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Лирика бесплатные пробы Лепель

By using our site, you agree to our collection of information through the use of cookies. To learn more, view our Privacy Policy. To browse Academia. Halina Flikop-Svita. On the basis of historical documents with descriptions of the Uniate churches discusses the presence in the iconostasis of foreign origin icons. According to historical sources of the 18th century, which are stored in the Library of Vilnius University and the Lithuanian state historical archives, elaborates on the altar of the Greek Catholic Church of St. Michael the Archangel in the village of the Slonimsky Dean. Examines the principles in the matter of equipment Uniate altars Novogrudok province, then identified trends. In addition, special attention is paid to the altar images and their technique. В данной статье исследуются иконостас и боковые пристенные алтари церкви Покрова Богородицы бывшего базилианского монастыря в г. Толочине, сооружённые при возведении храма в г. Этот архитектурный интерьерный комплекс, свидетельствующий о синтезе восточно- и западно-христианских традиций, до настоящего времени не был введён в научное употребление. Отдельный интерес представляет программа толочинского иконостаса, которая до г. This paper examines the iconostasis and the wall of the side altars of the Church of the Intercession of Virgin of the former Basilian monastery in the town of Talachyn, built during the construction of the temple in This interior architectural complex, indicating the synthesis of Eastern and Western Christian traditions, to the present time has not been introduced in the scientific use. Of particular interest is the program of the iconostasis of Talachyn, which until included the cycle of the passion of icons is the only surviving of the Belarusian iconostases of the 17th — the first half of the 19th centuries. Випуск Луцьк, 19 — 20 жовтня року. The article is devoted to the identification of iconographic sources to the icons from the festival tier of the iconostasis of the Church in village Abrоva Ivatsevichi district, Brest region. Liseichykau Dzianis. Leon Lauresh. This book was widespread not only in the Western Europe, but also on the East Slavic land. And its illustrations have made strong impact on development of the orthodox fine arts of the 17thth centuries. In the article there are analyzed basic researches to the mentioned topic in Russian, Ukrainian, Belarusian study of art. New, before unknown examples of copying of the Netherlands copper-cut by the Ukrainian engravers were detected. The article is devoted to the main and two side altars of the former Uniate Church. Nicholas in Smaliavichy, which after the transition of the Church in Orthodoxy continued to be stored in the interior. The material is prepared on the basis of iconographic sources from the collections of the National historical Museum of Belarus photo and some other historical documents of the second half of XVIII — early XX centuries, describing the interior of the Church. Nicholas in Smolevichi, from the National historical archives of Belarus and the archive of the Church of Transformation of God in rakaw. Examines the history pristennyh of specified altars of the Church, is determined by their creation time. Их возникновение связано с внедрением в униатскую религиозную практику, которая изначально сохраняла восточно-христианскую обрядность, западно-христианских традиций. При упразднении униатской церкви в г. До настоящего времени на территории Беларуси не сохранилось ни одного полноценного «местного алтаря» с престолом. Установлено, что к г. Таким образом, «местные алтари» к последней четверти XVII в. Из-за полной утраты артефактов до настоящего времени об этом сакральном явлении в греко-католических церквях Беларуси было не известно. The article discusses the unique cultural and religious phenomenon which was formed and existed for about a century and a half in the Greek Catholic Uniate Church of the Rzeczpospolita — altars, included in the iconostasis. Their occurrence is related to the adoption of Uniate religious practices, which was originally preserved in the Eastern Christian rites, the Western-Christian traditions. In liturgical practice they were used with the same purpose — they can serve custom-made mass, but in manufacturing it was more simple and budget method: it was necessary only to put the throne to the iconostasis under the local icon. With time, formed a way of creating iconostases originally included in them aedicules — architecturally designed niches for local icons, which visually resembled the traditional architectural retablo altars. With the abolition of the Uniate Church in temples were converted to Orthodoxy, and all attributes of Catholicism were dismantled. Up to the present time on the territory of Belarus has no surviving full «local altar» with the throne. The study was conducted on the basis of historical documents of the late 17th — early 19th centuries with descriptions of nearly two thousand parish, branch, monastery and Cathedral Greek-Catholic churches in Belarus. It was found that by the practice of using «local altars» already existed, as evidenced by the revealed date of creation of the only preserved in Belarus, Uniate iconostasis with aedicules from the Church of Assumption monastery in Zhirovichi village, Slonim district of Grodno region. Thus, the «local altars» to the last quarter of the 17th century became the Uniate practice, where it was used until the early 19th century. Due to the complete loss of the artifacts to date, this sacred phenomenon in the Greek-Catholic churches in Belarus was not known. Log in with Facebook Log in with Google. Remember me on this computer. Need an account? Click here to sign up. Download Free PDF. Related Papers. Полацку,

Лирику Касабланка Марокко