazing hands that are in this world.
where I was David Spade's hand double,
and then they're like, Hey, David, you want another take?
They're like, David, eh, great job, really good.
He leaves, and they're like, Alright, we gotta hurry.
Get the hand model in here right now,
'Cause we gotta get the heck out of here.
Do you have anything in your hand model kit
No, I just have my lotion that I use in between takes
In the industry, we have terms to describe skin tone.
for, you know, very, very pale-skinned people.
That's for more like a, I would say
What I like about my hands, and what other people like
about my hands is that they're very soft, you know.
You're not going to be afraid of these.
They're very, they have a calming sense to them.
It's going to be a celebratory moment.
my hands get a little hard to control.
I have to have a balanced meal, a little bit of carbs,
but not too much, to make me crash, I have to be awake.
I'm a little concerned about these rubber bands
that are on my costume, or wardrobe.
I think they're going to cut off circulation.
Consequently, I'll be a little bit more veiny.
You know, I'm ready for whatever curve balls
I will get a single at the very least, okay?
But I will most likely get a home run.
Are we going to do a scene together?
I'm going to be doing, we're going to be bumping today.
There are certain moves that you have to do,
A lot of times, they'll have you go, boom!
[Interviewer] So you really have to stick it.
and it's all about the positioning.
the way that you should hold a phone, I think.
See, you've got to have, it's very specific.
You've got to have one finger pointing up, outward.
If you think about it, it's kind of like
That one's pointing outward, kind of generic,
would you say this was challenging for you?
and my hand kind of brought the whole world together,
And it's nice to feel important, on a site, you know,
I'm going to put you in the trunk of the car.
Yeah, yeah, yeah, for a minute or two.
[Interviewer] Explain to me what it is.
They're going to have stuff on top of me,
and then I'm supposed to put my hand out and do the part,
but that is where the magic happens,
is when stuff is really fucking tough.
[Erik] Yeah, I have a little, there's a little slit.
If you can bear with me, one more shot.
Okay, you wanna, here, just relax your hand.
Work it out, work it out, let me see.
an incident, a couple of incidents today.
[Crew Member] Yeah, we need a puppeteering monitor, too.
[Director] Yeah, we do, we need the puppeteering,
[Crew Member] Puppeteering monitor, right?
These are an extension of me and who I am.
and real, and a puppet is a fake thing.
when people refer to me as a puppeteer.
I have to be focused and I have to be in my zone,
because perfection is demanded of me.
You know, as soon as they say, Bump, I have to nail that.
hand has to be there, so I have to focus.
You know, people can call me a loner.
They can say, Hey, he's not really,
but at the end of the day, I'm here to get results,
and I have to focus and be in my zone for that.
in order to get whatever we need to do
People degrade my hand modeling, but it takes
quite a bit of skill, and they don't realize that.
because there's a little bit of upkeep,
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Little Boy Handjob